Snarling blossoms: exploring the heart of The Bad Flowers

The Bad Flowers_RingMasterReview

Drawing on influences found in the likes of Black Sabbath, Led Zeppelin, and The Who, British rockers The Bad Flowers soon showed a sound with its own distinct character after emerging in 2014. The West Midlands trio has continued to grow and earn a potent reputation for their rousing sound and equally spirited live presence. Ahead of a new EP, we had the pleasure to throw a few questions at the band who kindly revealed more about the emerging might of The Bad Flowers.

Hello all and thanks for sparing time to talk with us.

Can you first introduce the band and give us some background what brought you all together?

We are The Bad Flowers from Cannock; we have Tom Leighton on lead vocals and guitar, Dale Tonks on bass and backing vocals, and Karl Selickis on drums. The band came about from projects we were working on individually that ran their course, but we all came together when we were playing on the same bill and we kept in touch from there.

So The Bad Flowers is not your first outfits? How have previous endeavours impacted, if at all, on what you are doing now; in maybe inspiring a change of style or direction?

We have all been in bands before and have been playing for as long as we can remember. When we came together we found that we all wanted to follow the same direction and it worked really well for us, our focus is to play music that we enjoy, that we all have input into which we hope will bring something new to the industry whilst maintaining the influences of the music and bands that have inspired us.

What inspired the band name?

It was a lyric from a song of one our previous bands that we kept going back to, and when it came to us making a fresh start it just felt right.

TBF2_RingMasterReviewWas there any specific idea behind the forming of the band and if so has it changed?

There was no specific idea it has just developed from what we enjoy playing and what we feel works well, and we are really grateful for the support we receive.

The drive to write great music and put on exciting live shows has always been there. The music itself has definitely developed as we have grown as artists, but we’ve always maintained the same sound.

Since your early days, how would you say your sound has evolved?

We take more time over each song; we want to make sure each element of the song is exactly how we want it to be. Before we debut a new song, we lay down hours of practice to ensure we’ve got it right.

Has any shift and movement in your sound been more organic or deliberate in wanting to try new things?

The movement has been organic. As we’ve grown up and gained more experience the sound has moved with us.

Presumably across the band there is a wide range of inspirations; are there any in particular which have impacted not only on the band’s music but your personal approach and ideas to creating and playing music?

There is no one in particular, but as individuals we all have different inspirations which when we write together gives us our sound.

Is there a general process to the band’s songwriting?

It usually happens by one us coming up with an idea and we jam it out during practice until we have a rough idea of where we want it go, then we take it away and work with it to make it tighter and it evolves from there.

How about lyrics? Where more often than not, where are they drawn from or inspired by?

The inspirations for our lyrics come from Tom; he is always thinking of lyrics at work or at home to put into the songs.

Can you give us some background to your latest release?TBF3_RingMasterReview

The next release is a four track EP which includes our most recent songs that are more powerful and slightly dirtier sound than what we have released before.

How about some insight into its themes and songs?

The songs are based on our experiences in the band and as individuals. There is a song based on a recent tour of Europe and we try to make the lyrics relatable and something people can connect with.

Are you a band which goes into the studio with songs pretty much in their final state or prefer to develop them as you record?

We get the songs to the point where are happy with them, we practice them over and over again before we go into the studio to record. There are often times where we may make a few tweaks when we hear the recorded version to better the song.

Tell us about the live side to the band, presumably the favourite aspect of the band?

We really enjoy playing live and we go out to put all of our effort in no matter where we play or who we are playing to. There is nothing better for us than seeing people enjoying our music and leaving with a smile on their face.

The Bad Flowers tour dates_RingMasterReviewIt is not easy for any new band to make an impact regionally let alone nationally and further afield. How have you found it your neck of the woods?

In the midlands there is a thriving scene for new music and there are great local venues that support the industry. After playing all over the country it is still great to come back and play sold out local shows.

How has the internet and social media impacted on the band to date?

We keep people updated on Social Media of up and coming gigs, any news we have and it’s also a great way to keep in touch with fans, as well as giving us a platform to promote ourselves to people who may not have heard of us before. Social Media is a great tool to use as long as it is used on the right respect.

Once again a big thanks for sharing time with us; anything you would like to add or reveal for the readers?

