Echotape – This Could Be Anything

The successor to their well-received debut album, Wicked Way of 2016, UK quartet Echotape has just released the This Could Be Anything, an EP already sparking keen attention and success. It is a flavoursome dose of the band’s increasingly flourishing indie pop/alternative rock blended sound led by a single which in swift time was selected for Topman store UK coverage last month and featured by BBC Introducing.

Linking up with James Lewis (Clean Bandit/ Arctic Monkeys/ Rudimental) for the EP, Echotape have tapped into a fresh new breath in their music hand in hand with greater maturity in songwriting and sound. The EP has an air of confidence which in turn gives even greater energy and boldness to its body in relation to its impressing predecessor. It is an undisguised essence which fuels the striking presence and imagination of opener Forget It, that aforementioned lead single.

Straightaway jangling guitars and the rumbling tones of the bass coax attention; skittish beats dancing alongside as vocals provide their own potent lure within the track’s melodic breath. There is a touch of Skellums to the song as it continues to boldly stroll through ears with a creative swagger and vibrant air. The infectiousness which equally soaks the song seals what is pretty soon an already done deal, its instinctive catchiness gripping feet and spirit in no time for a party in the imagination.

The following Out Of Love similarly makes a fully enticing entrance, its harmonic start breeding another eagerly infectious canter with sultry sighs to its sonic winds and atmospheric suggestion to its melody rich and harmonically glowing skies. Keys and guitars again weave a captivating enticement exploited by the outstanding vocal unity within the band; it all kept relatively earthbound by the grounded but no less tenacious rhythms.

Don’t Want Anyone keeps up the anthemic might of the EP with its own rousing roar. It does not quite have the weight and virulence of the previous pair of songs but easily has feet shuffling and energies sparked with its animated craft and invention before leaving for 4AM to close up the release.

The final song is an emotively honed ballad accentuating the impressive vocal qualities and strengths within the band. It is another moment of captivation which only grows minute by minute into another highly enjoyable and memorable experience. Certainly, Forget It is the jewel in the EP’s crown but every song within its walls suggests that Echotape is ready to embrace far bigger attention.

This Could Be Anything is out now via Believe Digital and Gentlemen Recordings on iTunes and other stores.

https://www.facebook.com/Echotape/    http://twitter.com/echotapeuk

Pete RingMaster 02/10/2017

Copyright RingMaster: MyFreeCopyright

Mosley Bar – Royalties

Following up their well-received debut EP, Another Record Sleeve, which sparked strong attention the way of the band and airplay from the likes of BBC 6 Music BBC Introducing, Mosley Bar uncage successor Royalities this month to show that the potency of the first was no flash in the pan. Offering four tracks with a fine line in instinctive catchiness and enterprise, the EP reinforces the British North West hailing quartet’s potential of making a real impression on the UK rock scene.

Formed in 2015, Mosley Bar draw on the inspiration of bands such as Arctic Monkeys, The Libertines, Catfish and the Bottlemen, Two Door Cinema Club, and Circa Waves in a sound which has a certain familiarity to it but equally a freshness of youth and imagination. Certainly the first pair of artists in that selection of influences comes to mind easily with the band’s sound but infests without disguising the potential of bolder adventures ahead; a promise which is richer and already more imaginative in their new offering against the strong showing within Another Record Sleeve.

Royalties opens up with a song which has already lured praise carrying attention, Two Apart quickly enticing ears with its initial guitar jangle around the distinctive tones of vocalist/guitarist Ryan Ward. In no time, the swinging lure of Tim Williams’s bass and the melodic enticement of guitarist Adam Eccleston add to the song’s blossoming, the lively beats of Matthew Wright driving things with spirit. It is easy to see why the infectious exploits and dynamic prowess of the track has drawn keen plaudits, its boisterous exploits and web of melodic and sonic enterprise an accomplished and riveting proposal lined by that enjoyable Arctic Monkeys spicing.

With increasing drama and emotive intensity roaring through ears, the excellent opener makes way for the similarly instinctively catchy Wide Awake. Its own line in hooks and flirtatious industry is even swifter in persuasion than that of its virulent predecessor, Eccleston and Wards’ guitars infesting feet and hips as the latter continues to bring his magnetic voice to the rousing mix. For us, the track simply outshines the first and pretty much anything from the band to date; its body boisterous and character a fine blend of recognisable and new essences colluding in one irresistible incitement.

