Tyrannosaurus Nebulous – TLK/Straight Jacket

T REX_RingMasterReview

Tyrannosaurus Nebulous is a British hard rock roar which ahead of a highly anticipated new EP, have just uncaged a highly irresistible stomp in the shape of double A-sided single Straight Jacket/TLK. Two slices of multi-flavoured irresistible rock ‘n’ roll; the release marks all cards on a new spirit raising proposition very easy to find an eager appetite for.

Based in the Black Country, the foursome of Stourbridge hailing guitarists Matt and brother Paul Darby, their Dudley hailing cousin James Miles on drums, and South Wales (Caerphilly) bred Lee Jenkins draw on inspirations from 70’s hard rock and the likes of Budgie, Black Sabbath, Lynyrd Skynyrd, AC\DC, Status Quo, Led Zeppelin, Rush, and Thin Lizzy for their own adventurous proposals. As shown by their 2014 debut EP Never Gonna Be, which featured former vocalist Justin Catton, Tyrannosaurus Nebulous use all flavours in a sound crafted in its own identity. The new single continues that evolution, offering the band’s most unique sound yet without defusing what is an easily accessible and seemingly instinctively recognisable prowess. With a strong reputation building live presence across the Midlands and South Wales which has included shows with the likes of Captain Horizon, Twisted State of Mind, Buzzard, Vicious Nature, Sister Shotgun, Healer of Bastards, No More Numbers, The Delta Rhythm, Sour Mash, Swamp Donkey and numerous more, Tyrannosaurus Nebulous is ready to stoke up national fires with the upcoming Deal With My Evil EP in July and before it the fiery stomp that is TLK/Straight Jacket.

TLK comes first, a song introducing “the band’s very own T. Rex called Terence, sent to us from a faraway galaxy to teach us the ways of pure rock ‘n’ roll, so that we can defeat inferior talent show chart drivel and put hard hitting rock back on top where it belongs !!!” No matter the story, behind it, the track is pure rock ‘n’ roll which hits the ground running as riffs and rhythms entice and enslave with boisterous catchiness and chest thumping energy. It is no slouch in providing melodic temptation and spirit rousing virulence either, it all led by the dusty anthemic tones of Matt backed by the similarly potent tones of the band. As suggested there is something familiar about the song and the band’s sound yet it refuses to be pinned down while offering thickly fresh scented rock ‘n’ roll. Like its companion, the track feels like a returning best friend with a new line in fun and diversely flavoured rock devilry.

Whereas there is a great classic rock spicing to the track, Straight Jacket infuses some southern rock flavouring to its melody thick blaze. Within seconds guitars are spinning a web of juicy grooves and rampant riffs as bass and drums create heavy duty contagion. Again, it is a song which is infested with pedal to the metal energy but equally explores some just as stirring moments of smouldering melodies and sonic suggestiveness.

Both the Gavin Monaghan produced tracks hit the sweet spot with ease and are sure to please any hard rock fan with a taste for rock ‘n’ roll unafraid to show its influences whilst creating a new mighty roar.

TLK/Straight Jacket is out now @ https://tyrannosaurusnebulous.bandcamp.com/

Upcoming Gigs:

Saturday 16th July – E.P. Launch Party – Barge & Barrel, Tipton
Friday 18th November – Supporting ‘Children of the Gravy’ – Black Sabbath tribute – Roadhouse Birmingham

http://www.tnebulous.com/   https://www.facebook.com/TyrannosaurusNebulous   https://twitter.com/T_Nebulous

Pete RingMaster 16/06/2016

Copyright RingMaster: MyFreeCopyright

LaFlamme – Broken Hearted Sons

laflamme_RingMasterReview

Hailing from Surrey, LaFlamme is a punk ‘n’ roll fuelled band about to release charity single, Broken Hearted Sons, to raise funds and awareness for Muscular Dystrophy UK. It is a three track offering of instinctive and anthemic rock ‘n’ roll which, without fuss, pleases ears and sets attention the way of a great cause.

