Cauls – Recherché

It has been five years since UK alternative/progressive rockers Cauls delighted and impressed with their EP simply called 2. It turns out it has been a time which almost saw the band call it a day just as it was beginning to make a major impact on the UK music scene. Thankfully they pulled out of the nose dive and after a line-up change found the energy and inspiration to go again. That thankfulness even more pronounced now with the release of their debut album Recherché.

An atmospheric, provocative, and continually rousing blend of alternative/progressive and post rock with earthier post hardcore intensity, the band’s sound and release has evolved into a fire of imagination and enterprise. You would expect and hope each release outshines the last and pushes things on again, something which does not always happen as we all know, but Cauls have taken a big leap in building on the success of that last EP. Recherché is a compelling web of sound and suggestion fuelled by melodic and harmonic elegance and driven by a climate of rousing and often aggressive atmospheric imagination.

From the short instrumental flight of opener De Novo Quincunx, the quintet of Michael Marwood, Chris McManus, Graham Morris, Douglas Redfern, and Kye Walker entice and involve ears and imagination with increasing creative drama. That first piece is a slow developing mist of sonic calm and darker intrigue, guitars gently entangling as darker hues occasionally moan; it all leading to the instantly kinetic presence of Peace Paean. Around the ever impressing vocals of Marwood, a relative calm while engaging guitar woven tendrils smoulders and builds into a more boisterous roar. Descriptive melodies continue to entice and flame in the rousing breakouts, adding to the bolder fire of the song and its captivating Mars Volta meets Muse like landscape.

The track is pure captivation, sparking a keen intrigue and appetite for what is to follow; that adventure soon in full flight through firstly Radio Johanne / Said Molineux. From its initial low key peace with an alluring tingle of melody, the track also simmers and grows in presence and intensity, building into an unpredictable web of sonic and melodic imagination punctured by the adventurous jabs of McManus’ beats. With at times a resemblance to the raw tenacity of At the Drive In, the song consumes ears with fiery charm and rousing energy before the first part of the three-track Wide Opus Abyss awakens in ears.

Amusia is a secret smog full of suggestive essences and evocative sounds as it blossoms into the corporeal body of Vapours. Rhythms quickly provide a bold spine for its harmonic and sonic flames to erupt and unite around the striking draw of Marwood’s voice and the combined prowess of Redfern and Walker alongside the poetic finesse of Morris’ guitar. It is a resourceful blaze which eventually becomes Tide and Bye, an even more agitated yet controlled melodic clamour sharing Radiohead/ Far like spices in its eventful recipe.

The technical sprightliness of COQ8 dances eagerly in ears before mellowing into a reflective serenade. It is a plaintive cry though carrying its own instinctive tempest, a highly strung excitement bringing fiery exchanges of textures and band around the thoughtful vocal led calms. Its second part, Retentive Anamnesis adds greater volatility to that scorching heart, providing a fibrous sonic weave to its wired atmosphere and pleasure for ears and thoughts.

Épée brings things to a close, strolling in with bass and guitars merging dark and surf rock like hues in its tranquil swing before things bubble and boil around ear captivating vocals. Jazzy and sultry yet melancholic, romancing and seducing with a boldness exploring a diversity of rigour, the track is just mesmeric and another fresh detour in the album’s diverse soundscape.

Cauls are back with a whole new heart to create and a sound which grabs that intent with adventure and beauty, Recherché offering surprises and provocative enticements at every turn. We can only sigh with relief that the band did not buckle to that feeling of bringing things to an end.

Recherché is out now @ https://cauls.bandcamp.com/

https://www.facebook.com/Caulsband/

Pete RingMaster 09/05/2017

Copyright RingMaster: MyFreeCopyright

Cauls: EP2

If you are looking for a band to offer something different, music which is equally challenging and rewarding than look no further than British post hardcore band Cauls. They are a band which has ignited the North East of England and beyond with their inciteful and imaginative sounds, now with the release of their new collection of stunning sounds named EP2, the band is ready to intrude on and ignite the nation.

The bio sheet for the release from the Newcastle quartet states that their sound has evoked comparisons to the likes of At The Drive–In, mewithoutYou, Deftones, and Mars Volta. It really is hard to disagree though you can add essences from others such as Fall of Troy, Sunna, and to a lesser extent The Blood Brothers, such their expansive and impactful sound. The EP is stunning, a thrilling and chilling in the respect of tingles it ignites, release which inspires mental and physical reaction throughout and beyond its leaving of the ear.

Formed in 2009, the line-up of guitarist Graham Morris, bassist Andrew McCaffery, and Chris McManus on drums, impressed and fired up hearts with their impressive live shows and muscular progressive instrumental sounds. The trio though felt something was missing and after a lengthy searched for, found and recruited vocalist Michael Marwood and the rest is glorious if still young history. Their two twin track releases in If Bored, Pull Tab Marked Tab and Crave Divan of last year set ears burning with hungry satisfaction but with the new release the band has emerges as something even more immense and mightier, the music leaping from great songs on the previous releases to extreme quality on EP2.

Released on September 24th through Blank Records, the release is astonishing and thoroughly refreshing; the band creating sounds which leaves one breathless and glowing in its uniqueness and skilled soundscapes. The release opens with Whistler, its atmospheric start emerging from a resonating primal bass twang and plunging rhythms. As the guitars singe the air with their sonic caresses the bass finds a snarl to its watchful brief, holding back its intent as the melodic mini suns and expressive heated vocals light up the haunted ambience. All the time the track is slowly evolving into a storm of blistering energy and passion for a burning climax, and an excellent start.

No Motion is an At The Drive-In/Radiohead flavoured piece of joy equipped with acidic melodies and Joy Division like discord. Maybe less dramatic than the first track it still fires up the imagination and appetite which the following Iris Brickfield eagerly and very successfully feeds. With intimidating whispers and soaring vocals the track is a hypnotic and darkened ambient clasp on the passions, ethereal and raw, warm and shadowed, and quite majestic.

After the brief melancholic instrumental The Durande, the release ends on the towering Ahsonnutli, an eight minute triumph encapsulating the magnificent musicianship, inventive songwriting, and emotional impact of the music in one perpetually evolving slab of sonic grandeur. Its starts as a riot before settling into a reflective soul, though soon it is crusading through an array of seamlessly connected and fiery sounds, the band seeding elements of doom, stoner, ambient, and aggressive rock to their progressive weave. It is startling, glorious, testing and fully rewarding.

EP2 is a masterpiece, a release which marks the band as one of the most talented and inspirational emerging bands in the UK and beyond. Cauls will burn your ears whilst treating them to the best original and gratifying sounds heard in recent years.

www.facebook.com/caulsband

RingMaster 18/09/2012

Copyright RingMaster: MyFreeCopyright

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