The punchy stroll of next up Philip is aligned to a melodic shimmer and psych pop flavouring, contrasting textures which unite with evocative imagination around the hearty stomp of a song erupting with persuasive zeal. It is another frisky and buoyant landscape of sound which grows listen by listen into a rousing temptation; a growing temptation also emulated in Chasing which brings things to a fine close. The slow burner of the bunch, though its breezy energy and playful nature is a quick success on ears and appetite, the song simmers and shines with increasing potency to provide another highly enjoyable outing with Mosley Bar.

Listening to Royalities, it feels like now is the time for Mosley Bar to add bolder, more unpredictable elements to their music. Their new release does have a whiff of that evolution to be fair and added to the band’s natural weaving of infectious music around insightful words, there is no reason that the journey ahead for band and fan will not be eventful and thoroughly enjoyable.

Royalties is out now across  most online stores.

https://www.facebook.com/mosleybar/    https://twitter.com/mosley_bar

Pete RingMaster 16/05/2017

Copyright RingMaster: MyFreeCopyright

Rum Thief – Time to Make a Move

It has taken a couple of years for Rum Thief to follow up the acclaimed Reach For The Weather Man EP but the wait has been worthwhile as he releases his finest moment yet with Time to Make a Move. The new EP is a richer and broader adventure of sound and word without losing the instinctive energy and raw passion of its predecessors and a wake-up call to major attention.

Rum thief is the solo project of Manchester based musician/songwriter Jot Green, who previously played drums for over a decade in various bands before deciding to explore his own songwriting and imagination. Debut EP Clouded Mind quickly drew ears and praise in 2014 though it was Reach For The Weather Man a year later which truly sparked acclaim and interest the way of the project. The years around and since have established Rum Thief as a just as flavoursome live presence with guitarist Kieran Whitehouse, bassist Gary Long, and drummer Chris Hobbs alongside but it is through Time to Make a Move that you get a feeling everything is going to ignite for and around the band.

Recorded with producer Shuta Shinoda at the legendary Hackney Road Studio, Time To Make A Move opens up with the outstanding Spittin’ Daggers. A single melodic jangle beckons ears initially, its potent coaxing soon joined by the throb of bass and swing of beats, all settling into a tempting stroll as Green’s expressive tones and descriptive lyrics join the appealing mix. It is a lively simmer soon boiling over in a fiery chorus as aggressive as it is infectious. Like a mix of Arctic Monkeys and Fatima Mansions, the song prowls and roars; its feisty rock ‘n’ roll a web of instinctive catchiness, melodic fire, and dramatic heart spawned suggestion.

The thrilling start is followed by the milder flirtation of the EP’s title track; a mellower proposal soon revealing its own strength in tenacious seduction and captivating enterprise. Its heart is also a lively fusion of instinct and imagination, a new wave/indie rock weave becoming more boisterous and volatile with every passing second. There is something familiar about its character but an indefinable quality which just adds to two and a half minutes of pure pleasure.

What Do You Know is next, its raw air and melodic teasing a fusion of pop from the past few decades, being almost Joe Jackson like in its organic contagion of rousing pop ‘n’ roll. With as many hooks in voice as in sound and again razor sharp lyrically without a sniff of indulgence, the song simply captivates before being matched in potency by closing song Toilet Door. With a rockabilly scent to its voice and shuffle, the track at times reminding of The Shaking Pyramids, the song croons and seduces like a smouldering fire; transfixing from the start and bursting into bigger flames over time as its union of sixties/modern pop catches alight.

It is a strong end to a quickly and increasingly beguiling encounter. At the time, it was hard to imagine Reach For The Weather Man being majorly outshone by future offerings from Rum Thief but Time to Make a Move leaves it well in its wake which is why expectations are rising of seeing Rum Thief become something close to a household name.

Time to Make a Move is out now.

http://www.facebook.com/rumthief    http://www.twitter.com/rumthief

Pete RingMaster 19/04/2017

Copyright RingMaster: MyFreeCopyright

Righteous Reprobates – Scarlet Sky

Righteous Reprobates_RingMasterReview

Scarlet Sky is the new single from UK indie rockers Righteous Reprobates, a song which infectiously shimmers and lingeringly jangles from its first touch.

