Beth Blade & The Beautiful Disasters – Bad Habit

Gaining an increasing reputation and support for their hard rock nurtured sound, South Wales hailing Beth Blade & The Beautiful Disasters raise the ante with the release of debut album Bad Habit. It offers a lively and tenacious roar, already drawing comparisons to artists such as Halestorm, Joan Jett, and Heart, which swiftly has the body and appetite eagerly involved in its instinctive rock ‘n’ roll.

From Cardiff, Beth Blade And The Beautiful Disasters have quickly recruited and built upon an eager and loyal local following since emerging. The time since has seen them stomping across the UK with their own tours and with the likes of Marco Mendoza (Thin Lizzy, Whitesnake, The Dead Daisies) as well as sharing stages with others such as Ricky Warwick and Damon Johnson of Black Star Riders. Recorded with Nick Brine (Thunder, The Darkness, Bruce Springsteen) at the legendary Rockfield studios and Leeders Vale, and mastered by Pete Maher (The Rolling Stones), the crowd funded Bad Habit is a hefty poke at bigger national attention with success an easy to assume expectation.

Opener Hell Yeah swiftly has ears grabbed, its opening lure of riffs accompanied by the moody tone of the bass; instinctive attention inviting by them well before the fiery flames springing from Chris Gould’s guitar ignite with classic rock spicing. As rhythm guitarist Beth Blade brings just as tasty riffs into play, her vocals command even greater focus while giving richer strength to the song. Like a mix of Suzi Quatro and Cherie Currie, she stands bold with a tenacity matched in the infectious sound hollering around her.

It is a great start quickly matched by the album’s title track; a slice of foot stomping, chest beating heavy rock led by the swinging beats of drummer Sam Brain. Its forceful attitude is epitomised by the brooding tone of Nicko Goodwin’s bass, its menace tempered skilfully by the wiry melodic tendrils of guitar similarly coming at ears with a touch of discontent. Its rousing qualities are swift incitement to physical and vocal participation before Beautiful Disease offers its own potent blend of catchiness and predacious threat. Muscle and melody unite across the menacing prowl of a song which shows the band as adept at creating more composed and moody proposals as they are at flying at the jugular in spirit rousing charges.

Down And Dirty lives up to its name next, its bluesy grooves tonic for hips as rhythms and riffs surround the increasingly impressing tones of Blade with their grungy antagonism while Poster Girl For Pain reveals another aspect to the Blade’s songwriting and the band’s sound with its power driven balladry and emotive intensity. It is a slowly burning encounter compared to the hungry exploits of its predecessors but a temptation becoming more potent and irresistible with every passing minute and listen.

The heart bred snarl of This Bitch Bites fuels both vocals and music, Blade a spiky treat within the track’s quarrelsome nature. Again attitude soaks every strain of sound and intent escaping the excellent song, its defiance and combative contagion equally lining successor Hell In High Heels though its blues rock inflamed body has a ‘lighter’ and more keenly catchy nature which might not impress as addictively as the antics of the previous track but leaves pleasure in another lofty place soon reinforced by the classic rock ‘n’ roll nurtured romp of If You’re Ready To Rock. Carrying no real surprises, the song lacks the spark of its companions for personal tastes yet easily keeps enjoyment and feet firmly involved.

The album is brought to an end by firstly the heated beauty of Angel With A Dirty Face, Blade sharing a croon as magnetic and captivating as her rebel rousing deliveries elsewhere, melodies simmering and boiling up with equal elegance, and lastly through the ballsy, swagger loaded rock ‘n’ roll of Legends Never Die. It encapsulates all the galvanic and creatively vociferous qualities of the Beth Blade and The Beautiful Disasters sound and indeed Bad Habit itself in its bones, leaving instincts aroused and a hunger for more leading fingers keenly back to the start button.

Beth Blade and The Beautiful Disasters might not be the most unique proposition around right now in sound but for a fiercely enjoyable and raucous holler easy to get off on, they set a mighty example.

Bad Habit is out now @ https://bethbladeandthebeautifuldisasters.com/store

https://bethbladeandthebeautifuldisasters.com    https://www.facebook.com/BBATBDofficial    https://twitter.com/BBATBDofficial

Pete RingMaster 23/05/2017

Copyright RingMaster: MyFreeCopyright

Rugby Road – III

There is nothing lively about its title but the new EP from US rock band Rugby Road, simply called III, more than makes up for that with its heartily tenacious sound. An encounter which like us you may have missed upon its release as 2016 closed its eyes; the four track encounter is an ear pleasing, skilfully offered slice of multi-flavoured rock ‘n’ roll as bluesy and passionate as it is melodically captivating and instinctively boisterous.

