Eureka California – Versus

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With songs as sonically dysfunctional as the lives in their themes, flavours and attitude at times bordering on dissonant, Versus is one of those albums which nags and pesters until it has attention involved in its mischievous challenge. The release is the new and third album from US garage rock/pop duo Eureka California, a band from Athens, Georgia who over the past three years or so has increasingly stirred up eager fuss for their sonic psychosis around an intimate and self-referential lyrical devilry.

Consisting of guitarist/vocalist Jake Ward and drummer Marie A. Uhler, Eureka California made its first mark with the Modern Times EP in 2011, the band at that point a trio. The following year saw the release of debut album Big Cats Can Swim; its awareness stoking success then potently built on by firstly a 7” split with Good Grief in 2013 but more so by well-received second album Crunch a year later. The pair of encounters also saw the band as the duo now luring fresh spotlights with Versus, their first offering recorded in a studio.

It opens with Eureka California’s Night In, a pop jangle with thumping beats and a hungry horde of riffs around the expressive tones of Ward. There is a seventies power pop/punk feel to the track and a raucous feistiness which sets the theme and tone for the album. Like The Undertones/Only Ones meets The Hives whilst spaced out on toxic pizza, the song is a rousing start to the album swiftly backed up by the just as addictive Sign My Name With An X. It too has rebellion in its creative belly and belligerence in its touch as it engineers another slice of bracing garage punk pop. Imagining Melvins and The Replacements colluding with The Super Happy Fun Club gives a hint at the spirit raising, imagination inciting exploit. As all tracks bar two, the song is a swift, psyche infesting shot of creative adrenaline barely touching two let alone three minutes; just diving in, rushing out, and leaving greed loaded exhaustion in its wake.

The fuzzy pop ‘n’ roll of Another Song About TV strolls in next, its initial lure a scuzzy blaze which settles down for a hook stocked flirtation of guitar and voice. Uhler’s rhythms have a less imposing nature to their swings this time around but certainly have meat to their jabs and devilment in their invention across the brief and contagiously sweet incitement before it disappears in an instant to be replaced by the dirtier and more sonically irritable Sober Sister. The track soon has ears bristling in pleasure and thoughts grabbing the lyrical prowess and tenacity which swings through digs and humour at the turn of a syllable whilst spotlighting moments and experiences seemingly twisted from the listener’s own.

art _RingMasterReviewThrough the grouchy bounce of Ghosts, growling sounds and vibrant vocals uniting to seriously captivate, and the acoustic off-kilter charm of Fear and Loathing in the Classic City, band and album just tighten their grip on ears and appetite. The following Cobwebs on the Wind then sees them uncage more rapacious riffs and chords within a muggy and forcibly enticing invitation to body and spirit before Caffeine lays its raw balladry on ears with initially melancholic causticity which brews up into a raucous tempest of noise and emotion.

Surf rock meets post punk is one aspect of the compelling Realizing Your Actuality which steps up next, its early sultry coaxing over steely rhythms irresistible and only reinforced by the corrosive crescendos which erupt then fall before taking over the track’s thick and inescapable persuasion for extended periods. Weezer-esque in its calm, Black Rebel Motorcycle Club toned in its predacious exploits, the track adds another big peak to the successes of Versus.

Another acoustic incitement in the reflective shape of Everybody Had a Hard Year steers eager ears the way of album closer I Will Write Mine Over Potomac and its own melodic caress leading to ravenous sonic and rhythmic ferocity. A song about “loneliness and fraying nerves”; the track ebbs and flows in intensity with thoughtful calms and a raw agitation which almost grinds on the senses. Though finding it a slow burner compared to others within Versus, it is an enthralling proposal which just gets under the skin as deeply as the album succeeds as a whole.

It might be pushing it to say that Versus is going to be the most unique album you hear this year yet everything about it is fresh and seeps Eureka California distinctiveness. Plus it rocks like a bitch and that is more than good enough for us.