Formed in 2013 as floods and storms engulfed their home county, LaFlamme consists of guitarist/vocalists Richie Lambert and Kieron Robathan, drummer Dan Motchman, and bassist/vocalist Ditch. Breeding their sound and songs upon inspirations from the likes of AC/DC, The Ramones, Lou Reed, Blink 182, and Biffy Clyro, the band found itself headlining the Surrey Advertiser stage at Guilfest in 2014 and soon after playing support to bands such as The Ramonas and Sex P****Sed Dolls, as well lighting up a host of leading venues across the south east of England. A self-titled laflamme art_RingMasterReviewEP awoke further attention whilst the past few months has seen LaFlamme working upon Broken Hearted Sons in aid of Muscular Dystrophy UK; a release inspired by two of Kieron’s cousins who have muscular dystrophy and “have been such an inspiration to do what you love and never give up doing it.”

Broken Hearted Sons is the lead track; a rousing slice of rock ‘n’ roll which, from a subdued yet potent opening, uncages a torrent of rolling rhythms, spiky riffs, and sonic enterprise which simply flow with punk rock infectiousness. It is an undemanding but seriously catchy offering quickly whipping up involvement in feet and spirit, not forgetting an eager appetite for the band’s unassuming but magnetic sound.

With a whiff of Eddie and The Hot Rods to it, the track makes way for the more classic rock scented Breaking In. It’s initial hook and character has a Bowie-esque hue to it whilst further into its melody entwined body, a Thin Lizzy like flavouring colludes with the restrained but vibrant rock ‘n’ roll lighting up the ears.

The closing romp of Liar is similarly textured but soon reveals its own mischievous imagination and boisterous punk ‘n’ roll endeavour. Rhythms alone are a spark to keen physical involvement, eagerness only reinforced by the tenacious vocals and sonic exploits of the guitars.

All three tracks provide honest slices of perpetually enjoyable rock ‘n’ roll; straightforward uncomplicated proposals which get the job done whilst providing thick satisfaction. The fact they are raising funds and awareness for a very worthy cause only thickens the pleasure.

The LaFlamme charity single, Broken Hearted Sons is released 15TH April via Goloud Records.

http://www.laflammeband.co.uk/   https://www.facebook.com/pages/LaFlamme/235358599953530   https://twitter.com/laflammeband   http://www.musculardystrophyuk.org/

laflamme show

Pete RingMaster 29/03/2016

Copyright RingMaster: MyFreeCopyright

For more exploration of the independent and promotional services check out http://www.zykotika.com/

Voodoo Vegas – Hypnotise EP

vv3_RingMaster Review

A rock ‘n’ roll holler to reinforce their growing reputation as one energy rousing proposition, UK stompers Voodoo Vegas release the Hypnotise EP offering four songs that bellow and tenaciously stomp through ears from start to finish. Instantly it is a thickly enjoyable encounter which just hits the spot time and time again to give body and satisfaction a very healthy workout.

The successor to their well-received 2013 debut album The Rise Of Jimmy Silver, the Hypnotise EP is a potent build on its success and introduction to those new to the Voodoo Vegas roar. There are no major surprises unearthed by band and encounter but with the accomplished craft and open imagination of the band coursing songwriting and sound, the EP is more than just a solid proposition to support their rich live stature earned over the past couple of years or so. 2014 saw the quintet play a special guest slot for Status Quo in Holland, share the stage with Y&T on their UK/European Tour, and play a host of their own shows across the UK and Europe, as well as play a host of festivals. This year Voodoo Vegas played an acclaimed performance at the Camden Rocks Festival 2015 amongst many shows and with producer Will Maya (The Answer, Breed 77) record Hypnotise. It has been a busy time for the band east to expect being matched as their EP does the rounds tempting fans and newcomers alike.

