Dripping blood and viciousness from every note and syllable, the debut EP from Canadian death metallers Tales of the Tomb is the breeder of nightmares and lustful appetites. Volume One: Morpras is a three track execution of the senses, a demonic trespass of the soul inspired by real life equivalents and an encounter which might not be about to turn the extreme metal scene on its head but definitely gives it a nasty assault of murder metal to get excited over.
Hailing from Edmonton and emerging in 2013, Tales of The Tomb draw on the inspiration of horror comics that glorified hideous crimes and creatures, the seed for the band name Tales of The Tomb too, and equally true life episodes of murder, supernatural horror, and real-life terror. These are seeds strikingly blossomed within Volume One: Morpras, in lyric, tone, and sonic brutality. Mixed and mastered by Dan Swano (ex-Bloodbath, Unisound), its goes for the jugular and senses like the protagonists featuring in its concept, an unrelenting trespass continuing across a trio of blood-lusting tracks.
It opens with Snowtown, a violation inspired by real-life crime of small-town Australia. Within a couple of breaths, riffs are venomously flooding ears as rhythms beat down on the senses like a machete. The raw throated tones of vocalist Connor Adams, potently backed by just as grisly other tones, infest the psyche as potently as the sounds and their enterprise which is arguably less antagonistic initially then the vocal squalls on offer. Swinging rhythms and nasty grooves only add to the gripping adventure too, guitarists Corey Skerlak and Tre Thomas casting a bait ridden web as the bass of Bryn Herbert grumbles alongside the rapier beats of John Thomson. It is an impressive start blossoming in strength and imagination the further into its two and a half minutes ventured, clean vocals alone one of the great additives to the mayhem.
The Pig Farmer steps in next, another slim sonic coaxing the spark to a hellacious confrontation which this time, colours true events of a prolific Canadian serial killer. In no time it is grinding its way into body and psyche, torrents of nagging riffs, spicily intrusive grooves, and vocal pestilence igniting ears and appetite as the band ravishes the listener from every direction with incendiary craft and gripping virulence of sound. It is as corrosive as it is irresistible, a rabid animus fuelled by more of the fiercely pleasing vocal mix and a savage predatory intent.
With a touch of fellow countrymen Dark Century to its fury, as too in varying degrees of bands like Dying Fetus and Cannibal Corpse, the track as the EP is an evocation for a greed for more, a hunger fed by the closing Doctor Death. As the serial killer inspirations behind it, the song preys on ears, taking its time to instil its toxicity but working away with compelling almost cancerous sonic intent from the off. Grooves entwine and work their way under the skin like toxic vines, whilst the body of the song strolls with a deceitful calm as much hued in more classic metal essences as it is in death metal voracity.
The first two tracks whip up a rabidity which takes no prisoners, straight in and swing type attacks, whilst the third is a lingering poison which takes its time to build to its aim but with the same riveting result on ears and pleasure. Volume One: Morpras EP is a stirring introduction to Tales of The Tomb but also frustrating that it is a mere three tempests. Hopefully more bloodletting with follow soon but for now this EP is being hungrily devoured.
The Volume One: Morpras EP is available from November 27th digitally and on CD @ https://talesofthetomb.bandcamp.com/
Pete RingMaster 27/11/2015
Copyright RingMaster: MyFreeCopyright
For more exploration of the independent and promotional services check out http://www.zykotika.com/