Versus is out now via HHBTM Records and @ https://eurekacalifornia.bandcamp.com/album/versus

http://eurekacaliforniaband.com/   https://www.facebook.com/eurekacalifornia   https://twitter.com/eurekacalifone

Pete RingMaster 06/04/2016

Copyright RingMaster: MyFreeCopyright

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Red Spektor – Self Titled EP

Red Spektor Promo Shot Reputation Radio/RingMaster Review

There is a rich flame burning away in the Potteries, and it goes under the name Red Spektor. The UK trio are poised to release their self-titled debut EP, a blaze of psychedelic, stoner, and classic rock which fascinates as it engulfs ears and imagination, and unrelentingly thrills as it provides further evidence that heavy and fiery British rock ‘n’ roll is heading towards a fresh heyday.

Hailing from Stoke on Trent, Red Spektor emerged at the end of 2012 drawing on inspirations from the likes of Black Rebel Motorcycle Club, Led Zeppelin, and Black Sabbath. Once the threesome had honed their sound, they proceeded to hit the live scene with swift success, sharing stages with bands such as Carousel Vertigo, Attica Rage, Texas Flood, and Lawless along the way. Every step drew more eager ears to their growing fan base, accelerated by festival appearances whilst the band never letting a week seemingly go by without igniting a venue somewhere. 2014 saw the band record and release their EP via Bandcamp, a 5 track encounter recorded live and straight to tape over two days. Now it has its full digital unveiling and it is easy to expect Red Spektor stoking up a new wave of close and acclaiming attention.

The band draws on essences of “dark pre-war blues right through to the British blues explosion of the sixties and the heaviness of the seventies albeit with a modern and dirty twist” according to their bio, a mix swiftly seducing the senses and igniting the air through EP opener Hard To Please. A lone vocal guitar awakens instant attention, its rich spicy lure soon joined by a solemnly brooding bassline and crispy beats as the song quickly settles down into a feisty tempting. The guitar of John Scane virtually dances across the senses, every riff and hook incendiary and leaving a sultry residue like the trail behind Marvel Comic’s Ghostrider. Vocally he has a mellower but no less potent air, clean and alluring against the sizzling of blues/psyche invention and Rob Farrell’s dark basslines.

Red Spektor Cover Artwork Reputation Radio/RingMaster Review   It is a seriously gripping start quickly backed by the slower, more intensive presence of Transcending. The thick and freely swinging beats of drummer Darren Bowen cage ears and anticipation as an almost melancholic bass coaxing prowls; both sparking swift appetite for the song’s impending offering. A sinister seducing comes with the enterprise of the guitar, and indeed vocals, as sixties and seventies sounds collude with a modern creative rapacity to bewitch and crawl over the listener. The track is a relentless smoulder rather than the blistering eruption of its predecessor but just as persistently magnetic and irresistible.

Third song Everywhere puts a higher gear in motion for its rich persuasion of blues rock; rumbling and strolling along whilst melodic vapours intoxicate ear and air alike. Rhythms cast a dirty tempering shadow and compliment to the searing enterprise, keeping the psychedelic croon earthbound as once more the band has attention bewitched. The exploration of the dirtier textures within the song continues with greater focus and revelry within the next up Redemption, Red Spektor tapping into the purest vat of blues distilled rock and adding their own not exactly unique but certainly distinct flavouring to another transfixing and highly enjoyable proposal.

The song probably does not quite match those before it though, whilst all of the songs before also find themselves in the shadow of the glorious closer Earth Mother. From its first beat and eager riff, the track bursts into a masterful and virulent swagger. An anthemic and delicious groove leads the way, courted by similarly lively and bold rhythms aligned to a throaty bass invitation. The song relaxes a touch in urgency as the vocals add their easy persuasion to the mix, picking its knees and tempo up again between verses and around the fiery enticing which subsequently seeps from every melody, hook, and resonating bass groove. As across all songs, Scane’s solos just burn their way into the psyche, but it is the overall swing and insatiable tenacity to the song which helps it take best song honours.

Many like us missed the Red Spektor EP first time around, and indeed the band’s emergence, but its new full digital unleashing ensures there are no excuses now in not exploring band and sound. No excuses only rich rewards.