Thank you for taking the time to read our interview. Keep your eyes and ears pealed for the future and we hope to as you soon.

http://thebadflowers.uk/   https://www.facebook.com/thebadflowersband

Pete RingMaster

The Ringmaster Review 16/06/2016

Copyright RingMaster: MyFreeCopyright

Tyrannosaurus Nebulous – TLK/Straight Jacket

T REX_RingMasterReview

Tyrannosaurus Nebulous is a British hard rock roar which ahead of a highly anticipated new EP, have just uncaged a highly irresistible stomp in the shape of double A-sided single Straight Jacket/TLK. Two slices of multi-flavoured irresistible rock ‘n’ roll; the release marks all cards on a new spirit raising proposition very easy to find an eager appetite for.

Based in the Black Country, the foursome of Stourbridge hailing guitarists Matt and brother Paul Darby, their Dudley hailing cousin James Miles on drums, and South Wales (Caerphilly) bred Lee Jenkins draw on inspirations from 70’s hard rock and the likes of Budgie, Black Sabbath, Lynyrd Skynyrd, AC\DC, Status Quo, Led Zeppelin, Rush, and Thin Lizzy for their own adventurous proposals. As shown by their 2014 debut EP Never Gonna Be, which featured former vocalist Justin Catton, Tyrannosaurus Nebulous use all flavours in a sound crafted in its own identity. The new single continues that evolution, offering the band’s most unique sound yet without defusing what is an easily accessible and seemingly instinctively recognisable prowess. With a strong reputation building live presence across the Midlands and South Wales which has included shows with the likes of Captain Horizon, Twisted State of Mind, Buzzard, Vicious Nature, Sister Shotgun, Healer of Bastards, No More Numbers, The Delta Rhythm, Sour Mash, Swamp Donkey and numerous more, Tyrannosaurus Nebulous is ready to stoke up national fires with the upcoming Deal With My Evil EP in July and before it the fiery stomp that is TLK/Straight Jacket.

TLK comes first, a song introducing “the band’s very own T. Rex called Terence, sent to us from a faraway galaxy to teach us the ways of pure rock ‘n’ roll, so that we can defeat inferior talent show chart drivel and put hard hitting rock back on top where it belongs !!!” No matter the story, behind it, the track is pure rock ‘n’ roll which hits the ground running as riffs and rhythms entice and enslave with boisterous catchiness and chest thumping energy. It is no slouch in providing melodic temptation and spirit rousing virulence either, it all led by the dusty anthemic tones of Matt backed by the similarly potent tones of the band. As suggested there is something familiar about the song and the band’s sound yet it refuses to be pinned down while offering thickly fresh scented rock ‘n’ roll. Like its companion, the track feels like a returning best friend with a new line in fun and diversely flavoured rock devilry.

Whereas there is a great classic rock spicing to the track, Straight Jacket infuses some southern rock flavouring to its melody thick blaze. Within seconds guitars are spinning a web of juicy grooves and rampant riffs as bass and drums create heavy duty contagion. Again, it is a song which is infested with pedal to the metal energy but equally explores some just as stirring moments of smouldering melodies and sonic suggestiveness.

Both the Gavin Monaghan produced tracks hit the sweet spot with ease and are sure to please any hard rock fan with a taste for rock ‘n’ roll unafraid to show its influences whilst creating a new mighty roar.

TLK/Straight Jacket is out now @ https://tyrannosaurusnebulous.bandcamp.com/

Upcoming Gigs:

Saturday 16th July – E.P. Launch Party – Barge & Barrel, Tipton
Friday 18th November – Supporting ‘Children of the Gravy’ – Black Sabbath tribute – Roadhouse Birmingham

http://www.tnebulous.com/   https://www.facebook.com/TyrannosaurusNebulous   https://twitter.com/T_Nebulous

Pete RingMaster 16/06/2016

Copyright RingMaster: MyFreeCopyright

BoneHawk – Albino Rhino

BONEHAWK_RingMasterReview

Having already been gobbled up in as a limited vinyl release through Hornacious Wax Records in 2014, Albino Rhino from US heavy rockers BoneHawk gets its official CD release via Ripple Music, who the band recently signed with, this month. Already preceded by single/video Los Vientos, as part of the label’s Second Coming Of Heavy series but not actually on the album, the band’s returning debut album is an invitation and wake call to those yet to discover the melodic and groove woven rock ‘n’ roll of the Michigan quartet.