VV2-cover-flattened_RingMaster Review   Hypnotise opens with its title track, swiftly creating a blaze of tangy grooves around antagonistic riffs and spiky rhythms driven by the strong vocals of Lawrence Case. Almost as quickly the song slips into a less imposing but no less magnetic stroll around an early entering chorus, undulating its intensity and attitude thereon in with fluid and pleasing prowess. The guitars of Merylina Hamilton and Jon Dawson provide a constant web of enterprise throughout the song which keeps ears happily fed whilst the bass of Ash Moulton brings its own throatily seductive groove.

It is a potent start with numerous rewards for the appetite and imagination to get hold of but soon eclipsed by its successor, Tied Up. From its first breath as a blaze of guitar, the track strolls with a predatory nature and tone, entwining it with fiery and feisty endeavour from across the band whipped up into extra zeal by the rapier swings of drummer Jonno Smyth. Hard and glam rock ‘n’ roll but with plenty more essences boiling in its belly, the song is a perpetually magnetic captivation with a simultaneous snarl and creative glint in the eye.

From one highlight to another in the blues seeded shape of Round & Round, a swagger of a stomp that just gets stronger and more inventive with each passing minute and rewarding listen. The harmonica skills of Case bring new intoxication to the song around midway, though bass and guitars had already whipped up a greedy lick of the lips for their devilish imagination by that point anyway.

The two songs offer the peak of the release but closing track Killing Joke has plenty in sound and anthemic imagination within its more intimidating canter to leave ears and pleasure ripe. As throughout Hypnotise hooks and grooves are forcibly appealing, being perfectly backed by feisty riffs as vocals alongside rhythms expose the pungent heart in a fine end to the EP.

As suggested, the Hypnotise EP is open in its inspirations, most likely Aerosmith, Guns ‘n’ Roses, and AC/DC amongst them, and does not venture into the unknown but for thick invigorating rock ‘n roll it, and Voodoo Vegas, leave no one wanting.

The Hypnotise EP is out now on iTunes

Upcoming Live Shows:

23rd Oct – WESTBURY, UK – Charlies Bar

24th Oct – EVESHAM, UK – Iron Road

21st Nov – BOURNEMOUTH, UK – The Cellar Bar

28th Nov – POOLE, UK – Mr Kyps

12th Dec – IPSWICH, UK – The Music Room (with Gilby Clarke)

13th Dec – LONDON, UK – The Underworld (with Gilby Clarke)

14th Dec – BILSTON, UK – The Robin (with Gilby Clarke)

http://www.voodoovegas.com    https://www.facebook.com/VoodooVegas/

Pete RingMaster 14/10/2015

Copyright RingMaster: MyFreeCopyright

For more exploration of the independent and promotional services check out http://www.zykotika.com/

City Of Thieves – Incinerator

CoT_RingMaster Review

We just cannot say no to a rousing slab of rock ‘n’ roll at The RR and that is exactly what UK hard rockers City Of Thieves uncage with their debut EP, Incinerator. It is five tracks of varied, no frills heavy rock which may not carry too many big surprises but potently feeds the instincts to roar and brawl with revelry. After the first minute of its opener you will kind of know and certainly welcome what you are going to get thereon in, but with a formidable freshness and passion to it too, it quickly shows why there is a thick buzz brewing up around the band; Incinerator inciting heavy satisfaction as it sonically lives up to its name.

The London quartet emerged in May of 2015 and as soon as their sounds hit ears and their feet stomped on stage, City Of Thieves began stirring up rich attention. Their live debut was an acclaim awarded introduction at his year’s Camden Rocks Festival, whilst debut single and now EP title track Incinerator, saw the band play listed on the New Rock Show on Planet Rock Radio for 7 weeks. Since then the band has found itself booked for this year’s Hard Rock Hell, Legends Of Rock, and Rockstock Festivals, played Bloodstock, and seen their EP already covered in plaudits.

