Turning on the LoveSick Radio

US rockers LoveSick Radio “bring a distinctive blend of unapologetic rock guitar coupled with pop melodies and a little hip-hop swagger, creating a fresh sound all their own. “ The words of their bio are swiftly backed up by a sound which infests body and spirit and a live presence which has had halls bouncing long before the likes of All-American Rejects, Bon Jovi, Dorothy, Bobaflex, Scott Weland of Stone Temple Pilots, Justin Bieber, Blue October, Kid Rock, Steel Panther, Three Days Grace, Hinder, Twenty One Pilots, Safety Suit, Paramore, Dead Sara and New Found Glory have followed the band on stage.

A short while back we had the pleasure thanks to the guys finding out more with the band, chatting about origins, their sound, songs, and much more…

Hello and thanks for taking time out to talk with us.

Can you first introduce the band and give us some background to how it all started?

David (Guitar):  Thanks for having us! We are LoveSick Radio & we play honest rock & roll with a touch of blues/punk. This line-up started when I reached out to Troy, our singer. I asked him if he wanted to sing on a track I had & he was game. Oddly enough we have known each other forever but can’t remember how we met. That song snowballed into bringing in Glenn & the Matts. We’ve been writing & touring ever since.

Were you involved in other bands previously? If so has that had any impact on what you are doing now, in maybe style or direction?

Glenn (Bass): All of us have played in a bunch of bands prior to coming together and doing this one. We’ve all brought a lot of what we learned in the other bands, as far as what makes a band work and what doesn’t and what we want out of music, to this band. Everyone’s past musical experiences have really shaped the way this band operates. Being in a band is like a relationship: you have to go through some tough ones to discover what you want.

What inspired the band name?

Matt B. (guitar): Our previous drummer was going through a breakup. Whilst on his way to rehearsal he kept hearing all these songs about heartbreak on the radio & when he got to rehearsal he made a comment about how the radio seemed lovesick & everyone thought it sounded cool so we went with it.

Was there any specific idea behind the forming of the band and also in what you wanted it and your sound to offer?

Matt S. (Drummer): I wouldn’t say there were any specific ideas about forming the band.  We are just 5 guys who vibe well with each other musically, have an almost obsessive passion for music, and the drive to write and play day in and day out.  All of us have differing backgrounds musically, but at the heart of it, we love rock and roll.  The sound is a culmination of the individual influences of all of us, but more importantly, we just want to write good songs.  A good song is a good song, regardless of the genre.  Some might sound heavier, more twangy, or more soulful than others, but that’s all of our personalities coming out.

Do the same things still drive the band from those fresh faced days or have they evolved over time?

Matt B.: Essentially writing great songs that we get off on performing & connecting with an audience has always been the driving force within the band.

As the band evolves the drive to widen our reach & get our music out to the masses becomes stronger & stronger

Since your early days, how would you say your sound has evolved?

Troy (Singer): “Early days” kinda makes me laugh as I still feel like we are in our “early days”, but as far as evolution I think that honestly happens from song to song. Not just in our sound, but as a band overall…getting more comfortable with one another and for me as a vocalist pushing myself to new places. I think evolution has started since day one for us.

Are those things, that evolution, something organic or more the band deliberately setting out to try new things?

Matt S.: We aren’t afraid to try new things or experiment musically.  It just depends on the mood of the song and what makes sense.  We don’t just follow a music equation, but obviously we want our music to be accessible to everyone.  From the time that someone shares an idea, we build on it, we practice it, and we finally record it, the song could be almost completely different.  I’d like to think it happens organically.  When we get in the studio, that’s where the fun and experimentation begins.   On the current album we are working on, we have instruments which we do not have live on stage (strings, keys, horns), the band plays kazoos and sings gang vocals, we stomp, we clap, we play instruments that we have never played before, just to get the sound and vibe that we hear in our heads.. 

Presumably across the band there is a wide range of inspirations; are there any in particular which have impacted not only on the band’s music but your personal approach and ideas to creating and playing music?

David: Yes everyone in the band love a million different things but I think the artist the inspire our approach are Aerosmith, AC/DC, The Stones, LED Zeppelin, Sex Pistols, The Rival Son & Stereophonics to name a few. These are all iconic bands & that’s what we strive to be one day. So we are constantly pushing ourselves to be the best we can be.

Is there a particular process to your songwriting?