With its seeds already sown when guitarist/vocalist Matt Helt and guitarist Chad Houts first met and bonded in third grade at school in Kalamazoo, BoneHawk emerged in 2011 after the pair played together in various projects over the years. With bassist Chris Voss alongside Houts and Helt who also provided drums, the trio set about recording Albino Rhino with Jim Diamond at Ghetto Recorders in Detroit. In less than two months the first run of vinyl was sold out whilst, with drummer Jay Rylander and bassist Taylor Wallace by now alongside the founding duo, BoneHawk was being devoured on their local live scene. A second ‘Ultraviolet Purple’ pressing of the album followed and either sparked the attention or came about through the attention of Ripple Music boss Todd Severin. Whichever the line of events, it has led to the CD availability of Albino Rhino, a release which maybe did not blow us away but certainly has sparked persistence in returning for more helpings of the band’s riff loaded and groove strapped persuasion.

Inspirations for the band seem to stem from the likes of Iron Maiden, Thin Lizzy, Led Zeppelin, and Black Sabbath; the latter certainly and quickly an open influence and hue to Albino Rhino. It opens with Argenia and straight away grooves are enjoyably entangling ears as the bass almost dances on the ear with its throaty tempting. Beats have a hefty swipe to their touch too whilst riffs and the harmonic tone of the vocals, singular and as a pair, bring further magnetism to a quickly and highly infectious song. The blend of dark and melodic, heavy and light grabs the imagination with ease, contrasting as potently with the more intensive touch of the rhythms as the song continues to captivate and impress.

art_RingMasterReviewThe following Sexy Beast is just as swift a persuasion; its sizzling air immediately coating the senses with an appetising coaxing, almost echoing the fiery textures which coloured its predecessor before casting its own spicy flames in a prowling gait. There is a great delta blues like tone to the track and especially its rich melodies and emotive tone, but as shown in the first track and becomes repeated throughout Albino Rhino, things never seem to hang around in one shade of sound or imagination for long. Hot Mary is the same; the song evolving an initial heavy stroll with a juicy blues scent to its grooves through catchy swings of beats and riffs matched in infectiousness by the ever engaging vocals of Helt.

Weaving a seventies heavy rock vibe, Tonight We Ride steps up next, keeping the listener’s physical and vocal involvement as busy as ever whilst Warchild is like a net of appetite trapping grooves and stoner-esque temptation. Sometimes it takes a band like BoneHawk to make ears remember how close many genres are to each other, how they are a one-step evolution from another and the relative pointlessness of tags in so many ways. The song is a festival of flavour even in its generally reserved and slim body; a paint box of rock ‘n’ roll colours especially vibrant in its furnace of a chorus and additional crescendos.

Ulysses puts in its claim for best track honours next, the song a feisty and ears blistering stomp of individual craft and anthemic tempting quickly followed by the dirtier, almost sludgy theatre of Desert Run. Its rugged landscape is sultry and almost imposing but with its cow bell and searing tendrils of melodic acidity alone, its creative body is just as welcoming as anything on offer by the album.

There is a whiff of Pentagram to Nomad which next takes over and envelops ears in a tangy melodic smoulder with again grooves which seem to writhe and entangle with snake like dexterity as rhythms cage and provoke even stronger physical engagement. There is an instinctive bond between song and listener which is never absent from any track within the album and certainly not the closing pair of the virulently swinging Going Over The High Side and the closing title track of Albino Rhino. For almost eight minutes, the final encounter fascinates and enthrals with its individual drama of sound and accomplished craft sculpted with stirring imagination. In many ways it is the most unique song on the album and a potent end to the spirit rousing encounter.

We look eagerly forward to what comes next from BoneHawk; going by Albino Rhino it is likely to be weighty and seriously alluring. Add a little more originality and the band could kick up a real storm of attention around themselves to build on what will assumedly arise from this highly enjoyable re-release.

Albino Rhino is released on CD on April 22nd via Ripple Music across most stores and downloadable now @ https://bonehawk.bandcamp.com/album/albino-rhino-2

https://www.facebook.com/bonehawkkzoo

Pete RingMaster 22/04/2016

Copyright RingMaster: MyFreeCopyright

For more exploration of the independent and promotional services check out http://www.zykotika.com

Dead Air Republic – With Extreme Prejudice

DAR_RingMasterReview

We all know how criminal it is when the most untalented of people get their fifteen minutes of fame and attention on TV shows and through money driven exploits of others whilst there are real and extremely talented people going majorly unrecognised or remain never known. Listening to With Extreme Prejudice, the new EP from Canadian rockers Dead Air Republic, it is really brought home. As adverts begin on UK TV announcing the next instalment of as many Britons as they can find with less talent than a blank piece of paper, something no doubt replicated on every continent, here is a tenaciously creative band breeding prime rock ‘n’ roll which is going unnoticed by most.

