Puppet Rebellion – Life is in your Hands

Puppet Rebellion new pic_RingMaster Review

Another band which hooked us by their name then backed it up with one rousing feast of sound is UK indie rockers Puppet Rebellion. Theirs is a name which incites numerous ideas and hope for their sound but quickly, certainly going by new single Life is in your Hands provides something far more eventful and mouth-watering than mere thought can conjure.

Formed in 2013, Puppet Rebellion is a Manchester quintet which has had seemingly little trouble in luring fiercely loyal fans and broad attention across the varied strains of social media. Two EPs have certainly done them no harm, both Chemical Friends and No Means Yes acclaimed offerings, whilst their live presence in their home city and further afield has earned the band a potent reputation, support slots for the likes of Catfish & The Bottlemen and Reverend and the Makers only adding to their growing stature. Now Life is in your Hands is out there catching appetites with its deceptively anthemic and intensively persuasive hooks; we alone one’s to greedily bite.

A song about “not giving up on something you believe in, even if it’s very hard to do,Life is in Your Hands instantly bathes ears in sultry tendrils of guitars as a throaty bassline with percussive bait tempts. The potency of that lure is immediate and even more forceful as the band’s new vocalist Oliver Davies adds his roaring croon to the ever expanding landscape and heart of the song. The bass of James Halliwell continues to entice across the song with its dark shadows whilst drummer Danny Moss creates a web that is not intimidating but imposingly catchy. It is a stable yet unpredictable core within the thick smog like richness of the melodic enterprise and tenacity blossoming in and escaping the guitars strings of Paul Trochowski and Craig Gibson.

That anthemic essence mentioned runs through every aspect of the track; not a recruitment as open as in other songs but one just as virulent and formidable in its unique union of expressive textures and enthralling flavours. With its creative tempest, quite simply Life is in your Hands gets the listener physically and mentally aroused and breeding a hunger for more.

Looking back at their previous EPs, Life is in your Hands is no one off but definitely the band’s finest moment to date, and very easy to see why they are becoming some of Manchester’s new favourite sons.

Life is in your Hands is out now

Pete RingMaster 10/09/2015

Copyright RingMaster: MyFreeCopyright

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The Slow Readers Club – Cavalcade

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After a clutch of increasingly impressive and fascinating singles across last year moving into this, anticipation of Cavalcade, the second album from UK indie rockers The Slow Readers Club was high and excited for a growing sea of fans, including us. Each of the quartet of songs offered was a riveting teaser and evidence of the band’s upcoming release and diversely sculpted sound respectively. Those propositions still shine like flaming beacons as they sit within the walls of Cavalcade but are matched by a collection of new to the ear tracks which simply seduce ears and imagination.

Hailing from Manchester, The Slow Readers Club have been no strangers to acclaim these past months. Their singles have drawn frequent praise and support from fans and media alike whilst their live presence has seen highly successful shows with the likes of Catfish & The Bottlemen, The Struts, Reverend and the Makers, and The Sunshine Underground as well as well-received appearances at Tramlines Festival, Party in the Pines, and the Blackthorn Festival. Journalist and frontman for Goldblade John Robb predicted that 2015 would see The Slow Readers Club breaking through to become one of the most important bands to emerge from Manchester’s music scene in recent years. Everything has backed up his suggestion and certainly Cavalcade has brought the year one of its major triumphs.

Picture 2     Creating an emotive and cinematically coloured mix of indie and electro pop, The Slow Readers Club has an embracing and immersive sound which places the listener into the scenery and heart of each song’s narrative as if physically there. Instant evidence comes with album opener Start Again. Its opening cauldron of electro temptation is an immediate potent lure, one only intensifying as a throaty bass line links with choppy guitar riffs and the equally magnetic vocals. It comes with an eighties electro pop breath, as most songs, yet creates a suggestive web of new and unique tempting which is best described as B-Movie meets Interpol but is solely The Slow Readers Club. The embracing keys of Aaron Starkie and the imaginative guitar enterprise of Kurtis Starkie weave an inescapable persuasion, their vocals similarly richly alluring though to be fair every aspect of the song is a lingering incitement, the almost dirty tones of James Ryan’s bass and the punchy beats of drummer David Whitworth equally irresistible, and when it is all united what emerges is a sublime piece of pop alchemy.

