Never Found – The Human Condition

Having laid down ear pleasing foundations with their debut EP, British outfit Never Found build bigger lines of attention with its successor The Human Condition. The release sees the Oxford / Bridgend hailing band take their punk infused, metal seeded sound to new throes of adventure and enterprise. It is not a proposition which exceptionally startles but certainly excites whilst whetting imagination and appetite for the future of Never Found with its rousing songs and raw energy.

With their first EP, Sorrow & Cyanide, coming in 2015 not long after the emergence of the band at the tail of the previous year, Never Found has continued to build a potent and loyal fan base and an increasingly strong reputation for a live presence which has seen them support Aiden on tour and share stages with the likes of Fearless Vampire Killers, William Control, and Annisokay among many to date.

The Human Condition is the next step in the band’s ascent through the UK rock scene, a push which quickly gets down to business as the instrumental of its title track sets an atmospheric and imposing scene. Its dangers and vocal statement pulls the listener into the waiting jaws of new single Come To Me. Comparisons to bands such as A Day To Remember, Funeral For A Friend, and Bullet For My Valentine have been placed upon Never Found but the track openly has a potent Reuben feel to it; an irritability which colludes perfectly with the melodic trails of the guitars and the harmonic lure of Daniel Barnes’ vocals. With the stabbing beats of Kieran Ivey in league with the brooding tones of James Sweeten’s bass, the song is a lure and trespass of the senses in equal measure.

The lead guitar of Samuel Redmayne continues to weave a flavoursome web in next up Favourite Mistake, the riffs of Barnes strolling invasively alongside his own vocals with raw throated and melodically nurtured tones as similarly united as the guitars. The track has the infectious instincts of its predecessor and the aggression but misses out on its richer adventure. Pleasure is still a given though and its cinematic heart provocative before The Monster Remains steps in to part steal the show. The band’s metal inspirations instantly fuel riffs and a predacious air, keen bait which only expands and blossoms as the contagious exploits of the band bound in with punk spirit and imagination. It is a great blend with Barnes heading great vocal variety within the virulent roar.

Anyone But Me brings its own catchy and tenacious strain of metal bred rock ‘n’ roll with tempting hooks amidst emotional and vocal discord. There is something openly familiar to the track but plenty to reinforce the growing individuality of the band’s sound though it is quickly eclipsed by the mighty throes of My Grave. It is the other half of the two prong pinnacle of the EP, an aggravated and mercurial trespass which manages to flirt with the passions whilst chewing on the senses with its punk metal nurtured tempest. For its dark side and temperament, the song is as irresistibly infectious as anything on the release and another easy excuse to keep Never Found under close attention ahead.

The EP closes with the equally boisterous Misanthropy (A General Hate), a track with its own crabby tone though tempered by the song’s melodic dexterity. It is a fine end to an encounter which just blossoms with every listen while suggesting that Never Found is a proposition riddled with more than just potential.

The Human Condition is out now and available @ http://www.neverfound.bigcartel.com/

https://www.facebook.com/weareneverfound    https://twitter.com/weareneverfound    https://www.instagram.com/weareneverfound/

Pete RingMaster 09/10/2017

Copyright RingMaster: MyFreeCopyright

Brightlight City – Our Future’s Not Dead

Having impressed with debut EP, Adventures in 2015, British rockers Brightlight City now reveal the blossoming invention and increasing maturity in their sound with successor Our Future’s Not Dead. Hinted at by a pair of singles last year, the new release is evidence of a band building on an impressive start and potential with stylish adventure whilst nurturing a whole new promise for continued growth.

Surrey bred, Brightlight City weave in inspirations from the likes of Hundred Reasons, Million Dead, Yourcodenameis:milo, At the Drive-In, Biffy Clyro, and Jimmy Eat World into their sound; indeed sparking comparisons to the former and others such as Thursday and Hell Is For Heroes with their melody rich and harmonically honed songs. Equally there is a fresh and potent catchiness and steel to Our Future’s Not Dead which as suggested was first glimpsed within last year’s singles Gravity and Thieves. It is a growth in sound which has come with an increasing reputation and praise for their live shows through the quintet sharing stages with Max Raptor, Fizzy Blood, Bad Sign, and Blood Youth and playing alongside Rise Against and Millencolin at Envol et Macadam Festival in Canada in 2015as well as their own shows.

