Altitudes and Attitude – Get It Out

Just the thought of two of metal’s finest most influential bassists linking up whets the appetite; indeed a potential pleasure which pretty much inflamed said optimism with the release of an EP five years back. That teaser though has just become a full on feast of hard rock ’n’ roll pleasure with the release of Get It Out the debut album from Altitudes & Attitude.

For those yet to discover the outfit, Altitudes & Attitude is the creative union of Anthrax’s Frank Bello and Megadeth’s David Ellefson. It was a partnership sparked when the pair started touring together to lead bass clinics for the amp manufacturer Hartke in 2010.To provide backing tracks to support their demonstrations the pair began writing songs, this leading four years later to the unveiling of a three track EP. Now the link-up has brought us Get It Out and thirteen tracks which pretty much rock the life of the majority of hard rock offerings of recent times. You might say that the album is not the most unique, it openly embracing assumedly some of the hues of the pair’s own musical likes and pleasures over time, yet it has a freshness and individual character which uses such flavours rather than relies on them. At times it has a definite John Bush led Anthrax meets Foo Fighters roar but from start to finish stomps with its own voice and gait to relentlessly thrill.

Produced by Jay Ruston (Anthrax, Steel Panther, Stone Sour) and with drummer Jeff Friedl (A Perfect Circle, Ashes Divide, Filter) unleashing the driving rhythms throughout, Get It Out sees a host of guitarists guesting alongside the bass and rhythm guitar sharing of Ellefson and Bello, the latter providing the vocals and lyrical prowess. Among them is the familiar craft of Ace Frehley, Gus G (Firewind), Jon Donais (Shadows Fall/Anthrax) and Christian Martucci (Stone Sour); with all musicians involved adding to its magnetic lure.

The album opens with its title track and swiftly and easily had attention gripped as guitar bred wires entangled ears; their nagging increasingly compelling before riffs and rhythms add their persistence to the baiting of the senses. Bello’s vocals are just as potent as the track erupts into that Foo Fighters tinged roar which sweeps across the album at times. It is an outstanding track and start quickly matched by the similarly stirring and vigorous Late. The second track is less forceful in its initial tempting, almost teasing ears before hitting its muscular stride with Friedl’s beats a crisp trespass alongside the melodic caress of guitar. With a Verni like hue to its infectiousness and controlled holler, the song also effortlessly hit the spot with its multi-flavoured rock ‘n’ roll.

Lyrically, the album sees Bello open up to personal experiences and the intimate turbulence which have been part of his life; explorations just as intriguing as the sounds around them and fuelling further quick success in the likes of Out Here and Part Of Me. The first shares a delicious groove aligned to mountainous rhythms, their captivating unity matched by the harmonic call of vocals and guitar while the second is pure incitement from its gnarly bassline to thumping beats and hook springing virulence. Both tracks leave little to be desired but the latter with its imposing but galvanic trespasses was rock ‘n’ roll manna to personal tastes with a guitar solo to lap up.

The irresistible Slip ventures into a more indie rock lined hard rock stroll, vocals and melodies as infectious and manipulative as a virus while next up Talk To Me provides a relatively calmer but no less persuasive canter draped with a great Julian Cope-esque feel in voice and sound. Both tracks add to the already lofty heights of the release with creative and hearty relish before Leviathan shares more classic and heavy/progressive metal strains of enterprise. The instrumental is a magnetic detour from the thrust of the album so far adding another aspect to its increasingly varied landscape.

Cold shares some of its predecessor’s colouring within its own heavily satisfying melodic rock ‘n’ rumble with Another Day returning to shades of Dave Grohl and co with its controlled yet fiery saunter.    It was a song which maybe did not have us bouncing as lustfully as others but its magnetism was inescapable as too its hungry hooks and lures; coaxing just as thick and even more compelling within the emotively atmospheric and revealing All There Is where melodic droning and vocal intimacy blossoms.

The album concludes with bonus cuts of the songs which made up that first EP; all three remixed and re-mastered. Booze And Cigarettes has a great feral edge to its rock clamour, Tell The World a melodic almost poppy instinct to its catchiness, while Here Again is as much punk as it is heavy and hard rock bred; all three showing why Altitudes & Attitude had so many excited a few years back and anticipation for the album, they now thrillingly end, so keen.

A record which will appeal to a vast array of metal and rock fans, Get It Out is rock ‘n’ roll at its hearty best, so no more words needed just your soon to be hungrily happy ears.

Get It Out is out now through Megaforce Records.

https://www.facebook.com/altitudesandattitude/   http://www.altitudesandattitude.com/

Pete RingMaster 12/02/2019

Copyright RingMaster: MyFreeCopyright

Beth Blade And The Beautiful Disasters – Show Me Your Teeth

Show Me Your Teeth is a romping stomping slab of hard rock; a tenacious roar of defiance, attitude, and hungrily rousing rock ‘n’ roll. It is also the new album from UK rockers Beth Blade And The Beautiful Disasters proudly hollering out all the reasons why the band is riding a tide of success and plaudits.

