Dog ‘N’ Style – Pub’s Calling

dognstyle-promo-pubc-3_RingMasterReview

Unleashing a flavoursome dose of rebel and spirit rousing rock ‘n’ roll within its muscular walls, French heavy rockers Dog ‘N’ Style have just released debut album Pub’s Calling. A hungry and virulent roar from start to finish, the ten track encounter revels in the band’s stoner and hard rock shaded rock ‘n’ roll which in turn inspires ears to greedily devour what is maybe not the most unique incitement but certainly one which leaves thick satisfaction.

Formed in 2013, Epinal hailing Dog ‘N’ Style quickly hit their stride live, the following three years seeing the Spinalien quartet play over a hundred shows across France and further afield including tours in Russia, Spain, and Luxemburg. Sharing stages with the likes of No One is Innocent, The Casualties, Tagada Jones, Ultra Vomit, and Burning Heads along the way the band’s melody infused heavy rocking has been increasingly praised while their self-titled debut EP of 2015 introduced the band to a broader attention which Pub’s Calling can only further ignite.

An earthy revving of an engine opens up the album, its growl welcoming the meaty body and sound of The Best of Me. Straight away the song sets the character and intent of sound and release, riffs and rhythms heavy and imposing as fiery flames of guitar and rich melodies collude with an infectious boisterousness. As most songs within Pub’s Calling, there is something familiar about the opener but a recognisable air which wraps the band’s commanding and enterprising songwriting to fine effect.

art_RingMasterReviewThe great start to the album continues with I Did Something Bad, the growl lined vocals of Greg Hal a magnetic essence as swinging riffs and rhythms unite while the guitars of Yan Pierrat and Hal spin a web of sonic and melodic adventure. Like its predecessor, there is an instinctive catchiness to the song which is irresistible even when the bass of Robin Rob’s grooves along on its own. The band lists inspirations as the likes of Black Stone Cherry, Steel Panthers, Red Fang, and Nashville Pussy, and it is those kinds of influences which especially leap around within the album’s second track.

Pretty Fly reveals a grouchier intent in its nature and sound from the off yet again grooves and the inviting tones of Hal are quickly seducing ears as the mighty rhythmic swings of drummer Boub Tchak resonate. A cantankerously toned bassline entangles the warmer but no less intrusive riffs and grooves of the guitars, it all contrasting and mixing masterfully with the melodic and fiery imagination which blossoms across the track before One Day springs its Gruntruck spiced proposal and in turn Bad Motorcycle swaggers in with its hard/classic rock fuelled stomp. Neither track quite live up to the heights of the first trio of songs yet spicy grooves and infectious roars as well as the sonic dexterity offered ensures both leave enjoyment high.

The release hits top gear again with Night Losers, its funk infested basslines alone sparking an already eager appetite as the tendrils of tangy guitar entangle ears. Again vocals and rhythms involve the listener with ease and though originality is maybe limited the imagination is swiftly hooked by the songs inventive twists, turns, and snarling enterprise.

With its southern rock hued melodies, the same applies to the excellent Running Out which swiftly seduces as sultry sonic sighs amidst calmer vocals and energies immerse ears in its smouldering but rhythmically imposing climate. Carrying a fierce snarl in its mellower stroll, the track is outstanding, best track contender which though closely rivalled within the album leaves the moment which lingers longest even as the bruising and thickly catchy rumble of Never Trust An Asshole mightily consumes ears and pleasure next.

The album’s title track is heavy rock ‘n’ roll at it most compelling and rousing, rhythms and riffs enslaving instincts as grooves and almost toxic melodies infest the imagination. It too is a battleground of attitude loaded aggression and energy infused with a tapestry of warm melodic invention and dustily charming harmonies.

Ensuring the album ends on a high similar to how it started, it calls time on the boozy rabble-rousing with the final Couple Of Beers, a track again weaving all the traits and contrasting shades of the Dog ‘N’ Style sound and invention in one exhilarating escapade. It is a fine end to Pub’s Calling, an album which may not be about to change the direction of muscle driven rock ‘n’ roll but certainly gives it something to get lively about.