Recorded with Matt Hyde (Funeral For A Friend, Bullet For My Valentine, Slipknot), Our Future’s Not Dead is likely to spark another bout of attention and hunger for Brightlight City, setting out its persuasive strength with opener It Depends On You. Skittish beats alongside vocal and guitar offered temptation bring the song into focus; their low key yet agitated attitude soon a full roar as vocalist Jamie Giarraputo heads a web of melodic enterprise from guitarists Jonathan Staunton and Justin Giarraputo, the latter adding his own potent vocal expression to the mix. Anthemic in heart, imposing in rhythm as the hefty jabs of drummer Ben Bell court the brooding lines of bassist Tom Stock, the track roars with energy and passion.

With a mellower air Leave A Light On follows, wiry melodies swimming round a throaty bassline as emotive vocals entice with distinctive expression. Once again there is an instinctive catchiness at work, never wavering as fiery textures evolve and unite in a livelier blaze of sound and emotion. In some ways it is a less intricate proposition than its predecessor but only to its strength as each element is a flame of craft and drama before making way for Heart Stops. The third track comes coated in the infectiousness of the opener, its swinging body almost pop punk like and relentlessly coaxing listener involvement with its vocal harmonies and controlled but boisterous swing; a tenacious essence just as open in the calmer moments of a song taking best track honours.

The EP is brought to an end by Past/Future, a track epitomising the evolution in the Brightlight City sound with its rounded fusion of melody and energy amidst a new depth of contagiousness and invention. As all the songs within Our Future’s Not Dead it is a memorable and lingering encounter going to make a thoroughly enjoyable and impressing release. The Brightlight City sound has yet to become something truly unique but as the EP shows, it is well on the way and providing some rather tasty encounters along the way.

Our Future’s Not Dead is out now through Undead Collective Records.

https://www.brightlightcityofficial.co.uk/   https://www.facebook.com/brightlightcityofficial   https://twitter.com/blcband

Pete RingMaster 12/04/2017

Copyright RingMaster: MyFreeCopyright

Seeds in a wasteland: engaging with Remnants of Hope

remnants-of-hope_RingMasterReview

Forging a potent reputation with a sound going against the general trend of their local music scene, Remnants of Hope is an Atlanta bred band on the rise. Their Industrial/punk rock sound has seen the band have their most potent year yet since forming in 2014, the sharing of stages with the likes of Eyes Set To Kill, Famous Last Words, Wednesday 13, Allegaeon, Byzantine, and Not Tonight Josephine among numerous all adding to the reputation of Remnants of Hope. With thanks to vocalist Alexander Death, and guitarists Nykii Nightmare and Paul Graveyard, we grabbed the opportunity to find out more about this growing force…

Hello and thanks for taking time out to talk with us.

Hello and thank you for having us!

Can you tell us about the band and how it all started?

We’re a band called Remnants of Hope from Atlanta, Georgia. We started out covering songs from bands we liked then making our own music videos and putting them up on YouTube. After we became more passionate we started writing our own material, not long after that we came up with the name “Remnants of Hope” and started performing.

Is Remnants of Hope your first foray into music or have you been involved in previous outfits?

Group: We’ve not been in any bands before this one.

What inspired the band name?

Group: We’re an industrial band and most of our songs take place in a post-apocalyptic setting. We wanted a name that would describe fighters for the greater good in that setting.

roh_RingMasterReviewWas there any specific idea behind the forming of the band and also in what you wanted it and your sound to offer?

Group: We wanted to be an industrial rock/metal band. We wanted to have flaming guitar solos as well as screaming and singing. We wanted to put on a very theatrical live show, when we’re afforded the time to set-up and we’re allowed to bring extra stage items we take fog and lights with us, as well as stage props.

Do the same things still drive the band when it was fresh-faced or have they evolved over time?

Group: Our passion for music. That will never change.

Since your early days, how would you say your sound has evolved?

Group: Heavier with much more complexity.

Has it been more of an organic movement of sound or do you deliberately push yourselves into trying new things?