Impressive as it is though, the song is surpassed by the following I Saw a Ghost, surely the bands best song to date though it is seriously challenged by other tracks on the album. The band’s recent single, it opens with voice and beats casting a swift and dramatic proposal, one caressed by the warm evocative texture of keys. It is not long before the again wonderfully heavy voice of the bass is aligning itself to the lighter hues of guitar, each contrasting and enhancing the other and the evolving proposition. The entrance of the bass also seems to inspire a heftier energy to Whitworth’s swings, creating a captivating merger of light and dark tones and also as a physical persuasion. The track is sensational, once more seemingly bringing differing decades of pop into alignment for a seriously compelling and intoxicating slice of anthemic tempting.

Forever in Your Debt has a darker emotive air to its presence, from its first breath the bass casting a solemn yet inviting tone to the song and continued by the impressive vocal expression and qualities bringing the song’s premise into ears and thoughts. Bubbly guitar and atmospheric keys add to the brewing drama, every twist revealing new shadows and corners to eagerly explore whilst sound wise there is a post punk like essence tempering the potent heat of melodies and hooks.

Three songs in and variety is as open as the connecting prowess of the band’s imagination, the mesmeric Plant the Seed giving further swift proof. Like a blend of Depeche Mode and Bronski Beat, the song is a transfixing croon of dark electro and synth pop, entrancing ears before leading them into an almost visual passage of intimate reflection and radiant persuasion. A track which impresses from the first play and only grows more potent, it is emulated by the melodically and emotionally climatic Days Like This Will Break Your Heart. It is a brooding inventive roar of an encounter which is almost volcanic in its intensity and sonic landscape. Both tracks continue the immense flight of the album perfectly but are put in the shade a touch by the outstanding Don’t Mind. It is one of those serenades which linger with unrelenting persistence, a lively and evocative caress which just connects with situations we have all been through whilst providing an absorbing soundtrack. With a touch of Black/ Colin Vearncombe to its croon, the song is seductive balladry at its most sublime.

The album’s title track is next and needs little time to bewitch as spicy guitar endeavour fuels a feel of The Smiths at its beginning. It’s reserved but potent start soon builds into a thicker and more dramatically hued theatre of emotion and sound where spices of The The and The Associates flirt with the band’s ideation. The track adds to the growing list of the major moments on the album, and there are so many, before making way for Fool for Your Philosophy to reveal its tangy electro enterprise and dark drama. The almost sinister rhythms of Ryan and Whitworth are worth the price of ‘the ticket’ alone, as too the exceptional vocals whilst the vibrant and energetic dance of keys and melodies are a fire in the enthralling darkness of the song.

Both Grace of God and Here in the Hollow hold body and emotions tight, the first a beautiful intensive flirtation with a Frankie Goes To Hollywood charm and vivacity to it whilst its successor, from an enticing simmering start, grows into one glorious anthem of sound and emotion where vocals again are the mighty instigators to the irresistible theatre of the song sculpted by colossal sounds. We mentioned some songs rival I Saw a Ghost for the pinnacle of the band’s songs to date and this is a definite contender.

The enthralling and emotively fuelled Secrets provides an excellent pungent drama next before things are brought to a close by Know the Day Will Come a song which makes a slow and decent enough start but erupts into another creatively incendiary exploration for ears and emotions. It is a thumping end to a quite exceptional album.

Expectations were high because of the band’s previous singles but The Slow Readers Club has surpassed them and themselves with Cavalcade. The bare fact is that it will be astonishing if you find a better rock pop album in 2015 then this modern classic.

Cavalcade is available now, digitally @ https://itunes.apple.com/gb/album/cavalcade/id979245862 and on CD/vinyl via http://theslowreadersclub.bandcamp.com/merch

http://www.theslowreadersclub.co.uk     http://www.facebook.com/theslowreadersclub

RingMaster 14/04/2015

Copyright RingMaster: MyFreeCopyright

Listen to the best independent music and artists on The RingMaster Review Radio Show and The Bone Orchard on Reputation Radio @ http://www.reputationradio.net

The Slow Readers Club – I Saw a Ghost

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With just a few short weeks to the release of their second album Cavalcade, UK indie band The Slow Readers Club are releasing not only a pungent teaser to their forthcoming offering, but one of their finest moments yet in the shape of new single I Saw A Ghost. It is aural magnetism, an evocative embrace of emotional shadows and intoxicating sound reinforcing the Manchester based band as one of the most fascinating and exciting propositions on the British rock scene

The past year has seen the quartet luring increasing acclaim through a host of enticing singles, including previous single Forever In Your Debt and its predecessor Don’t Mind. They are no strangers to praise and attention it is fair to say, their live presence drawing as much eager reactions as their releases with last year seeing the band play a sold out show at Manchester’s Night and Day as well as successful appearances at Tramlines Festival, Party in the Pines and Blackthorn Festival alongside support slots with bands such as Catfish & The Bottlemen, The Struts, Reverend and the Makers, and The Sunshine Underground. They can also list Peter Hook amongst their enthusiastic fans, a following which from the release of their debut self-titled album in 2012 has perpetually and raucously increased.