Consisting of Kenny Kearns (vocals, keyboards, bass, guitar), Rich Pruett (drums, percussion, vocals), and Derek Smith (guitars, vocals), Philadelphia based Rugby Road began in 1990 drawing on inspirations found in the likes of Allman Brothers Band, Maceo Parker, Rusted Root, Bill Kreutzmann, Phish, Peter Frampton, and Dirty Dozen Brass Band. A regular in the late 90’s New York City Wetlands scene, the band has released a pair of albums, the 1998 unveiled Times Already Happened and three years later Different Degrees. More recently Kearns and the band have founded The Wayne Music Festival (now officially WXPN Welcomes The Wayne Music Festival) which since starting in 2015 has attracted more than 10,000 people each year to enjoy everything from country, bluegrass, jazz, pop, and rock from artists coming together from all over the country.

Recorded with producer Derek Chafin, III offers songs which according to Kearns “reflect what we’ve been working towards for years from a writing perspective.” It opens up with Back To You, a track which unmistakably has a rich feel of Bruce Springsteen to its rock ‘n’ roll but soon shows its own imaginative enterprise as suggestive melodies unite with the darker and denser rhythmic shadows of bass and Pruett’s crisp beats. Swiftly its magnetism is inescapable, the track a flame of craft and instinctive employment of influences and new endeavour, and just as quickly powerfully catchy. With a collection of vocals at times surrounding Kearns and the additional irresistible tones of a lady whose name has yet to be discovered, the song only escalates an attraction already sparked by the hazy weave cast by guitars.

The following Nobody (Needs To Know) is just as magnetic, it’s mellower but no less tenacious balladry carrying a soulful air and heart as blues kissed guitars spin a web of enticement around Kearns’ continually strong vocals. As with its predecessor, there is something quickly familiar to the song but only spicing adding to its appeal as its classic rock breeding grabs eager ears.

Spoken For unveils an even calmer canvas for its own emotive ballad next, though again it is a song with a blaze in its belly which from time to time urges more intensive expulsions of sound and energy. With the earthy tones of the bass almost growling alongside the contemplation of melody and voice, the song smoulders and slowly grows to rival those before it; eclipsing its immediate predecessor over time.

Bringing things to an enjoyable close is Give It Away, a country rock lined slice of rock which again has something of Springsteen about it as well as a Tom Petty-esque essence which does it no harm at all. For personal tastes, the song fails to match its companions but there is no denying its infectious ability to please as keenly tapping feet here can testify and it is fair to say that with every listen thoughts about the song only gain a more enamoured lilt.

Though it is annoying to say, we are new to Rugby Road but after having III sparking definite pleasure with its accomplished and refreshing presence, we can join the mass of others calling themselves fans of the band.

III is out now across most online stores.

http://rugbyroadband.com/    https://www.facebook.com/rugbyroadband

Pete RingMaster 10/05/2017

Copyright RingMaster: MyFreeCopyright

Sam Ray – Next To You

sam-ray-pic-5_RingMasterReview

Creating and recording in his home studio in Portsmouth, Sam Ray is a singer songwriter beginning to make a potent impact from the alluring shores of England’s south coast. Earlier this year he drew attention with debut single Modern Art, a success now set to be backed and pushed on by its successor Next To You.

A power ballad with the infectious energy of indie pop amidst tempting eighties inspired nostalgia, Next To You is a warm caress on the senses just as able to light up the dance-floor with it instinctive catchiness. Ray’s influences include the likes of Bruce Springsteen, M83, The Cure, The 1975, and The Killers; all flavours heard within both of his singles to date though equally his new offering carries an essence of Tears For Fears within its “both super sad and danceable” proposition.

sam-ray-next-to-you-art_RingMasterReviewA “love song about a guy who can’t tell a girl he likes her”, Next To You slips into ears from a distance, swiftly waking their attention once in full presence with warm atmospheric melodies around an electronic simmering which springs the song’s subsequent catchiness. A melancholic undercurrent openly brings shadows to court the infectious elements driving the track, that sadness at the heart of its emotion a temper and incitement to the body engaging adventure lifting the encounter.

Next To You is a captivating mix of old and modern endeavour; a nostalgic yet fresh proposal which hearts for eighties and current pop will find a flavour to whet their appetite for Sam Ray.

