Attack The Day – Shadows

Attack The Day_Reputation Radio/RingMaster Review

If you are hankering to be in on the ground level of something potentially very special then check out Northern Ireland alternative rockers Attack The Day and debut release, the Shadows EP. The six track release is a compelling and striking introduction to the County Fermanagh quintet which, though it is early days, suggests it is the beginning of bigger and bolder things. Ripe with varied flavours and imagination bred twists, its rich persuasion comes stocked with strong ideas which are not always fully realised but persistently spark a hunger for more in ears and appetite.

Formed 2012 in Lisnaskea, Attack The Day completed their line-up two years later with vocalist Dáithí Murphy. Since forming the band has been a constant presence on the local live scene subsequently spreading further afield and adding the sharing of stages with the likes of Cadaver Club, Axecatcher, The DMs, and Making Monsters to their CV as well as a tour with Germans Suddenly Human across Ireland and the UK. The release of Shadows is the next potent step in breaking broader attention, and as it consumes and ignites ears with every listen, success is expected here.

The EP opens with Intro, a minute long piece of guitar shaped coaxing which does not startle but certainly has intrigue and attention to what is following aroused. It slips away to make way for Alive, a track instantly bulging with metal seeded riffs and badgering rhythms within an aggression wash of guitar. The vocals of Murphy step into the mix with a raw and aggressive delivery, his unpolished lure soon enhanced further by additional anthemic contributions elsewhere. Tagged as alternative metal/rock band, band and song soon show they are just as rife with punk confrontation and hardcore tempestuousness as well as an inventive want to infuse other slithers and spices of varied styles.

Shadows Artwork_Reputation Radio/RingMaster Review     Boisterously anthemic, the track is matched and swiftly surpassed by Egyptian. More controlled in its entrance, the song quickly prowls ears vocally and musically as the guitars of Mark Cadden and Donavan McBrien cast nagging unrelenting bait with the brooding bass of Ciaran Fitzpatrick growling around them. As the persistence and intimidation of guitars and Shane McGovern’s heavily jabbing beats continue to brew a thick tempting there is no mistaking an early Therapy? feel to the encounter, especially when Cadden spills some potent sonic enterprise into the brewing tempest. The song simply continues to grip as it leads the listener into the even more impressive Divided.

The third song emerges with a post punk coldness to vocals and tone, the dark resonating bass initially the lone provocateur apart from firm beats before just as chilled tendrils of guitar winds around its addictive bait. Like Babyshambles meets Psychedelic Furs, the song gets under the skin with its infectious charm and inventive tenacity. It never explodes into a tsunami of sound and persuasion but leaves a breathless satisfaction in its wake all the same. The song is superb and if using just one offering to make a choice whether to embrace the band or not, it has everything you need to know about their craft, quality, and potential.

So too has the EPs title track to be fair, its Deftones like breath a lingering seducing within a fiery lure of melodies and sonic endeavour, veined by again a captivating rhythmic whipping up of attention. Though it has a feisty energy, the song crawls over the senses, preying on ears and imagination with increasing drama and explosive almost hostile unpredictability and enterprise, climaxing in an Able Archer like roar.

The release closes with This Is How It Ends, McGovern and Fitzpatrick providing a gripping and menacing canvas to which guitars and the increasingly impressive melancholic tones of Murphy lay their potent craft and expression. This time a feel of the Only Ones emerges, though as across the EP, any references spring from a sound and presence distinct to Attack The Day. The song is a swarm of monotone but endearing textures and a tangy grooving of guitar which also has a foot in eighties post punk and nineties alternative metal, it all adding up to something fresh and contagious.

As suggested earlier, there are elements within Shadows which do not go as bravely far enough as they might but with every listen the EP just grows and impresses more. Attack The Day is a presence to make a note of at the very least but recommended to dive into right now so you catch their ascent from its first wind.