Troy: There are always gonna be some variations, but music usually comes first…typically a killer riff. I’ll take a rough demo and live with it for a while…usually spend time driving around coming up with ideas and bring them to rehearsal where everyone chimes in. So in the beginning it’ a very “isolated” process but as we get things worked up, the band as a whole will bring in all the different influences.

Where do you, more often than not, draw the inspirations to the lyrical side of your songs?

Troy: Inspiration for me is always life…either something I lived or something I am watching someone go through. The only time it would vary is if I am asked to write for a specific TV or movie thing, but even then I have to draw from personal experiences…As an introvert I spend a lot of my time just watching people. I write what I see.

Please give us some background to your latest release.

Glenn: Our latest release is a song called “Young Hurricane”. It’s written kind of like a poem in the way the vocals are structured. Basically it’s just about sticking’ to your guns and doing what you know is right (kind of a metaphor for playing rock n roll in 2019). A lot of the really cool elements of the song came together in the studio when we had a chance to really sit down and play with different ideas to build the song.

Give us some insight to the collective themes and premise behind songs.

Troy: I think it is fair to say we have some pretty universal themes with all our tracks…def some self-reflection and overcoming, some rebellious middle finger flipping and of course love and loss. I’d say our next release “Bloodshot Eyes” falls in the self-reflecting/ overcoming category but doing the reflecting in some smokey bar if those still exist…haha

Are you a band which goes into the studio with songs pretty much in their final state or prefer to develop them as you record?

David: It happens both ways in the studio. But a lot of time we will have the music done to a certain point & start tracking before the vocals are finished. The bed tracks might influence Troy to do something different then what we had for the rough demo. We are never married to an idea. We are always changing or rewriting trying to get the best out of the song.

Tell us about the live side to the band, presumably the favourite aspect of the band?

With the live show we want to sound like a freight train going a full speed. So we work on dynamics, power & energy. We want you to feel it when you come to a show.

It is not easy for any new band to make an impact regionally let alone nationally and further afield. How have you found it your neck of the woods?

Matt S.: Like any other band, you have to put in the time.  We have played for empty rooms, we have played for packed houses, and we have played festivals where you can’t see the end of the crowd.  People seek out good music.  The hard part is introducing it to them (luckily the internet exists).  I feel that we have the sound and energy to lure people in, and to keep them coming back to shows.  It doesn’t matter if it is regionally or worldwide.  As long as you connect to the crowd, you will build a following.  Whether it is a home show or something across the country, we put on the same game face each night and try to win over every crowd we play for.  We have found that people like the resurgence of good old fashioned rock and roll everywhere we go, so everywhere feels comfortable and like our neck of the woods.

Are there the opportunities to make a mark if the drive is there for new bands and talking of the internet how has social media impacted on the band to date?

Glenn: Absolutely. It all comes down to a band’s desire and willingness to push themselves and go outside of their comfort zone to grow and do something cool and original. Social media and the internet are a great thing for bands because it allows us to reach people all over the world as independent artists. Without the internet, we might not have the opportunity to do this interview!

Do you see it as something destined to become a negative from a positive as the band grows and hopefully gets increasing success or is it more that bands struggling with it are lacking the knowledge and desire to keep it working to their advantage?

Troy: I think there will always be both negative and positives whether being the “underdog” band on the come up, or at the top trying to stay there. I think the internet and social media will always have the ugliness and trolls looking to tear you down, no matter what your status….however, the positive of how many people can be reached is hard to argue. Honestly with this band being started in the “new world” of technology, it’s really all we’ve known so is kinda our new normal.

Once again a big thanks for sharing time with us; anything you would like to add or reveal for the readers?

David: Thank you again for having us!!

If you would like to check out us & the music you can go to these links. See you on the road!

AppleMusic: https://itunes.apple.com/us/artist/lovesick-radio/203509719

iTunes: https://itunes.apple.com/us/album/feels-so-good-single/1436316245

Spotify: https://open.spotify.com/artist/7zca83vBdFEDg0119J8thJ?si=4bw6zx7-RL-fbpKajO1aHw

YouTube: Youtube.com/lovesickradio

Instagram: @lovesickradio

Twitter: @lovesickradio

Facebook: https://www.facebook.com/LoveSickRadioBand/

 & anywhere else you stream & download music

Pete RingMaster 03/04/2019

Copyright RingMaster: MyFreeCopyright

The Veer Union – Decade

veer union _RingMaster Review

Named to mark the 10 year span between The Veer Unions’ debut album Time To Break The Spell and their new proposal, Decade is a riveting incitement of fiery melodic rock from the Canadians that simply leaves ears ringing in rousing sound and satisfaction. It is also the first encounter with the band’s latest line-up, one which seems to have lit another emotive and creative fire in the band’s belly.