The Red Spektor EP is digitally available from May 18th via all online stores.

https://www.facebook.com/redspektorband    http://redspektor.com/

RingMaster 17/05/2015

Copyright RingMaster: MyFreeCopyright

Listen to the best independent music and artists on The RingMaster Review Radio Show and The Bone Orchard on Reputation Radio @ http://www.reputationradio.net

 

The Crossfire Hurricanes – The Deviant

The Crossfire Hurricanes - new pic

It is not exactly essential to make a striking impression with your first single but it certainly can do no harm having an introduction which whips up attention and an eager appetite for your sounds, something Northern Ireland rockers The Crossfire Hurricanes do with irrepressible enterprise on The Deviant. Soaked in a captivating and sultry blaze of blues rock, the band’s stirring debut single is simply fiery rock ‘n’ roll with as much punch as it has sultry temptation in its impressive persuasion.

Springing from an initial vision in 2013, The Crossfire Hurricanes did not rush into making their entrance, instead taking their first year crafting and honing their blues infused sound. Once off the leash though, the Belfast quartet of Brendan McGreevy, Johnny Nicholl, Owen Duffy, and Niall Kelly swiftly ignited their local scene with their energetic and impressive live presence, repeating the persuasion around Ireland and into Dublin thereafter. Musically they draw on inspirations from the likes of Led Zeppelin, Black Rebel Motorcycle Club, The Black Keys, and Pearl Jam, a thick spicing which is often open but never commanding in their impressive single.

The thrust of riffs opening up the song make an appealing start but it is the swiftly joining tangy melodies and grooves which really capture ears and imagination, their persistent flames swirling magnetically across the blues kissed landscape. Their psyche hued colouring washes over the rhythmically more reserved nature of the track, an aspect which is still a strong dark texture and potent contrast against the smouldering temptation surrounding it though. Vocally too the track is aflame with expression and alluring hues, whilst everything combined creates a tapestry of contagious and accomplished persuasion.

The Deviant is an enthralling encounter, reminding a little Norwegian rock band Electric Woodland, which alone has ears hooked and attention on The Crossfire Hurricanes intense. It may be too early to make big declarations but it is not hard to already suspect a big future for the band and more impressive things from them in return.

The Deviant is available now @ https://itunes.apple.com/us/album/the-deviant-single/id932805482

The Crossfire Hurricanes will be playing at The Empire in Belfast on Friday 20th March.

https://www.facebook.com/Thecrossfirehurricanes

RingMaster 11/03/2015

Copyright RingMaster: MyFreeCopyright

Listen to the best independent music and artists on The RingMaster Review Radio Show and The Bone Orchard on Reputation Radio @ http://reputationradio.yooco.org/

The Delta Rhythm – Break The Surface EP

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It seems blues rock is alive and blushingly well in Birmingham, and that is down to UK band The Delta Rhythm. The proof comes with their new three-track EP Break The Surface, a release which provides a satisfaction and captivation which is as lingering as it is refreshing. Combining the rich essences of Americana, blues, indie, and hard rock into a sound which is not dramatically unique but still able to stand distinctly tall within any emerging crowd of bands, The Delta Rhythm is a proposition drenched in potential and skilled craft which it is hard not to anticipate even greater things from.

Formed in the first weeks of 2012 and taking inspirations from the likes of Canned Heat, Black Rebel Motorcycle Club, Oasis, Led Zeppelin, Metallica, The Sword, and Clutch, the band was soon supporting bands like Pint Shot Riot at Birmingham’s 02 Academy 3 and subsequently lighting up festivals like the Lightwoods Park May Day Festival in Birmingham which saw the band perform before a 10,000 strong crowd. Now consisting of vocalist/pianist Sami Cornick, guitarist Gregg Freeman, bassist Ben Adams, and drummer Martyn Todd, The Delta Rhythm’s new EP follows the well-received Rebels Redemption and The Rain Will Take Us All EPs, pushing the band to a new level which you would suspect leads to nationwide attention.

The release opens with Ticking Bomb, the song in turn starting with a singular gentle scrub of guitar before being joined by crisp Break The Surface EP Coverrhythms and soon after the throaty bass of Adams and the fine vocals of Cornick, her voice an instant draw. The song strolls keenly once established, guitars and rhythms an easy accessible bait upon which blues/country rock melodies and enterprise colours ears and imagination. The production has Cornick to the fore which depletes some of the potency of the music around her but such her obvious power and vocal talent it is hard to raise any real complaints. Across its body, the song continues to sway and twist with appealing guitar designs and excellent vocal harmonies, never erupting to the heights expected but worming deeper into the psyche and emotions to be just as potently effective.