Group: Both, as artists we want to progress and do new things, that plus the natural maturity of our song writing progressing makes our sound change.

Presumably across the band there is a wide range of inspirations; are there any in particular which have impacted not only on the band’s music but your personal approach and ideas to creating and playing music?

Zander: Danny Worsnop. His vocal style on Death to Destiny was very intriguing and encouraged me to change up my own style.

Nykii: Bullet for my Valentine. The way their songs are composed is inspiring to me in creating my own compositions.

Is there a process to the songwriting which generally guides the writing of songs?roh3_RingMasterReview

Nykii: I compose all the music then Zander and I get together for the lyrical content of the songs. After that we go down the list of what vocal style the song needs to sound the best. Once the vocal style has been selected me and Paul write the guitar solos. That’s the process and steps we usually go through each time we write a song.

Where do you, more often than not, draw the inspirations to the lyrical side of your songs?

Group: Real life experiences, video games we’re playing…Possibly horror movies for some songs (Afterbite).

Please give us some background to your latest release and some insight to the themes and premise behind it.

Group: Mirroring My Pain. We put it out last April. The EP is about dealing with and defeating your demons.

Mirroring my Pain [the intro] is the start of the story line, the realization that the character of the story can change certain aspects of his life. See Me Fall is about the character confronting his demons, saying how they only want to see him bleed. Every time he looks into the mirror his demon self is threatening to slit his wrists. At the end he confronts and defeats his inner demons. Digging Graves is the part of the story where he buries the worse half of himself, once and for all letting go of his pain. The character has inner turmoil as he fights against his darker emotions to move on. Worth Fighting For is the final song on the EP. The character has taken care of all of his inner demons, but his emotions that lash out are still plaguing him. He fights and kills “Anger” and “Pain” in a symbolic measure that he now has them both under control.

Are you a band which goes into the studio with songs pretty much in their final state or prefer to develop them as you record?

Group:  Yes, we do a lot of pre-production to make sure we get things right once we start recording them.

Tell us about the live side to the band, presumably the favourite aspect of the band?roh2

Group: Whether we play for fifteen minutes or forty minutes, we give it our all the whole time. To us it’s what we live, breathe and train for. The live show is everything to us.

It is not easy for any new band to make an impact regionally let alone nationally and further afield. How have you found it?

Group:  Sometimes, we’ve been really really lucky this year with opportunities to open for bigger bands. Last year we were not nearly as fortunate, so we were basically just trying to push out as much online promotion and campaigns as possible.

How has the internet and social media impacted on the band to date? Do you see it as something destined to become a negative from a positive as the band grows and hopefully gets increasing success?

Nykii: Where we’re from bands are either death-core or pop-punk. This has put us in both a fantastic and a terrible place at the same time. Thanks to social media other band members from different bands can quickly go to one of our sites and comment on the fact in a negative manner that we’re not exactly the same as them, making the exact same music as them. On the other hand, we’re different and we fit better on some shows than others would. I think social media for the most part is already becoming a negative thing at our current place. Keeping it working to your advantage is just a massive game of X’s and O’s. Every time you get three in a row the game appears to restart and you need to find a new corner to try and occupy with your work.

Once again a big thanks for sharing time with us; anything you would like to add or reveal for the readers?

Group: Once again, thank you for having us. Our music video for A Warriors Heart is out now! (or will be by the time this interview is posted). You can watch it here:

https://www.youtube.com/watch?v=94ZNBLFhA8c

https://www.facebook.com/RemnantsOfHopeBand/   https://twitter.com/RemofHope

Pete RingMaster

The RingMaster Review 26/09/2016

Copyright RingMaster: MyFreeCopyright

Deadset Dream – Snakes and Ladders

Photography by Elliot Young.

Photography by Elliot Young.

Following a 2015 which saw the band earn great attention, British alternative rockers Deadset Dream are keeping that same success going on stage and recently through the release of new single Snakes and Ladders. The track is a rousingly infectious slice of melody thick rock ‘n’ roll driven by the warm jangle of guitar aligned with emotively shaped vocals, and very swiftly is very satisfying.