Fan and critical acclaim are no strangers to the Cardiff bred quartet with previous debut album, Bad Habit, luring high praise and attention. Around and following its success, Beth Blade And The Beautiful Disasters have shared stages with a host of major artists such as Electric Boys, Dan Reed and Danny Vaughn among a great many and appeared on the KISS Kruise last November with the likes of KISS, Ace Frehley, Bruce Kulick, The Dead Daisies, Vintage Trouble, The New Roses as well as played Monstersfest with Dan Reed Network, The Dead Daisies and Tygers Of Pantang. The last year also saw the band concentrate on writing and creating Show Me Your Teeth, an offering which as potent and enjoyable as its predecessor was, leaves it waving from its wake whilst suggesting 2019 will be even busier for the foursome.

Show Me Your Teeth builds upon all the striking elements of that first album with relish whilst bringing its own individual enterprise and adventure to the fore. Swiftly it reveals the growth in the writing and imagination of the band and their prowess in casting boisterous riffs, inescapable hooks, and anthemic old school classic rock nurtured temptation; this fronted by the electrifying and hearty tones of Beth Blade.  It is a bolder affair with a breath suggesting the band has completely lost the shackles of trying to please and impress people and just go with their own hard rock passions and instincts. Certainly inspirations such as Halestorm, KISS, and Black Stone Cherry can be heard but Show Me Your Teeth embraces all familiar hues to its very own vociferous heart and roar.

The album opens with the outstanding Secrets and fair to say as its opening lung full sees Blade fronting up ears we were hooked. From there with the fuzz of guitar for company, she continues to coax the song to its feet, an air of menace surrounding its emergence before erupting in a contagious, attitude driven infestation of punk and hard rock. That raw edge continues to fuel its confrontation and rapacious catchiness whilst vocal harmonies seduce around the stirring tones of Blade. The track soon proved irresistible, increasing its enslavement as a delicious predacious bass growl and devious hues of unpredictable imagination became more vocal.

Such the first’s rousing and impressive tempting, the album’s following title track had a hard time to match its presence but with a teasing blues lilt, melodic wiring which just wrapped around eager ears, and the already predictable vocal dexterity and talent of Blade here was little to relinquish full attention to before Give It All You’ve Got shared its old school spiced rock ‘n’ roll. As the previous track, there was a strong familiarity to the encounter but equally an energetically passionate heart within just as open craft which manipulated and scooped up an already seriously contented appetite.

There is something of an early Pretenders-esque scent to next up On And On at times which combines well with its blend of nostalgic and hungrily fresh enterprise while You And I is a web of guileful hooks and melodic adventure around vociferously candid vocals which easily set another lofty peak in the album’s landscape.

From that incitement of controlled yet raucous persuasion, melodic calm accompanies emotive intimation hugs ears within successor Crazy. It is a simmering heart though as flames erupts around reflection and melancholic beauty. The track never erupts into a full blaze but boils over with stirring cunning as it too sets a major highlight within Show Me Your Teeth before I Ain’t Got Nothin’ (If I Ain’t Got Rock N Roll) provides everything you would expect from its title as it swiftly pulled our rocker instincts and animation into play.

Across the likes of Lost In You and Into The Light, the album only continued to tighten its hold even if neither track quite flattened the inhibitions of song and listener as those before them. Even so both are a tantalising and thickly satisfying fusion of melodic wine and barely restrained rowdiness which just hit the spot though the following 1974 soon eclipsed both with its virulent stroll and creative temptation. Its sound unsurprisingly echoes the rock ‘n’ roll era of its title’s decade but adds mouth-watering hues of punk and power pop which take it to another level of greatness.

Who Do You Love Now? with its own multi-flavoured mix of styles and decades is just as expert in persuasion and adept at casting a spell of enterprise and sound; another seriously captivating moment set down and one more than matched by the muscular, predatory almost grumpy stomp of album closer Jack And Coke. Inescapably enticing riffs and grooves collude to enslave ears, each seemingly knowing personal wants in rock ‘n’ roll whilst the song growls with infectious savvy and anthemic irritability.

As it started, Show Me Your Teeth ends with one of its most inspiring and thrilling moments and with so many more in between it is an album which we can only forcibly recommend. It is classic and hard rock, it is punk and pop rock all bound into one roar; quite simply rock ‘n’ roll at its and most electrifying best.

