Brightlight City – Adventures EP

BrightlightCity2015

The Adventures EP is a proposition which might not be going to set the rock world ablaze but with three tracks of virulent alternative/melodic rock, the new release from Brit tunesmiths Brightlight City is still likely to be a greedily devoured feel good encounter. It is one of those incitements easy to turn to for an energetic and feistily contagious time. It is not changing the landscape of rock ‘n’ roll but definitely the release gives it a healthy dose of feisty enterprise.

The Surrey quintet began in 2014, swiftly releasing a trio of songs and embarking on mini tours across the UK. Inspirations come from the likes of Hundred Reasons, Million Dead, Foals, Yourcodenameis:milo, At the Drive-In, Refused, Biffy Clyro, and Jimmy Eat World, spices evident in the band’s debut EP Breaking Straight Lines which was recorded with producer Jason Wilson (You Me At Six, Fightstar, We Are The Ocean, Reuben) and released last October. Now the band unveils its successor, Adventures, which was also recorded with Wilson. As its title hints at, the new EP explores new aspects to the band’s sound; the band recently commenting on the release with “Adventures is an EP, as the title suggests, that takes the listener on an adventure; stories of late nights, life, death, love and society all set against the instrumental back drop of a massive alternative rock sound.”

Adventures Artwork iTunes    The release opens with new single The Finish Line, and instantly sparkling guitar bait is sunning itself in the imagination as rhythms provide a sturdy and darker company. The vocals of Jamie Giarraputo similarly are a warm and vibrant invitation, nestling perfectly in the weave of enterprise cast by guitarists Justin Giarraputo and Jono Staunton. The track strolls along with an endearing quality and a catchiness which really sparks in the addictive chorus whilst the resonating bass of Dan Stubberfield adds further potent magnetism alongside the punchy beats of Ben Bell which punctuate all the hooks and melodies with relish.

The following I’m Only Good At Adventures backs up the impressive start to the EP with its own infectious swing and dance on ears. Once more hooks and melodies seduce, though with less impacting bait than found in its predecessor. Nevertheless the song is an easy to consume and get involved with proposal of rock ‘n’ roll warming up ears and appetite for the outstanding closing track.

Reaction is superb, from its opening earthy groove and dirty riffs attention seizing bait which never loosens its grip even when slipping into a slow caress of voice and melodies. It is just the teaser though for the contagion to follow, bass and beats prowling with a glint in their eyes as guitars spin a web of imaginative melody clad temptation. Vocally Jamie Giarraputo is just as magnetic, his delivery carrying a gentle swagger to match the bass groove and sonic devilry seducing ears and imagination. Jimmy Eat World is mentioned as an inspiration and there is no escaping the similar potency of hooks and enterprise within the song to the US band’s greatest moments.

The track is irresistible and brings an excellent release to a masterful close. Listening to the Adventures EP, it does feel like Brightlight City is still searching for their truly unique sound. When it happens though and if songs carry the same qualities discovered on this new encounter, it is hard to imagine anything stopping a global success.

The Adventures EP is out digitally from May 11th and physically on the 15th May.

http://www.brightlightcityofficial.co.uk/   https://www.facebook.com/brightlightcityofficial

RingMaster 11/05/2015

Copyright RingMaster: MyFreeCopyright

Listen to the best independent music and artists on The RingMaster Review Radio Show and The Bone Orchard on Reputation Radio @ http://www.reputationradio.net

Earthist – Lightward

Earthist Official Photo

Hailing from Italy, alternative rockers Earthist have announced themselves on a wider landscape with a debut album which is full of surprises, invention, and most of all thoroughly enjoyable encounters. Lightward has moments where things are not as imposingly convincing as in other thrilling parts but from start to finish it is fair to say that the Parma quartet has presented one captivating, potential drenched introduction.