With Extreme Prejudice is the chance to buck the trend in some small way whilst treating ears to six tracks of multi-flavoured and impassioned rock and metal roars. Dead Air Republic was formed in 2008 by musicians returning from a long hiatus from making music with fire in their creative bellies and determined passion in their emotive energy. It is a fire and intent which inflamed their well-received self-titled debut album released in 2013 and now energises the Ottawa hailing quintet’s new encounter.

As individual as their sound is, it is also easy to pick out suggested inspirations as the EP involves ears and the imagination from its first breath. One band though does unexpectedly coming to the fore quite often and that is US band Resin, they another unrecognised talent sharing an ability to write and sculpt truly anthemic hooks and swinging grooves within emotionally tempestuous proposals. It is a pleasing hue emerging swiftly within opener Just Another Bullet. A great steely groove welcomes ears and entices an early appetite straight away, crisp rhythms and snarling riffs quickly adding their bait as the song evolves and creatively grumbles. Once the sandy tones of vocalist Marc Bourgon gets in on the act, the track is in full magnetic swing around the gripping collusion of Mike Derstroff’s beats and a highly infectious bassline from Ben Barnes. Grooves and melodic flames spring from the irresistible swagger in motion, guitarists David Maltais and Richard Bent adding their sonic enterprise and backing voices to an increasingly impressive incitement. The track is superb, rock ‘n’ roll to ignite the spirit, involve the body, and get the juices eagerly flowing.

DAR_Front_Art_RingMasterReviewExample 1 strides in next with its own web of grouchy riffs and sonic tempting, Bourgon again quickly impressing with his expressive delivery with the band backing him in potent vocal kind. As with its predecessor, there is something familiar to the song and sound yet mostly indefinable as it adds great spice to the fresh stomp lighting the senses. Certainly there is a touch of Tool to the track, but again a colour in the Dead Air Republic palette which becomes more dynamic and unpredictable with every inventive minute. Anthemic to the core, the song continues the already mighty presence of the release in ear and thought before making way for the darker drama of The Waves.

The third track emerges on an atmospheric air with portentous edges to its raw sonic lure before things settle into a melancholic stroll with that slightly unsettled electronic ambience still working away. Guitars and vocals proceed to share melodic and harmonic angst as rhythms add a firm but unassuming hand within the disturbed climate of a song. Becoming more buoyant and energetic over time, it is a another potent shade to the band’s invention which without quite making the same impact as the first pair on personal reactions still had ears and attention transfixed across its imaginative body.

The air is mightily stirred again as Good at Never rides in on a great nagging tide of riffs. Their immediate addictiveness only breeds greater persuasion as the song rises up into its own irritable and snarling grunge/punk contagion. Again hooks and grooves spew a virulent potency which alone has the listener fully involved with vocals and the raw anthemic heart of the song coaxing a physical involvement which carries on into the classic rock and metal blaze of Buzzkill. It is easy to hear the influences of bands like Maiden and Sabbath within the fiery and vigorous bellow of the song but again essences only employed with the distinct imagination and touch of the Canadians.

Giving the listener a great heavy metal fix and more, the EP turns to its heavier rock ‘n’ roll side for closing track Enough of This Mess. Still metallic strains are a spicy part but spinning a sound seemingly fostering a liking for bands such as Pearl Jam, Seether, and again Tool, the song creates its own unique and highly persuasive adventure.

The track is a fine end to an outstanding release which deserves the fullest of attention. Whether it sparks that success time will tell but rather than be numbed by something posing as entertainment whether on TV, Radio, or the like, we suggest taking a punt at turning off the switch and embracing real and exciting times going by the name of Dead Air Republic.

The With Extreme Prejudice EP is out now across most online stores.

http://www.deadairrepublic.com   https://www.facebook.com/Dead-Air-Republic-169929886356153

Pete RingMaster 30/03/3016

Copyright RingMaster: MyFreeCopyright

For more exploration of the independent and promotional services check out http://www.zykotika.com/

The Mountain Man – Bloodlust EP

TMM_RingMasterReview

Like brawling with a bear, the Bloodlust EP leaves concussive destruction and raw mayhem in its wake. It relentlessly ravages and crushes with five tracks of metal ferocity but like an unbridled storm it also leaves the senses energised and hungry for more. The release is the debut assault from Canadian band The Mountain Man; an introduction to a new primal force with potential swinging from every mighty rhythmic blow and sonic tirade.

