Noydem – A Time Will Come

A Time Will Come is the new EP from French outfit Noydem, a release coming three years after the band’s debut album. Formed in 2011, the Paris quartet create alternative rock which embraces an array of flavours for, as evidenced by their new release, a quite appetising adventure.

A year after emerging, Noydem unveiled their first EP in the shape of The Landing, its keenly welcomed release followed the next year by an even more eagerly received self-titled album. It is fair to say that the foursome of vocalist/guitarist Julien Prouveze, lead guitarist Gia Vcgr, bassist Jules Brosset, and drummer Joffrey Hebert has yet to awaken major attention outside of the French rock scene but an awakening A Time Will Come has a great chance of stirring.

Themed by “the feeling of people struck with ostracism in today’s society”, A Time Will Come offers five tracks of infectious rock starting with Welcome Home. A deep groan of bass and crisp percussion draws the equally alluring scythes of guitar and Prouveze’s strongly enticing vocals, it all uniting in a subsequent earthy stroll with flirtatious hooks entwined in infectious grooves. Immediately captivating and increasingly virulent by the second, song and sound tempt and seduce with lively enterprise, electronic additives adding to its inescapable contagion.

The excellent start is quickly matched by next up Bring Me Down. From its flirtatious start with seriously tempting rhythmic bait, the track catches alight with stoner lit grooves and industrial rock essences teasing a bold rock ‘n’ roll stroll. The electronic attributes of its predecessor come with greater voice, bringing a pop rock celebration sparking even greater infectiousness in the song’s character and antics.

The EP never quite reaches the heights of its first pair of songs again but only pleases and impresses as the likes of Stay with its calmer, reflective electronic/alternative rock grab attention. At times a suggestive simmer and in turn a dynamic blaze, the song is little short of an aural magnet with moments of major temptation.

The shimmering balladry of Your Other Self is more of a slow burner but never less than persistent captivation while closing track A Place to Live has the listener and EP bouncing with its own mix of emotive deliberation and physical dexterity. It too needs a touch more time to get under the skin compared to the first trio of tracks but worm into appetite and psyche it does.

Inspirations to Noydem include the likes of Red Hot Chili Peppers, Queens Of The Stone Age, Foo Fighters, Incubus, and Audioslave, spicing often easy to hear within A Time Will Come but theirs is a sound which is developing its own character very nicely with the prospects of major attention increasing release by release.

A Time Will Come is out now on iTunes and other stores.

https://www.facebook.com/Noydem/

Pete RingMaster 12/12/2017

Copyright RingMaster: MyFreeCopyright

Rival Bones – Self Titled EP

Slim line-up, big sound; this is a combination becoming even more frequent in the current rock ‘n’ roll scene and no bigger and indeed physically bolder than that offered by UK duo Rival Bones. Consisting of vocalist/guitarist James Whitehouse and former Boss Keloid drummer Chris Thomason, the band have just released their self-titled debut EP; four rousing anthems which rock hard and carry a punch a great many bands thick with personnel would beg for.

Emerging at the beginning of 2015, Rival Bones quickly drew attention with first single You Know Who You Are; radio play quickly following before subsequent singles in Robot Girl and Lost Along The Way last year matched its success and pushed forward the band’s reputation and growing presence on the UK rock scene. Their hard rock/heavy metal sound nurtured with a host of additional flavours involved was soon drawing references to bands such as Mastodon, Queens of The Stone Age, and Audioslave whilst live the Merseyside pair soon branched from local success into stirring up bigger venue audiences and festivals such as Threshold and Tramlines. Now national attention is under threat with their first EP, an attack which will bring big rewards and rousing exploits for listener and band alike.

The EP opens with Want You Madly. Its gentle beginning is a swift deception as a sonic murmuring soon becomes a wall of imposing and inviting riffs punctured by Thomason’s heftily swinging beats. The song’s commanding stroll is soon joined by the potent tones of Whitehouse, his strong voice aided by spirited shouts and in turn grooves which just demand hips and bodies get involved. The blues spicing of the track is equally intoxicating, its tonic flowing across a landscape of heavy rock ‘n’ roll bait as alone the opener makes a major statement for band and release.