The band was formed in 2012 by young musicians whose ages (20 to23) are a deception to the maturity of their invention and sound. Drawing on a diverse array of influences and flavours to spice up their own imagination (folk, progressive, and Britpop amongst them), Earthist swiftly found eager support in their homeland for their Now. Here. Or Nowhere. EP of 2013, which in turn helped open up opportunities for the band to spread out live and subsequently play alongside numerous other emerging and better known bands from within and outside of Italy at important festivals. A critically acclaimed feature film by Emanuele Valla called Dreaming Alaska also featured some of the band’s songs, but now with the worldwide release of Lightward via Epictronic, the foursome of Federico Ronchini (lead vocals / guitar), Francesco Parrino (lead vocals, keys), Giacomo Giuffredi (guitar / backing vocals), and Alberto Tanara (drums) are knocking on broader attention, and with its unpredictable invention and smiling imagination it is easy to suspect potent success coming their way.

Opener Not Today is a swift melodic anthem in the ear, its rhythms and riffs a sturdy initial wall of tempting within which keys dangle bright temptation. A great bassline emerges from a following calm, its throaty lure in thick contrast to the just as engaging vocals which if you did not realise the band was Italian give no real hint to the band’s nationality. As the song’s shadowed but summery stroll continues, guitar and keys offers sparkles of light hooks and teasing enterprise over the stirring core drive of that bass and accompanying similarly intensive riffs. The band has been compared to the likes of Biffy Clyro and Mumford and Sons and it is easy to see why, especially in reference to the first of the two in this track alone.

Earthist _ Lightward   The following Miracle moves into view with a coaxing of jagged chords before inviting crisp beats and another dark throated and catchy bassline. Emerging as a flavoursome slice of indie rock it also has a pop punk air to its chorus and aligning vocals, whilst across its whole length the song almost teases with its busily creative nature. The same can be said of Sirens Sing within its own unique presence. Creaking wood is a suggestive start to the song before an acoustic caress of guitars and growing melodies across keys and strings snuggle provocatively upon ears and imagination, each voicing the haunted romance of some kind inside the track’s elegant presence. The song, as the album, increases its potency and appeal with every listen, blossoming from an enjoyable first encounter to another peak within the album.

A spatial atmosphere instantly engulfs the senses and next song The Astronaut, keys a celestial breeze from which the song suddenly slips into an energetic and vivacious indie pop romp. Hooks gleam as they take and sonic endeavour shines as it entwines the infection posing as a song. Like a mix of Super Happy Fun Club and Good Charlotte, nineties and more current essences collude for a fiery anthem, inciting a new flush of hunger in the appetite before Brighter Later and after it Fox When The Night show another twist in the nature of the release. The first of the two is a rock pop serenade with a feisty heart and lively tenacity whilst the second with an equally lusty energy, explores a more new wave/indie inventiveness. Neither quite lives up to the previous songs yet each provides moments of richly pleasing ideation in a constant feel good proposition, the second of the two especially engaging a smile of satisfaction.

Classically seeded keys and a great earthy bass tone make Step Out Of The Shade an especially flavoursome proposition next, though the great vocals and a Beatle-esque whiff to the chorus certainly help its appeal too, whilst Helicon straight after, is another slow to light the emotions encounter. To be honest it never quite finds the spark needed to truly excite but enjoyment is never in doubt whilst in its increasingly tempestuous company. Neither song can match up to Jolly Roger (A Pirate’s Tale) though, the track from its opening boot on wood rhythmic march gripping body and thoughts. It reinforces the opening gambit with a radiant piano coaxing and a guitar crafted seducing. Vocals again impress and add new texture and quality, their joyful swing matching the shanty like swagger of the track. Bass snarls and folk revelry only colour the full blooded adventure further, all alluring hues going to make the pinnacle of the album. Revealing yet another new facet to album and songwriting the band’s imagination shows an experimental side easy to hope they explore much more ahead.

Sealance (In My Eyes) provides a raucous flight of radiant keys and thumping rhythms within an intensive sonic embrace next whilst Time For A Fight manages to weave strains of Muse, The Doors, and Weezer into a blustery and again increasingly magnetic collusion of sixties, seventies, and a more current festivity. Their satisfying sounds make way for The Lighthouse, a more than decent close to the album with a Coldplay like croon within a lively simmering melodic landscape. Like its predecessor, the track pleases without setting fires yet each have something within their presence which is nothing short of pleasing.