Hailing from Vancouver,  The Mountain Man draws on inspirations from the likes of The Black Dahlia Murder, Crowbar, Gojira, Lamb of God, and Black Sabbath for their ravenous sound. They are essences easily heard within the band’s first encounter but no more so than the band’s own distinctive and carnivorous imagination and raging intensity. Since forming, the band has earned a potent reputation for a live presence which has seen them play with the likes of 88 Mile Trip, Nylithia, La Chinga, Slaughterhauser, Warrborn, Ninjaspy, Abriosis, Unbeheld, and Dead Asylum. Now it is the Matt Roach produced, Troy Glessner mastered Bloodlust EP ready to spark not only fresh homeland attention but easy to suspect far wider bred spotlights.

Virtually living up to its name from its first breath, the EP opens with the venomous Backhand of God. Its initial touch is a single captivating melody with just a hint of a rapacious edge to it. That background hunger is soon realised as the evocative groove leads into a blistering haze of raw and imposing intensity led by the bestial growl of vocalist Parker.  By now the track is prowling ears, crawling over the senses with a Lamb Of God like predation wrapped in equally intimidating tendrils of guitar enterprise cast by Tyson Tambellini and Jordan Orr. Increasingly invasive and pleasing, the track makes a formidable, attention grabbing start to Bloodlust, though it is quickly eclipsed by the EP’s title track.

Album cover_RingMasterReviewA web of primal rhythms and corrosively roaming grooves instantly ensnare ears  as Parker extends his multi-faceted vocal fury and attack to again direct the tempest. It is an exhilarating and  uncompromising tempest driven by the gloriously thunderous and dynamic beats of Ryan McCreedy, whose hellacious craft is matched in merciless kind by the psyche grinding grooves of bassist Tevyn Pacey. The track is glorious, a torrent of riffs and creative savagery bound in acute melodic enterprise which simply captures the imagination as much as the barbarousness of the track has the body gripped.

Open Graves steps forward next; it also opening with a trespass of a groove impossible to defend against. The song is a dirtier, more muggy proposal than its predecessor but still leaves its all-consuming enveloping of the senses open to ear grabbing imagination and the ever evolving hostility of the rhythms. As the song before, it is maybe hard to say that the track offer s big moments of originality yet every minute provides a collision of fresh violence and creative endeavour which leaves most extreme metal onslaughts heard so far this year, looking a touch pale and uninspired.

Showing greater diversity in their songwriting and ideation, the band opens The Great Decay with a melodic seducing which is as elegant as it is slightly melancholic and certainly laced in devilish intrigue which builds and intensifies into a maelstrom of aggravated emotions and volatile persuasion. There is restraint and unbridled animosity in the song, creative adventure and pure sonic rancor, and numerous other contrasting textures which all unite in an impressive, almost swamp like bellow of provocative suggestiveness. Ending with a brutal predatory charge employing every strain of metal viciousness possible, the track makes way for the closing ferociousness of Ghost.

It too takes to stalking the listener first, but with open barbarism in every aspect of its doom scented and blackened pestilential crawl. Breaking out stoner-esque grooves, if swung by an executioner, the band continues to prove that familiar hues does not mean predictability; the track continuing to weave recognisable yet boldly fresh textures into one mean spirited and fiercely galvanic incitement.

It did not take long to get a lusty appetite for Bloodlust, one which has only increased and got greedier with every outing. We are sure to not be alone in embracing the roar of The Mountain Man, and the recognition that things can only get bigger, better, and more brutal with the band over time. Bring it on!

The self-released Bloodlust EP is out March 25th @ http://mountainmanmetal.bandcamp.com/

https://www.facebook.com/mountainmanmetal   https://twitter.com/mtnmanmetal

Pete RingMaster 23/03/2016

Copyright RingMaster: MyFreeCopyright

For more exploration of the independent and promotional services check out http://www.zykotika.com/

The art of choosing…talking with The Dreamer Within

The Dreamer Within_RingMasterReviewPromo Shot

Hailing from Exeter in the UK, The Dreamer Within is a band beginning to lure very potent attention with their compelling metalcore bred sound. Young as an outfit, they have already shown themselves a fresh presence and roar on the British metal scene with a stage presence that has audiences swinging s evidence by acclaimed shows with the likes of I Divide, Glamour of the Kill, Skindred, and Palisades. Recently the quintet unveiled a new video for the song Purge for another big poke at broad attention. It had us wanting to know more, so with thanks to the guys we explored the beginnings of The Dreamer Within, their new video, an impending EP, and more besides…

Hello and many thanks for taking time to talk with us.

