Erudite Stoner – Self Titled

Erudite Stoner_RingMasterReview

There has been quite a few ear seducing instrumental albums over the past year or so but it is hard to remember any as charming yet emotively striking as the self-titled debut album from Erudite Stoner. A one man acoustic based project from Brazil, the band creates music which simply immerses the imagination in beauty and suggestive intrigue. Nothing is imposing and no elements forced, but sound and album provide the paint for a myriad of mental pictures and emotive explorations.

Erudite Stoner is the creation of Matheus Novaes, a guitarist leaning on inspirations from the like of Alcest, Agalloch, Gustavo Santaolalla, and Ulver for his first album. Weaving the potent scents of post-rock, shoegaze, doom, and classical guitar into his sound, the Erudite Stoner freely and so often sublimely caresses ears and strokes the imagination across nine tracks of aural majesty. The pieces of music are the perfect length, never too long and over pushing their persuasive limits but equally never too short and leaving the conjuring of imagery adrift. Together tracks create a seduction hard to get enough of and easy to drift away with time and time again.

The release opens with Spiritual Deliverance, a piece of music initially wrapped in nature’s lonely hug whilst sharing melodic melancholy. A warmth and escape from that harsher climate subsequently surrounds ears, the embrace of acoustic and electric guitar as gentle and descriptive as it is at times dramatically tenacious. It is a bewitching start to the album which continues in the similarly melancholic Alienist. Darker hues line the track’s scenic tempting of melody and tone though, essences flirting with thoughts like shadows in the shade of a lonely yet mesmeric day.

art_RingMasterReviewThrough the emotive fascination of Ride to Nowhere with its sultrily melodic calm and the elegant theatre of Far Away From City Walls, imaginative interpretation and pleasure only increases. The second provokes thoughts of innocent smiling children within depressing and oppressing landscapes; a superb merger of contrasting shades of sound and emotion skilfully woven before the riveting majesty of There is No Home sends the listener into new and quaint but equally cosmopolitan lands.

The song, as with the craft and skill of Novaes, easily inspires praise, their tempting and composing creating the most inspiring and engrossing moment yet within the release though it still gets eclipse by emerging favourite Waiting For the Storm. Listening to the track is like its title’s suggestion with a melodic peace initially romancing ears and attention while around it slightly darker essences are glimpsed and eventfully felt in a dynamic and deliciously intensive finale. The piece is simply irresistible, a rousing companion for ears and thoughts.

The pair of Sand Path and Roads to Somewhere continues to keep both those aspects busy, each providing their own individual and tempting palette of melody and emotive expressive for the listener to wrap themselves in before the brief and folkishly intimate Left Behind brings the thoroughly enjoyable and bewitching adventure to a close.

Erudite Stoner, band and album, is a proposition of sheer beauty which it is hard to imagine anyone failing to be easily touched and seduced by. Go treat yourselves is our sole recommendation.

The Erudite Stoner album is out now @ https://eruditestoner.bandcamp.com/releases

https://www.facebook.com/Erudite-Stoner-784870508325321/?fref=ts

Pete RingMaster 19/04/2016

Copyright RingMaster: MyFreeCopyright

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Deathwhite – Ethereal

Deathwhite band 2014

Looking for something intriguing with a fresh breath but still holding that raw edge which suggests that impressive early days have the potential to lead to major encounters? Then try checking out the Ethereal EP from US dark melodic metallers Deathwhite, a striking blaze of inventive and superbly crafted songs which rigorously capture the imagination and ignite the senses. The debut release from the band is an honest and striking introduction to the band, one unafraid to show its honed and less polished edges. It is also an encounter impossible not to get excited about as dramatic landscapes pull the listener into immersive and provocative explorations which leave senses and emotions as keen as a swiftly established appetite for the band’s sound.

Deathwhite was formed in 2012, its secretive line-up already well-established in extreme metal bands. The project is a vehicle for its members to explore new avenues, taking inspirations from the likes of Katatonia, mid-90’s Paradise Lost, Alcest, In the Woods, Green Carnation, Antimatter, and early Anathema into their emerging invention. Despite a semi-aborted EP which the band began last year, Ethereal is the unveiling of the band. Recorded at Pittsburgh’s Very Tight Studios with producer/engineer Matt Very earlier this year (with its closing song recorded in the fall of 2013 at a different studio), the six-track proposition takes little time in making a rich impression and placing Deathwhite deeply into the gaze of attentions radar.

The release opens with its title track, a brief instrumental crafted by expressive guitar with emotive melodic hues. It is a thoroughly Deathwhite Ethereal coverengaging entrance to the EP which hints at things to come without revealing too much, similar to the band’s presence online. What does swiftly come next is a glorious rhythmic incitement as the following When I (Wasn’t) You bursts into life. Roaming beats of drums make a punchy bait without being demanding, continuing their impressive coaxing as guitars gently and then with a fiery breath swarm around them. It is a dramatic mix which sets up an instant appetite for the song; one soon fed by the roving emotive prowess of the guitars and deep throated shadows from the bass, whilst strong if also at times unpolished vocals unfurl the narrative. As contagious as it is melancholically imposing, the track almost stalks the imagination as it virulently infects the passions. Individual skills are openly appealing as is the united tempest of their creativity and though the production is also raw in its touch it tempers its less forgiving side by empowering a greater growl to the riffs and sonic endeavour to further feed ears.

The strong start to the release continues with the equally impacting Give Up the Ghost. Another caustic wash of sound brings its heart into view, making way for a flowing melodic breeze around charged vocals. It brings essences of Tool and in some ways Karnivool to the mix, though they are mere whispers of spice within the expansive roar and intensive almost portentous air of the track. Though it fails to match the heights of its predecessor, the song adds further colour and variation to the songwriting and potent sound of the band, a new avenue to their growing scenery of invention and skilled designs within the release.

The following Silenced prowls around ears with a sinister yet seductive lure, its keen gait a spark to the brooding vocal and lyrical wrap which draws greater hunger towards the fluidly shifting ground of sound. It is possible to suggest favours of styles within Deathwhite songs as here, but impossible to pin it down into a description which truly represents the creative emprise the band offers. It is a refreshing and intrigue fuelled potency which adds to the promise and already sturdy stature of their sound, as evidenced again in the next up Feeding the Illusion. Erupting with a sturdy rhythmic weight and flame encrusted sonic heat the track is soon enveloping the vocal croon with a blistering torrent of incendiary melodies and driving riffs, all caustic to the touch and rigorously gripping. As the previous song, it suddenly slips into unpredictable asides, progressive and post metal additives colouring the adventure as one terrain seamlessly turns into another. The track from its strong initial engagement persistently grows in the passions, becoming one of the lingering exploits of the release.

Closing with the rugged and slightly corrosive A Burden to Carry, another heavily enticing and thrilling track which needs a better productive to thrive in; Ethereal is an immense base camp for Deathwhite as they start a certain ascent. As mentioned the release has its issues, the similarity of some passages of riffs between songs defusing their individual potency at times another, but like any other ‘niggle’ it will evolve and work itself out in time. This is a band with the armoury and invention to make waves; we wait with interest whilst basking in their impressive debut.

The self-released Ethereal is available now @ http://deathwhite.bandcamp.com/

8.5/10

RingMaster 01/07/2014

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