Its inescapably contagious anthemic arousal of ears and imagination is quickly backed up by the calmer waters of Marceline. Note that the track placing we were sent, and follow here is different to that on the band’s Bandcamp but no matter the order, the release fiercely rocks as the second song with its similarly reserved entrance breeds an energy and tenacity which powers a similar spirited roar to that of its predecessor, if this time unleashing it in the chorus only.  Around the explosion, Whitehouse’s impressing vocals lure and involve within an equally calm temptation of melody rich sound; grooves and hooks as prevalent as in the first song and just as addictive. Those earlier comparisons are generally understandable in varying degrees but equally the second offering as in other moments within the EP has something of bands like Royal Blood and Johnny Wore Black to it.

Next up Hives gets down to business from within a sonic mist, the track soon strolling through ears with an earthier tone and confident swagger as riffs and grooves blossom while vocals once again incite further attention and involvement. Its blaze of a chorus carries a dose of grunge blues tempting, giving tang to the irresistible grooves wrapping round ears with flirtatious intent as rhythms jab and create their own infectious stirring of body and an increasingly hungry appetite for more.

The EP closes up with Running, a song sauntering in with a fuzz lined melody for company and soon after Whitehouse’s vocal invitation. A mix of blues and stoner flavouring flames within the track’s eruptions, expulsions of energy and passion surrounded by mellower but no less magnetic caresses in voice and sound. With every passing minute, the track becomes virulently catchy as it heads to a rousing crescendo followed by a last reflection of calm and in turn a final outburst of fiery provocation.

It is a superb end to a release which is sure to thrust Rival Bones to bigger and thicker attention. Their sound has an air of familiarity to it but a feeling which only adds to its potency to ignite and drive body and spirit into eager involvement with its ballsy rock ‘n’ roll; the kind of success anyone would be envious of.

The Rival Bones EP is out now on iTunes and Amazon and available @ https://rivalbones.bandcamp.com/album/rival-bones-ep

Upcoming Live Dates:

Dates:

12/05 – The Blossoms, Stockport, UK

18/05 – 81 Renshaw, Liverpool, UK

25/05 – The Cave at the Holly Tree, Addlestone, UK

26/05 – Iron Road, Evesham, UK

27/05 – The Kings – Wales (KingsFest)

28/05 – The Mulberry Tavern, Sheffield, UK

02/06 – Percy’s, Whitchurch, UK

03/06 – The Greyhound, Nottingham, UK

04/06 – The Sitwell Tavern, Derby, UK

30/06 – Sonder Festival,    Manchester, UK

21/07 – Amplified Festival – Gloucester, UK

http://www.rivalbones.com/     https://www.facebook.com/rivalbones/   https://twitter.com/rivalbones

Pete RingMaster 10/05/2017

Copyright RingMaster: MyFreeCopyright

Fragile Things – Broken Sun

fragile-things-promo-shot_RingMasterReview

Formed last year, British rockers Fragile Things have already began luring close attention and are intent on making 2017 a big year with a full UK tour for starters. They kick it off before that though with a reboot of their debut EP Broken Sun; four tracks of heavy rock bred in the inspirations of bands such as Alice In Chains, Guns ‘N’ Roses, Black Stone Cherry, Velvet Revolver, Audioslave, and Pearl Jam.  It presents a sound as familiar as it is refreshing; a proposition proud in its influences but showing signs and potential of its own individual character.

fragile-things-cover-artwork_RingMasterReviewFeaturing former members of Heaven’s Basement and Endless Mile, Milton Keynes based Fragile Things have recently completed a host of dates alongside the excellent Slam Cartel and are now, as suggested, concentrating on breaking national exposure starting with Broken Sun, a proposal getting straight down to action with its opener Enemy Is I. With acidic riffs and robust rhythms, the song bounds in from a distance with vocalist Richie Hevanz leading the charge, his tones impressive and expressive. Once in full view, it settles into a feisty stroll with tangy grooves from Mark Hanlon lighting up crunchy beats and steely riffs, all subsequently entwined in fiery melodies. Group vocals are the rousing icing on the infectious enticement, the track not particularly surprising but richly satisfying to start things off.

Its striking traits are just as potent within the following Open Cage; its body heavier and darker though as the grumbling bass of Steve Lathwell colludes with the hefty swiping beats of Hugo Bowman. With a snarl in its heart and touch, the song swiftly has body and spirit involved; its anthemic prowess inescapable as it brings both to the boil ready for the EP’s title track. Showing another slight shift in the style and design of the band’s sound, the track is a web of hooks and mouth-watering grooves around less forceful but commanding rhythms; vocals again striking a chord in word and touch. As those around it, those earlier mentioned influences are easy to pick out but again flavouring adding to the potency of song and release.

