The Sons of Bido Lito – Avalanche

TSOBL_RingMaster Review

Some songs just frisk ears with their creative tenacity; finger the imagination and fondle the psyche with a tempting which almost seems like it has been engineered just to fit personal tastes. One such irresistible enticement for us is Avalanche, the new thrill laden single from UK garage/psych rockers The Sons of Bido Lito. The two track encounter is pure addiction on 7” vinyl courtesy of Dirty Water Records; a pair of songs which from different directions unite to create aural manna for swerving bodies and lusty thoughts.

Taking its name from the Los Angeles hangout of the Sunderland band’s musical heroes such as The Doors, Love, and Captain Beefheart, the seeds of The Sons Of Bido Lito began in the summer of 2011. Inspired by the sixties garage rock sound and equally its psychedelic seduction, the quintet began weaving those essences into their own shadow rich imagination and dark toned invention. The years since emerging have seen the band support the likes of Jacco Gardner and James Skelly & the Intenders, share stages with bands such as Primal Scream, and the release of their well-received debut EP Bido Music in the April of 2013. The following Gamma Ray! single again awoke new and greater amounts of eager appetites as well as finding itself being used by Fifa for their YouTube goal of the month video, ensuring the song there alone was heard over one million times, whilst the track Coco Bongo was taken up by Heineken for their Champions league coverage with Ruud Gullit bringing another 2,000,000 YouTube hits in touch with the band. Now it is the turn of the brilliant Avalanche to stir up more attention, a success quickly assumed as a given once the title song sets to work on ears and imagination.

Cover_RingMaster Review     For us it took barely a handful of seconds to be enthralled to Avalanche, the song winding a juicy flirtatious guitar groove around ears, it almost instantly joined by the bulging muscle of commanding and enticing beats. Another breath sees further guitar shimmering seducing the senses and a rumbling dark bassline whipping up the emotions. Fair to say already every aspect of the song comes with an addictive virulence which only grows and intensifies over time. The garage rock stomping spawned by riffs and rhythms alone just dangles impossible not to take a bite at bait in the lure of the song, that incessant tempting leading to a host of keen and imposingly gripping hooks, juicy grooves, and the great effect wrapped vocals of guitarist Phill Houghton.

Surf rock hues soak the melodic enterprise whilst bass and beats taunt with a tone and infectiousness lying somewhere between The Cramps and Bo Diddley. Overall the song, drawing as much on the flavourings of artists like The Sonics and Dave Edmunds as it does those like Reverend Horton Heat and Th’ Legendary Shack Shakers, finds a unique spot in a bordering on psychotic landscape which is quite simply sixties spawned rock ‘n’ roll alchemy perfect for any era.

The accompanying 12 Commandments emerges with a character more coloured by the psychedelic influences of the band. From within a wash of waves on an imagination assuming midnight lit shore, another heavily alluring bassline from Lem grips attention. A matching rhythmic coaxing from drummer Dodsy quickly joins the affair and a sultry embrace of guitar from Paddy Pickering too, once more a surf rock seducing working away through his and the string exploits of Phill Houghton whose vocals sway in ears like a magnetic flame, the keys and percussive enticing of Chris Houghton completing the palette of sonic colour in the psych rock temptation. The collusion of all hues maybe inevitably suggests The Doors but equally the likes of The Byrds and fellow UK band Kobadelta come to mind across the encounter too.

Though the lead track steals the show, 12 Commandments is sheer bewitchment and together both tracks make Avalanche one majestic virus of sound and reveal The Sons of Bido Lito as one musical infestation everyone needs in their life.

Avalanche is available on 7″ vinyl and digitally via Dirty Water Records from October 14th.

Pete RingMaster 07/09/2015

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Jesu – Everyday I Get Closer To The Light From Which I Came

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     Everyday I Get Closer To The Light From Which I Came, the new album from Jesu has been over two years In the making, partly for the passionate intent and adventure explored upon it and equally for the creative vehicles band main man Justin K Broadrick has been involved with. As always the musician has been heavily engaged with numerous projects since the release of previous album Ascension, most notably with the reunion of Godflesh as well as masterminding remixes for the likes of Mogwai and Cult Of Luna. The new album reveals that Broadrick has been no slouch with his own solo project and its evolution though, the Avalanche released Everyday I Get Closer To The Light From Which I Came seemingly with a fresh appetite for the exploration of even darker intensive emotive depths but transferring that somber flight into a magnetically reassuring and potently hued closer to home provocation which initiates self-appraisal and reflective thought in experiences and shadowed corners of the psyche.

The dark adventure starts with Homesick, a rapaciously draining expanse soaked in melancholic intensity, where from within gnawing away behind the melodic temptation, riffs soak the ear and thoughts in drone spawned predation. It is an enthralling mix of raw yet measured rabidity and shoegaze mesmerism which intimidates and seduces simultaneously whilst its consuming breath ridden by the mellow coated vocals of Broadrick, permeates every pore of thought and imagination. As across the whole album there is plenty going on within the riveting textures and depths of the song; a wealth of open shadows and secretive light which unveil their presence with further ventures through the magnificent opener.

Comforter is a thick almost tempestuous flame of ethereal enslavement, though with hungry intensity and a snarling touch to its meditative brawl of warmth. Like its predecessor the track is an evolving exploration with a shifting emotional narrative and sirenesque presence, and at times as menacing within its smouldering discord wrapped ingenuity. The invention of the track is startling and in many ways such its uncompromising twists and ideas should not flow as magnificently and poetically as it does. As the track takes the mind deep into its provocative crevices the suggestion that this is the finest Jesu moment to date is loud and as the album continues to impress it is hard to raise much in the way of argument.

The moody resonating bass croon and metronomic beats which open up Everyday immediately seduce, a deepening of that hook secured with the post punk seeded guitar sonic colouring which adds its bewitching voice soon after to the wonderfully repetitive stroll of the rhythmic inducement. It is more of a stalking really which vocals and guitar taunt and skirt with their My Bloody Valentine/Joy Division like acidic beauty. It is a masterful entrapment for the passions with every hue and flavour of bait needed to solicit the imagination and ardour.

Exceeding seventeen minutes in length, The Great Leveller is an epic passage in its own right within the colossal emotional examination of Everyday I Get Closer To The Light From Which I Came. Also featuring the bewitching skills of Nicola Manzan who provides a powerful stringed narrative across what seems a close and personal exploration for Broadrick, the orchestral guided evocation of emotionally immersive tides is a breath-taking landscape and sludge entrenched journey which only rewards as in a sense it suffocates the mind and soul into deep thought and investigation. The song is arguably overlong though it feels like its presence is far less than it actually is, but that is down to personal reactions rather than the track labouring at any point, a preference which would have conversely preferred Homesick to have stayed around longer. The extensive track is ultimately a masterful experience, in craft and effect which only elevates the album to another exhausting plateau of satisfaction.

Closing with the entrancing yet menacing Grey Is The Colour, another irresistible search of thoughts and emotions, Everyday I Get Closer To The Light From Which I Came is a sensational encounter which only time and numerous travels fully reveals all its remarkable depths and incitement. Broadrick maybe be back with Godflesh to stir up the psyche but right now there is here a more eager appetite for Jesu.

https://www.facebook.com/pages/Justin-K-Broadrick/

9/10

RingMaster 23/09/2013

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