The following Singing The Blues opens with a strum of guitar chords which is vintage rock ‘n’ roll, a moment which could fit any song from Eddie Cochran to Johnny Cash or Free to Jack White and sets the track off in fine style. There is a swing and swagger to the song which recruits feet and passions right away, an enslavement only strengthened by the undemanding melodies and anthemic rhythms. Once again though it is the vocals of Cornick which seal the deal and you sense she still has plenty in reserve if required. Her keys also bring a flavoursome hue and expression to the excellent song before it makes way for the similarly impressive Better Things, another easy blaze of blues rock but with a stoner caress and hard rock vivacity. As its predecessors, the song is pure infectiousness, not a song to inspire a riot but an encounter with plenty of seduction to get its way.

It is a strong and appealing conclusion to a similarly impressing release. Certainly the production is good but it does prioritise Cornick and inspires a slight niggle about the subservience of the music. You at times just wish it would catch fire, find a spark to give it more of a snarl. It is almost as if the music is laying a base for the excellent vocals rather than embracing them on mutual terms but this is a band in progress and you can easily feel this will all come good eventually. Even if not, when a proposition is this enjoyable it is impossible to be dissatisfied in any real size or form. Watch out for The Delta Rhythm, they have the wares and skills to make a big name for themselves.

The Break The Surface EP is available now from www.facebook.com/deltarhythm

www.twitter.com/thedeltarhythm

8/10

RingMaster 13/06/2014

Copyright RingMaster: MyFreeCopyright

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The Watchmakers – Illumination

The Watchmakers pic

A captivatingly immersive sonic embrace, the single Illumination from UK based The Watchmakers reveals why the glowing praising over the band over recent times. A mesmeric haze of seductively swirling psychedelic evocation tempered by a cooler post punk rhythmic stability, the song is a fascination magnetism inviting full use of imagination and emotions upon its unique canvas.

Hailing from Manchester, the foursome of vocalist/guitarist Rich Maitland, guitarist Adam Lewis, bassist Andy Lewis, and drummer Ian Maitland were soon drawing attention and acclaim with their demos Before Questions Became and Waves, and a neo-psychedelia sound wrapped in the inspirations of bands such as Velvet Underground, 13th Floor Elevators, The Beatles from the sixties and the more modern explorations of others such as The Brian Jonestown Massacre, Black Rebel Motorcycle Club, Primal Scream and The Verve. As evidenced by the single there is a dual pronged persuasion at work within the band’s music, creativity seemingly unafraid to push theirs and the listener’s boundaries.

The band has played with the likes of The Pretty Things, Jacco Gardner, Dark Bells and Exit Calm over time as well as selling out two The Watchmakers sleeveheadline appearances at Psychedelic Happenings in Manchester, whilst earlier this year they were invited to a Showcase for BBC 6. This June now sees the release of a pair of songs Carpe Diem and Illumination, their first releases for Loaded Soul Records.

Illumination opens upon a wistful humid breeze, soulful warmth colluding with a melancholic breath courted by an Indian mystique. It is an intriguing coaxing which explodes with riveting potency as guitars unveil a web of intoxicating sonic endeavour and sweltering melodic hooks within an expanding synth bred ambience. It is immediately climatic and provocative, especially with the expressive vocals which add to the emerging narrative. Into its full temptation, the song is a bracing adventure painting with emotional melodies and descriptive sonic hues but it is the spine of rigid bass luring and hypnotic rhythmic bait which brings the depth and weight of the track alive, its dulled post punk persistence the catalyst to the tempestuous alchemy above it.

Intense in sound and atmosphere, the song is equally oppressive and feverishly seductive, a striking declaration of a new exciting presence in the potent shape of The Watchmakers. From the song alone it is easy to feel great things lie in wait for us and the band ahead, breeding a healthy anticipation as we go off hungrily to find Carpe Diem which was not included in our promo.