Pub’s Calling is out now across most online stores.

 

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Pete RingMaster 21/09/2016

Copyright RingMaster: MyFreeCopyright

Patriot Rebel – Cynics Playground

PatriotRebelPromo_RingMasterReview

With their first new slabs of muscle bound rock ‘n roll since the Two Worlds EP in 2013, UK quintet Patriot Rebel take another attention grabbing and impressive step to the fore of the British rock scene. Quite simply the Cynics Playground is a thumping collection of rousing incitements, a multi-flavoured EP that stirs up the spirit.

Formed in 2011, the Nottingham hard rockers have constantly honed their sound and lured greater focus the way of their ear pleasing creative roar. Drawing on inspirations ranging from Alter Bridge, Shinedown, Black Stone Cherry, and Avenged Sevenfold, Patriot Rebel poked at acclaiming attention with the aforementioned Matt Elliss (Black Spiders, Terrorvision, Skarlett Riot) produced Two Worlds. Live the band equally earned a potent reputation, taking in shows with the likes of Y&T, Tesseract, The Treatment, Jettblack, and Skarlett Riot along the way. Last year saw the release of the similarly striking video single Propaganda, a track taken from their first EP. Now with Ellis again at the helm, the band returns with Cynics Playground and a sound which has noticeably grown in maturity, power, and downright magnetism.

Patriot Rebel Cover Artwork_RingMasterReviewOpening up with Digital Mannequin, the EP hits the ground running. Led by the most irritably growling bassline to get an appetite for, the song is soon driving through ears with the riffs of guitarists Danny Marsh and Dave Gadd stirring the senses as vocalist Paul Smith roars. It is a thick and almost muggy assault with every element crisp and precise within the infectious tempest, throughout Marsh’s grooves entwining the imagination, binding the sinew swung beats of Aaron Grainger and the persistently grouchy tone of Will Kirk’s bass.

It is an outstanding start, with at times a whiff of System Of A Down to it, which leaves a lingering impression and pleasure before being matched in creative kind and potency by Self Hate. The second track similarly has ears and eagerness devouring its robust throes of riffs and rhythms, presenting another imposing yet inviting entrance which commands attention and enjoyment with swift success. Smith again stands magnetic within the boisterous energy and aggression offered, his delivery a fiery snarl with contagious prowess to match the virulent enterprise of the guitars and rhythms, which in turn means one stirring encounter.

Two songs in and the Patriot Rebel sound while never afraid to reveal some of its influences, shows itself to be at its most unique and individual yet, the emotive power balladry of Dying Breed continuing that welcome trend as it ebbs and flows with emotional and physical intensity amidst sonic invention. More a smouldering success than its predecessors, the track emerges as another highlight within Cynics Playground, being quickly equalled by the rhythm swinging, antagonistically riffed All I Wanted. It is a beast of a proposal, that irritability of bass in the opener fuelling every aspect of the mighty incitement. The song takes no prisoners, guitars and beats biting as they entice and land alongside the predatory nature of the bass which in turn courts the catchy lead of the vocals and the infection sharing instincts of the track itself. Equally though, there is room for some sonic and exotic melodic imagination to be seriously tempted by.

The EP closes with Miss-Guided, a song which reveals all the Patriot Rebel attributes with consummate ease while sharing the new depth and adventure in the band’s sound. Though it might not quite live up to those before it, the song is an impressing finale to a thrilling release. Cynics Playground is Patriot Rebel on a new plateau yet the feeling is that the band is still working towards their true creative heights; so happy days for UK rock ‘n’ roll ahead we suggest.

The Cynics Playground EP is out now through all stores.