EP Artwork_RingMaster Review     Recorded with producer Toby Jepson (Little Angels, The Answer, The Virginmarys), mixed by Mike Fraser (Metallica, AC/DC, Slipknot, Aerosmith), and mastering by Simon Francis (Kodaline, Kaiser Chiefs, Primal Scream), the Incinerator EP starts with a bang and never looks back. That first single opens things up, enticing ears and teasing an instant appetite with its initial predatory prowl of riffs, they courted by the swiping beats of drummer Will Richards and the gnarly tones of Jamie Lailey’s bass. Pretty soon things have ‘relaxed’ into a fiery stroll as the guitars of Ben Austwick and Adam Wardle spin a melodic web of grooves and spicy riffs , and Lailey unveils his sandy, slightly grizzled vocal tones. Like an old buddy, a familiarity entwines with the sonic enterprise and stalking rhythms, and like a returning friend it only pleases as it comes further alive with individual prowess and a creative energy which many bands never ascend to, especially within a debut.

The great start continues with Buzzed Up City, a mellower and warmer grab of the senses but one not scrimping on vociferous snarls within its fiery heart as the band embraces a more classic rock tone with eighties hues in its infectious rock ‘n’ roll. It hits the spot with accuracy though is still eclipsed by its predecessor and the following Lay Me To Waste, the best track on the release. From the almost carnivorous tone of the bass, the rebellious nature of drums and riffs, and grooves which flirt like a lithe seductress, the track smoulders and blazes with a virulence and enterprise which swiftly captures the imagination, and of course greedy ears.

Here Comes The Shot is more of the same infection in its individual way. Its bluesy air and rumbling rhythms also immediate persuasion as vocally again Lailey, like the song and indeed EP, brings a ‘this is how it is, take it or leave it’ attitude and the taking is the only reply possible to the rousing anthem.

A live acoustic take of Mr 50/50 brings the release to a fine end, the song a closing reminder of the core craft and qualities of City Of Thieves always lying beneath the full on riotous sound of other tracks whilst providing a last shot of aural liquor complete with boozy harmonica.

The bottom-line here is that there are few BIG surprises with Incinerator but an unbridled dose of fun and rousing rock ‘n’ roll, and who is never up for that?

The Incinerator EP is available now via Townsend Records / Monster Box Music

Pete RingMaster 23/09/2015

Copyright RingMaster: MyFreeCopyright

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Stone Angels – Give In To Temptation

Stone Angels Promo Shot_RingMaster Review

Give In To Temptation is a great title for the debut album from the Brighton hailing Stone Angels (not to be confused with The Stone Angels from Devon), as that is exactly what you do, inescapably submit to its eventful rock ‘n’ roll roar. Jammed with eleven fresh sounding tracks which brew up rousing exploits from admittedly pretty recognisable sounds and inspirations the album is hefty in anthems and punchy adrenaline charged stomps, and as high on that familiarity to others as it can be at times, Give In To Temptation lets no one down when it comes to thrills and enjoyment.

Stone Angels emerged in 2011 from the ever musically resourceful scene in Brighton, the experienced quartet rising from the ashes of ‘several broken’ bands. Drawing on inspirations from the classic LA rock and legendary UK rock scenes, and bands ramngimng from Alter Bridge, Black Stone Cherry, Black Spiders, AC/DC, Massive, and Rival Sons to Five Finger Death Punch, Foo Fighters, Iron Maiden, Motorhead, Slash’s Snake Pit, and King’s X, Stone Angels’ hard rock incitement has seen them become one of the UK’s most potent live propositions. Now the band is looking to awaken even broader attention with the national re-release of Give In To Temptation, a prospect you can see gathering rather potent success.