Closing with So Cold, a track which takes longer to persuade as fully as its companions but only ever satisfies, the Broken Sun EP is a strong and highly enjoyable introduction to Fragile Things.  It is easy to hear why the foursome is persistently grabbing new fans and spotlights and if they can build on this strong start that broader recognition should be a given.

Broken Sun is out now.

https://www.fragilethingsofficial.com/     https://www.facebook.com/fragilethingsofficial/

https://twitter.com/fragilethings_

Pete RingMaster 22/02/2017

Copyright RingMaster: MyFreeCopyright

Dangerego – Special Dreamer

Dangerego_RingMaster Review

This month sees the release via Sliptrick Records of Special Dreamer, the latest album from Italian rock band Dangerego. This is a band that has seemingly become a potent presence on the underground scene of their homeland but escaped wider awareness…until now that is as it is easy to see their latest proposal igniting global bred attention. It is an enthralling and increasingly compelling collection of songs fuelled by their “alternative/ post grunge” sound. In fact the band’s music is a tapestry of diverse and flavoursome styles across many genres woven into a proposition which is simply rumbling, fiery rock ‘n’ roll.

Formed in 2005, the Florence bred quintet emerged from a union of musicians from the city already experienced from playing in the likes of Terrametèa, Bleff, Chèquers, and Florence New Grass. Drawing on inspirations from the likes of Black Sabbath, Faith No More, and Audioslave, the band soon made a potent impact on the local live scene, playing some of the most prestigious venues of Tuscany such as Viper Theatre, The Cage Club, and Borderline over time, as well as numerous festivals and sharing stages with bands such as Heike Has The Giggles, Calibro 35, and Maniscalco Maldestro. The band self-released their debut album Autopsy in 2011, it finding more success with a re-release two years later through Atomic Stuff. The autumn of 2014 saw Dangerego touring the US and playing Fall Jam Fest with bands such as Otherwise whilst last year they began working on Special Dreamer and linked up with Sliptrick Records for its uncaging.

The album quickly grabs ears and imagination with opener The Death of Thoughts, Pt. 1, an acoustic caress with electronic shadows that instantly reveals the alluring strength of band’s songwriting and the potency of Flavio Angelini’s vocal prowess. It is a mesmeric start which even at a handful of seconds over a minute in length has thoughts and attention firmly gripped and ready for the following tempting of Blackheart Hotel. Riffs straight away entangle ears with a bluesy spicing whilst rhythms forge a punchy welcome, both continuing to impose their weight as vocals and inflamed melodies get bound in fiery grooves and salacious hooks. There is a touch of Soundgarden to the encounter, a scent of Kyuss too, but predominantly here and across the album the one band which most comes to mind is Life of Agony, though undoubtedly Dangerego create something wholly individual to them.

art_RingMaster ReviewBarely a moment passes before the second song becomes the third, Everything Comes to Life a sister temptress to its predecessor but soon exploring its own emotive depths as the infectious rhythms of drummer Massimiliano Innocenti work on hips and the grooves and melodies of guitarists Enrico Francesca and Lorenzo Giusti enslave ears. Once more hooks are in appealing abundance but finely honed to sneakily line the tenacious body and anthemic pull of the song where the moody basslines of Claudio Zucchelli is as much thick bait as anything within the sultry blaze of rock ‘n’ roll.

Special Dream allows a moment to catch a breath, its initial melodic and vocal serenade soaked in reflective emotion and poetic melodies but soon it too is a robustly dynamic and a creatively incendiary offering firing up an even greater hunger for the release in an already easily persuaded appetite. Vocalist Angelini continues to impress and captivate as forcibly as the canvas of evocative and again enjoyably imposing sounds around him, even in the quieter reflective moments mid-way through the song.

I’ll Stand Here tantalises and entices with its melodic amble next, though of course it too has impassioned and sonic outbursts in its stoner/grunge hued and melodic rock coloured presence before Winter’s Come steps up to reveal its boisterous blues rock spiced rock ‘n’ roll. Expectations at this point are for songs to twist and turn through an array of flavours, and the broodingly catchy offering is no exception nor the riveting Red Dawn with its funk bred bassline and the predatory nature of riffs and prowling grooves. The noir lit track is glorious, a canvas for the imagination to run with and an enthused body to get eagerly involved with.