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Pete RingMaster 24/06/2016

Copyright RingMaster: MyFreeCopyright

Fahran – A Thousand Nights

Fahran_RingMasterReview

Giving another potent nudge on attention for their excellent and increasingly impressive second album Chasing Hours, British rockers Fahran release the track A Thousand Nights with another slice of the album in Take This City Alive for company. Both tracks epitomise the creative and rousing qualities to be found in the full-length and the Nottingham hard rock band’s sound as a whole.

Formed in 2012 out of the ashes of Toxic Federation, Fahran soon made a potent impression with their self-titled debut album which embraced inspirations ranging from the likes of Queen, Iron Maiden, Metallica, Led Zeppelin, Thin Lizzy, Shinedown, Alter Bridge, and Black Stone Cherry into an expressive and dynamic hard rock sound. With a just as attention grabbing live presence which has seen them successfully play Bloodstock and Download, the band made a bigger and bolder statement with the 2014 released Chasing Hours, again a success backed by their tenacious live exploits.

Now the single gives a potent reminder of album and the Breaston quintet’s enticing sound with one of its highlights. A Thousand Nights wraps ears in a sonic seducing straight away, riffs and rhythms collecting around the sonic coaxing before springing fiery grooves and classic rock bred flames around ears. Inspirations are an open colouring to the classically honed encounter, the guitars of Chris Byrne and Jake Graham a snarling captivation alongside the impressive vocal tones of Matt Black. Major surprises are not a bold element of the song but more than covered by the melodic seducing and rhythmic intimidation shaping it. Within Chasing Hours, the song was one which took longer to convince to the same stature as others but persuade it did and now seems to shine even more as a lone temptation.

Alongside it, Take This City Alive is a far more ballsy and hungry offering, a slice of rampant rock ‘n’ roll with delicious grooves entwining JR Windsor’s anthemic beats and bassist Josh Ballantyne’s throaty lures, not forgetting that powerful vocal prowess of Black. Inescapably infectious with a creative and physical swagger to match, the track roars with sonic endeavour and rhythmic aggression, teasing and pleasing ears with its boisterous swing and lively hard rock vivacity.

Both tracks provide all the best reasons to check out Chasing Hour, if it is not a friend already, but more so to give yourself the best kind of night out by seeing Fahran live.

A Thousand Nights is available now.

Upcoming Live Dates:

March 24th – Grand Central, Manchester

March 27th – The Prince of Wales, Kettering

April 16th – The Cellar, Oxford

May 1st – Dementia Aware Fest, Birmingham

May 21st – The Woolpack, Doncaster

June 5th – The Rock Bar, Tamworth

June 25th – The Birdwell, Barnsley

July 14th – Carnfield Hall, Alfreton

September 10th – Redemption Festival, Wakefield

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Pete RingMaster 18/03/2016

Copyright RingMaster: MyFreeCopyright

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Martyr De Mona – Siege Mentality

Martyr De Mona Promo Shot_RingMaster Review

Eager to keep the momentum going of the past couple of years, especially since the release of their acclaimed second album Impera, UK band Martyr De Mona are poised to release new video single Siege Mentality. Taken from the band’s highly successful release, which itself built upon the band’s well-received and eagerly devoured self-titled debut album of 2011; the single is a roar of intent built upon another magnetic fusion of rock and metal from the Stourbridge hailing quartet.

Martyr De Mona Cover Artwork_RingMaster ReviewSince forming in 2010, Martyr De Mona has drawn full praise and an ever increasing horde of fans with their dramatic weave of sound. They have shared stages with the likes of Guns N’ Roses, Black Sabbath, Avenged Sevenfold, Slash, Black Stone Cherry, Skillet, and Alter Bridge, won a Best British Band of the Year award, lit up Bloodstock, and had numerous tracks added to the rotation of national UK and US radio stations and shows. Fair to say that the Romesh Dodangoda (Motorhead, Funeral For A Friend) produced Impera has made the biggest impact on the music scene for the band; one powerfully backed up by its clutch of singles which now includes the rousing Siege Mentality.