The Shadows EP is out now @ https://attacktheday.bandcamp.com/releases

https://www.facebook.com/pages/Attack-The-Day/164901066967572

RingMaster 19/06/2015

Copyright RingMaster: MyFreeCopyright

Listen to the best independent music and artists on The RingMaster Review Radio Show and The Bone Orchard on Reputation Radio @ http://www.reputationradio.net

 

Direwolves – Aegri Somnia

direwolves

The hardcore scene has already impressed in 2014 with a ferocious flurry of rigorously intruding and thrilling furies, hardcore based or driven releases from the likes of Havenside, Ringworm, and Axecatcher to name just three leading the way. Stepping right in front of them or certainly alongside, are a pair of Throatruiner Records releases, one from Plebian Grandstand which you can read about elsewhere on the site and maybe the mightiest triumph of the lot Aegri Somnia from French band Direwolves. Their eleven track rage is a masterful persuasion of uncompromising riffs and rhythms fuelled by irresistible melodic tartness and inescapable hooks. Fusing metallic sinews and punk attitude to their sonic and vocal squalls, the debut album from the Lorient quintet is a standout treat for genre and year so far, an onslaught which if not on people’s best of lists will certainly be in their favourites of the year.

Direwolves formed in 2011 and were soon making a mark locally and within the French underground scene, their potent two track demo release Demo MMXI in their first year left in the shade by their first EP, the eagerly received and praised Me From Myself, to Banish the following year. Aegri Somnia is their next major step as a band and you suspect one into a wider intensive spotlight. The release takes over where the previous EP left off in many ways, taking its base as a launch pad for a more intensive and inventive venture whilst drawing greater blackened essences and harsher aspects of punk and crust into the hardcore brew. On its first scarring Aegri Somnia easily impresses and captures the imagination but as all great releases the more you share and open up the senses to its causticity the stronger and explosively persuasive it becomes.

Introspection starts things off, it a brief sonically hatched instrumental which casts an acidic landscape around the ears whilst giving far direwolves covermore than a hint of what is to come as rhythms manhandle the senses with fearsome creative power and the bass parades a carnivorous sound and intent. It is a striking and incendiary start, easily enslaving attention and anticipation as the guitars wash the air with melodic venom before it all explodes into the raging fire of Insights. Riffs and rhythms tear chunks from the psyche right away whilst the vocals abrase with every tortured syllable and angst driven word. It is an even briefer assault than its predecessor, one minute of hellacious contempt and sonic temptation with hooks to match and all very tasty.

The following storm of The Blindness That Keeps You Warm pushes the album’s entrance up another notch in contagious persuasion, flying at the ears with rhythms throwing muscular spite and riffs adding their animosity to the intense pressure whilst infectious hooks and grooves pierce and wind their way respectively into the tempest. It is a merciless yet seductive scourge of enterprise which evolves into Holy Treason with just as much invention and irrepressible fire driving forth the exhilarating turmoil. As with all songs though it is not just about passion and ferocity with the band laying out addictive designs and melodic toxins which help make the already eager taste for the encounter greedy and satisfaction unreservedly intense.

The bass snarl finds an even greater predation to its voice in the next up Echoed In Vain whilst the drums develop a controlled frenzy which only impresses further. Though the track maybe does not make the strongest initial scoring on ears and thoughts with melody brewed acid in its body and far reaching hooks, it is a forcibly engaging violation matched and exceeded by the excellent Sighs And Whisper. As pleasingly expected by this point in the album, guitars sculpt a web of sonic scorching and imaginative melodic entanglement around a merciless and brutally rapacious rhythmic drive. Equally though there is adventure unique to each track and here the song bullies its way into a moment of post hardcore, almost progressive insight, to keep predictability and assumptions at bay and wrong footed.

Aegri Somnia continues to impress as the adrenaline soaked and at times impossibly magnetic The Liar’s Choice and the voracious Face The Facts unleash their primal and instinctive belligerence vocally and unrelenting defiance musically on ears and beyond, whilst Light It Up from an outstanding rhythmic coaxing within a sonic wail intensively paints a finger pointing indictment at society. All three add a different aspect to the album, individual outrages and creative provocations to ignite thoughts and emotions.