The successor to the band’s successful 2012 album Divide The Blackened Sky, a well-received offering pushing the band to greater attention, Decade is a collection of ten stirring songs; five new and five unreleased tracks which were written before The Veer Union began and have been ‘brought back to life’ for the band’s new concept album. It makes for a release which takes the listener into the heart of the Vancouver based band’s journey from first breath to now, through their struggles overcoming adversity and the intimacy of vocalist/songwriter Crispin Earl’s own personal battles.

Veer Cover_RingMaster ReviewOpener and latest single Defying Gravity, deals with that inner turbulence, being lyrically inspired by Earl’s struggle with depression over the years. It opens with a slightly haunted sonic tempting before unleashing its demons through a hardened rhythmic trespass and irritably grouchy riffs, Earl emotively roaring from the heart of it. It is a striking entrance with a carnivorous snarl but relaxes a touch as melodies unite with kinder intensity as the lyrical sharing begins. Rawer backing provocation from the throat of bassist Amal Wijayanayake intimidates as harmonic tones from the voice of lead guitarist Dan Sittler courts Earl’s swiftly impressive delivery and expression, it all adding to the Three Days Grace/ Sick Puppies like spice blessing the glorious arousal of ears and emotions.

Watch You Lose ensures there is no dip from the heavyweight persuasion of its predecessor, it too slipping into ears with a seductively sinister and elegant sonic caress before enticing grooves wind menacingly around the rapier swings of drummer Tyler Reimer. Rhythm guitarist Ryan Ramsdell simultaneously adds a great nagging essence to the ratty air and nature of the song, his lures matched in more primal kind by Wijayanayake’s bass but sublimely tempered by the sonic enterprise of keys and Sittler’s touch, not forgetting the increasingly impressing and anthemic mix of vocals.

With a mellower climate comes a tempestuous character to the following You Can’t Have It All whilst I Said is a melancholic reflection wrapped in siren-esque ambience around an introspective heart, both tracks providing a gripping infectiousness and emotive drama to get greedy over. The first of the two is another feisty rousing incitement with a Sick Puppies like growl whilst its successor offers a dark serenade leaning more to a Nine Inch Nails like atmospheric immersion.

A strong electronic essence also colours the impassioned blaze of Make Believe, its energetic tempting merging with the predatory teeth of the guitars and pungently forceful rhythms. It is a unity of varied and contrasting textures masterfully woven and matched by the rich strains of the vocals linking up with Earl’s potent lead; a perpetually successful collusion as shown quickly after by both the volatile heart cry of We All Will and the similarly dynamic sonic clamour of I Don’t Care. Each feeds ears with individual emotional bellows aligned to thunderous yet carefully uncaged sounds, calms and catchy twists skilfully linked to boisterous and imposing expulsions to impressive results.

The Unwanted is another galvanic encounter bringing thick emotive drama and contagious bait together whilst captivating and firing up the senses, a quality emulated by Heart Attack but with a stronger leaning to virulent melodic catchiness and tantalising caresses than the vigorous confrontation of other tracks, though it too is no lightweight in intensity and passion. The same can be applied to closing song The Underrate, a meaty slice of pop rock with an angst driven pulse and prickly attitude inciting body and vocal chords with an anthemic bawl.

The track is a mighty end summing up the album in heart and creative dexterity. The Veer Union does not have the most original of sounds even if the designs to it are as fresh and inventive as you might wish for, but the band creates an emotive ‘call to arms’ which simply grabs attention as strongly as their thrilling sound treats ears. Here is to the next ten years of such pleasure.

Decade is available from January 29th through Pavement Entertainment.