The reason being songs like Misplaced Memories and Devil’s Child, they just the first two tracks on the swiftly persuasive encounter. The opener worries ears with a torrent of hungry riffs and spiky grooves meshed into a rhythmic web cast by drummer Ben Taylor and bassist Chris Wilson. There is grouchiness to the tone of the song and instant contagion on offer with the sonic enterprise of guitarists James Innes and Niall Kersey tempering the growl a touch with melodic enticement, especially the former’s precise grooves. Kersey’s vocals also carry a dusty snarl which only adds to the easily accessible and familiar but refreshing confrontation, a blend exploited enjoyably again in the slower prowl of the second song. Bands such as Black Stone Cherry and Rev Theory get hinted at though the song has a more vintage bluesy hue to it as it backs up the album’s forcibly engaging start.

Stone Angels Album Cover_RingMaster Review   That sultry air and texture becomes richer in the following fiery melancholy of Last Goodbyes where keys deliciously add a psychedelic strain to the increasingly eventful and impressive croon, Stone Angels revealing more good variety to their sound and songwriting. Uniqueness is, as suggested earlier, not a dramatic quality to their sound and indeed the song but it matters little in its persuasive bellow and not at all in Can You? straight after. Again attitude and melodic flames fuel the track, but it is the bewitching sonic hook and easy swagger which grips most prominently, they and the vocal lure of Kersey backed potently by the rest of the band’s calls.

At only two and a half minutes, the track is a swift, bait loaded jab and the relative shortness of most songs within Give In To Temptation does add to the rapier like feel of the album and its thick success on ears and appetite, this proven again by the not much longer body of Fantasy and swiftly after in the slightly lengthier Lines In The Sand. The album is like a heavy weight poking senses and satisfaction, this pair uppercuts of rock ‘n’ roll which has energy reeling and bodies exhausted. Both tracks unveil individual grooves which induce ears and hunger to arousal amidst greedy riffs adding enticing weight to the song’s tenacious grip.

Thousand Years slips into a mellower melodic reflection within a hazy flame of emotive intensity to bring a respite of sorts for adrenaline and energy whilst Falling Down gets funky on the listener whilst unleashing another dose of predatory riffs, wicked rhythms, and spice rich, bordering on salacious, grooves across guitar and bass. The first of the pair takes longer to find the right spot but is perpetually enjoyable nonetheless whilst its successor is an immediate stomp which just has bodies swinging, an anthem no doubt igniting venues for the band and calling out to be a single.

There is a darker almost sinister shade to the imposing blues rock stroll of Devil’s Grip and a lighter glaze of stoner-esque infectiousness to Fine Day, both songs rich with tendrils of sonic imagination and the healthy spices bred by some of the band’s influences. The latter is another single prospect for these ears; its Alter Bridge meets Shinedown character tantalising before Shadows Of The Black Sun is left to bring the album to a close. Again it is ripe with a familiarity which only seems to works in the song’s favour, as indeed for Give In To Temptation’s success.

Future demands might ask for more distinctness to the Stone Angels sound next time around though you are pretty much sure of some stonking songs at the very least anyway, but for an introduction, Give In To Temptation is one enjoyable slab of rock ‘n’ roll you can only have a thoroughly good time with.

Give In To Temptation is nationally released on Friday 4th September on CD and digitally through all stores.

RingMaster 04/09/2015

Copyright RingMaster: MyFreeCopyright

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Helligators – Road Roller Machine

Hell_RingMaster Review

It is fair to say that Road Roller Machine lives up to its name, the new album from Italian heavy rockers Helligators an unrelenting juggernaut of ravenous riff driven rock ‘n’ roll. Immersing strains of blues and stoner bred colour into a raw and uncompromising tempest of power and intensity, the release is a thumping treat of bruising and invigorating sound; not the most unique you are likely to come across this year but without doubt one of the most exhaustingly enjoyable.