Next To You is released November 18th.

http://www.samraymusic.com/   https://www.facebook.com/samraymusic/   https://twitter.com/samraymusic

Pete RingMaster 15/11/2106

Copyright RingMaster: MyFreeCopyright

The Hotspur Press – All You Know

THP_RingMasterReview

The seeds of UK band The Hotspur Press goes back to four friends in high school who have been playing in bands together ever since. A break was taken to allow vocalist/rhythm guitarist Daniel Quezada Manchester gain his law degree with the foursome sparking back to life around a year ago, presumably as The Hotspur Press, with a new zeal in their creative belly. Now to ignite their 2016, the Manchester quartet release their brand new single All You Know; a rousing slice of melodic/indie rock passing that tenacious quality to the ears of old and sure to be found new ears.

art_RingMasterReviewSince their return, the foursome of lead guitarist/vocalist Tomas Antonio Quezada Manchester, bassist Chris Nutter, drummer George Webster, and Daniel have released the well-received Island EP last August backing up its release up with an extensive UK tour that saw them supporting Bruce Springsteen’s saxophonist Jake Clemons at Liverpool’s O2 Academy. With airplay from BBC Radio 6 and Amazing Radio as well as a successful performance on the main stage at the Rochdale Feel Good Festival other highlights under their belts, the band is intent on steering broader attention their way in 2016, getting that aim off to a great start ahead of a new EP, with the release of All You Know.

The single swiftly grips ears with its opening melodic jangle of guitar, equally alluring riffs and melodic coaxing quickly added. The vocals of Daniel carry a matching prowess in enticing ears too, sharing an expressive character which works well against the moodier tone of the bass and the energetic shuffle of beats. Fair to say, there is drama and emotive energy in every movement of the song; its liveliness stirring up an anthemic potency which fuels the rousing and climactic crescendos that build and flow as the track heads to a final provocative blaze of sound and voice.

As all great tracks, its initial strong persuasion only gets stronger and more captivating over plays. All You Know is a powerful roar and as the first teaser from that upcoming EP, also the spark for some eager anticipation.

All You Know is released April 1st

http://www.thehotspurpress.com/    https://www.facebook.com/thehotspurpress   https://twitter.com/elhotspurpress

Pete RingMaster 31/01/2016

Copyright RingMaster: MyFreeCopyright

For more exploration of the independent and promotional services check out http://www.zykotika.com/

The Dirty Youth – Gold Dust

The Dirty Youth Promo

After the success of their highly acclaimed debut album Red Light Fix, The Dirty Youth have returned with a rousing stomp of a follow-up, a sophomore album to firmly establish the South Wales band as one of the dynamically refreshing and emotionally rousing bands on the British music scene. Gold Dust manages to be infectiously familiar and dramatically new simultaneously, with emphasis on the latter. It also offers a collection of angst and passion fuelled roars which impact and linger far beyond the length of the release itself. Its sound is a fiery blend of alternative/rock pop which plays like a mix of Paramore meets Fall Out Boy with healthy whispers of The Bambi Killers and My Chemical Romance. It is feisty, contagious, and sure to give the summer some irresistible anthems.

Formed in 2007, The Dirty Youth has seen an increasing arousal of support and praise since the release of their debut single Fight three years later. Already the band was earning strong and eager responses through their live presence, but the song which became an internet hit gaining over 3 million views on YouTube, was the catalyst to broader recognition. Debut album Red Light Fix which followed soon after, exploited and drove the awakening attention on in fine and persuasive style, earning potent acclaim across media and fans alike. Since then the band has toured with the likes of Korn, The Rasmus, Reckless Love, Heavens Basement, and this year Fozzy and InMe, as well as making successful appearances at the likes of Hyde Park alongside Bruce Springsteen, Getaway Rocks with Slash, and Motörhead, and Download last year.

The Dirty Youth - Gold Dust Cover Artwork   Now the band uncages their second album and Gold Dust takes little time to stir up attention and appetite with its presence. Opener I’m Not Listening To You is an instantly eager protagonist just as quickly capturing the imagination with a stabbing tirade of beats from drummer Freddie Green matched by raw strikes of guitar wrapped in expressive melodies courtesy of Matt Bond’s keys. Hitting a magnetic stride straight after, the song becomes an enticing web of riffs and melodies spread by the guitars of Luke Padfield and Bond and courted by the great throaty bass lures provided by Leon Watkins and the equally dramatic swings of Green. Within its first minute the song shows that predictability has no place in the music of The Dirty Youth, every moment adding new twists ensuring the verse chorus verse etc. passage is never the same second time around. Vocally Danni Monroe, also showing great diversity in her delivery, is a rich flame to the song, a focal point around which surrounding sounds lick to earn their rightful share of praise.