Illumination is available via Loaded Soul Records now and available as limited edition vinyl and digitally.

https://www.facebook.com/pages/The-Watchmakers/191134494286879

8.5/10

RingMaster 12/06/2014

Copyright RingMaster: MyFreeCopyright

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Embracing individual shadows and unique lights: an interview with Katie Buckett of Jingo

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Across the past twelve months or so, UK based band Jingo has been one of the biggest surprises and persistently unique propositions to keep the site excited and busy with a regular presentation of singles. Recently the band unveiled the final three tracks in a series of four which were released one by one over a four track period. As almost expected now but always impressed by, the songs came with individual character and stylishly varied sounds wrapped in an equally mesmeric imagination.

There was the poetically evocative Before You Were Born, a song which opens with the ever sirenesque voice of Katie Buckett courted by just as elegant melodic caresses and pungent keys. Heart bred and emotively enchanting, the song immerses senses and thoughts in a striking aural narrative which grows and brews in intensity across its length, Kate’s husband Jack alongside Joseph Reeves and Sahil Batra casting a magnetic web of sound and vocal support, not forgetting sonic drama which is mouthwatering. It is a glorious song which shares diversity and startling persuasion with Home, another song which is able to simultaneously seduce and inflict an intrusive adventure upon the imagination and passions. The drama of the previous song is again, as across most of their songs, a thick temptation which shares shadows and sultry colour with the equally delicious sounds and gripping premise of the encounter. The track is a brilliant aural movie for mind and heart, a provocative suitor for ears and senses, and an ingenious lover for the imagination, just like the last of the single released in that aforementioned quartet. Turn Around is rhythmic enticement around which vocals and harmonies flame and melodies dance with a flirtatious summer bred festivity. Again the track offers something new from and about Jingo. It is a trait all of their ten plus singles has succeeded in impressing by, here a Caribbean swagger and warmth aligned to a psychedelic coaxing a bewitching venture to which Katie excels, once again.

Jingo is a band which surely cannot be a British secret for much longer, their invention and craft too big to be contained you suspect and hope, especially with the forthcoming release of their debut album which the band are finishing as you read. With a long overdue move to find out much more about the band; its past, present, and future we had the pleasure of having Katie share time with us and revealing…

 

Hey Katie and welcome to the site, thank you for talking with us.

Thanks for liking our music.

Tell us about the beginnings of Jingo, where it all started and on which side of the ocean; oh and was it band or romance first? 😉

Jack (guitar) and Joe (drums) brought their band to New York for six months to live the dream. They rented a basement flat in The McKibbin Lofts, a converted warehouse in Bushwick where I had been living for a couple years. I ran an open mic in the building where I first met them and there was a really great community vibe in the area so I guess you could say music brought us together, but it all really came together when Jack and I got married and we decided I should move to London. It was tough, I trained long and hard, but sure enough I mustered the strength to swim across the Ocean. Soon after their other band came to an end, we started playing music and calling it a band little over a year ago.

So what specifically inspired the relocation to London from the US?

Well Jack said in the event of a nuclear catastrophe, in which the only way he could survive was to move to the US, he would only just consider it, so I packed my bags.

Did Jingo start out with any specific intent and vision for the music and its presence? jingo3

The most important thing has always been making good music. Sometimes I make the mistake of asking Joe if my hair looks okay and he always says, “I don’t give a shit.” People sometimes ask questions about our varying styles of songs or our fluctuating stage antics but we don’t really care. We’re still growing and I think our attitude towards the music will lead us in the right direction. A Jingo can be stuck in their ways and no one wants to be that guy.

As evidenced by the mass of singles released over the past couple of years, your sound is as diverse as it is contagious; how would you describe your music in a single sentence for newcomers?

Rock and Roll Dinosaur Electronia that the girls can dance to.

Listening to your songs you get the feeling that they organically spring to life with their own ideas on character and then you hone and sculpt them; how does the songwriting works within the band?

Usually I’ll have the skeleton of a song with some words and Jack will refine the melody, then we’ll jam it out in the studio. Sometimes it will start with a guitar riff or more recently we’ll jam the whole song into being. We never really know when a song is going to come out, but at the moment they are coming out our ears. We don’t like to be very formulaic we just take them as they come.

It is a democracy when it comes to creating songs or is there a core source more often than not?