Opening with hefty grooves and just as commanding rhythms, the song fires up ears and appetite within seconds with the vocals of guitarist Louis Hale standing powerfully in the midst. From there, the riffs and grooves from he and fellow guitarist Joshua Jones only increase in virulence, aligning with a melodic prowess from them which equally is no lightweight in persuasion either, especially when colouring a calmer passage within the weave of alternative metal and boisterous, grunge lined rock ‘n’ roll. With the scything swings of drummer Ashley Leatherland a more volatile support, the bass of Josh Wooldridge adds a darker temperament and shadowing to the emotive heart of the song, that melancholic hue a potent wash in the keys lit close of the song.

Technically and emotionally, the song is masterful but equally it provides an anthemic persuasion which Martyr De Mona has proven to be so adept at nurturing across their music to date. It looks like being another busy and successful year for the band in 2016, especially if Siege Mentality has its way.

Siege Mentality is released on Friday 19th February through Eagle Two Records.

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http://www.martyrdemona.com/

Pete RingMaster 18/02/2016

Copyright RingMaster: MyFreeCopyright

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Devilstrip – Rise

Devilstrip Promo Shot_RingMaster Review

This month sees Rise, the debut album from US rockers Devilstrip get its UK release and show what those over the pond and especially in Akron, Ohio know, that the trio is one thickly enjoyable hard rock roar. The ten track encounter offers an infectious and rousing proposal rich in heavy grooves and melodic tenacity upon robust rhythms; the result being rock ‘n’ roll to get eagerly close up and personal with.

Formed in the closing weeks of 2012, Devilstrip consists of lead vocalist/guitarist Marc Wasmund, bassist/vocalist Graig Lindgren, and drummer/vocalist Jimmy Gray. Drawing in inspirations from the likes of Black Stone Cherry, Live, and Foo Fighters, the threesome soon set about penning tracks built on the intent to “create something original, yet accessible”. Debut single Go lit ears first, its well-received release also the touch paper to the band’s hunger to play live, an appetite seeing them share stages with bands such as Europe, Buckcherry, Jared Weeks, Girl on Fire, Saving Abel, and L.A. Guns amongst many over time. Fair to say, Rise only reinforced the band’s emergence in the US underground scene, drawing plaudits from critics, media, and fans alike. That success is surely to be expected in the UK moving into Europe now as the Devilstrip sound makes its invitation through Rise.

Not What You Need is the first slice of bait from the album, its initial low key and atmospheric sonic coaxing a deceptive lead into the swiftly fiery and boisterous heart of the song. Riffs and rhythms are soon a choppy lure over which the potent tones of Wasmund entice as agreeably as the slim grooves and melodic tempting also exposed. It is easy to see where that Black Stone Cherry spicing comes into the band’s music in the opener alone, though it is not an overpowering essence in the broader heavy rock character of the song.

Devilstrip Cover Artwork_RingMaster ReviewIt is a thoroughly enjoyable start but quickly outshone and played by Go. From the off, flirtatious grooves and melodic charm holds ears as country rock meets grungy hard rock flavours colour the track and imagination. In no time hips twist as eagerly as those grooves and feet dance as tenaciously as rhythms, Wasmund the vocal ringleader to it all in the increasingly varied proposition. More irritable and antagonistic as it goes, the track has ears hungry for more which Including Me more than feeds with its outstanding revelry. For all the references offered as hints to the band’s sound, this track is like Terrorvision at their inventive best; a tone and spicing which does the song no harm at all. Across Rise, there are many familiar scents and essences of bands and supposed influences yet, as here, they only add to the nature and infectious weight of the album.

Both the swinging temptress that is Are You Ready and the punkish Kill The Headlights keep album and ears in thick unity, the first an insatiable flirtation of grooves and anthemic theatre whilst the second stomps and swaggers around one delicious throaty bassline. Its punk n’ roll flavoured canter come prowl is a lively affair with the right mix of devilment and intimidation to have feet leaping and emotions cornered in preparation for the resourceful confrontation of To The Enemy. A great steely bassline opens things up, its irresistible bait soon joined by sonic flames and stabbing beats before all three collude in a predatory courting of ears. Things relax a smidgeon as the vocals reflect the song’s lyrical heart but always there is a volatile atmosphere to sound and voice sparking feistier evocative eruptions of emotion and energy.