The final pair of tracks, Keep It Clear and Endless Tragedies, are arguably the band’s most expansive and intrusive engagements, both thick in weight and passion relinquishing the use of skilfully crafted hooks and grooves for exhaustive almost doom clad atmospheres and melodically spawned explorations. They make for a formidable conclusion for a thoroughly impressive and exciting beast of a release. There is very little to offer as a temper to the fully hatched appreciation and ardour for the intimidation offered, though of course if hardcore is not an instinctive flavour that appeals from the off the songs could occasionally blend into each other through only a surface attention such their swift strikes and mutually intensive passion. The bottom-line though is that Aegri Somnia is a tremendous proposition and Direwolves a band set for major things.

https://www.facebook.com/wearedirewolves

http://direwolves.bandcamp.com/album/aegri-somnia

9/10

RingMaster 31/03/2014

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Axecatcher – We Watch The Sun Burn EP

 

axecatcher

    If like us you thought Axecatcher’s last EP Sparks & Spears was forcibly impressive last year, and it undeniably was, than be prepared to be blown away by We Watch The Sun Burn. The new three track EP from the Irish hardcore band is exceptional, a furious and compelling manipulation of senses and emotions which not only confirms all the early promise of the band but thrusts them up onto the frontline of raw noise conjurors. The maturity bred and songwriting levels reached in the space of a year is stunning; the last release had the potential and weaponry to bring new blood and fury to hardcore, We Watch The Sun Burn realises that promise and so much more.

     Formed in 2011 and hailing from Limavady in Northern Ireland, the then trio of vocalist/guitarist Ryan Montgomery, bassist/backing vocals Colin Wilson, and drummer Danny Kane, made an instant mark with debut single The Odalisque in their first year. The well-received sonic exploration raised an attentive approach towards the band, something that Sparks & Spears turned into a more fevered appetite with its release via Belfast’s Savour Your Scene Records. Between EPs Axecatcher has kept momentum busy with their live shows and appearances, the band sharing stages with bands such as KEN mode and Rotting Out, each adding to their reputation and acclaim. We Watch The Sun Burn though takes things to another level for the band, in sound and stature. The release sees newest member, vocalist Karson Browne adding flavoursome rages to the passionately generated causticity. It is just one aspect where things have flourished over the twelve months or so, everything falling into incendiary place from an already impressive proposition.

    Opener Genghis Thrash Khan is an irresistible contagion from its first seconds. A sonic intrusion makes the first scar but is coversoon submerged in a rhythmic bombardment and a great vocal provocation from Browne, Montgomery, and Wilson. Once interest is enslaved, the band rampages through the ears with a fire of riffs, a deliciously throaty bass incitement, and the ever destructive might of Kane. Into its rapacious stride, grooves and viciously barbed hooks spear and seduce the passions whilst vocally Browne and the band squall with antagonistic fire and accomplished craft. The track continues to twist and evolve the deeper it entrenches itself into the passions, punk and hardcore fused into a quite magnificent predator of sound

     Easily the best thing on the release and of anything Axecatcher has written to date, the track makes an imposing benchmark for the rest of the EP, something the following Cinders handles with voracious intensity and flesh scorching spite. The opening graze of guitar only hints at the energetic bruising soon uncaged as Montgomery entwines sonic tendrils around the senses whilst riffs gnaw just as feverishly. Rhythms add to the lure with their commanding and crippling cage of sinew driven beats whilst the exhaustive and impressing vocals simply tear strips off their trapped victims. True the song fails to match its predecessor but still builds its own scintillating plateau for others to take inspiration from.

  The closing N.O.V.A. stomps and dances seductively straight away, it’s addictive grooves and discord kissed sonic spearing encased in a infectious embrace of catchy intrigue and masterful invention. Never allowing a moments respite in its psyche carving tempest until its midpoint where the heavy muscular rhythms of Kane pin the senses down by their shoulders in solitude, the furnace of passion and noise is a mouthwatering unpredictable violation and another irrepressible declaration of just how immense the band has become and will continue to grow. It is a staggering conclusion to a primal and instinctive slab of sonically and emotionally spiteful brilliance.