It is a democracy in the sense that whatever sounds the best is law. Sometimes it’s a matter of demonstrating your point, but most times we end up agreeing in the end. People naturally fall into their roles. Jack is definitely the band leader, lyrics are mostly all me, but the all-round writing of the song is very much a group endeavour.

Your songs always, however emotively shadowed they might be, come with a stroll and smile; this is a reflection of you as people and your wants from good music?

I think that even if you write a sad or dark song, you want the listener to enjoy the experience of listening to your music. Bad experience can unite us and a bumping beat is the best remedy. And you can never take yourself too seriously.

What inspires the lyrical side of your music? Some of the songs are quite dark at their core.

It’s not the same for everyone in the band, but for me art can be a sort of therapy. There are some things that have happened in life that are hard to conceptualize in any other way besides writing a song. I had a troubled friend who killed herself and our song Jaclyn is a combination of anger and loving life in her honour. Sometimes rocking out and screaming your heart out is better than suppressing love and loss where no light can get to it.

As mentioned you have released a tide of singles, how do you see your sound has evolved and grown since the first and the recent Turn Around?

I don’t think we’ve found a specific sound yet, but we are starting to play a lot more songs that aren’t as dark. Jack had only just started music production with these first recordings, so we’re definitely improving fast in that way. We’re becoming a lot more relaxed with each other and with our new band-mate Chris, who also produces electronic music. We’re really excited for what the future holds.

You are obviously a band who pushes themselves and embraces different styles and flavours; what past and currently has inspired you most potently?

I think we all get down with the music our parents listened to in the 60s and 70s- Led Zeppelin, Jefferson Airplane, Crosby Stills Nash & Young, King Crimson, Jimi, Beatles, . We are all avid music listeners. Our heroes of now are Jack White, Queens of the Stone Age, Interpol, Jeff Buckley, Radiohead, Black Rebel Motorcycle Club, Neil Young, Pearl Jam, Tame Impala, Grizzly Bear, Lana Del Rey, Prince, Haim, First Aid Kit the list is endless.

jingo4Live you are renown for your exciting performances, your first ever show being support for Blur’s Graham Coxon. How did that come about?

We run an open mic called Cable Street Electric. Once in a while we do a charity night, one of those was at Mother London in Shoreditch. When they wanted to do their own charity night for Shelter, they thought of us and invited us to play, just so happens Graham Coxon was playing after us, pretty dope.

Would you say it put you swiftly under a certain spotlight or it did not really aid the emergence of the band other than in experience?

It’s always great to play for fresh ears. I don’t know if we really benefitted especially from that night as far as the band goes, but it makes for a great story and none of us will ever forget it.

I am assuming band members have a ‘real ‘life’ and job outside of the band, so how does Jingo manage to be so prolific with their songwriting?

We’re really lucky in that music is what we do. We intentionally don’t have full-time jobs so that we can put as much into our music as possible. We all have certain skills that we can get by with for living costs, but the music is always at the forefront of our minds. We practice often, have a good work ethic, but also have a ton of fun doing it.

What has been your favourite single to date, or the one which you feel epitomises Jingo for new ears?

That’s a hard one, I’m sure it’s different for everyone, but I really liked the release of When You Want Me. We won a competition where we got to record at Strongroom studios where Radiohead and a load of others have recorded. It felt for a second like we were big dogs and they treated us really well and we got to tinker with all their toys.

Tell us about your forthcoming EP? What can we expect and how does it push on from the excellent singles which have already seduced so many?

It’s a full album silly! We are releasing our last couple songs with the record and they are quite fresh so we’re really excited about it. Also I’m a painter, so I get to do some artwork for it so I’m pretty pumped about that. There are some surprises with all that and two new music videos coming out around the same time. We aim to please.

Your singles have all been released for free downloads, are you going the same way with the album?

Nothing is final but we are definitely selling our album. With putting out free singles we really wanted to build a fan base and give everyone a chance to get to know us, I hope our fans will return the favour and purchase a copy so we can make more and tour potentially.

What were the ambitions for the band when it first began and for you when first making music, and have they changed or evolved since?

The ambition has always been to make great music; I don’t think that will change. The next cloud would be to make a living at it, I think we are well on our way but only time and hard work will tell. Maybe I can get the guys to all wear animal costumes, I’d get a kick outta that.