ARTWORK_RingMasterReviewFormed on 2013, Sheffield hailing Deadset Dream has bred and honed their sound into a flavoursome proposition matched in strength by the interest it has sparked. As mentioned earlier, last year was the most potent yet for the quintet of vocalist Shiney Lingwood, guitarists Dan Burridge and Alex Hudson, bassist James Yeaman, and drummer Conor Burridge. Live, the band supported the likes of Funeral for a Friend, Roam, and Autumn Ruin as well as selling out Sheffield’s Corporation towards its end. The release of The Fall, a single taken from Battlecry, the band’s first EP in three years, only added to Deadset Dream’s success with their reputation growing in tandem.

Surging into 2016 with the same live intensity, Deadset Dream gives attention another firm nudge with Snakes and Ladders. The single initially caresses ears with a guitar jangle before Lingwood counts down to an immediately catchy and evocative flow of riffs and melodies around his following plaintive vocals. With rhythms framing all with their own infectious drama, the track croons and rumbles as it sweeps ears up in its anthemically toned adventure.

There is a feel of Mallory Knox and Bring Me The Horizon to the song, open hues which add to an overall roar which fires up the appetite for the Deadset Dream sound. Produced by James Pinder of Treehouse Studios, who lists the likes of Bullet For My Valentine and Fightstar on his CV, Snakes and Ladders suggests this year is more than capable of matching the last in the ascent of Deadset Dream.

Snakes and Ladders is out now with Deadset Dream playing the Kaya Festival in Wales August 7th.

https://www.facebook.com/deadsetdreamband   https://twitter.com/deadsetdreamuk

Pete RingMaster 04/08/2016

Copyright RingMaster: MyFreeCopyright

The art of choosing…talking with The Dreamer Within

The Dreamer Within_RingMasterReviewPromo Shot

Hailing from Exeter in the UK, The Dreamer Within is a band beginning to lure very potent attention with their compelling metalcore bred sound. Young as an outfit, they have already shown themselves a fresh presence and roar on the British metal scene with a stage presence that has audiences swinging s evidence by acclaimed shows with the likes of I Divide, Glamour of the Kill, Skindred, and Palisades. Recently the quintet unveiled a new video for the song Purge for another big poke at broad attention. It had us wanting to know more, so with thanks to the guys we explored the beginnings of The Dreamer Within, their new video, an impending EP, and more besides…

Hello and many thanks for taking time to talk with us.

That’s kewl 😀

Can you first introduce the band and give us some background to how it all started?

Alex and Charlie started writing stuff when they were at Uni many years ago…like 7 years ago (they’re both well old). They both knew each other played guitar from school but Charlie didn’t like Alex because he had better hair and knew how to play more Metallica solos than him. However they ended up jamming together in a covers band and started writing their own stuff just for fun. They’d send each other random riffs and ideas and eventually ended up putting drums to some stuff so things sounded a bit more legit. One day though, Alex decided to put some synth over one of the riffs for a joke, however there was actually no laughing matter – it sounded genius. Well actually it sounded terrible but it started to influence some other things they wrote and eventually synth became a must for any song ideas. To cut a longer story shorter: they eventually got in touch with some people who they thought might be interested in actually playing some stuff live, including Alex’s dear cousin Josh who loves to play a bit of bass. After a few years of practice, writing and re-writing everything and a couple of line-up changes we eventually managed to play a show in July 2014. Ultimately, our love of metalcore probably brought us together, plus we all really like wearing vests. We all have pretty similar music tastes though, ranging from more straight up metal to trance/EDM so going down the contemporary metalcore route was a pretty natural thing for us.

What sparked the decision to form the band and the direction it was to take?

It’s always been quite a natural development, we all love our music heavy and full of synth! As mentioned above, the original conception of the band happened years ago (you can probably still find the original version of Recovery on the internet without having to look too hard) and the direction of the band really just came from a culmination of the things we love about music, minus Taylor Swift’s voice though unfortunately.

The Dreamer Within_RingMasterReviewIs there any specific meaning behind the name?