Based in London and Kent, Righteous Reprobates draw on inspirations from the likes of Oasis, Arctic Monkeys, Nirvana, The Beatles, and Led Zeppelin. Openly a nineties Brit Pop flavour escapes their sound, the quartet using it, on the evidence of Scarlet Sky, to spice up an instinctive ability to create an infectious proposal. Certainly the song wears its influences openly; a familiar character to its sound hard to escape but similarly the new single shows all the attributes and invention which has seen the band draw strong attention and radio play since emerging.

From the first breath Scarlet Sky grips ears in its glowing lure of sound, its steely texture and smouldering melodies encasing warm vocals and harmonies as rhythms frame it all with a web of catchiness. The vocals of guitarists Rob White and Jack Griffiths emerge to unite perfectly across the inviting landscape of the track, their fingers equally casting a weave of angular and melodically spicy enterprise with just a touch of the 80’s more mod inspired bands such as Purple Hearts and The Chords to it.

With bassist Jack Collier offering a pulsating stroll through his strings as drummer Charlie Kenny drives proceedings with captivating beats, it all adds up to a highly enjoyable and tasty insight into the anthemic sound and growing imagination of Righteous Reprobates.

http://www.righteousreprobates.com   https://www.facebook.com/righteousreprobates

Pete RingMaster 25/08/2016

Copyright RingMaster: MyFreeCopyright

The Slumdogs – Lost and Found

TS_RingMasterReview

Formed in the September of 2015, British alternative/indie rock band The Slumdogs is looking like making their first full year together a potently successful one. Hailing from Blackpool, the band has already spread its presence and eager fan base into the likes of Liverpool and Manchester; luring ears further afield too through their first tour of England, a thirteen adventure last December. It is fair to say that the quartet hit the floor running and have only intensified their nudge on broader awareness through shows and the recent release of debut single Lost and Found.

front-cover-single_RingMasterReviewReleased through Shropshire based label Hartfield Records, Lost and Found is a swift arousal of ears and imagination. From a gentle guitar caress it blossoms into a lively stroll shaped by spicy melodies, energetic rhythms, and eager vocals. There is no escaping an Arctic Monkeys meets The Libertines air to the track, a rich flavour but one woven into something as freshly Slumdogs as anything familiar. As the song continues to swing along taking appetite and hips with it, guitars cast a blend of emotive and flirtatious melodies around the grumble of the bass and a lure of tenacious beats, it all under the leadership of the excellent vocals.

Accompanying the highly enjoyable track is Slumdog, a self-titled encounter revealing an even thicker glimpse into the imagination and variety to be found in the band’s music. Sultrily hued melodies shimmer around the seductive dark temptation of the bass, their radiance a psych pop wrap to the shadowy lure of the rhythms. Swiftly enthralling ears, the song brings additional Doors like essences into its increasingly flirtatious pop ‘n’ roll, closing on a spirited climax as much surf rock and sixties garage rock as it is a bold new twist of modern indie rock.

The track is glorious, a thrilling extra to the magnetic prowess of Lost and Found, and together the duo provide an introduction to The Slumdogs which few are going to be able to ignore.

Lost and Found is out now via Hartfield Records @ http://www.hartfieldrecords.co.uk/product/slumdogs-lost-found/

https://www.facebook.com/theslumdogs   https://www.instagram.com/theslumdogs/   https://twitter.com/TheSlumdogs

Pete Ringmaster 18/05/2016

Copyright RingMaster: MyFreeCopyright

For more exploration of the independent and promotional services check out http://www.zykotika.com

Luna Rosa – This One (High On The Groove)

Luna Rosa pic_RingMasterReview

When a song and band has you fervently singing along midway into the first listen it is a safe bet you are on to something special and so it is with Luna Rosa and their new single This One (High On The Groove). Taken from their self-titled six-track debut EP, an encounter now unerringly in our sights, their latest single makes an almost laid backed entrance but before you know it has burst into a virulent infection and seduced body and imagination.

Hailing from Corby in the UK, the quartet of vocalist/guitarist Rory McDade, guitarist Darren Myles, bassist Kieran Maguire, and drummer Cole O’Neill quickly hit their stride live and in sound, drawing suggestions of bands like Primal Scream, Kasabian, and Arctic Monkeys their way. As shown by This One (High On The Groove) though, Luna Rosa has nurtured a character and spicing to their sound which already escapes the crowd with the potential of bigger and bolder things within.