Alive comes next and similarly has ears and imagination enthralled with its vocally charged and impassioned croon. Encased in a cage of rhythmic agitation and a sweltering key bred atmosphere, the song has a more restrained embrace to its energy compared to the all-out stomp of the first, yet is just as creatively and emotionally tempestuous as keys, guitars and voice entangle to create a dramatic character.

Its successor Just Move On, explodes on a rolling temptation of again galvanic rhythms, expanding its bright and alluring adventure with a host of inescapable hooks and a melodic breeze of invigorating enterprise. Like the songs before it is a busy encounter in its own distinct way ensuring, as the album, every listen has a fresh feel to ears as more is discovered with the song’s depths.

The great electro fuzz opening to The One sets up the infectiousness of its revelry up perfectly, the song going on to dance with inescapable virulence across its lusty body as vocals and keys spin an insatiable weave of imagination backed by striking rhythmic and guitar endeavour. The track manages at times to be as predatory as it is vivaciously catchy, The Dirty Youth again showing from songwriting to presentation, no assumptions can be made as the track stalks ears with its attitude shaped invention.

Darkest Wedding opens with a darker almost gothic air to its presence, a theatrical essence reminding of MCR colliding enjoyably with the melodic and harmonic fire of the song, which in turn has a feel of Forever Still to it. Fair to say the track does not impact as potently as its predecessors on its first few showings but instead smoulders and almost burns away at thoughts to emerge as a rich tempting over time.

Both Invincible and Bury Me Next To Elvis have body and emotions fully involved, the first again maybe needing a few more listens to complete its persuasion compared to earlier songs, but with a rip-roaring essence to its rich melodic breezes and a potent drama to the keys matched by the ever tempting vocals of Monroe, the song only wins the day. The second of the two shows its thick seductive hand early before bursting into an exhilarating tango of thumping beats, seductive grooves, and enflamed melodies matched by the siren tones Monroe. The song is glorious, sheer intoxication.

The poppier enticing of Don’t Feel Right is just as endowed with rhythmic muscle and sparkling invention as anything on the album whilst the evocative roar of Who I Am provides a conflagrant wind of emotion and creative drama. Both only impress, but get outshone by the immersive depths and kicky exploits of Bedroom Karate, the song a huge bracing bluster with an intricate invention at its heart.

The closing reflective hug of Holding On has the album leaving on another energetically imposing and captivating high, its rugged balladry a final voracious kiss on ears and pleasure. As that song, Gold Dust is an illustrious and majestic offering as at ease getting its rock hands dirty as it is in powerfully seducing the listener. Certainly some tracks out-perform others but from start to finish album and The Dirty Youth leave a smile on lips and a spring in the step.

Gold Dust is available from May 11th @ http://www.thedirtyyouth.bigcartel.com/ and most online stores.

http://www.thedirtyyouth.com   https://www.facebook.com/thedirtyyouth

RingMaster 11/05/2015

Copyright RingMaster: MyFreeCopyright

Listen to the best independent music and artists on The RingMaster Review Radio Show and The Bone Orchard on Reputation Radio @ http://www.reputationradio.net

 

 

David Bronson – Questions

10513281_10152515919336066_4527549076384512737_n

Emotionally intimate and exploratory, with a just as expressive melodic climate, the new album from New York City singer songwriter/producer David Bronson is a warm and resourceful landscape of thought and sparkling enterprise. Consisting of songs which as its title, seems to stem from Questions Bronson has asked of himself and his life, the album is a striking and immersive caress on ears and imagination. It is not an encounter which always consistently lights personal appetites to the same strength as its finest moments, but one emerging as a lingering and thoroughly enjoyable proposition easy to recommend to those with a want of soulful and melody drenched creativity.

The successor to his acclaimed 2013 debut album The Long Lost Story, ‘a decade-in-the-making, 22-song autobiographical double album’ split into two separate releases, Questions sees Bronson looking at his life and the world right now, and drawing on the likes of vocalist Robin Clark (Aretha Franklin, Bob Dylan, Michael Jackson, Al Green, Bruce Springsteen, Beyonce, David Bowie), guitarist Carlos Alomar (David Bowie, Iggy Pop, Paul McCartney, John Lennon), guitarist Robbie “Seahag” Mangano, drummer Lautaro Burgos, and Gordon Grody to inventively colour these investigations. Whereas the first release expressed a more indie rock seeded sound around his seventies inspired songwriting, the new album embraces new adventurous flavours such as soul, folk, and gospel in its new proposals, a spicing helping the Godfrey Diamond (Lou Reed)/Bronson produced Questions become a captivating and intriguingly varied encounter.