The album is a treat of a first glimpse into the creative world of Earthist, a realm sure to only grow and breed new thrilling experiments and creative emprises ahead. We for one cannot wait and suggest fans of melodic contagion do not either by taking a punt on Lightward right now.

Lightward is available now via Epictronic/Plastic Head Distribution LTD @ http://www.plastichead.com/item.asp?ex=fitem&target=EPIC005 and https://itunes.apple.com/gb/album/lightward/id958116679

https://www.facebook.com/Earthistmusic

RingMaster 31/03/2015

Copyright RingMaster: MyFreeCopyright

Listen to the best independent music and artists on The RingMaster Review Radio Show and The Bone Orchard on Reputation Radio @ http://reputationradio.yooco.org/

Oh Captive – Two Mirrors

Oh Captive Online Promo shot

It is hard to supress a roar of frustration and disappointment when after enjoying a new and thrilling encounter from a band with all the tools and sounds to be a major presence in British alternative rock, they announce ‘on the eve’ of its unveiling they are to be no more. That is what has happened with Bristol quartet Oh Captive. Just a couple or so weeks before new EP Two Mirrors is released to light up ears and appetites, the band announced it had called it a day, though it might emerge to be more an internal evolution resulting in a name change and new direction rather than a full departure. Time will tell but whatever the outcome, they leave behind two impressive releases and a collection of vibrant and inventive songs, their latest the most captivating yet.

Formed in 2012, Oh Captive swiftly lit their local music scene and subsequently set about the whole UK scene with their energetic live presence, playing with the likes of Sonic Boom Six, UK Subs, Straight Lines, Max Raptor, Sharks, Blitz Kids, I Divide, Fighting With Wire, and Scholars along the way. Their sound has drawn comparisons to the likes of Biffy Clyro and Twin Atlantic, open and potent spices in the band’s debut EP Advance Creature, which was released in the March of 2013. It was a stirring and dynamic offering rippling with a potential which has been realised with sizeable success within Two Mirrors. The past year has seen Oh Captive supporting the likes of Marmozets and Arcane Roots, and make highly successful appearances at festivals such as Leopalooza and New Age, whilst media attention has grown as potently too. Now it may be over, but if so the band has gone out with a bang and ensured attention for their next exploits will be eagerly attentive.

Oh Captive - Cover Artwork   Two Mirrors opens with Recover, an instant ear grabbing proposition as vocalist Tim Kelly and a tangy rub of guitar combine a minimalistic but highly tempting bait to bring the song into view. It is not long before the heavy throated bassline of Tom Hitchins and the punchy beats of drummer Chris Hill leap in, accompanied by sonic flames cast by the guitars of Curtis King and Kelly. Immediately there is a drama to song and sound, light and dark textures colluding in an imposing but inviting web. Settling down a little for the continuation of the narrative from Kelly, the song increases its lure as it builds to energetic crescendos and an anthemic chorus. There are no major surprises in the melody soaked track but there is a bold invention to match its gait, which leaves expectations and predictability absent protagonists in the outstanding encounter.

The impressive start is backed with similar strength by Motion / No Motion. The second song is a rhythmically raucous stomp from its first breath with Hitchins offering a magnetic lure of a bassline. It is a dark coaxing surrounded by the concussive stick ability of Hill, a thick drawing of attention never wavering even as they are immersed in the sonic and melodic blaze of the guitars and the ever impressing tones of Kelly. There is something missing compared to its predecessor though, a small element just stopping it drawing the lustier satisfaction bred by Recover, but nevertheless the song has feet and imagination leaping in tandem with its resourceful enterprise.

Live Fast Don’t Last explores more of a croon for its creative shape and emotive intensity next. It has a slower flow and a more immersive canvas than the last songs with melodic tenacity and evocative expression from the vocals providing a deeper reflective colour and emotion to the encounter. It smoulders and tempts pleasingly as it shows another side and depth to the band’s songwriting and its creative realisation, though again cannot quite emulate the success of the first track and indeed its successor.