Choosing our name was a stressful time. We all had terrible ideas and it got pretty frustrating as all the super cool names were taken according to numerous Google searches.  We agonized over so many until one day at practice, Charlie lost it and said “right, I’m going to my car to get my mountain dew and packet of cashews, I want a name by the time I return…” and sure enough, Eliott came up with The Dreamer Within. It probably reminds us most of Charlie being furious and eating cashew nuts, although on a more serious note, we liked it as it vibed well with our style as a lot of our lyrics relate to recognising what’s important within oneself and looking at the world outside the box if you catch our drift. At the core of it, the name refers to the part of yourself that is dormant inside that aspires for greater experiences.

Tell us about your early days as a band; the unforeseen surprises and difficulties which you came up against that maybe musicians do not expect or realise will show themselves.

It’s still pretty early days really! I think one thing we never really considered was just how much effort (and equipment) has to go into creating the kind of sound that we have to manipulate live. I’d say one of the biggest surprises was probably when we played our first show after releasing our debut single Heart of Mine as originally we just wanted to release some music and play a live gig to say that we’d done it; the feedback was so overwhelming that we decided to keep going and never really looked back. In hindsight we could have probably done a far better job at getting ourselves shows at the start – we ended up waiting to be asked by other bands a lot which was awesome when it happened but it did mean we struggled to keep ourselves booked up. Ultimately, we realised that everyone in the local Exeter scene was super nice and talking to people/other bands was the best way to get about. Typically, no one ever has any batteries and we use A LOT of batteries for all the wireless stuff etc. The amount of times we’ve had to do an emergency battery run before a show is ridiculous – we never learn! Josh is the worst for this and also equipment in general. One show we played in Plymouth had him kneeling on the floor playing after his strap broke mid set. Obviously he didn’t have any sort of backup plan so the drummer from The Core of IO had to duct-tape it up for him while he was playing…we looked really awesome…

As you say, it has been a relatively short time that The Dreamer Within has been around; how would you say your sound has evolved in that time?

To be honest not that much – the first two songs we released in 2014: Heart of Mine and Recovery 2.0 are songs that were written alongside a few others that we actually had in mind for our up and coming EP so we’re still very much influenced by our original ideas. We guess that people can probably expect a far heavier EDM presence in some of our more recent compositions but essentially we want to get better at what we started doing rather than change our sound loads of times before people really get to know us.

Do you write and create as a unit?

Alex and Charlie often lay down the primary structure for most of the tunes as they’re both guitarists. They also have the responsibility of recording, mixing and mastering everything so it makes sense for them to take the lead on that side of things. However overall the songs come together from everyone’s ideas as Eliott is a keen synth composer and Matt handles pretty much all the lyrical side of things. As much as we make fun of him, Josh is a sick bass player and he rarely has to be taught anything and is happy to write his own bass parts rather than mimic the guitars…All pretty harmonious really.

 You recently released the video for new track Purge. Tell us about the song’s theme first of all.

Purge is primarily about recognising agents of deception and control in everyday life and “Purging” the feeling that you need to conform to believing what’s force fed to you or allow yourself to be easily influenced by common sources of information. Essentially the message is ‘don’t believe everything you read/see, don’t just sit there letting the world carry you along, get out there and find your own truth.’ We hope we don’t sound too cliché and political!

The press release with its announcement suggested that your new tracks, as well as being more creatively imposing and inventive, have “a darker lyrical tone.” Can you elaborate upon that and The Dreamer Within2_RingMasterReviewdoes Purge epitomise that evolution or are there further dark depths to be discovered?

We think the darker elements come from the overall feel of the songs themselves rather than the lyrics. We find it impossible to write anything in a major key! However regardless of what the song is about, lyrically we always try and put a positive spin on things to inspire a more uplifting feel.

What kind of things most inspires the band’s lyrical side?

We like writing about mankind’s place in the Universe, why we’re all here, what we should be doing while we are here etc. We are all really into space and all that cool stuff so we’d like to think our songs have a really big epic feel to them. We also like writing about some supernatural/potentially supernatural stuff as we think that a lot of potential answers to the world’s great mysteries could lie in thinking a bit more radically than the norm. Our first single, Heart of Mine is actually about Final Fantasy 7 which is one of our favourite video games. Video games are a theme we’d like to explore more in the future. All of us are also massive Star Wars fans so you can probably expect to hear a song in the future that mentions about how Rey from the new film is the greatest female ever.

