Beauty In Chaos – Beauty Re-Envisioned

With their debut album, Finding Beauty in Chaos, an acclaimed release last year, Beauty In Chaos has returned to its contagious adventure for their second full-length, Beauty Re-Envisioned. Revisiting those earlier tracks though does not mean that the new release is simply an easy echo of songs which have already enticed keen attention, indeed what we found was a whole fresh exploration based around a mix of dramatic remixes, bold new visions and alternative versions of those original encounters.

Beauty in Chaos is a LA-based collective led/curated by guitarist Michael Ciravolo (Human Drama/ Michael Aston’s Gene Loves Jezebel) featuring a host of renowned luminaries and unsurprisingly Beauty Re-Envisioned is littered with them. For the album Ciravolo admitted “I basically handed the keys to the car over to an amazingly talented cast of producers, engineers, re-mixers, DJs and artists… giving them near total autonomy to throw the puzzle of ‘Finding Beauty in Chaos’ on the floor and reassemble it as they hear it.” What has emerged is a proposition in its own right aside of that first offering, one bringing new bold characters and potency to songs which over past months had already become good friends.

 Beauty Re-Envisioned opens with a snarling MGT Remix of the Beauty In Chaos take on the T-Rex classic, 20th Century Boy. With Al Jourgensen’s rapacious tones enticingly scowling across its infectious electronic bounce and harmonica scorched canter, the track reveals itself  as virulent as it is feral and proving an immediate impossible to refuse invitation into the album which swiftly further rewards with the glorious embrace of Man of Faith. The Preacher Man Mix again has the ever potent tones of the Mission’s Wayne Hussey, one of our all-time favourite vocalists, and The Cure bassist Simon Gallup at its heart, the track a quickly addictive slice of shadow wrapped melodic rock as seductive as it is voraciously rousing.

Canadian duo Ummagma add their creative touch to Look Up next, the band’s instinctive atmospheric craft and radiance soaking the inescapably absorbing song around the temptation of vocalist Tish Ciravolo while the Collide Mix of Un-Natural Disaster springs even stronger alternative /industrial metal ferocity and intensity into the dUg Pinnick, Zakk Wylde and Ice-T embracing track. Both songs had us fully and greedily hooked as too the acoustic version of Storm with Ashton Nyte at its vocal helm. Written by The Awakening frontman and Michael Ciravolo, the song finds a new earthier intimacy and emotive depth without losing a sense of the catchy virulence in the original’s veins.

The alluring beauty of I Will Follow You featuring Evi Vine and the mutually fascinating draw of the Robin Zander (Cheap Trick) and Michael Anthony (Van Halen) contained Drifting Away in their respective Cotton Socks and High Water mixes only entangled pleasure and imagination, each making a less striking impact initially but only more hungrily consumed by the listen while the Kitty Lectro Mix of Man of Faith offered up a more eighties post punk/electro pop energy and enterprise to the already devoured encounter with similar force of appetite involved.

The enjoyment of Mr Hussey’s voice did not stop there as immediately his tones infused power and emotion to The Long Goodbye (Au Revoir), the track not exactly stripped back to its core but certainly exposing its melancholic heart with greater clarity as emotive piano, evocative strings, and sonic intimation wrapped intense vocals.

I Will Follow You returns with its IVaD Mix as in turn does Storm via the Vampyre Mix, again offerings which left pleasure full before another slice of 20th Century Boy sees Rolan Bolan and Wayne Hussey united in a great southern kissed, glam nurtured funk ‘n’ roll arousing which just had us bouncing.

Beauty Re-Envisioned is completed by the crepuscular Eclipse Mix of I Will Follow You and the compelling Fall & Sway Mix of the Ashton Nyte featuring Finding Beauty in Chaos, another two tracks which had little difficulty entrapping ears and enjoyment.

We will admit we are not naturally drawn to remixes and especially releases based on such collections but such the quality of the songwriting behind the tracks here and the rich imagination in their evolutions Beauty In Chaos have again simply enslaved.