The EP’s title track brings it all to a lively and impressive close. Two Mirrors bounds along with another invitingly dark bassline aligned to eagerly swung beats, whilst their union is drenched in an anthemic energy and charm which the band seems to conjure at ease. Veined by richly enticing and tenacious guitar craft, the song makes a pungent end to a fine and enthralling release. If this is to be the end of Oh Captive, song and EP has seen them go out on a high and will leave fans saddened and newcomers kicking themselves for not discovering their promise and quality before.

The Two Mirrors EP is available from March 23rd through all digital outlets.

https://www.facebook.com/ohcaptive

RingMaster 23/03/2015

Copyright RingMaster: MyFreeCopyright

Listen to the best independent music and artists on The RingMaster Review Radio Show and The Bone Orchard on Reputation Radio @ http://reputationradio.yooco.org/

Following Foxes – Self Titled EP

1509243_401429133348802_4696697141626334446_n

When an artist or band has a background which involves in part the Academy of Contemporary Music in Guildford, there is always an intrigue to learn more, partly because the town is a part of our musical heritage too and mostly because of some of the talent which has been nurtured at the ACM. From one of the UK’s most potent and impressive place of musical education, the likes of Newton Faulkner, Guy Davis who was part of the UK’s finest alternative rock antagonists Reuben, Joe Butterworth of Talanas, and Alexis Demetriou who formed the criminally unrecognised rockers Lost In Wonderland, have made varying impacting but potent marks on the British music scene. It is a long list also including members of Lawson and some bloke named Ed Sheeran, successes to which you can now add home town boys Following Foxes.

With its members all meeting at ACM, Following Foxes formed in 2013 and having a strong past year on the live scene now release their self-titled debut EP to nudge a broader attention to their presence. The five track release is a captivating introduction to the quartet, a handful of songs bred in a melodic caress of folk and indie/acoustic rock which energetically and skilfully bring a summery and creatively tenacious proposition to the senses. Drawing in inspirations from bands such as Biffy Clyro, Mumford & Sons, City and Colour, and Pink Floyd, Following Foxes shows themselves to be a thoroughly magnetic proposal and their EP more than likely to pick up wider media attention to back up already eager play on local radio stations across the South East of the UK.

The band’s new single, Almost Lost It is first up and right away with punchy bass lures from Mike Chapman and a great shuffle of beats within a caress of guitar, has ears and imagination paying close attention. The song relaxes soon after to welcome the strong vocals of Gid Sedgwick, his tones as warm and alluring as the melodic venture already shown by his and Alex Hill’s guitars. Subsequently with ears transfixed, another bait of thick beats from Steve Price adds fresh adventure before the song settles into a vibrant stroll loaded with a folkish revelry and melodic

Artwork by Harry Murr @ Roberts Clothing

Artwork by Harry Murr @ Roberts Clothing

swagger. There is still plenty of variety to gait and sound across the song though, sometimes more subtle than in others but a great unpredictable essence which grips the appetite and certain enjoyment.

The following I Saw, You Saw Me Back makes a less dramatic entrance though Sedgwick immediately holds court with his melodic croon and lyrical intimacy. It is still a strongly appealing first touch though which expands into a feisty but composed dance of voice and rhythms within a melodic seduction. As its predecessor, the track soon worms under the skin and into the psyche, a Lennon and McCartney whisper spicing part of the song whilst others times it romps along like a mix of Knots, Common Tongues, and The Radioactive Grandma.

Waiting for Someone, like those before it, simultaneously manages to be a warm reflective hug and a fiery little rocker, the great vocals across the band and occasionally a rigorously driving rhythmic thrust respectively igniting another memorable and increasingly enjoyable offering. It does not quite match up to the first pair such their might, but leaves satisfaction full before making way for Mother Brother. Though you cannot describe any of the songs as aggressive, there is a definite edge to the song when it steps up its energy around harmonically and melodically seductive embraces. It is a compelling end to a fine release; well not exactly an end as there is the brief melodic Outro to come but the party has ended by this point, its atmospheric haunting that drifting away of guests and excitement like after any slice of major fun.