Back to the video; who did you film it with?

An ace gent who goes by the name of Ben Lumber; the frontman of Acres who are currently killing it in Europe.

Did you, as a band, have a particular idea for it in mind or left it to the director etc. to come up with the basis for what is certainly an eye catching, ear pleasing proposal.

We scouted out what we thought was a pretty cool location for a first video. To be perfectly honest we took a lot of influence from videos that came out in the golden 2008 – 2012 metalcore/(dare we say it) crabcore era. It’s not a big surprise to hear that we love all that stuff. Because it was all performance based, it was up to us to choreograph our moves and group shots. We tried to throw in as much energy from our live shows as possible so what you see in the video is pretty close to what we pull off live, although that can be dependent on the size of the venue! Ben had some great ideas for angles and solo shots etc. but we had a lot of input in the visual side of things and Ben was great at listening to our ideas and working with us.

I believe the band is working on a new EP? Can you give us some insight and spoilers to that?

Cheeky 😉 I think we can probably let slip that the EP is going to be called This Is Not Our Home and will be out at the end of May. It will be made up of 5 tracks including Purge and another new song we’re doing a video for very soon. After listening all the way through, you should end up feeling like you’ve just danced with the Incredible Hulk at a rave until 6am.

Apart from the EP, what is in store for The Dreamer Within fans from hereon in across 2016?

We’ve got some really cool festival announcements coming up over the next few months including Massacre Fest in Gloucester. We also have our first tour booked from June 1st to 5th with High Rise, Follow the Wolf, and Last Hounds which we’re stupidly excited for. It will be our first time playing most of the venues on the schedule including dates in Leeds, Leamington Spa, and London so we’re really looking forward to seeing how we go down in places that aren’t near the South West.

Many thanks again for chatting with us. Anything you would like to add?

Thanks for having us! And to those of you coming to our hometown show of the tour on June 2nd – keep your eyes open for a ripped and kewl announcement about that 😉

And finally, give us an insight into the records and artists which could be claimed to have most inspired your own life and creativity.

We’re inspired by a lot of the bands that people wouldn’t be surprised by like Asking Alexandria, Abandon All Ships and Enter Shikari etc. Although collectively, it’s not unusual to see us listening to artists/bands like Steve Vai, Joe Satriani, Yngwie Malmsteen, Bullet for my Valentine, Trivium, Black Sabbath, Whitesnake, Erra, Funeral for a Friend, Paramore, and The Lonely Island to name a few.

Check out The Dreamer Within further @ https://www.facebook.com/thedreamerwithin

Pete RingMaster

The Ringmaster Review 23/03/2016

Copyright RingMaster: MyFreeCopyright

For more exploration of the independent and promotional services check out http://www.zykotika.com/

Joykill Collective – Self Titled EP

Joykill Collective Promo Shot_RingMasterReview

Last year saw the release of an attention sparking single from UK alternative rock collective Joykill Collective, and a couple of weeks or so ago, the unveiling of its successor. Both were potential drenched, ear pleasing propositions now being potently backed by the band’s self-titled EP. Consisting of those two singles and another couple of fresh and flavoursome propositions, the release is evidence of a band skilled and comfortable in raising rousing roars or intimate serenades.

Originally intended as a solo project by vocalist/guitarist Leif, the Joykill Collective was conceived in the attic of an artistic commune in Northampton. It was here where Leif quickly expanded his idea and began drawing together talented friends and artists from various mediums; musicians, writers, poets, and filmmakers all becoming part of the emerging creative collective. The solo project was soon a multi-talented “politically-charged battle cry”, and the emerging band an adventurous proposal taking experiences of supporting the likes of Skindred, Bullet For My Valentine, and Frank Turner into music making and currently the of regions within the likes of Kazakhstan, China, and Morocco. The middle of 2015 saw the release of the Battle Cry single, and this past month Liberty Taker was uncaged, their lures and qualities now part of the band’s debut EP.