With another moment to relax as the emotive charm of Euphony with its classically aired keys and thick emotions takes over to further captivate, there is no escaping the diversity of sound and resourcefulness of inventive craft across the album, the last trio of songs alone rich proof, and it only continues as the dark hearted and grippingly volatile Black Soul steps forward next. From a haunted, melancholy drenched slow opening, the track erupts into a cauldron of intensive energy and ferocious drama. From the predatory bass to the scything rhythms and the searing grooves to the heart driven vocals, it is a devouring fire of magnetic songwriting and bracing persuasion that only leaves a want for more.

The Road to Stockholm also has a haunting climate to its almost vaudevillian theatre of evolving sound, its great success backed by the roar of A Trail of Tears with its flirtatious hooks and Poets Of The Fall like character. Both songs again inspire full involvement, one of the many potent aspects of the album shown again in the seemingly but indefinably familiar and bewitching Broken Bones with its electronic devilment around another imaginative sonic web sprung from the strings of both guitarists.

Completed by The Death of Thoughts, Pt. 2, the companion bookend to the opener, Special Dreamer is a masterful and thoroughly thrilling encounter which only grows in temptation and stature with every listen. Like us you may not have heard of Dangerego before but the time is ripe to change that and to prevent the secret from being allowed to go on. For stylish and imaginative melodic rock woven from its various guises, there will surely be few releases this year to outshine Special Dreamer.

Special Dreamer is out now via Sliptrick Records.

http://www.dangerego.com    https://www.facebook.com/dangerego

Pete RingMaster 11/02/2016

Copyright RingMaster: MyFreeCopyright

For more exploration of the independent and promotional services check out http://www.zykotika.com/

Tigerpunch – Fight Of Your Life

Tigerpunch Online Promo shot

Colliding metal voracity with the ferocity of heavy rock and then binding it with salacious grooves, UK rockers Tigerpunch show themselves to be an attention seeking and immensely satisfying proposition through their debut release. Made up of five slabs of rock ‘n’ roll afraid to stomp and fling their attributes around with mischievous abandon, the Fight Of Your Life EP is an instant enjoyment, though at first it is more a “nice, but…” encounter than a “wow” moment. Over time though as open craft and invention shines through the surface alongside lyrical devilment, the release emerges as a potent and addictive romp which may not be a classic but certainly is an encounter drawing attention back time and time again.

Wolverhampton’s Tigerpunch was brought to life by brothers Rich Reynolds (guitar/ vocals) and Jay Wolfwood (bass), its name grabbed from the movie Kung Fu Panda and inspirations from the likes of The Foo Fighters, Audioslave, Rage Against the Machine, and Nirvana. The line-up, after a search, was completed by drummer Russell Latham and swiftly the trio set about audiences to earn a rich reputation for their live performances, shows which has seen them play with I Am Giant amongst many. Fight Of Your Life is their first swipe at national attention and such the formidable revelry and fiery energy within it, the EP is a sure fire focus stealing introduction to the raucous treats of the band.

The release erupts into thunderous life with My Pet, Hate, and a wall of heavy handed beats and caustic riffs entwined with an immediately spicy groove. The vocals of Reynolds are just as swift with their entrance and devilish character, tigerpuncha mischief fuelled tone soaking every syllable as guitars flirt with ears behind them. The song proceeds to thrust its rhythmic hips and bruising tenacity through ears whilst grooves and a flavoursome solo add to the riveting colour of the song. Is it, much as the EP, offering anything dramatically original, no not really, but does it emerge as a contagious and rather irresistible rampage, you bet.

The following Blonde, as its predecessor, is bred from heavy metal and groove rock seeds, and is soon brushing ears with raw and vivacious flames of sonic enterprise and rhythmic confrontation. Riffs abrase and guitar endeavour sizzles throughout the song, whilst the drums beat a submission from the senses as everything becomes entwined in addictive and richly hued grooves. The track has little difficulty in capturing imagination and neck muscles before making way for the more intensive but no less infectious examination of I Am Alive. Whereas the first pair of songs shows their melodic and heavy metal breeding, the third track moves into a grungier area. Employing essences found in Alice In Chains and Gruntruck, the song prowls around ears with acidic colouring to its melodies and grooved temptation. It is another side to the sound and intent of the band, seemingly a more serious and predacious edge coming into play, though inescapable hooks and those ever gripping grooves are just as prevalent in the tempestuous presence of the excellent song.