Show Me Your Teeth is out January 25th.

https://bethbladeandthebeautifuldisasters.com/   https://www.facebook.com/BBATBDofficial/  https://twitter.com/BBATBDofficial

Pete RingMaster 26/01/2018

Copyright RingMaster: MyFreeCopyright

Raucous times and roaring escapes: exploring the heart of US rockers Long Time Divided

LTD 2

Sometimes there is no escaping the lure of a band, whether in sound, presence, personality or whatever. One proposition definitely equipped with that kind of instinctive temptation is Pittsburgh rockers Long Time Divided. Formed in 2008, the quintet has been a persistent rock riot grabbing an enthused and growing loyal fan base locally and spreading further afield. Renowned as one of the hardest working bands on and from the Pittsburgh music scene, Long Time Divided is beginning to stir broader attention. With a new album beginning to boil in the band’s horizon, it felt the right time to find out more about the band, so with thanks to vocalist DJ Beckage we set about exploring the origins, inspirations, and acclaimed live presence of the band.

LTD DJ Beckage - SingerHey DJ;  thanks for talking with us.

Please introduce the band members and give us some background to the band.

Well there’s me, DJ, the lead singer, and then we have two amazing guitarists in Paul Terry and Dean Toughlian. And then we have one of the best 1-2 bass and drum combos in rock with Bob Beveridge on bass and Slick on drums.

As for the band, we’re a hard rock band with a bit of a metal and blues taste mixed in and we’re based out of Pittsburgh, PA (U.S.A.). I always like to categorize us as a blue-collar rock band. We work hard and play harder and we’re really not the “green room” types, you know what I mean? We’d much rather be out having fun with our fans. We had a green room before and it was horribly boring. HA!

Where did you all meet and what did you have any specific intention behind bringing the band to life?

I had dissolved my old band and was looking to join a fully formed band in need of a singer and lyricist and it just happened that the original line-up of the band, including Bob, were looking for a singer. The guys had me audition and that first night we wrote three songs (Breaker, Spiders, and Take Me Away). Everything just clicked. It was great. Later, Paul joined the band so we would have two guitars. Slick came on board after our original drummer just up and left town (weird), and he brought a level of power to his play yet he’s attune to the dynamics of the song and what is needed. Lastly, Dean joined the group, which I think brought a refreshing outlook on the group.

Your sound seems generally described as hard rock yet there is much more in the mix for us. How would you portray it to newcomers to the band in words?

We’re a blue-collar band. We’re the guys you’d want to go with to the bar for a night of drinking and partying. We have a good time at our shows and try to bring everyone along for the ride. Times are tough and we want to be that kick-ass escape for people.

What predominately drives and inspires the lyrical and emotional side of your songs?

I (DJ) typically write what I’m feeling, whether the narrative is about something that personally happened to me or one of my band mates, or if it’s just something I heard or read about in the news. I love bringing a level of honesty to our songs because it gives the listener something to grab hold of and make his or her own.

The textures and melodic flames which sculpt your songs are as imposing as the muscular side of your invention. It suggests songs are carefully and intensely composed. What is the general writing process for the band and do you aim for particular ideas with each song or let them develop organically?

Thanks. That was about as badass a compliment of our music as I have ever heard.

We typically write as a whole group. One person may bring a melody or riff to the group and we just build the songs out from there. I love this because it gives ownership of the song to everyone, which helps eliminate ego from the writing process.

As for our “particular aim,” it goes back to the fact that we want to write music that we want to hear.

You have earned a great reputation for your live presence, highlights so far?LTD 3

I think the highlight for me has been all the big name acts we’ve had the opportunity to play with, like Fuel, Static-X, Soulfly, Jimmie’s Chick Shack, Soul Asylum, and Ace Frehley. Opening for Fuel was my biggest highlight so far. I think the fact that we’ve had these opportunities acknowledges the hard work that we’ve put in to making our music.

What have you in store for the year and fans across 2015?

Well the big thing this year is our sophomoric album. We’re aiming for April to start recording tracks for the new album and I can’t wait. There has been a wonderful growth in all of our song writing skills and I think people will be thoroughly please with the product.

Thanks for talking with us; anything you would like to add to tempt people to check out your vibrant sounds?

Thank you for having me. Anytime I get to talk about how awesome my band mates make me look (Ha!). No, seriously, thank you. We work hard and it’s always a pleasure to have this time to talk about the love for our music.

I want everyone to go to iTunes or Amazon or wherever the hell you–yeah you!–get your music and pick up the Long Time Divided debut album. It’s a helluva rock album and we want all of you to join the LTD Army!

https://www.facebook.com/longtimedividedband 

Pete RingMaster

The RingMaster Review 29/03/2015

Copyright RingMaster: MyFreeCopyright

Listen to the best independent music and artists on The RingMaster Review Radio Show and The Bone Orchard on Reputation Radio @ http://reputationradio.yooco.org/