The single strikes ears with a feisty flame of guitar initially, it the spark to a lure of garage rock riffs and exotic electronics which in turn is kindling to a sultry stroll with psych and nineties alternative rock colouring. It is easy to hear why those above references are used, but for these ears the song ventures into something akin to Stone Roses meets Birdland with a touch of House of Love to its melodic jangle too.

As mentioned, the first moments or so saw the song first time around simply settling in our ears, though it certainly raised a healthy appetite for its lively presence and imagination. It was at the point where the song relaxes further and McDade finds a spicy twang to his voice that we realised we were inescapably hooked. That spark opened up attention to the hungry prowl of the bass and the swinging beats of O’Neill, they aligning with the jangle and fuzz of guitars which had already found success with their bait.

Continuing to incite hips to swing and the imagination to dance with its evolving decade crossing escapade, This One (High On The Groove) is a song which has the listener like a puppet on the end of its creative string. Some bands just inspire a belief they are made for greatness and if they can back up this gem, Luna Rosa is one refreshing example.

This One (High On The Groove) is released 3rd June.

Up Coming Live Shows:

14th May – Notting Hill Arts Club, London

20th May – Charles Bradlaugh, Northampton

21st May – Scary Canary, Stourbridge

27th May – Lamplighter, Northampton

28th May – Café Indiependent, Scunthorpe

https://www.facebook.com/Lunarosapinkmoon   https://twitter.com/lunarosax   https://www.instagram.com/lunarosapinkmoon/

Pete RingMaster 10/04/2016

Copyright RingMaster: MyFreeCopyright

For more exploration of the independent and promotional services check out http://www.zykotika.c

Skellums – Art Of Dying Young / Do Me Wrong

Skellums_RingMasterReview

August 2015, UK rock band Skellums strikingly lit ears with their EP, Clarion Call. It was a release awakening a new horde of fresh and eager ears to the band’s alternative rock sound as well as finding strong radio support from the likes of BBC 6 Music’s Steve Lamacq. Now the Liverpool band has raised the ante with their new double A-sided single Art Of Dying Young / Do Me Wrong; a pair of songs which alone reveal new maturity in the band’s sound and temptation.

art_RingMasterReviewConsisting of vocalist/guitarist Cal Roberts, bassist Crichton, guitarist/vocalist Seery, and drummer Courtney, Skellums takes barely the first half minute of Art Of Dying Young to reveal something bigger and bolder about their sound. From its first breath, bass and drums align in a thick wall of rousing enticement entangled in spicy tendrils of guitar. It grabs ears with ease, that persuasion only increasing in strength as a lull around the first syllables from Cal sparks a rich infection of melody within the rhythmic swagger subsequently driving the song. Casting an Arctic Monkeys meets The Jackals air to its own unique personality, the song has feet dancing and the spirit leaping along with its increasingly addictive swing. There is also more of a garage rock essence to its contagion compared to previous offerings, another appealing hue in the more expansive body and adventure of the track.

That new depth and imagination continues with Do Me Wrong where again it needs only the first nag of riffs and ear clipping beats to suggest new imagination at play in songwriting and music. It is only confirmed as the song shares its pop and punkier exploits, all offered with a creative mischief which is almost The Monkees like in its fun and pop catchiness. A rock snarl adds to the great unpredictability equally shaping the excellent encounter, it all colluding for another slice of new and distinct Skellums invention.

Being impressed by Skellums is becoming a highly agreeable habit but fair to say that both Art Of Dying Young and Do Me Wrong leave anything before firmly in the shade. Things are looking very rosy for Skellums and in turn our ears.

Art Of Dying Young / Do Me Wrong is released April 26th on the band’s own Rent & Debt Records @ http://skellums.bandcamp.com/

Upcoming Live Dates:

May 12 – Focus Wales Festival (Saith Seren)

May 13 – Focus Wales Festival (Rewind)

May 20 – Zanzibar, Liverpool

June 18 – Chester Live Festival

http://www.skellums.com/   https://www.facebook.com/skellums   https://twitter.com/skellumsmusic

Pete RingMaster 26/04/2016

Copyright RingMaster: MyFreeCopyright

For more exploration of the independent and promotional services check out http://www.zykotika.com