A sultry air immediately soaks the senses as a broody funk laced bassline hits ears with the entrance of next up Takedown The Bull. It is an instantly riveting start which soon evolves into a Rage Against The Machine stroll with a Pantera like southern grooving to its scenery. The track smoulders and shimmers rigorously within its unrelenting slow heavy crawl, brewing up a tasty boiling of sonic intrigue and melodic causticity. Once more it is hard to claim there is much new on display but for pleasure and accomplished enterprise the song lights the passions.

The EP is closed by Serve The Freakshow, a track opening on a vicious rally of rhythms before casting its own heavy grooving and rhythmic antagonism. It is brewed from the same vat of endeavour as the previous song but equally employs the more classic ingredients found in the opening pair of tracks. It is the weakest song on Fight For Your Life but still another thoroughly enjoyable and easy to engage with brawl to bring the release to a flavoursome close.

Fight For Your Life holds little in the way of surprises but everything about it and the adventure that is Tigerpunch, eventually leaves you wanting more. For the first jab from the band, this is one potent and highly likeable dust-up.

The self-released Fight Of Your Life EP is available from 20th October through all digital stores.

http://tigerpunchofficial.com/

RingMaster 20/10/2014

Copyright RingMaster: MyFreeCopyright

Listen to the best independent music and artists on The RingMaster Review Radio Show and The Bone Orchard from

http://audioburger247.webs.com/

Lost Gravity – Self Titled

Lost Gravity Online Promo Shot

Though it would be wrong to claim that the self-titled debut album from UK based Lost Gravity set a fire in ears straight away, it certainly left a smouldering lure and attraction which over time has inspired a very healthy appetite for the band’s brand of heavy melodic rock. Consisting of ten skilfully accomplished and contagious tracks which make up for what they lack in originality with passion, the release is a potential fuelled introduction to a highly enjoyable proposition in the London based band.

Lost Gravity was formed in 2007 by Brazilian born vocalist/guitarist Breno Val. Taking influences from the likes of AC/DC, Megadeth, Ramones, Chroma Key, Metallica, Alice in Chains and more into their songwriting and sound, the band started out as a quartet but with a flux of line-up changes eventually emerged as a trio in 2012 with drummer Giuliano Kolling joining the band around the same time. Completed live by bassist Chris K, but not involved with the album, Lost Gravity now makes a powerful play for attention with their first full- length. It follows a trio of earlier well-received EPs in Anywhere But Home (2008), Selfish (2009), and Lost Gravity III (2012), all released as the album on Val’s own label Priston Records. The new release is a bold encounter openly wearing its inspirations which arguably defuses its originality, but for heart bred rock ‘n’ roll, the pair of Val and Kolling has unleashed a thoroughly satisfying incitement.

The album opens on the bulging presence and might of What Goes Around Comes Around, a melodic lure leading ears into a wall of vivacious riffs and thumping rhythms. It is an instantly potent persuasion of grunge and hard rock PromoImagewith spicy grooves and strong vocals combining to swiftly wake the imagination and appetite up for the rest of the album. The gnarly tone of the bass adds to the impressive bait of the song, as does the sonic enterprise of Val’s guitar which is as flavoursome in straight rock ‘n’ roll riffery as it is in sonic endeavour. It all adds up for an anthemic and magnetic start to the release soon matched by the bluesy laced Changes. There is not quite the striking touch and unique flame to the second song in comparison to the first, but again the duo provide a skilled and easily accessible slice of heavy melodic rock to convince body and emotions. An excellent relaxation into mellower scenery adds a welcome twist to the song too as Lost Gravity reveals more fluidity and invention to their songwriting.

Both Back Where You Belong and Alone keeps the thick lures and persuasion coming, the first a grooved flame of sonic and melodic intensity which seems bred in the fire of an Audioslave or Stone Temple Pilots. It is a song which evolves across its length, entwining stoner-esque grooves and alternative metal seeded ingenuity within a sultry climate. It is a riveting encounter, one of the peaks of the album which its successor does not quite rival in impact but with its sinew crafted balladry afloat with evocative melodies and vocal expression it is an endearing offering which grows in stature with every listen.

