Bad Mary – Glitter Bomb

These past three years has seen a greedily enjoyable annual expulsion of attitude and fun in the shape of a new EP from US rockers Bad Mary. This year’s riot comes in the shape of Glitter Bomb, an upcoming six track stomp of punk ‘n’ roll which knows all the right spots to tease, seduce, and turn into feverish submission.

Straightaway we can announce Glitter Bomb to be the Long Island, New York based quartet’s most infectious and belligerent offering yet embracing an array of styles and creative devilry which just sets the imagination and appetite aflame. Equally it is their most accomplished outing yet basking in another fresh step in maturity in writing and its realisation as well as even bolder adventure. Like the illegitimate offspring of an illicit affair between The Ramones and No Doubt as The Objex share their riotous juices, to simplify the bold confrontation, Bad Mary and Glitter Bomb explode on the senses with unbridled and fiercely enjoyable mischief.

The beginnings of Bad Mary came in 2009 with Hofstra University professor and guitarist David Henderson linking up with students for a covers band; something he regularly did. That year’s line-up included vocalist Amanda Mac and bassist/vocalist Mike Staub. As personnel changed the three remained with the current line-up eventually completed with the addition of Amanda’s father Bill Mac on drums. The quartet then began writing their own songs from 2012 with debut release Better Days drawing swift praise the following year.  The band has simply gone from strength to strength in all ways ever since, an ascent potently marked by their previous two EPs in the 2015 Killing Dinosaurs and last year’s We Could Have Saved the World. Both established the foursome as one of the truly exciting propositions on the pop/punk ‘n’ roll scene, a declaration confirmed and pushed forcibly on by Glitter Bomb.

Recorded with Brian Crowe at Kreischer Mansion Studios, their new release opens up with Motor Mouth needing little time to have the body bouncing and instincts to rock uncaged. Commandingly infectious from the off as riffs and rhythms frame the potent vocal presence and hooks of Amanda, the song is a punk rock bred pop infested persuasion soaked in attitude and rascality. There is nothing majorly remarkable about the track yet every second is instinctive temptation laying the grounds for a lusty adventure continued by next up Still Love Me. The outstanding second song swiftly shows more of the magnetically powerful tones of Amanda, her alluring roar superbly backed by those of Mike as riffs and hooks dance within the early No Doubt/hard rock spiced punk stroll. As its predecessor, the song infests ears and imagination with viral like efficiency, raising the temperature and involvement of the listener by the second while a roving bassline is the icing on the contagious cake.

The EP’s title track brings a riveting surge of raw rock ‘n’ roll which is something akin to Penetration meets Sharkmuffin before Hybrid Moments delves into Misfits like territory with its devious antics. Both tracks leave a grin on the face and lustful energy in the body and passions, the second of the pair especially appealing with the vocal union of Mike and Amanda. Their triumphs are soon more than matched by the hungry punk ‘n’ roll call of Soul Mate, a song oozing with the band’s organic creative attitude and an infectious virulence most bands can only dream of.

The EP concludes with Japan, an irresistible collusion of Ramones inspired riffs and Plastic Letters era Blondie pop contagion twisted with Bad Mary’s own individual devilry for a storming end to the band’s finest moment to date. Glitter Bomb is insatiable pop, irritable punk rock, and ferocious rock ‘n’ roll rolled into a proposal which quite simply is the business.

Glitter Bomb is out September 29th with pre-ordering available now @ https://badmary.com/shop/

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Pete RingMaster 01/09/2017

Copyright RingMaster: MyFreeCopyright

Bad Mary – We Could Have Saved The World EP

BM_RingMaster Review

With the Killing Dinosaurs EP still regularly toying with ears, US rockers Bad Mary are poised to release its successor in the tasty shape of We Could Have Saved The World. Providing another half dozen slices of seventies pop punk merged with the broader adventure of alternative rock, the EP is a stirring roar for ears and emotions whilst continuing the band’s emergence as one highly flavoursome rock ‘n’ roll band.

From their early days as a band brought together by Hofstra University’s professor of drama and guitarist David Henderson, Bad Mary has grown into an attention grabbing proposal. In a regular process every semester, Henderson put together a band with students to play a bunch of covers. It was 2010 when vocalist Amanda Mac and bassist/vocalist Mike Staub were those invited to be part, a trio which has stayed together since. Madame X, as it was called then, did see a few changes before Amanda’s father, veteran drummer Bill Mac, linked up to swing sticks. Inspired by bands such as Blondie, The Ramones, Green Day, and No Doubt amongst others, the band then began working on its own material. A name change led to Bad Mary being officially launched in 2012 with debut album Better Days coming two years later to strong acclaim. Its release turned keen local attention into something embracing a broader landscape not only across the US but further afield. Last year’s Killing Dinosaurs EP only cemented and pushed on their breakthrough which We Could Have Saved The World can only ignite further.

art_RingMaster ReviewThe rock ‘n’ roll frenzy starts with Creeper, the track a feisty and energetic burst of punk ‘n’ roll with Amanda’s vocals as direct and alluring as ever. With punchy beats and fiery guitar, the song continues to stomp with attitude loaded feet and a hard rock like aggressiveness; perpetually involving body and appetite whilst setting the listener eagerly up for the excellent roar of Marz Attaqx. Like The Rezillos meets The Objex, it is a contagiously irresistible slab of pop punk, quickly getting full involvement from hips and voice as Amanda again rules the speakers whilst rhythms jab and riffs get under the skin, the track’s hooks digging even deeper to complete the virulent slavery.