The crunchy presence and emotive reflection of Ugly comes next, its pleasing if slightly unadventurous offering allowing no lessening of attention, as neither does Light Up The Room straight after. Again there is a punk hue to the air of the subsequent power ballad spiced encounter, more essences showing the flavoursome and varied songwriting of the band before Love, Hate, Die backs all thoughts with its potent croon and melody soaked intensity. Like its predecessor and indeed the following She Said, there are plenty of aggressive turns within scenery draped in melodic charm and prone to angst fuelled roars, and as the other pair, plenty to be captivated by. With She Said enjoying a great tempestuous climate, the trio conclude Rise in fine style, though for personal tastes, the album is at its loftiest in the first half dozen tracks where they seem to have much more character to their imagination and devilry.

Nevertheless Rise is a gripping slab of hard rock from a band we can only hope to hear and see more of this side of the Atlantic from hereon in.

Rise is released in the UK on January 22nd Through All Stores.

http://www.devilstriprocks.com   https://www.facebook.com/Devilstripband   https://twitter.com/devilstriprocks

Pete RingMaster 22/01/2916

Copyright RingMaster: MyFreeCopyright

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Devilstrip to “Rise” in January 2016

Devilstrip_Cover_Artwork_RingMaster Review

US ROCKERS DEVILSTRIP UNLEASH THEIR DEBUT ALBUM TO THE UK THIS WINTER!

Devilstrip are a hard-rock power trio from the rust-belt of Akron, Ohio, USA. Comprised of Marc Wasmund (lead vocals/guitar), Graig Lindgren (bass/vocals), and Jimmy Gray (drums/vocals), the three piece tug from the inspirational powers of Black Stone Cherry, Live, and Foo Fighters, with critics already describing the band as “melodic, raw stadium rock with a bit of punk rock sensibility”. Stocked with hefty riffs, soaring melodies, and an explosive debut album in the shape of ‘Rise’, which drops on Friday 22nd January, the band are destined to break in 2016.

Born December 2012, the three piece had a strong desire to create something original, yet accessible, and instantly set to work, soon penning their debut single ‘Go’. Intense rehearsals and extensive writing followed, along with a gigging schedule which has seen the DIY rocksters grace stages with everyone from Europe, Buckcherry, Jared Weeks, Girl on Fire and Saving Abel, to the L.A. Guns. The band have also recently filmed an episode of the hit TV show “Bar Rescue”, which will air on Channel 5 later this year.

With the trio’s blossoming live reputation, Devilstrip decided to turn their attention to crafting their debut album ‘Rise’. Independently mixed and produced, the record is a call to arms for anyone and everyone that has an affinity with burly riffs and earnest songwriting. The layered depth of their debut album is evident as hammering drums and probing guitars, entwined with alluring hooks, cleverly wind their way deep into your core. Tracks such as the mighty ‘Go’ and the emotive ‘She Said’ are sure to light up radio airwaves. Devilstrip will tour the UK in the Spring, so latch onto the band now before they explode in 2016.

-DEVILSTRIP RELEASE ‘RISE’ THROUGH ALL STORES ON FRIDAY 22nd JANUARY-

https://www.devilstriprocks.com  https://www.facebook.com/Devilstripband  https://twitter.com/akrondevilstrip

Bear Bone Company – Self Titled

BBC_RingMaster Review

We are always up for an artist letting their music do all the talking compared to others which spew suggestions of being the next best thing then bringing disappointment with a formula or uneventful sound, but there are some who go too far the other way and do themselves no favours by being as secretive about themselves as an orgy in a vicarage. One such band is Swedish rockers Bear Bone Company, an outfit with a sound which takes ears and body on an invigorating ride but keeps pretty much silent when it comes to self-promotion. With a stonking self-titled debut album recently unleashed via Sliptrick Records making a rich roar though things hopefully will become livelier for and with the band, a result the powerhouse of tenacious rock ‘n’ roll certainly deserves.