That’s kewl😀

Can you first introduce the band and give us some background to how it all started?

Alex and Charlie started writing stuff when they were at Uni many years ago…like 7 years ago (they’re both well old). They both knew each other played guitar from school but Charlie didn’t like Alex because he had better hair and knew how to play more Metallica solos than him. However they ended up jamming together in a covers band and started writing their own stuff just for fun. They’d send each other random riffs and ideas and eventually ended up putting drums to some stuff so things sounded a bit more legit. One day though, Alex decided to put some synth over one of the riffs for a joke, however there was actually no laughing matter – it sounded genius. Well actually it sounded terrible but it started to influence some other things they wrote and eventually synth became a must for any song ideas. To cut a longer story shorter: they eventually got in touch with some people who they thought might be interested in actually playing some stuff live, including Alex’s dear cousin Josh who loves to play a bit of bass. After a few years of practice, writing and re-writing everything and a couple of line-up changes we eventually managed to play a show in July 2014. Ultimately, our love of metalcore probably brought us together, plus we all really like wearing vests. We all have pretty similar music tastes though, ranging from more straight up metal to trance/EDM so going down the contemporary metalcore route was a pretty natural thing for us.

What sparked the decision to form the band and the direction it was to take?

It’s always been quite a natural development, we all love our music heavy and full of synth! As mentioned above, the original conception of the band happened years ago (you can probably still find the original version of Recovery on the internet without having to look too hard) and the direction of the band really just came from a culmination of the things we love about music, minus Taylor Swift’s voice though unfortunately.

The Dreamer Within_RingMasterReviewIs there any specific meaning behind the name?

Choosing our name was a stressful time. We all had terrible ideas and it got pretty frustrating as all the super cool names were taken according to numerous Google searches.  We agonized over so many until one day at practice, Charlie lost it and said “right, I’m going to my car to get my mountain dew and packet of cashews, I want a name by the time I return…” and sure enough, Eliott came up with The Dreamer Within. It probably reminds us most of Charlie being furious and eating cashew nuts, although on a more serious note, we liked it as it vibed well with our style as a lot of our lyrics relate to recognising what’s important within oneself and looking at the world outside the box if you catch our drift. At the core of it, the name refers to the part of yourself that is dormant inside that aspires for greater experiences.

Tell us about your early days as a band; the unforeseen surprises and difficulties which you came up against that maybe musicians do not expect or realise will show themselves.

It’s still pretty early days really! I think one thing we never really considered was just how much effort (and equipment) has to go into creating the kind of sound that we have to manipulate live. I’d say one of the biggest surprises was probably when we played our first show after releasing our debut single Heart of Mine as originally we just wanted to release some music and play a live gig to say that we’d done it; the feedback was so overwhelming that we decided to keep going and never really looked back. In hindsight we could have probably done a far better job at getting ourselves shows at the start – we ended up waiting to be asked by other bands a lot which was awesome when it happened but it did mean we struggled to keep ourselves booked up. Ultimately, we realised that everyone in the local Exeter scene was super nice and talking to people/other bands was the best way to get about. Typically, no one ever has any batteries and we use A LOT of batteries for all the wireless stuff etc. The amount of times we’ve had to do an emergency battery run before a show is ridiculous – we never learn! Josh is the worst for this and also equipment in general. One show we played in Plymouth had him kneeling on the floor playing after his strap broke mid set. Obviously he didn’t have any sort of backup plan so the drummer from The Core of IO had to duct-tape it up for him while he was playing…we looked really awesome…

As you say, it has been a relatively short time that The Dreamer Within has been around; how would you say your sound has evolved in that time?

To be honest not that much – the first two songs we released in 2014: Heart of Mine and Recovery 2.0 are songs that were written alongside a few others that we actually had in mind for our up and coming EP so we’re still very much influenced by our original ideas. We guess that people can probably expect a far heavier EDM presence in some of our more recent compositions but essentially we want to get better at what we started doing rather than change our sound loads of times before people really get to know us.

Do you write and create as a unit?

Alex and Charlie often lay down the primary structure for most of the tunes as they’re both guitarists. They also have the responsibility of recording, mixing and mastering everything so it makes sense for them to take the lead on that side of things. However overall the songs come together from everyone’s ideas as Eliott is a keen synth composer and Matt handles pretty much all the lyrical side of things. As much as we make fun of him, Josh is a sick bass player and he rarely has to be taught anything and is happy to write his own bass parts rather than mimic the guitars…All pretty harmonious really.