From the opening Songbird, Bronson and album has ears and attention awake, its acoustic caress of guitar the canvas for some delicious harmonies and the lyrical prowess and insight of Bronson. Immediately there is a Paul Simon like air to the heart of the song but also plenty to make it radiate a fresh and original presence. Vibrant beats only add catchy texture to the gentle swing of the song but it is the gospel bred harmonies which steal the impressive show.

Both Move Like Water and Day By Day glide through personal balladry with Bronson and guitar again offering a sure and warm entrance to which melodies and sultry climates, not david bronson questions cover lgeforgetting a great throaty bassline in the first of the two, immerse senses and thoughts evocatively. Each pleases with their individual charms but it is with Push that another surge of greed hits ears and personal appetite. The fourth track is an instant drama with keys straight away looming and laying down a single prod before taking a pause, returning a few seconds later with the same Boomtown Rats like potency as they align to the alluring strum of the guitar. It is a mesmeric track, voice and music sketching an easily accessible and emotively connecting narrative in a dance of creative and vivacious enterprise.

The following Task is another stirring and inescapable invitation for feet and emotions to fully engage in, its sway of funk fuelled revelry a swift and fascinating infectiousness with melodic resourcefulness to match. It and its predecessor provide the pinnacle of the album, the thrilling peak to which other songs aspire but with varying success cannot quite emulate. Despite that the likes of the Lennon-esque All These Things and the smouldering dark folk theatre of Life Is long provide thoroughly enjoyable and lingering temptations whilst the melodic rock fuelled My Good Friend with its compelling seventies psyche rock keys, add another strain of bright adventure and full pleasure to album and emotions respectively.

The closing pair of Connect The Dots and Passing Fiction slip into more reserved hugs of melodic and harmonic endeavour which, without finding the same persuasive spark as their immediate predecessors, ignite ears and thoughts with consummate ease. The guitar adventure of the pair is an especially thrilling and magnetic coaxing, the twinges of discord which bless the imagination of strings and fingers as enthralling as anything on the album.

Questions is a definite investigation for certainly fans of the likes of Paul Simon and John Lennon but equally those of current talent like Seth Lakeman and Thom Bowden. The album did not quite ignite enough fire in emotions across its length but really only due to personal tastes and with some quite thrilling tracks and invention involved it is easy to assume it will spark a blaze in a great many.

Questions is available from 19th January via Big Arc

www.davidbronsonmusic.com

RingMaster 19/01/2015

Copyright RingMaster: MyFreeCopyright

Listen to the best independent music and artists on The RingMaster Review Radio Show and The Bone Orchard from

http://www.thereputationlabel.today

The Floodgates – You

3f0ca854-69fb-45f1-9860-12cc1c1f97db

The Floodgates is a young acoustic rock band which, if debut single You is any indication, is looking at a rather healthy and rewarding future. The song is a transfixing and intensely pleasing proposition which dances and emotionally engages with ears and imagination with impressive ease and creative charm. There is a bit of a buzz brewing up around the band and it is easy to see why through this introduction.

Hailing from Tunbridge Wells, The Floodgates consists of vocalist/guitarist Martin Stenning, guitarist/bassist Tim Fullbrook, and keyboardist Alex Wane, a trio bringing inspirations from the likes of Mumford & Sons, Bruce Springsteen, Jeff Buckley, and Tom Odell into their own ideation and invention. Since emerging not so long ago, the band has already notched up an array of successful shows, played the ColdHarbour Festival 2013, and been invited to play at the open a0944602616_2day of Heavyweight boxing champion David Haye’s gym after being spotted whilst busking. You is their big prompt for national attention and it is hard to imagine it not lighting up a keen and hungry spotlight on the band.

Emerging from warm yet haunting keys, guitars and beats are soon strolling with a smiling gait and melodic temptation whilst Stenning lays down an equally impressive caress of vocals. The song is instantly catchy and inviting, every aspect a gentle yet potently bulky enticement in individual and united engaging charm. The quaint vintage tone of the keys midway especially adds a drama and tone to the already vibrant and resourceful folk seeded scenery evocatively colouring ears and thoughts, but it is the enterprising elegance and virulent passion of the song which makes the richest connection and leaves a lingering persuasion behind.

You is an impressive entrance and though only one track to cross our gaze so far from the band, it is hard to resist suggesting that The Floodgates has the potential to make big and eventful moments ahead to excite us all.

You is available now @ https://thefloodgatesmusic.bandcamp.com/track/you-single

http://www.the-floodgates.co.uk

RingMaster 14/10/2014

Copyright RingMaster: MyFreeCopyright

Listen to the best independent music and artists on The RingMaster Review Radio Show and The Bone Orchard from

http://audioburger247.webs.com/