Upcoming Tour Dates With Bobaflex, Bridge to Grace, and Artifas

FEB

2/18 — San Diego, Calif. — Brick by Brick

2/19 — Phoenix, Ariz. — Last Exit Live

2/25 — Lubbock, Texas — Blue Light Live

2/26 — Abilene, Texas — Legends Rock House

2/27 — Tyler, Texas — Clicks Live

March

3/2 — Shreveport, La. — Hangar 21

3/3 — Crowley, La. — Sam’s Place

3/5 — Madison, Ala. — 11th Frame

3/6 — Destin, Fla. — Club LA

3/9 — Tallahassee, Fla. — Pugs Live

3/10 — Jacksonville, Fla. — Free Birds Live (Save the Arts)

3/11 — Wilmington, N.C. — Cardinal

3/12 — Charlotte, N.C. — Amos Southend

3/19 — Hagarstown, Md. — Hard Times Cafe

3/25 — Kent, Ohio — The Outpost

https://www.facebook.com/theveerunion  http://www.theveerunion.com   http://www.twitter.com/theveerunion

Pete RingMaster 29/01/2016

Copyright RingMaster: MyFreeCopyright

For more exploration of the independent and promotional services check out http://www.zykotika.com/

Zeroking: Kings Of Self Destruction

Enthusiastic and unfussy yet openly addictive is the only way to describe the latest album from US hard rock band Zeroking.  With an obvious intent to have and give the fullest of best times Kings Of Self Destruction simply leads the ear and emotions on a boisterous and mischievous rampage through insatiable riffs and fully loaded melodic enterprise. It is not the most inventive or ground shaking of releases but it sure is one of the more eagerly enjoyable.

Formed in 2005, the Huntington West Virginia quartet of vocalist Andy Haught, guitarist Shane Day, alongside Paul First and Chris Webb on bass and drums respectively, took no time in garnering strong attention and growing acclaimed from their debut EP Sweet Sale Of Excess in 2006 and the sharing of stages with the likes of Anthrax, Twisted Sister, Bobaflex, Jackyl, Dope, Black Stone Cherry, and Airbourne, as well as impressive appearance at various festivals. Listening to their album it is no surprise, the impossible to ignore songs a feast of infectious melodic imagination and feisty addictive riffs and honest rock sounds. As mentioned there is not anything particularly startling or unique to the release but do not mistake that for it being flat or boring. Kings Of Self Destruction is a thrilling ride from first song to last, a familiar but inventive party to fully engage with from beginning to end.

The recording of the album began with producer and engineer Steve Riley mid 2009 and last year saw Zeroking release the EP A Taste Of Self Destruction which featured three tracks from the album as a teaser and followed previous single Stone Cold Bitch/Girls of California, the pair of songs also appearing on the release. Both garnered impressive acclaim and marked the album, as one to eagerly or impatiently wait for.

From the opening Dead Rock Star the band unleash a riot of sounds and songs which recall a brew of flavours from the likes of Guns N’ Roses Motley Crue, Saliva, Seether, and Buckcherry to name a few. Anthemic and rife with the best rock/metal tendencies, the album pulls you to your feet from the off and leaves it breathing heavily and sweating satisfaction. The opener incites only enthused responses to its familiar and compulsive sounds. It might play like an old friend but it is a fresh and vibrant returning buddy which lights up the senses and invites full union, something you can tag the whole release as.

The following Forget Vegas with its breezy swagger and flashy horns immediately is evidence to the diversity across the album soon backed by She Said with its twisting riffs and brooding bass sounds of First. It is a more reserved saunter through the ear than previous songs though still has the impetuosity which endears across Kings Of Self Destruction.

Showtime Revolution is an immediate highlight as soon as it entraps the ear with addictive hooks and a melodic infection to ignite inner fires. The guitar of Day is an electrified bristling delight whilst the rhythms of Webb jab and punch with the precision of a middleweight to drive the song home wonderfully. Vocalist Haught as on every song is an impressive focal point without distracting from the quality the rest of the band offer every time.

Songs like the sexy blues bar room joy Southern Lady, Ex-Godiva, the mesmeric Love Is Dead featuring the fine emotive voice of Stacee Laswson, and the aural contagion that is the title track, lead the senses into more devilment with a varied and wicked glint in their individual eyes. Again the music is uncomplicated, immediately your best friend, and completely infectious. To be honest hard rock has never been our favourite flavour at the RR but when it comes with such vitality and pleasure as that brought by Zeroking there is not a whisper of complaint to be heard.

The excitable metal veined treat which is Girls Of California leads the climax of the album to be ably supported by songs such as the teasing and incendiary stomp Black Friday and the majestic emotive ballad Valentine, the release continuing the strong and open diversity it started and persisted with.

    Kings Of Self Destruction is an excellent riot of rock n roll sure to find a home in every rock and metal heart. Honest and without pretensions the release is nothing but enjoyment and Zeroking a band who deserves more than a minute of any ones time.

https://www.facebook.com/Zerokingfans

Ringmaster 04/07/2012

Copyright RingMaster: MyFreeCopyright

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