What we can tell you about Bear Bone Company is that they come from the Örebro area of their homeland, were formed in 2012, and now have a line-up of guitarist/vocalist B.K., bassist/backing vocalist J.Martin, and drummer Knauz. Their sound is a healthy blend of classic and modern heavy rock with spices of metal, and their first album is produced by Ronny Milianowicz (Dionysus, Sinergy, Saint Demon). More we cannot say but that is fine as the album is worthy of all the attention anyway.

bearbone-_RingMaster Review     It opens with Fade and instantly has ears entangled in a tasty groove within firmly probing rhythms. Bass and guitar only increase their individual lures as the song expands to embrace the impressive tones of B.K. and the rousing air of the song. As to be heard across the album, there is something familiar to the band’s sound, the likes of Theory Of A Deadman and Black Stone Cherry amongst a few brought to mind, yet as the song shows there is a fresh and rich edge which is distinctive Bear Bone Company, the outstanding Kiss N Tell swift confirmation. The second song enters on a grouchy rhythmic and spicily sonic stride, relaxing into a more recognisable prowl soon after whilst still retaining its initial irritated nature. The band crooned chorus offers additional Poison meets Velvet Revolver like revelry but it is the antagonistic side of the mighty song and its searing flames of guitar which stirs the imagination most.

Both the excellent Don’t Belong and the rigorously enticing Burkitt Lymphoma hold ears and attention tight, the first with a more controlled and even tempered hard rock character wrapped in fiery textures and enterprise and its successor through a steamy wash of guitar and again fearsome riffs. The latter though also slips into a more comfortable melodic prowess and catchy endeavour to keep its body unpredictable and fascinating. Once more major surprises are scarce but there is no escaping the sound is gripping and all Bear Bone Company.

The anthemic blaze of Down In Flames provides a stirring incitement next, B.K. as vocally strong and impressive as ever as the song stalks the senses and treats the ears with its bluesy intoxication whilst Bear Bone rocks like a predator in heat, grooves and riffs casting a primal rock ‘n’ roll swing as the bass venomously snarls. Both tracks hit the sweet spot before the predacious allure and presence of Way Back Home casts its sonic web over the imagination and by now a fully eager appetite for the release. Every track upon the album is in some ay a fire of anthemic tendencies, this one more of a smouldering pyre of enterprise which burns its way into the memory and a lingering appreciation.

Drinkin’ Time stomps with zeal loaded rock ‘n’ roll next, its easy presence not living up to what has come before yet still leaving satisfaction keen whilst Hangin’, another maybe promising more than delivering for personal tastes, strolls along with an infectious nature and accomplished body to easily please. Neither quite catches the imagination, though it again is just individual tastes involved, and both overshadowed by the emotive weight and call of Fallin’ Down. Its tangy grooves and persistent riffery is simply flavoursome bait alongside a similarly weighty lure of vocals, all spun around the potent rhythms of Knauz to strong success.

The final pair of songs upon the album add further tinder to its fire, Life’s About engagingly tangling classic rock and metal with soaring vocals and prowling rhythms whilst Suicide canters through ears with attitude soaking its intent and an inner fire fuelling its punk/heavy rock ‘n’ roll predation. It is a tremendous close to a rather potent and thoroughly agreeable encounter, an album easy to keep returning to and roaring along with to the neglect of others.

Hopefully the release and assumes success of the album will inspire Bear Bone Company to reveal more of themselves and even more so push their presence into the faces of potential fans as there are surely plenty of unaware heavy rock appetites waiting to be fired up by the Swedish trio.

The Bear Bone Company album is out now through most online stores via Sliptrick Records.

https://www.facebook.com/BearBoneCompany/

Pete RingMaster 12/11/2015

Copyright RingMaster: MyFreeCopyright

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