Anywhere But Home comes next and opens on a delicious transfixing hook which is arguably never matched in success by the rest of the song, though it pleasingly bristles and roars with fresh creativity not previously explored by the album. That initial lure is never far from the surface of the song either but somewhere there is a missing spark to push a certainly great song into sensational realms. To be fair though, it is hard to tear away from the track as you almost urge it to greater success and it certainly enslaves a hungry appetite over time.

The infectious swagger and flirtation of Friendly Fire sets up feet and ears for a sizeable pleasure next, its Foo Fighters like tenacity flirting with rock pop vivacity before the more heavyweight and moody presence of Selfish takes over to ignite the senses with sonic spicery and melodic intrigue. The track is structured similarly to Anywhere But Home, and also breeds an enthralling presence with a potential not quite realised. This applies to the whole of the album really, so many great things exploring and playing across its appealing body but not quite finding the missing piece to truly catch alight. Song and release though does breed real anticipation for when the band make that transition at some point ahead.

All the Same looks at an alternative/punk pop infused landscape for the placing of its skilled and bracing temptation whilst the following Venom In Vial parades a raw antagonistic breath and attitude in its muscular confrontation. The pair are further sides to the sound and invention of the band, each a firmly pleasing offering before the might of the closing Walk On. With a blues tinge to the opening groove and a ferociously rumbling torrent of rhythms, the track makes a dramatic and thrilling entrance which it subsequently accentuates with a punk rock agitation to its blues kissed charge of dirty rock ‘n’ roll. It is an impressive end to an attention grabbing encounter, an album which makes a hefty persuasion to the promise and skills of Lost Gravity and a feisty suggestion of even bigger and better things ahead.

Lost Gravity is available now digitally and on CD via Priston Records @ https://itunes.apple.com/gb/album/lost-gravity/id901847667

http://www.lostgravity.co.uk/

RingMaster 13/10/2014

Copyright RingMaster: MyFreeCopyright

Listen to the best independent music and artists on The RingMaster Review Radio Show and The Bone Orchard from

http://audioburger247.webs.com/

 

 

TIGERPUNCH to make the ‘Fight Of Your Life’, from 20th October‏

Tigerpunch Online Promo shot

Quirky Groove Rocksters ‘Tigerpunch’ have arrived and deliver a tasty offering for your consumption. The band release ‘Fight Of Your Life’ EP on Monday 20th October, through all national outlets.

 

Tigerpunch were spawned from the depths of Wolverhampton by brothers Rich and Jay, when, as they put it, “their dreams of becoming Pokémon Masters fell through”. Jay was drinking away his sorrows one night with ‘handsome man’ Rich when they discovered the brilliance of the movie ‘Kung Fu Panda’. Much gibberish and dark rum ensued, and as soon as the word ‘Tigerpunch’ was uttered, the duo knew they’d found a band moniker that knocked out all others.

 

The pair delved deep and let creativity reign. Pooling from the heavy groove-rock godly exploits of Audioslave and Rage Against the Machine, and inspired by the beauty and guile of The Foo Fighters and Nirvana, Tigerpunch were born.

 

Late last summer, whilst sailing the seas of knowledge and nonsense (aka the internet), the two piece came in contact with former hitman and canoe enthusiast, Russell Latham, who came onboard and completed the team of heroes.

 

Now, as a perfectly formed trio, the band of merry men are travelling from town to town and are gathering pace as they win over audiences. Supports with I Am Giant have furthered their cause and ploy for world domination. So too has the recording of their debut EP ‘Fight Of Your Life’ which hits everywhere and anywhere this Autumn. With five stout cuts of buoyant rock groove that swing back and forth, from the infectious ‘My Pet Hate’ to the raucous beatings of ‘Serve The Freakshow’, the manly men from the West Midlands have a solid record in their hands. The threesome have further live shows mapped out for the rest of the year; be prepared to witness a show that’ll leave you inspired, overwhelmed and sexually confused.

 

-TIGERPUNCH RELEASE ‘FIGHT OF YOUR LIFE’ ON MONDAY 20th OCTOBER THROUGH ALL STORES-

 

https://www.facebook.com/tigerpunchofficial