A sound hard to pin down always excites the imagination more than most and equally ears it is hoped. Greek hard rockers One Year Delay have such a proposition bursting from their imagination and craft and as proven by debut album Deep Breath it does give ears and thoughts a thoroughly enjoyable time. Offering seven songs entwining flavours such as nu and alternative metal, grunge and punk rock amongst many spices, the release is a roller coaster of invention and perpetual success. Wanting to learn more about One Year Delay and their ear catching proposition, we had the pleasure of talking with the band, exploring their origins, the spark to their diverse sound, and the recording of Deep Breath along the way.
Hi and welcome to The RingMaster Review, thanks for sharing your time with us.
For newcomers to the band can you give some background to the forming and early days of One Year Delay?
(Nick) One Year Delay started as a band of a few friends with the same goal. To write some music that we love and play as many gigs as we can, to express themselves and fulfil our need for creativity! To cooperate with your friends to a purpose like this, I assure you, it is not easy. And that’s because we all have different influences of all kinds of rock and metal genres. But the result is a good mix of all those genres. And the most important thing for the listener is to understand is the social and economic circumstances that we live in, and finally inspire us to our lyrics and music.
Was there a particular spark or intent taken into the band as direction or simply attitude in those first days?
(Nick) The spark was, in a way, the difficulties that we experienced as a nation the last few years, but also the personal problems that all people have faced through their lives. But I have to mention, that the expressions of your feeling such as anger, despair, terror etc. to another person, even if it is a friend, is equally difficult as dealing with it! And that’s another spark that boned us. The expression of ourselves; not feeling vulnerable!
Apart from member changes, how has the band changed in its ideas and thoughts in regard to making music if at all over the past three or so years?
(George)The main factor of changing the course of our compositions was the realisation that we have nothing to lose if we at least try to play anything we are fond of, following no linearity. We are all attracted to bands that are not afraid to experiment. Gradually it grew in us and we decided to establish this fusion of genres. The upcoming compositions will prove this even more, you can count on that!
We can confirm that great diversity to your sound, the embrace of numerous styles; so this has more evolved over time or was also a vibrant element at the band’s start?
(George) Like most bands in the beginning of their venture, we started in a rather tight musical frame. If you love music in general you don’t wanna focus on a particular influence I guess. The way I personally see it, it’s like entering a buffet restaurant and picking one dish! We are probably the guys that will fill their plates with a little bit of everything! Nevertheless we try to match our variable tastes as good as we can, being aware at the same time how difficult and risky it might be.
So it is fair to say that this strong mix of flavours has organically grown with band’s members individual and varied musical tastes or is there an element of intention fuelling it too?
(Stavros) Both at the same time…All members have got different tastes, with heavy sound as the joining point. Under this point of view we wouldn’t be satisfied with, for example, a 100% thrash or 100%hard rock sound. We use the style of sound in order to achieve contradiction and we don’t restrict ourselves in terms of genres. Everything has to do with matching and we could use more extreme combinations in case we thought it blends well. This is what we like and if you consider each song as a painting we like using lots of colours in the palette…
How would you describe your music to simplify it for newcomers?
(Stavros) Our music is based on the element of surprise. Our intentions are obvious through the blend of atmospheric/melodic parts to more metal sounds. You can spot this in the genres that vary in Deep Breath. Still the most distinguished part of our intentions to surprise is the bridge part of the songs that is not borrowing any structural element of the previous parts. Surely I cannot exclude the part we picked for the introduction to the whole album (Gunpoint intro)
Are there any specific and major inspirations which you would say have particularly impacted on the One Year Delay sound or invention?
(George) The gamut is infinite…Here is an attempt to include some names, though it still won’t be very representative: Korn, Deftones, Metallica, Alice in Chains, Nirvana, Tool, Black Sabbath, Slayer, Primus, Faith No More and the list goes on and on… Now as far as the influence is concerned there can be tiny parts of songs or a musician’s particular style that inspired us. The list definitely expands to a broader musical scale.
You are of course from Greece, where to us on the outside it seems it is the extreme styles of metal which predominantly occupy the thoughts of new bands and fans there. What is the reality and how has home grown rock fans taken to your adventurous sound?
(George) That is true. Greek metal fans mostly appreciate the archetypical elements of speed, heavy sound, groove, etc., although this not a rule. Younger generations are willing to embrace newer, more radical forms of music. It is kind of early to estimate the level of approval currently since our debut album has just been released. We are feeling optimistic but we know that Greek crowd is a difficult one to please…
You went over to the US to record just released debut Album Deep Breath. How did the opportunity to travel to Nashville come about and why that decision?
(Jack) Everything started when the band decided to record the debut album. Then Pete said “hey guys, wanna contact a very well-known producer?” We said yes, of course; after that we started sending emails and stuff until one day we received an email from Toby which said, “guys, I would love to produce your band,” so we went to Nashville! That comes out because Toby lives Nashville, but on the other hand Nashville is like the Mecca of music. It’s definitely the hottest destination for every kind of musician. That city has music exhibitions even at the airport; I personally think that this place can make you a better musician only by visiting it.
As you just mentioned you recorded the album with the legendary Toby Wright. How was that experience and how much did he help shape or maybe re-adjust your ideas for songs in the studio?
(Jack) Ok, Toby is a great person and a really, really good producer. The experience of working with a producer like him is absolutely amazing. He can make you a better musician only by telling you a simple idea; he knows his job in and out of the studio. He helped us play our own songs better and get the best possible results from us. He has the ability to approach you as a friend and a musical expert at the same time. It is not a common thing for a music star to combine these two facts, is it?
Was there anything which came out of the recording of Deep Breath which surprised you or you discovered which will be a strong help in your next recordings?
(Orestis) We managed to handle a difficult situation. For example, we are a band that made pre-production and production of an album at the same time! Pre-production procedure was very difficult for us. We were in Greece and Toby in the States so we had to work all our ideas through email so Toby could hear it and send back his remarks. It wasn’t live at the studio like “play this or change that,” but I think in the end we have done a very good job as a band and Toby as a producer and we learned our lesson; next time pre-production time will be in the studio hopefully!
As far I remember that time while we were in the studio recording Deep Breath, we were focused on the album trying for the best possible result, so the answer to the second part of the question is no. However, we had a perfect idea before production time which we thought we might have the time to develop and place it as the outro of the album, but eventually it didn’t work. Despite that, this flawless idea will develop into a whole song for our next album. I sense that the new one is a progression or an evolution of our “5m9k song.”
Now the album is out there will you be taking Deep Breath to ears via live shows?
(Orestis) Yes, our main objective now is to provide our sound and material live across the country, also hope to support large metal /rock acts from all around the world when they come to Greece and hope that we will have the opportunity to navigate across Europe and then maybe the world, you never know!
And next for One Year Delay?
(Sotiris) I think that the next thing for O.Y.D. is, of course, live concerts around Greece, Europe and the U.S. (we must pay our bills first). At the same time we have new ideas for our next album which we are working on already, but mostly our aim is to become better musicians in every level and I believe it’s gonna be an interesting year.
Thanks again guys for talking with us, any last words you would like to share?
(Sotiris) Thank you for the interview and your fans for reading it …Make music and love…NOT war!
https://www.facebook.com/oydofficial http://oydband.com/ https://twitter.com/OneYearDelay
Read our review of Deep Breath @ https://ringmasterreviewintroduces.wordpress.com/2015/10/08/one-year-delay-deep-breath/
The RingMaster Review 20/10/2015
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