What is planned for the rest of 2014?jingo2

There are definitely secrets in store of which I can’t divulge. All I can say is stay tuned; album, videos and more to come soon.

Again a big thank you for chatting with us and providing such great and richly loved songs for our podcasts 🙂

Thank you so much for listening and sharing, we owe it to people like you putting a signal out.

Any last thought you would like to leave us contemplating?

All you need is mom’s spaghetti, a brick and a bin bag.

Lastly if you could schedule a stage at a festival with Jingo headlining, what emerging bands which you have played with or come across would you invite?

Not Blood Paint, Bird Courage, Bailiff, Pat Dam Smyth, Bad for Lazarus, Steve Nelson

http://jingomusic.com/

Pete RingMaster

The RingMaster Review 08/06/2014

Copyright RingMaster: MyFreeCopyright

Listen to the best independent music and artists on The RingMaster Review Radio Show and The Bone Orchard from

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The Lost Souls Club: High Noon EP

The Lost Souls Club pic

    UK rock band The Lost Souls Club has earned a strong reputation and acclaim for their commanding shadowed rock n roll but as yet has not ignited the awareness they deserve. Whether their new EP High Noon will be the trigger only time will tell but it will not be for the want of quality and compelling invention. The release is a fiery and bruising encounter which offers no pretence nor makes demands but provides fuel for a raging fire of pleasure for its impressive offerings.

The Southampton quartet of Jon Tufnell, Simon Jackson, James Freemantle, and Jon Lamont, merge heated essences of varied rock flavours from alternative and psychedelic to melodic and indie with extra spicery from shoegaze and garage rock. Formed in 2010 the band takes influences from the likes of Led Zeppelin, The Jesus And Mary Chain, Placebo, Nick Cave and The Bad Seeds, and Black Rebel Motorcycle Club, to name a few, into their own distinct recipe of scuzzy rock n roll. Musically the band carry heavy whispers of the aforementioned bands so at any point a reference easily springs to mind but it sculpts it into an inspiring and raw gift of its own.

The release opens with the irresistible Romeo, a track which immediately feels like an old returning friend in new and inspirational The LSC - High Noon EP coverclothing. The initial rich guitar lure is soon joined by ripe rampant beats and expressive earnest vocals, the combination as the bass offers its darkened menace, a compelling and inciting intensity upon the ear. The prime riff persists with its addictive resonating grip to fire up the passions the longer its feeds on their hunger and once the track breaks in to a punk rock storm of coarse energy and insidious seduction, the track needs persuade no longer to the calibre of its impressive presence.

The following Kiss Away The Sun caresses with a blistered enveloping ambience, its wrap veined by raucous guitar provocation and again emotive vocals which tell their own unique tale. The bass and drums bring a sinewy frame to the song and its dreamy if intimidating atmosphere, the union leaving a mesmeric invitation which is hard to refuse. A mix of The Jesus And Mary Chain, House Of Love, and The Mouth Of Ghosts with the raw edges of Birdland, the track induces another belt of rapture with its diverse and equally delicious enterprise and monochrome light.

Shoot Me Down bristles with menace and confrontation, the fuzzy guitar resonance and devouring bass evocation a charred encounter which is in no rush to claim its victory. Though brief the track commands attention and soaks the senses with a brooding and ravenous intent whilst musically the equally grave emotive wash lights a Nine Inch Nails/Queen Of The Stone Age smouldering in its sententious heart. Lyrically song and EP is themed by conflict between opposites within oneself and like the music creates evocative and seducing connections to the listener.

The release is completed by We Are All Gonna Die Anyway and I Know I Spoke Too Soon, the first another energised romp for the senses, its familiar tone and devices refusing to reveal their sources but vibrant with recognisable irresistibility. It is a punchy anthemic slab of feistiness which contrasts and introduces perfectly the closing simmering glories of I Know I Spoke Too Soon. Mellow and emotively magnetic the track is a psyched melodic dream which pervades the ear and beyond with elegance and flames of passion which sear at the touch.

High Noon is an excellent release which deserves to set the band on the path to the widest recognition. If it will time will of course reveal but The Lost Souls Club can hardly do much more to sway the listener.

https://www.facebook.com/thelostsoulsclub

8/10

RingMaster 13/03/2013

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