Following Foxes has made a very impressive first step with a release which could straight away set them on a potent journey towards sparking the country’s attention. If not now it is impossible not to think or expect it will happen eventually but seems silly to wait, so go check out this highly pleasing release.

The Following Foxes EP is available now @ https://itunes.apple.com/gb/album/following-foxes-ep1-ep/id964894157

https://www.facebook.com/FollowingFoxes     http://followingfoxes.com/

RingMaster 02/03/2015

Copyright RingMaster: MyFreeCopyright

Listen to the best independent music and artists on The RingMaster Review Radio Show and The Bone Orchard on Reputation Radio @ http://reputationradio.yooco.org/

 

 

 

 

Oh Captive set loose their sophomore EP this Spring

Oh Captive cover

Ascending Alternative Rock crew ‘Oh Captive’ will nationally unveil their spanking new EP ‘Two Mirrors’ through all outlets on Monday 23rd March.

Formed three years ago, and coming at you from the South West, Oh Captive unleash a potent fusion of engaging alternative rock cuts stocked with forceful razor-sharp hooks that render them an instantly catchy listen. Already chalking up favourable comparisons to Biffy Clyro and Twin Atlantic, Oh Captive are set for new heights, and are loaded up with their killer new EP ‘Two Mirrors’, which hits stores this March.

The foursome’s national profile has rapidly increased during the past 12 months; this is largely down to their high work ethic and the success of the band’s debut EP, ‘Advance Creature’, which snared coverage from Rock Sound, Big Cheese, XFM and BBC Introducing, amongst others. Labelled ‘one of the UK rock scene’s biggest rising stars’ by Hit The Floor, Oh Captive have earned supporting slots with the likes of Marmozets and Arcane Roots, as well as festival appearances at Leopalooza and New Age.

The quartet headed into the studio last autumn to commence work on their next record. Entitled ‘Two Mirrors’, the EP is a real belter. Following on the foundations set by their debut record, the band have really pulled it out of the bag. Opener ‘Recover’ perfectly showcases the band’s enhanced penmanship with a hooky refrain and layered guitars that cunningly web together the track. The dynamic ‘Motion/No Motion’ delivers another anthemic chorus that clings to your head while ‘Live Fast Don’t Last’ highlights the rock crew’s growing maturity. Closer and namesake ‘Two Mirrors’ is further proof that Oh Captive have the tools and expertise to be one of the true players in 2015. Stay tuned to the band’s Facebook page for tour updates.

-OH CAPTIVE RELEASE ‘TWO MIRRORS’ ON MONDAY 23rd MARCH THROUGH ALL DIGITAL OUTLETS-

http://www.facebook.com/ohcaptive https://twitter.com/ohcaptive

Apherium – Neoteric

Apherium Online Promo Picture

Spinning a web of varied and flavoursome enticements within their alternative metal bred imagination, UK band Apherium continue their potent emergence with the national reboot of latest EP Neoteric. Containing five tracks which not only reinforces the already established weight and creative invention of their sound but pushes it into an even more exploratory and expansive landscape, the release is a fascinating proposition which maybe does not light raging fires in the passions but certainly sets a lingering and brightly smouldering captivation.

Founded in 2011 whilst members were at college, the Yeovil quartet took little time to hone their intent and sound as shown by debut album The Cycle the following year, which itself followed a self-titled EP. Initially taking inspiration from early thrash and heavy metal, the band’s sound was swiftly evolving by their well-received full-length and even more so with the single Shadows which came out in 2013. It set a teaser for things to come and now explored fully through the Neoteric EP. There is an aggression and power to the release which has its seeds in the bands early days but also a melodic enterprise which revitalises influences found in the likes of Biffy Clyro, InMe, and more so we would suggest Funeral for a Friend. It is a tight and compelling mix which takes little time to thrill and persuade as the EP opens with New Light.