Picture 66   Now The Slow Readers Club is stoking the fires of those followers and greater anticipation of their new album with I Saw a Ghost. The song is themed around depression, more specifically according to vocalist Aaron Starkie, “It’s about appearing to have a normal happy life but carrying something with you that can descend at any moment and make everything appear bleak.” It is an emotion perfectly embraced and exposed by the music within the single, its body and gait a bouncy persuasion with infectious energy and character but holding onto underlying shadows and dark thoughts just as tightly. It opens with Starkie immediately unveiling his and the songs’ heart in the embrace of his own crafted keys. Alongside them the jabbing beats of David Whitworth punctuate the emotional drama being shown, whilst the throaty tones of bass from James Ryan only add to the dark air though it is all swiftly tempered by the contagious enterprise of Kurtis Starkie’s guitar amidst that tantalising celestial breath of keys.

The song continues to blend dark and light, each entwining the other with craft and tenacity whilst providing a rigorous stroll of infectiousness amidst immersive almost suffocating dark rapture. The Slow Readers Club are usually and understandably compared to the likes of Interpol, The Killers, and The National but it is easy to also suggest moments of the track has elements of The Smiths, especially the start, and bands like Silhouettes to it. As previous songs though, it emerges as something distinct and instantly recognisable to The Slow Readers Club whilst providing the strongest suggestion that there is a new album on the horizon all sort eagerly check out.

I Saw a Ghost is available now @ https://itunes.apple.com/gb/album/i-saw-a-ghost-single/id973544966 with Cavalcade will be released via Extenso Music on April 13th.

http://www.theslowreadersclub.co.uk     http://www.facebook.com/theslowreadersclub

RingMaster 30/03/2015

Copyright RingMaster: MyFreeCopyright

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Reporters – Trouble Last Morning EP

Reporters

A raw capturing of the imagination with honest lo-fi sounds Trouble Last Morning is the debut EP from a band which provokes the thought that this could be an early introduction of a presence with the potential to evolve into something rather important. The EP comes from UK band Reporters, a duo from Milton Keynes consisting of teenagers Dan Stock (lead vocalist / guitarist) and Josh Ringsell (drums/backing vocals) which is kicking up a bit of a stir with their honest unafraid sound. Having already built a potent following in their home town through their live performances which has seen them play with the likes of Catfish & The Bottlemen, The Weeks, and Dead Sons, Reporters turn their attention to the rest of the country with the release of this quite compelling EP.

Released on the band’s own Phret Records, Trouble Last Morning is soon making the strongest persuasion with Meet Me In The Morning, a track which has a caustic touch to its melodic persuasion and instantly contagious lure to its presence and fluid temptation. The song takes little time in sparking thoughts of The Libertines and Arctic Monkeys but also offers a breath which leaks classic and garage rock invention, a feel of Television meets Tom Petty bringing a further magnetic tease. It makes for a sound which is not strikingly original but wholly inventive and tantalising, the riffs and melodic acidity an exciting wrap around the sinew stretched rhythms.

It is a gripping start soon backed by the equally enticing Last Of The Lonely, its chorus an addiction forging bait which enslaves feet and Art work finalthe appetite for an infection bleeding anthem. As with its predecessor there is no room for excess fat in the songwriting or the delivery, every note and chord a stripped down persuasive wash of unfiltered rock ‘n’ roll with the vocals of Stock feverishly backed by Ringsell, a matching riveting rub of ears and imagination.

The closing Trouble In Paradise is an emotive ballad with a smell of Babyshambles to its discord kissed melodic scent. A track which brews up deeper pungent attraction the more you share its evocative strains, the song shows the richness of promise and enterprise the band has already and can only develop to stronger toxicity ahead.

The Trouble Last Morning EP is a fine doorway into as suggested a band with very bright and potentially important horizons ahead for them and British rock music. Whether it comes to pass we will see but certainly Reporters shows signs of having the creative weaponry to take on that challenge.

www.facebook.com/reportersband

www.phret.net

8/10

RingMaster 25/10/2013

Copyright RingMaster: MyFreeCopyright

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