Whatever is in the drinking water up in Scotland that is dripping into its musical creativity long may it continue. This especially applies to the city of Edinburgh with bands like Letters, My Tiny Robots and Dead Boy Robotics have more than made a stir over recent months and releases. Joining them is The Machine Room who will release their new EP Love From A Distance on March 5th. The new EP follows up previous acclaimed singles Girly which formed part of a split release with a song from Dead Boy Robotics for the TAPE singles club and Camino de Soda, which finds a place also on the EP.
The Machine Room create music which soothes the senses, its dream pop/shoegaze caresses a smooth yet startling stroke across the ear and beyond. The quintet of John Bryden, Tom Adam, Adie Emanuel, Scott Hitchings, and Ryan Marinello explore and bring forth music and expression influenced by the likes of New Order, Depeche Mode, and seemingly at times with a spice of the likes of Blancmange, though The Machine Room never more than dip their toes in the easily accessible waters of electronic eighties pop.
Consisting of four quite varied songs within the overall jangly guitar and broad soaring synth sound, the EP is an expression of love gone wrong and its contemplation. The opening song Cost Of Progress immediately stands out and remains through the length of the EP the strongest and most engaging song. With a nagging bass throughout and dazzling spotlight like melodies the song sways and leans upon the ear wonderfully with more than a heavy feel of eighties band The House Of Love, and with the wonderful falsetto sound of vocalist John Bryden has a definite flavor of Shine On from the Guy Chadwick led band to it. Attentive and attention seeking the song is a glorious flight for the ear to catch a ride upon and the one song that surely will take the band to more and more hearts.
The electronic driven Your Head On The Floor Next Door comes next, dripping with an ethereal gentleness which sparkles within its harder crystalline flow; the song dazzles rather than erupts within the ear. It is another song that one can see many finding the doorway to the bands sounds through, its honest well lit journey a simple joy.
Previous single Camino de Soda fingers the senses with care and an easily pleasing nature. It is not hard to see why the song drew much attention to the band when it was released the latter part of last year but against the previous two songs it does dim in its light a little despite being an attraction the ear cannot deny.
The heavier tones and emotion of Picking Holes completes the release to further delighted satisfaction. Again with a New Order like touch the song offers an emotive mass that soaks the feelings with a melancholic density to temper the other more vibrant sounds previously unveiled on the release, though at no point can the EP be accused of being in party mode.
Love From A Distance is a refreshing release that coaxes rather than enflames the senses. It does not hold a song with an infectious hook or hypnotic melody to easily captivate but offers a mesmeric charm and knowing arm around the shoulders for the same result. For sounds where emotion and touching sounds walk arm in arm The Machine Room is your destination.