The first track shimmers with a crystalline stroke of a guitar crafted melody to awaken attention before a throaty bass lure aligned to thumping beats sets down its own imposing bait. To that there is an unexpected growl of electro tempting, PromoImagethough it is soon immersed in the full weight of the song’s intensity. A slip into a restrained stroll follows with the vocals of Larry Turner stepping forward, well backed by the supporting calls of the band, to join a pulsating funk kissed bassline from Callum Shortland. It is just another twist in the song though as it ignites again with a raw glaze of riffs from Turner and Ross Derby against imposing strikes from drummer Ashley Jones before a folk stomp of strings joins the raucous revelry, these provided by guest musician Joe Labanowski. It is a riveting proposition, as unpredictable as it is magnetic with the short bursts of returning electro deviltry and the progressive ambience that wraps around its climax more striking invention to the exciting opener.

Silver Tongues comes next with a forceful wall of caustic riffs hitting ears first, though they are entwined with rich sonic lacing and slow jabbing beats. A melodic relaxation emerges soon after with emotive expression from Turner’s vocals and narrative. The progressive endeavour of Derby infuses further rich colour to the song whilst backing vocal scowls and antagonistic rhythms leave an intimidation which nicely tempers the surrounding warmth. Though strings make an enthralling and potent addition to the skilfully sculpted song, it lacks the spark of its predecessor mainly because the bold invention and unpredictability of the first is missing here. Nevertheless it is a deeply pleasing encounter matched by Angels Of Our Nature. The third song merges choppy riffs and crisp rhythms into a weave of glowing harmonies and poetic melodies which engulf imagination and emotions with ease. There is also a drama to the sound of the song which again without quite finding the heights of the opener leaves a hunger in the appetite already woken by the EP.

That early single Shadows is next, a track which is a ball of fiery energy and aggressive intent yet unafraid to venture into reflective vocals and emotive melodic ideation. Cored by a tempest of outstanding rhythms from Jones and Shortland, there is a robust yet seductive intensity to the song and it is easy to see why it raised strong anticipation in so many for Neoteric as it makes a stirring addition to the increasingly impressing EP.

The release is closed by the emotionally intensive and melodically fired Rise Again, another track which is missing something compared to other songs on the release, yet with the skilled musicianship of the band casting a tapestry of sonic adventure over a cauldron of melodic passion, it is impossible not to immerse eagerly into its thoroughly satisfying embrace. That pretty much sums up the EP too, a truly enjoyable proposition which has moments of outstanding ingenuity within a perpetually rewarding canvas.

The Neoteric EP is available digitally from September 22nd through all stores and on CD @ http://apheriumofficial.bandcamp.com/

http://www.apherium.com

RingMaster 22/09/2014

Copyright RingMaster: MyFreeCopyright

Listen to the best independent music and artists on The RingMaster Review Radio Show and The Bone Orchard from

http://audioburger247.webs.com/

 

Mind Museum – One Blood

MM_SHOOT-1

The potent ascent of UK alternative rock band Mind Museum continues unabated as they release their riveting new encounter, the One Blood EP. Since unleashing their attention grabbing debut EP Rat Race in 2011, the Bristol trio has continued to impress and outweigh other emerging bands with their weave of heart bred passion, riveting sounds, and gripping enterprise. Each release the band unveils takes their presence and reputation up another level and One Blood is no exception, the maturity in songwriting, sound, and simply presence mouthwatering.