 You recently released the video for new track Purge. Tell us about the song’s theme first of all.

Purge is primarily about recognising agents of deception and control in everyday life and “Purging” the feeling that you need to conform to believing what’s force fed to you or allow yourself to be easily influenced by common sources of information. Essentially the message is ‘don’t believe everything you read/see, don’t just sit there letting the world carry you along, get out there and find your own truth.’ We hope we don’t sound too cliché and political!

The press release with its announcement suggested that your new tracks, as well as being more creatively imposing and inventive, have “a darker lyrical tone.” Can you elaborate upon that and The Dreamer Within2_RingMasterReviewdoes Purge epitomise that evolution or are there further dark depths to be discovered?

We think the darker elements come from the overall feel of the songs themselves rather than the lyrics. We find it impossible to write anything in a major key! However regardless of what the song is about, lyrically we always try and put a positive spin on things to inspire a more uplifting feel.

What kind of things most inspires the band’s lyrical side?

We like writing about mankind’s place in the Universe, why we’re all here, what we should be doing while we are here etc. We are all really into space and all that cool stuff so we’d like to think our songs have a really big epic feel to them. We also like writing about some supernatural/potentially supernatural stuff as we think that a lot of potential answers to the world’s great mysteries could lie in thinking a bit more radically than the norm. Our first single, Heart of Mine is actually about Final Fantasy 7 which is one of our favourite video games. Video games are a theme we’d like to explore more in the future. All of us are also massive Star Wars fans so you can probably expect to hear a song in the future that mentions about how Rey from the new film is the greatest female ever.

Back to the video; who did you film it with?

An ace gent who goes by the name of Ben Lumber; the frontman of Acres who are currently killing it in Europe.

Did you, as a band, have a particular idea for it in mind or left it to the director etc. to come up with the basis for what is certainly an eye catching, ear pleasing proposal.

We scouted out what we thought was a pretty cool location for a first video. To be perfectly honest we took a lot of influence from videos that came out in the golden 2008 – 2012 metalcore/(dare we say it) crabcore era. It’s not a big surprise to hear that we love all that stuff. Because it was all performance based, it was up to us to choreograph our moves and group shots. We tried to throw in as much energy from our live shows as possible so what you see in the video is pretty close to what we pull off live, although that can be dependent on the size of the venue! Ben had some great ideas for angles and solo shots etc. but we had a lot of input in the visual side of things and Ben was great at listening to our ideas and working with us.

I believe the band is working on a new EP? Can you give us some insight and spoilers to that?

Cheeky😉 I think we can probably let slip that the EP is going to be called This Is Not Our Home and will be out at the end of May. It will be made up of 5 tracks including Purge and another new song we’re doing a video for very soon. After listening all the way through, you should end up feeling like you’ve just danced with the Incredible Hulk at a rave until 6am.

Apart from the EP, what is in store for The Dreamer Within fans from hereon in across 2016?

We’ve got some really cool festival announcements coming up over the next few months including Massacre Fest in Gloucester. We also have our first tour booked from June 1st to 5th with High Rise, Follow the Wolf, and Last Hounds which we’re stupidly excited for. It will be our first time playing most of the venues on the schedule including dates in Leeds, Leamington Spa, and London so we’re really looking forward to seeing how we go down in places that aren’t near the South West.

Many thanks again for chatting with us. Anything you would like to add?

Thanks for having us! And to those of you coming to our hometown show of the tour on June 2nd – keep your eyes open for a ripped and kewl announcement about that😉

And finally, give us an insight into the records and artists which could be claimed to have most inspired your own life and creativity.

We’re inspired by a lot of the bands that people wouldn’t be surprised by like Asking Alexandria, Abandon All Ships and Enter Shikari etc. Although collectively, it’s not unusual to see us listening to artists/bands like Steve Vai, Joe Satriani, Yngwie Malmsteen, Bullet for my Valentine, Trivium, Black Sabbath, Whitesnake, Erra, Funeral for a Friend, Paramore, and The Lonely Island to name a few.