Hailing from Rome, the 2009 formed Helligators self-released their debut album Against All Odds two years later, it and a video for the track Tattooed Killer, enticing keen attention the way of the band. The varied flavouring in their imposing sound sparked increasingly eager appetites from that point on, with the release of 2012 single Snake Oil Jesus only reinforcing their emerging presence and potent musical persuasion. The song was a strong teaser to things to come too, pleasures to be found and grown further in the 2014 recorded and recently released Road Roller Machine. Alongside all of this the band’s live presence has equally drawn acclaim, the sharing of stages with the likes of Orange Goblin, Nashville Pussy, Doomraiser, Strana Officina, Bad Bones and many more persistently impressing over time. Now it is with their second album released on Sliptrick Records, to whom the band signed this past spring, that Helligators are looking to stir up rock ‘n’ roll ‘trouble’, and such its rigorously persuasion it is hard to see them not becoming a loud household name.

copertina_road_roller_machine_RingMaster Review     Recorded with Luciano Chessa, Road Roller Machine bursts into rugged life with Nomad, a lone invigorating groove straight away gripping ears and appetite before rhythms and heavily robust riffs join the deliciously intensive early bait of the song. Thoughts of Motorhead quickly take hold, hints joining just as pungent ones of Danish band Grumpynators spicing up the deluge of spiky rhythms and ravenous riffery. It is a thrilling onslaught only accentuated by the growling tones of vocalist Hellvis, his bear like delivery a thick incitement within the increasingly tenacious enterprise surrounding him. Guitarists El Santo and Kamo bring stoner and blues lined hues to entwine with insatiable charge of riffs, both also providing good vocal backing to Hellvis, with everything involved adding up to the most hellacious and thrilling start to the album; maybe to any heavy rock album this year.

The Doomstroyer holds court next, its opening sonic coaxing over swiftly addictive enticing from drummer Alex, again an immediate grab of the listener. Heftily anthemic from the first instant, the track continues to incite imagination and body with the descriptive expression of Hellvis against slightly restrained rhythms and riffs but lures still pulling at the leash of intimidation. There is a Desert Storm like air to the track, a dirty and tempestuous climate which is as volatile as it is infectious, especially as guitar cast melodic tendrils wrap around rhythmic pistons and the song’s raw ferocity.

A ‘lighter’ air springs forth with Scream next; its blues rock breeding spicy veining to a landscape as rugged as that of its predecessor. The bass of Goblin stalks the song from its first second, a dark and predacious spine the guitars entwine with their constantly evolving and enthralling ideation. The individual craft and passion of each member is an equally roaring essence in each album track, and here uniting in a furnace of virulent adventure and instinctive tempting for a success more or less matched by both She Laughs and Snake Oil Jesus. The first of the two tempers its rabid aggressiveness with mellower melodic rock resourcefulness, both guitars and even the vocals infusing a relative calm to proceedings though the gripping snarl of the bass and the ever wickedly jabbing beats of Alex ensures there is no lack of the bands intimidating edge. Its successor is a groove machine all on its own, an incessant scorcher which spills adrenaline fuelled intensity and rebellious attitude with every caustic syllable and acidic chord. Once more the band twists in strong variety to the design and persuasion of the song; never going into the unknown but only leaving ears and appetite urgently wanting more.

More is what you get with Truckdriver, a track with little in the way of major surprises but a tank load of inventive enterprise in its southern honed rumble. There is no escape from the pure contagion of the song or that of the sultry and sinister dark majesty of Swamp Man Voodoo. Every groove and predatory hook oozes menace, backed by the rapacious nature of rhythms and the ever hungry riffs though each element also leaks rich seduction that never lets go. The outstanding song is pure theatre, a satanic dance and fiercely vociferous trespass for the soul.

No surprises for guessing the character of a song called Bad Ass from Helligators, its air instant belligerence and sound swift confrontation with of course plenty which just invites full involvement before Stone Crusher takes over with its Metallica meets AC/DC like blaze. There is no denying that the song did not find the same depth of appetite as those before it, or to be fairer as consistently as those as there are moments when the band again shows they can rival any one in unleashing a torrent of rock ‘n’ roll brilliance with thick rigorous invention.