    There are numerous outstanding hardcore bands across the UK and Europe, but right now Axecatcher has taken a march on most with world persuasion definitely on the cards. EP of the year so far certainly, release of the year…it is right there challenging without doubt.

http://www.facebook.com/Axecatcher

http://axecatcher.bandcamp.com

10/10

RingMaster 20/03/2014

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Axecatcher – Sparks & Spears

Axecatcher pic

If in a rare moment of lucid insanity you wondered what standing eye to eye with an electric paint stripper would be like once its switch was flicked Sparks & Spears from Irish sonic aggravators Axecatcher gives you the most vivid representation of the effect. Caustically malevolent and abrasively determined, the four track EP is an impressive and inciting fury with addiction causing sounds to back up its unbridled passion.

Hailing from Limavady, the hardcore driven trio of vocalist/guitarist Ryan Montgomery, bassist/backing vocals Colin Wilson, and drummer Danny Kane, has taken no time since forming in late 2011 in recruiting an ardent and passionate following for their heavy, intrusive, and merciless sound with acclaim not far behind especially with the release of their first single, the seven minute senses aggressor The Odalisque in the July of last year. The track drew strong attention their way which Sparks & Spears will only build upon and accelerate with its recent release via the excellent Belfast label Savour Your Scene Records digitally and as a limited cassette.

From the opening scrub of guitar bringing Circle Pit Roller Derby into focus, there is a sense of animosity and belligerence in the axecatcher-coverair but also a feeling of irresistible compulsion soon reinforced by the expulsion of squalling acidic vocals from Montgomery, punchy rhythms, and a groove which gnaws at the ear with immediate contagion. Bass and guitar make a vociferous call within the fiery assault, their temptation relatively familiar but extremely potent whilst the vocals continue to leave a raw and uncomfortable challenge to accept or fall before. The track has a rich breath of punk to its harsh muscular ferocity, like a mix of Cancer Bats and early Therapy?, and leaves the appetite burning for more which is soon rewarded with the following Seismic Toss.

Thrusting intense riffs and again crisp enslaving rhythms at the ear, the song unleashes an additional sonic scarring as deep and rich as the corrosive vocals accompanying it, all within a sturdy but less predatory rock confrontation compared to the punk attitude of its predecessor. As the song expands its persistent grazing it moves shuffles its gait without losing any of the passionate intensity and flesh peeling almost feral hunger, the track initially charging at the senses like a downhill aimed sinew clad missile before emerging as a doom lined rapacious prowl both with the equal result of full submission to its intent.

Methuselah is the best track on the release, a twisted conspiracy of deliciously infectious sonic fuelled grooves and a cleaner but still confrontational vocal attack this time from Wilson. The track is so brief, too short to be honest with an audible groan expelled here as it finishes its impressive presence in under a minute, but again shows the extent of imagination and even greater promise within Axecatcher and their songwriting. The track leaves the strongest lustful greed in tow for the EP and further tempests from the band, its evolving presence and ridiculously persuasive enterprise alone a reason for marking the band in the centre of one’s attentive radar.

The final song Youfinder also reveals further strength in the creativity of the band, its sirenesque sonic entrapment wrapped in an intense wash of melodic temptation and aggressive passion fired up further by the searing scourge of vocals from Montgomery, his touch arguably going to be a do or die encounter for many but certainly as essential to the heart of the sound as the excellently crafted music itself.

Sparks & Spears is a strongly impressive announcement of a band which has all the potential and suggested weaponry to bring a new blood and breath to hardcore. Axecatcher will also not be taking any prisoners in their destined ascent as shown by this excellent EP.

www.facebook.com/axecatcher

http://savouryourscenerecords.bandcamp.com/album/sparks-spears

8.5/10

RingMaster 10/03/2013

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