Joykill Collective EP Cover_RingMasterReviewLiberty Taker is the opening incitement within the release and quickly very easy to see why its roar as a single whipped up new attention upon the band. It opens with a raw caress of guitar and vocal temptation, and an almost fifties rock ‘n roll coaxing. Quickly though, the song is strolling along on a throaty bassline within fiery melodies and a great harmonic vocal flame. Things settle a touch as evocative melodies slip from guitars, into a lively simmer which is soon bubbling feistily as the chorus erupts and voraciously entices. The track is superb, a blending of raucous, almost predacious intensity and glowing emotive enterprise within smog like sultriness in air and energy.

It is fair to say that the song steals the show straight away but is potently backed by the following offerings starting with Battle Cry. A lone melancholic strum of guitar within a mesmeric ambience wraps ears first, and continues to keep an evocative hold on the imagination as the surrounding climate becomes tempestuous. A volatility seeps into the atmosphere and body of the song, especially as rhythms and chords spark a sinister and intensive dexterity with almost bedlamic resourcefulness. It is an enthrallingly muggy affair; a rich eruption of creative angst and emotional fire which increasingly fascinates and inspires.

The mellow warmth and reflection of Lies And Gold follows next with Leif’s vocals a soothing yet slightly morose proposal within a gentle hug of guitar. Harmonies rise around his melancholy, rhythms quickly linking in too as the song continues to captivate. As expected, there is drama brewing in its depths which leads to an impassioned crescendo within the track’s mesmeric croon. Whereas the first pair stirs up ears and emotions almost instantly, the song is a slow burn towards the same kind of lingering impact, though enjoyment is a swift result, but it gets there.

Game Show brings the EP to a close; the track making a potent entrance through strings and voice which again easily lure attention into the waiting clutches of one delicious tension and intensity building hook. Subsequently a jazzy, off-kilter passage of unpredictable and gripping imagination frees itself, soon becoming woven into the infectious canter of the song and that pungent hook which came before. Continuing to intrigue and beguile, the track is a thrilling end to the release and arguably the most potent escape of the striking invention and bold imagination fuelling the band’s songwriting and sound.

It feels like the project is still finding the core to its sound; the stable centre from which their diversity and explorations can spring from. When they do though, such the strength and enjoyment experienced with their EP, big things could erupt for them and us.

The Joykill Collective on the EP is Leif- Main vocals, guitar; Lewis- Drums, Bass; Jay- guitar, Bass; Andy- Film; Ben- Stories; Mark- Song writing contribution.

The Joykill Collective EP is released 4th March through all stores and platforms with the single Liberty Taker out now.

https://www.facebook.com/Joykillcollective      https://twitter.com/_joykill

Pete RingMaster 03/03/2106

Copyright RingMaster: MyFreeCopyright

For more exploration of the independent and promotional services check out http://www.zykotika.com/

THE DREAMER WITHIN UNVEIL THEIR STUNNING NEW VIDEO

The Dreamer Within Online Promo Shot_RingMaster Review

South West metalcorers ‘The Dreamer Within’ have made an attention grabbing statement with a sound that is dramatic, cinematic, explosive, and now new video single ‘Purge’, which is out now and viewable at https://youtu.be/_M8pMRy26P4

Spawned in 2014 and fusing a devotion for synths, blistering riffs and ruthless breakdowns merged with engrossing melodies, The Dreamer Within pull from everyone from Enter Shikari and Skrillex through to Bullet For My Valentine and HIM. Consisting of Matt Stuart (Vocals), Charlie Smith (Guitar & Clean Vocals), Alex Hepworth (Guitar and Programming), Eliott Lipscombe (Drums), and Josh Hepworth (Bass), the quintet have already shared stages with the likes of I Divide, Glamour of the Kill, Skindred and Palisades to name a few, and are set for their first UK tour this June.

Besides playing as many live performances as possible, the Exeter outfit has been busy crafting a crushing new set of songs that have a darker lyrical tone, strong use of atmospherics and an overall epic groove brought about with brutal riffs that bed into your very core. First temptation is the new video single for ‘Purge’, a roar of technical riffs and impressive dynamics which is set to not only spark potent anticipation for an in the works new EP but lay the foundations for a very successful 2016 which will include a full UK touring schedule later this year.

https://www.facebook.com/thedreamerwithin/ https://twitter.com/dreamerwithinuk