Peter118 – Wasting

It may last not much longer than a politician’s election promise but Wasting, the new single from Peter118 offers a minute and a half of punk rock in its essential form. Bringing together the punk instincts and traits of ’77 with the antics of the genre’s current pop punk side, the track is a senses harrying, spirit rousing charge with the speed of Usain Bolt and the ravenous lungs of a hurricane.

Peter118 started out as the solo project of Peter Field, formerly of Stoke-based punk bands Senseless and Ambassadors of Shalom, and made a swift impact with the Make It Or Break It EP in 2014. Over time the British band has grown with the addition of field’s wife Janine on bass, Sam on drums, and finally more recently rhythm guitarist Alisha Palmer. Since that first attention grabbing release, the band has ignited US appetites through legendary KROQ DJ Rodney Bingenheimer who championed the lead track of 2016 EP Need You More and sealed a return to the Rainbow Rock festival in Stockholm, Sweden as well as set up a highly anticipated UK tour this coming October and November.

Having just uncaged a split EP with US punks No Lost Cause, Peter118 is out to stir up the punk scene with Wasting. Taken from that six track split In Stereo, the single grabs ears with the raw harassment of guitar, rhythms swiftly forcing their touch on ears as vocals further stir the confrontation up. Like a mix of The Adverts, Dead Kennedys, and dragSTER, the track preys upon and surges across the senses, nagging riffs and wiry hooks aligning with the infectious vocal call.

Then before you know it the track is gone but despite its tempestuous briefness there is no sense of dissatisfaction just the urge to know and hear more of a band forging a potent place in the punk scene.

Wasting is out now as too the In Stereo Split available through In Presence Records in the UK and Thumper Punk Records in the US.

http://peter118.weebly.com/    https://www.facebook.com/Peter118UK/    https://twitter.com/peter118uk

Pete RingMaster 12/09/2017

Copyright RingMaster: MyFreeCopyright

Ambassadors of Shalom – Abdicate Self

Ambassadors of Shalom

     Thirteen tracks of mouthwatering old school punk with a crate load of hooks and barbed riffs to entice any appetite, Abdicate Self the new album from UK Christian punks Ambassadors of Shalom is a thrilling introduction to the band and its blaze of Evangelistic punk rock. Hailing from the North West of England, the trio of guitarist/vocalist Neil Roddy, bassist/vocalist Pete Field, and drummer Joe Wilson challenge and evoke thoughts with a hungry punk invention which just as easily ignites the imagination and emotions. The songs on the album are well seeded and versed in the ways of original punk rock, each providing a thoroughly satisfying anthemic bait, but also each comes with an individual adventure to bring an identity singular to the band.

    Ambassadors of Shalom was formed in the January of 2012 after an acoustic gig in Stoke community centre and from there took little time in grabbing the attention and passions of local fans. In August the same year, the band signed with Californian label Thumper Punk Records with Abdicate Self the new impressive offering. The album is one of those enjoyable encounters which seems familiar but just as potently finds a new intriguing presence. From the opening track Astray, the Tim Davies (Brohnis Music) recorded and produced release picks on the ears and imagination with a flurry of incisive and virulently effective hooks and riffs. The first song makes for an energetic antagonist from its first breath, guitars stirring up the air whilst the bass lays down a shadowed prowl which only recruits an immediate appetite. Crisp rhythms around the lead and backing calls of Roddy and Field respectively next engage before the song pulls all into an enthused riot of invention and contagion. It is a masterful and irresistible lure into the release, an invitation forcibly backed by the remaining vivacious body of the album.

     This Ain’t Home stokes up the hunger next with a starting anthemic bait of rhythms which the guitar subsequently crafts a 1908240_671390592925450_835805858_ncaustic sonic wash with bluesy flames onto. It is a sultry raw sound complemented by the charge of clean riffery and rhythmic enticement which splits the blaze of sonic heat. Though not as potent as its predecessor the song keeps the album rigidly in focus with ease before both Jesus Said and United We Stand offer their scuzz kissed storms of punk evocation. The first is a scowling yet warm mesh of stirring noise which crosses the senses like a mix of Angelic Upstarts and The Adicts whilst the second is an equally pleasing street punk brawl of anthemic vocals and coarse alluring riffs. Both songs have an intensity which draws attention and thoughts even if slightly lacking the richness of barbs and grooves found elsewhere upon Abdicate Self.

    Both the UK Subs/Crisis like Break ‘Em Out and the groove veined Opposite The Enemy keeps things boiling nicely, the pair forceful yet respectful slices of resourceful punk urgency and invention, before the release flicks up a gear starting with the ridiculously catchy We Don’t Need It. One of those songs you only need to hear the first line of the chorus once to be bitten and soon joining in with its declaration, it is a brief but meaty slab of punk beckoning setting up the emotions for the likes of the excellent Death By Love and equally impressive Blamethrower. The first of this pair scowls and stomps with a raw causticity to the vocals and a Sex Pistols like draw to its sound, and though arguably the song is the least unique on the album it is one of the most potent and eventful, not forgetting thrilling. Its successor loaded with the strongest imagination of the whole release is just as compelling, a Melvins like texture grazing the senses whilst hooks and seductive temptation teases like a mix of The Vibrators and Suburban Studs.

    A punk version of the hymn Nothing But The Blood follows and is an exceptional and unexpected treat before the album’s finest moments arrive, starting with the outstanding Julia. Hooks and a rhythmic dance of sinew soaked in ripe energy kicks things off before the song settles into an inciting and persistently shifting venture. Its groove and riotous hooks easily reminds of the Ruts whilst the surrounding less intensive but eager rock brew around accentuates the pull of those other incisive elements.

    The album is concluded by the exciting and rousing Victory before finally the combative and antagonist glory of the album’s best track, It Is Finished brings one impressively enjoyable encounter to a close. Abdicate Self is not only Christian punk at its best, but for anyone wary of that tag, it is punk rock at its best. Ambassadors of Shalom have unleashed a debut which sees the band closely tailing most other frontline punk provocateurs.

https://www.facebook.com/AmbassadorsOfShalom

8.5/10

RingMaster 12/02/2014

Copyright RingMaster: MyFreeCopyright

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