Check out The Dreamer Within further @ https://www.facebook.com/thedreamerwithin

Pete RingMaster

The Ringmaster Review 23/03/2016

Copyright RingMaster: MyFreeCopyright

For more exploration of the independent and promotional services check out http://www.zykotika.com/

Buffalo Theory MTL – Skeptic Knight

photo - Benoit Nantel

photo – Benoit Nantel

Creating a bruising and boozy riot of rapacious rock ‘n’ roll, Canadian quintet Buffalo Theory MTL are releasing their latest uproar of sound and attitude this month in the boisterously muscular shape of Skeptic Knight. The five-track EP is a roar of debaucherous intent amidst heavy cantankerous sound which, without any major surprises, simply gets you in the mood to feverishly brawl and party.

Hailing from Montreal MTL consists of guitarists Pat Gordon and Yannick Pilon of Vantablack Warship, bassist Gary Lyons, drummer Brian Craig, and vocalist veterans Anton Parr. Between them, they have been part of very well-known Quebec groups such as the Ghoulunatics, Les Ékorchés, and Arseniq 33 whilst Parr’s history includes playing in thrash bands in Brazil. Together they brew a thick and predatory breed of stoner metal infused with thrash fury; a sound which, since the band formed in 2009, has fuelled an early demo followed by debut album Heavy Ride in 2012 and two years later, the Murder Trilogy EP. Both have been well-received proposals backed by a live hunger which has seen the band share stages with the likes of The Atomic Bitchwax, The Naked High, Diamond Head, Skull Fist, Thor, Misery Index, BARF, Insurrection, Iron Giant, Tunguska Mammoth, and many more.

Mastered and mixed by Peter Edwards, Skeptic Knight is Buffalo Theory MTL in full adrenaline pumped, rock ‘n’ roll embracing, voraciousness which Lyons describes as “…our best material to date and it’s damn heavy as usual”, adding “ It has a different sounding production that we like a lot. We completed 5 songs for the release. There were lots of riffs just waiting to be completed and it was hard to choose which ones to release first as we are already prepared to unleash another EP by next year to follow it. We always prefer to gather a few good songs and go into the studio being ready to release something new more often, rather than waiting too long for a LP type of setup with 10+ songs.

BTMTL-Skeptic-Knight_RingMaster ReviewOf course proof of word and success is always in the eating of the pudding and there is no doubting that opener Conspiracy in Paranoland alone is one tasty incitement of new yet prime Buffalo Theory MTL rampaging for ears and appetite to devour. A track knocking around since the band’s early days, it comes built on ravenous riffs, scything rhythms, and a prowling growling bassline to get lustful over. The song initially appears as a proposal just to have a rousing time with but it is soon showing itself a predator. The guitars offer a predacious flirtation led by the boisterous raw tone and vocal delivery of Parr but tempered with spicy grooves and a great guitar and bass nagging which simply helps whip up lustful enjoyment.

The following Punishment is an equally invasive character but centred round an even more bruising thrash seeded ferociousness, a fury bound in acidic grooves and vocal hostility with Pilon potently backing the roar of Parr. With a Pantera/Down like causticity and virulence to grooves and vocals alone, the song romps and stomps with the passions before Get On It swings its sinew sculpted hips as rebellious attitude colludes with bad-blooded rhythms entangled in psyche trespassing grooves. In contrast though, vocals and hooks breed their own more merciful strong anthemic persuasion, adding to devilry to get eagerly involved in whilst being battered around the senses.

The EP’s title track comes next, instantly showing the heaviest presence and thickest web of invasive textures heard yet on the release. It makes a slow, almost lumbering, bestial entrance, relaxes then breaks into a groove infested canter which has body and imagination on board within a mere handful of seconds. That instinctive enticing is helped by the spiciness coating grooves and the arousing impact of the riff driven rabidity which consumes the senses. It is a sonic war machine in hungry motion, the kind of inescapable protagonist which refuses anything less than full involvement in its roar, much like Psychic Enclosure. Like Rage Against The Machine meets Black Sabbath meets Sleep, the closing track riles up and rages against the senses whilst uncaging an imposing contagion of flesh searing grooves and corrosive riffery stalking by merciless rhythms.

It is a fine end to a thunderous encounter leaving ears and pleasure full. Skeptic Knight is heavy duty rock ‘n’ roll to be intimidated by and greedily feast upon. Uniqueness is maybe rare but enjoyment is unrestrained; a proposal few can turn down.

The Skeptic Knight EP is available via Stand Records from February 26th @ https://buffalotheorymtl.bandcamp.com/album/skeptic-knight

https://www.facebook.com/pages/BUFFALO-THEORY-MTL/243777113598

Pete RingMaster 26/02/2016

Copyright RingMaster: MyFreeCopyright

For more exploration of the independent and promotional services check out http://www.zykotika.com/