Beauty Re-Envisioned is available now @ https://beautyinchaos.bandcamp.com/album/beauty-re-envisioned

https://www.beautyinchaosmusic.com/   https://www.facebook.com/beautyinchaosmusic/   https://twitter.com/MichaelCiravolo

Pete RingMaster 20/09/2019

Copyright RingMaster: MyFreeCopyright

Powerman 5000 – New Wave

Since first album The Blood-Splat Rating System was uncaged in 1995, it has been so easy to form a soft spot for the metal exploits of Powerman 5000 and all the reasons why are there blazing away in new album New Wave. Across nine studio full-lengths, the band has aroused and stirred the imagination in varyingly successful degrees but always left a potent impact on personal pleasure, their new offering hitting that mark with ease once again. Whether New Wave is their best proposition to date or indeed their most unique we will leave others to debate; as to whether it is one of their most exhilarating and addictive incitements there is nothing to question.

Though metal bred, Powerman 5000 has always felt as much punk rock in tone and attitude as any more recognisable punk ‘n’ roll proposals; an air which is at its most vocal within New Wave. The album opens with Footsteps and Voices, its electro instincts teasing and tempting as rhythms and vocal chants gather in the industrial background. In no time though, the track is strolling along with a muscular swagger, vocalist Spider One the ringmaster ready to share his spirit rousing rap as the rhythmic shuffle of drummer DJ Rattan and bassist Murv Douglas flirt with the electronic revelry. Like a fusion of Marilyn Manson and Hed (PE) but uniquely Powerman 5000, the track has the body bouncing and vocal chords hollering; its rock ‘n’ roll inescapable bait.

The following Hostage is just as manipulative, again bringing all its virulent aspects together before leaping into a contagious canter with biting beats aligned to compelling grooves and riffs cast by the guitars of Ty Oliver and Ryan Hernandez. Submission and involvement with its epidemic of enterprise and incitement is unavoidable and liberating as the track’s punk fervour takes hold before exhaustion soaked pleasure is passed onto and emulated by the band’s latest single. The warped love affair of Sid Vicious in a Dress lives up to its theme in sound, a psyche twisting infestation only leading to addiction as heavy grooves and rapacious riffery unites with the rapier swings of Rattan and Douglas’ bass grumble. As its predecessor, the song’s catchiness and ear arousing antics are viral, a toxic sonic trespass leading to dependency from which escape is not an option. There are plenty of familiar aspects to the track and all adding to its forceful persuasion upon body and spirit.

 The electro waltz of David F**king Bowie is no mean spirit in stirring ears or appetite either, its gait and energy a calmer but lively instigator swiftly tempting forceful participation from vocal chords. Its celestial meanders allow a breath to be taken though equally it leads to a hankering to be back romping which the song subsequently provides before Spider stands centre stage to call on ears and his flock with Cult Leader. An anthemic hard rock meets glam punk roar again very difficult not to get caught up in it does lacks some of the unique sparks of its predecessors but leaves the listener wanting little.

The alluring balladry of No White Flags settles the charge of the album but not the rich attention it continues to earn; the song a tantalising mix of melodic alternative metal and heavy rock while Thank God is a gloriously irritable slab of nu-metal lined punk metal as raw and antagonistic as it is uncontrollably contagious. One minute plus of primal temptation it sets yet another lofty marker in the landscape of New Wave, one teased if not hit by successor Die on Your Feet, a song of typical yet openly individual Powerman 5000 enterprise carrying all their established traits in its scuzzy rock ‘n’ roll blaze.

Get a Life steals the passion next with its prowling Dope/Rob Zombie-esque taunting. The track hints at and flirts with an instinctive tempest but keeps it restrained to only further seduce. That volcanic eruption never does not really escape even as the song expels a more tempestuous energy and aggression in its riveting stalking, again though this only adding to its show stealing majesty.

The album concludes with Run for Your Life, an electro rock nurtured, groove swinging slice of infection which in no time has hips swaying as feet and spirit dance. At times there is whiff of Ministry before Al Jourgensen turned his synth pop industrial metal to the song which potently colours up the Powerman 5000 creative theatre working away on the imagination. As it departs with a clunky abruptness you wonder if the song was a late addition or originally meant as a hidden treat, or indeed maybe a clue from the band of things to come, but it is a welcome and thoroughly enjoyable addition which lingers as much as any other gem within New Wave, an album which declares Powerman 5000 as essential as they have ever been.

New Wave is out now via Pavement Music across most online stores.

http://www.powerman5000.com    https://www.facebook.com/officialpowerman5000/

Pete RingMaster 08/11/2017

Copyright RingMaster: MyFreeCopyright