Road Roller Machine is brought to an end by the acoustically crafted Black Sun and its blues kissed melodic smoulder. The song fuses stoner and southern rock hues with classic rock ingredients to sculpt another song which maybe does not quite match those earlier within the album but is impossible to tear one away from whilst providing a fine end to one mighty slab of heavy duty rock ‘n’ roll. Helligators have no interest in re-inventing rock music but certainly they want to give everyone a riotously good time and that they do big style with Road Roller Machine.

Road Roller Machine is out on Sliptrick Records now!

RingMaster 12/08/2015

Copyright RingMaster: MyFreeCopyright

Against Evil – Fatal Assault

Against Evil_RingMaster Review

With a couple of strong singles already teasing attention since forming in October last year, Indian metallers Against Evil now reinforce their potent emergence with a nudge on broader attention with debut EP Fatal Assault. Offering six tracks of old school inspired heavy metal loaded with a fresh and more modern breath, band and release make a highly promising proposition. Not one quite ready to explode into the widest global metal scene, but certainly something to noticeably stir things up.

Hailing from Visakhapatnam, Against Evil consists of guitarist/vocalist Sravan, guitarist Shasank, bassist/vocalist Siri Sri, and drummer Noble John. Their sound leans on inspirations from the likes of Judas Priest, Accept, Megadeth, Black Sabbath and many more, but as shown by the Simone Mularoni mixed and mastered Fatal Assault, finds its own identity through merging further potent spices.

The release opens with brief instrumental Battle Call, the piece a sparkling melodic enticing which barely lives up to its name but blossoms an anthemic whisper which becomes more vocal as the music evolves into the rousing entrance of The Enemy Within. The second track is soon striding through ears with spicy riffs and commanding rhythms as vocals share the scenic text of the lyrical narrative. As the EP in many ways, there is little truly surprising about the song yet it still casts an enthralling air which only gets keener as impressive guitar enterprise spins solos and sonic imagination.

Final Art-small_RingMaster Review   The strong track is quickly outshone by Speedbreaker where initial contagious and snappy rhythms make the prelude to driving riffs and tangy grooves, all again wearing vintage hues on their persuasion to appealing effect. There is also a stronger snarl and intensity to the song from the off, which similarly incites the growling vocals, backed by great band shouts, and the web of thumping rhythms. There is something familiar to most songs upon the EP, a recognisable tone which only adds colour to the different characters within individual songs, here almost Motorhead like dirty rock ‘n’ roll tenaciously colluding with its heavy metal breeding.

Wings of Steel storms in next, its body sharing a Judas Priest meets AC/DC like tempest but one entangled with discord kissed grooves and fiery tempting from guitar strings. A more than decent incitement, it is also another surpassed by its successor, Bulletproof putting it in the shade. Sizzling hooks align with heavy riffs and beats to start the song off, they subsequently relaxing as the song flows through heavy melodic rock scenery into more ferocious metal aggression which in turn entwine as the song proceeds, their distinct differences becoming a pleasing creative blur over time. Though not quite as bone shaking as Speedbreaker, the excellent track stands aside it as the biggest highlight of the release.

Fatal Assault ensures a rampant close through War Hero, another pleasingly dirty and grouchy growl of a song with skilled and blistering exploits from the guitars around a powerful rhythmic spine and the ever compelling vocals. As all tracks it never truly feeds expectations despite its obvious influences and familiar textures. It is a trait which applies across the very accomplished and engaging EP, and helping provide a firmly solid base from which Against Evil can only spring to greater heights and spotlights.

Fatal Assault is available from July 20th @ https://transcendingobscurityindia.bandcamp.com/album/fatal-assault-heavy-metal

https://www.facebook.com/againstevil.india

RingMaster 20/07/2015

Copyright RingMaster: MyFreeCopyright

Listen to the best independent music and artists on The RingMaster Review Radio Show and The Bone Orchard on Reputation Radio @ http://www.reputationradio.net