Formed in 2010 from the ashes of several bands including most notably I AM THE DOOR and Full Scream Ahead, Mind Museum has persistently presented a proposition impossible to ignore or not find a deep rooted attraction for. Since forming the band has made as big an impact live as they have with their releases, sharing stages with the likes of Young Guns, Twin Atlantic, The King Blues, and The Royal Republic as well as lighting up their own headlining shows. Taking inspiration from bands such as Biffy Clyro, Coheed and Cambria, The Cure, and Placebo, the trio of vocalist/bassist Justin E Percival, guitarist Will Slater, and drummer Chas Bacon have honed a sound which holds a vague familiarity which makes it instantly accessible before taking the imagination and emotions on an incendiary ride of raw angst dripping vocals, rich sonic colour, and melodic passion. Their 2011 Rat Race EP made a potent entrance for the band, one just as powerfully backed up by The Power Of Three EP the following year but the George Lever produced new exploit immediately shows a big leap the band has taken from those earlier releases, confirming and expanding the promise and adventure hinted at by the 2012 single Lie To Me.

The release opens with The Get Go and immediately has a resonating bass note and a tart guitar wash soaking the ears whilst the already OneBlood-EP_ScreenResemotion drenched squalls of Percival wail in the back ground. As expected from the band on past experiences, it is a dramatic entrance but one which regroups into a restrained and melody kissed persuasion which still retains its raw edge but seduces rather than demands attention. It is a riveting enticement, the dark throat of the bass almost prowling the senses, though without menace, whilst guitars and rhythms keep imagination and appetite busy. Intensity and energy all the time are building their intent though, biding their time until the fiery chorus where everything is ablaze with passion and emotive colour. It is a thrilling encounter which finds a band never short on invention anyway, exploring and interlocking stronger varied textures and washes of sound than ever before. The song is thoroughly infectious and evocatively poetical, Percival’s vocals providing potent and at times emotionally desperate feeling hues to further light up the whole narrative.

The title track strides in next, bass and drums again casting a sinew built frame for the guitar and vocals to drape their emotive designs upon. The punchy touch of Bacon transfixes throughout, commanding the course of song and thoughts whilst the heavier rock bred veining from Percival sparks another level of greed for the extensive tapestry of the song. With its predecessor the song shows the full scope of the band, the first a more heads down rock attack and the second a pungent and intense emotional incitement; both soaked in a provocative passion and dramatic intimacy which inflames the thoughts and emotions of the listener.

   Wake Up steps up next, throwing a towering heavy rock weight upon the senses before again flirting with reining in its assault. This is short lived though as the song erupts into an exhausting and scintillating fire of energy and sonic provocation, rhythms and riffs sculpting a tempest of blistering voracity and aggressive entanglement within, whilst all is flushed with the passion and emotive flames which marks out Mind Museum from the pack as much as their sound. It is an exhilarating song setting senses on edge for the next up Lie To Me to sooth and then inflame further. The song smoulders and nestles closely whilst digging in masterful sonic claws from Slater and rhythmic barbs from Bacon, and once entrenched exploding in a climactic fire. The song is one of those which lingers and returns long after it has made its last sear on the ears, a masterful puppeteer of memory and passions, much like most of songs to be fair.

Both Answers and All The Kings Men keep the temptations and impressiveness of the release foaming at the mouth, the first an initially mellow song but one which soon has its nostrils flaring as it aggressively croons and uncages another furnace of emotional and impacting sonic flames aligned to inciting vocals, and its successor a bewitching weave of choppy riffs and anxiety soaked vocals honed and fused to a virulently contagious blaze of imaginative and skilfully explored melodic causticity. It is a sensational conclusion to what is easily the most emotionally imposing and creatively explosive thing from Mind Museum, and the finest.

Actually it is not quite the finish of the EP as the band treat us to very engaging acoustic versions of Wake Up and Lie To Me, and a couple of remixes of The Get Go and One Blood by Icon Roller which are decent enough. Whether the four tracks are something you would return to time and again like the main body of the release commands is debatable but they make an enjoyable extra all the same.

As declared One Blood is Mind Museum at its most powerful and inventive yet plus their most insatiably imaginative, and you still feel there is so much more to come.

The One Blood EP is available via Secret Chord Records now!

http://www.mindmuseum.co.uk/

9/10

RingMaster 17/04/2014

Copyright RingMaster: MyFreeCopyright

Listen to the best independent music and artists on The RingMaster Review Radio Show and The Bone Orchard from

http://www.audioburger.com