The rhythmic coaxing opening up the following Trouble is equally irresistible, its lures leading into the fiery heavy rock throes of winy grooves courted by the melodic caresses of Amanda’s mischievous vocals. As it broadens its lively stroll and magnetic landscape, a rich No Doubt spicing tempts without defusing the Bad Mary character of the song. Again there is a lining of attitude which demands attention whilst the flames of classic rock guitar bring extra flavour before the rapacious rocker makes way for the gentler hug of Cloud 9. Shadow wrapped pulses of bass tempers enticing vocals, whilst firm yet respectful beats align to the sultry glaze of guitar, all uniting for an enjoyable if low key, in comparison to its rowdier companions, proposal.

Meanwhile is back snarling and creating a riotous time with its raw punk air and nature though hooks and rhythms again collude to create the catchiest of times led by the rebellious vocals of Amanda and Mike. Brief and to the point as it continues the bracing potency of the EP, the excellent encounter swaps places with the similarly anthemic and antagonistic When You Think of Me. It is a final punk rock roaring to beat chests and defy the world with, bringing We Could Have Saved The World to a tenacious and galvanic end.

Bad Mary continues to get stronger, bolder, and more essential in the modern realm of punk ‘n’ roll; the evidence is all there within We Could Have Saved The World.

The We Could Have Saved The World EP is released 1st February.

http://badmary.com/   https://twitter.com/BadMaryBand    https://www.facebook.com/badmaryband

Pete RingMaster 26/01/2016

Copyright RingMaster: MyFreeCopyright

For more exploration of the independent and promotional services check out http://www.zykotika.com/

Bad Mary – Killing Dinosaurs EP

Photo by Nick P Jiannaras of Nicolai Patrick Photography_

Photo by Nick P Jiannaras of Nicolai Patrick Photography_

When presented with a band name like Bad Mary mischievous thoughts of course spring up as well as hopes that they have a sound to back up the devilish allure of their name. The Long Island quartet has that and more on the evidence of new EP Killing Dinosaurs. It is six highly flavoursome and raucous slices of punk ‘n’ roll unafraid to be as pop catchy as they are belligerently irritable. It is steeped in seventies punk and power pop with the attitude and tenacity of modern rock ‘n’ roll, and quite irresistible.

Bad Mary’s beginnings sprung in 2010 from the regular happening of Hofstra University’s professor of drama and guitarist David Henderson putting a band together with students each semester to play a bunch of covers. At this moment in time vocalist Amanda Mac and bassist/vocalist Mike Staub were the students who became involved, with a time of turnover in drummers ending with Amanda’s dad and veteran drummer Bill Mac joining the band. Playing songs from favourite new wave and punk artists from several eras, initially as Madame X, Bad Mary was officially launched in 2012, and through each member’s individual love of punk and rock from different decades, the band’s own sound grew and blossomed. Debut album Better Days was the first offering, a 2014 release going on to garner three first-round ballot Grammy nominations, success matched by their live presence and their songs luring media and radio attention on both sides of the pond.

cover_RingMaster Review     With inspirations ranging from The Ramones, The Sex Pistols, and Motorhead to The Tom Robinson Band, The Police, Blondie, and Green Day amongst many, the band’s new EP is a non-stop stomp that growls as it invites, bullies as it sets ears and imagination alight. Recorded with producer/engineer Matt Storm and assistant engineer Francisco Botero at Studio G in Brooklyn, Killing Dinosaurs gets straight to the point with opener Soapbox. Amanda leads the confrontation from the off, her potent tones the first touch and fiery guitars around rampant rhythms the next. It is an infectious and grouchy start with the growl of bass alone a brooding impossible to resist temptation as the guitars release their similarly enticing caustic flames. The backing roars of Mike brings a fiercer texture to compliment the intimidatingly tantalising tones of Amanda whilst more metal bred hues add to the overall brawl of the excellent start to the EP.

Whereas the first track has a presence crossing years, the following Want What I Want carries a great old school punk character, strolling with a swagger which is part Vice Squad and part The Objex. The bass of Mike again captivates with its heavy swagger whilst David weaves a hook lined web of enterprise part venom part flirtation as Bill slaps the listeners’ proverbial cheeks around. Eclipsing its predecessor, it too is shaded a touch by next up Hanging Around, a boisterous canter carrying the glam rock of Sweet, the mischievous pop punk of the Rezillos, and the rapacious virulence of dragSTER. The track steals the show, leaving an already strong appetite greedier and already by this time an exhausted body more wasted but energised.

A cover of The Police song Next to You swings in next with a similar swagger and nature whilst delving into more classic heavy rock enterprise whilst adding a tasty scent of early No Doubt punk pop to it . Again physical involvement is a given as it spins its lures, a success emulated by the X-Ray Spex meets The Avengers like Sucks to Be You, another rousing middle finger of word and energy

Killing Dinosaurs is completed by One More Song, a compelling mix of fifties rock ‘n’ roll and sixties pop embroiled in power pop/punk rock imagination and dexterity. It is an infectious end to an increasingly enjoyable encounter; a collusion of old school and twenty first century punk ‘n’ roll to lift emotions from the doldrums and bodies into feverish participation.

The Killing Dinosaurs EP is out now @ https://badmary.bandcamp.com/album/killing-dinosaurs-ep

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Pete RingMaster 22/10/2105

Copyright RingMaster: MyFreeCopyright

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