Following Foxes – Self Titled EP

1509243_401429133348802_4696697141626334446_n

When an artist or band has a background which involves in part the Academy of Contemporary Music in Guildford, there is always an intrigue to learn more, partly because the town is a part of our musical heritage too and mostly because of some of the talent which has been nurtured at the ACM. From one of the UK’s most potent and impressive place of musical education, the likes of Newton Faulkner, Guy Davis who was part of the UK’s finest alternative rock antagonists Reuben, Joe Butterworth of Talanas, and Alexis Demetriou who formed the criminally unrecognised rockers Lost In Wonderland, have made varying impacting but potent marks on the British music scene. It is a long list also including members of Lawson and some bloke named Ed Sheeran, successes to which you can now add home town boys Following Foxes.

With its members all meeting at ACM, Following Foxes formed in 2013 and having a strong past year on the live scene now release their self-titled debut EP to nudge a broader attention to their presence. The five track release is a captivating introduction to the quartet, a handful of songs bred in a melodic caress of folk and indie/acoustic rock which energetically and skilfully bring a summery and creatively tenacious proposition to the senses. Drawing in inspirations from bands such as Biffy Clyro, Mumford & Sons, City and Colour, and Pink Floyd, Following Foxes shows themselves to be a thoroughly magnetic proposal and their EP more than likely to pick up wider media attention to back up already eager play on local radio stations across the South East of the UK.

The band’s new single, Almost Lost It is first up and right away with punchy bass lures from Mike Chapman and a great shuffle of beats within a caress of guitar, has ears and imagination paying close attention. The song relaxes soon after to welcome the strong vocals of Gid Sedgwick, his tones as warm and alluring as the melodic venture already shown by his and Alex Hill’s guitars. Subsequently with ears transfixed, another bait of thick beats from Steve Price adds fresh adventure before the song settles into a vibrant stroll loaded with a folkish revelry and melodic

Artwork by Harry Murr @ Roberts Clothing

Artwork by Harry Murr @ Roberts Clothing

swagger. There is still plenty of variety to gait and sound across the song though, sometimes more subtle than in others but a great unpredictable essence which grips the appetite and certain enjoyment.

The following I Saw, You Saw Me Back makes a less dramatic entrance though Sedgwick immediately holds court with his melodic croon and lyrical intimacy. It is still a strongly appealing first touch though which expands into a feisty but composed dance of voice and rhythms within a melodic seduction. As its predecessor, the track soon worms under the skin and into the psyche, a Lennon and McCartney whisper spicing part of the song whilst others times it romps along like a mix of Knots, Common Tongues, and The Radioactive Grandma.

Waiting for Someone, like those before it, simultaneously manages to be a warm reflective hug and a fiery little rocker, the great vocals across the band and occasionally a rigorously driving rhythmic thrust respectively igniting another memorable and increasingly enjoyable offering. It does not quite match up to the first pair such their might, but leaves satisfaction full before making way for Mother Brother. Though you cannot describe any of the songs as aggressive, there is a definite edge to the song when it steps up its energy around harmonically and melodically seductive embraces. It is a compelling end to a fine release; well not exactly an end as there is the brief melodic Outro to come but the party has ended by this point, its atmospheric haunting that drifting away of guests and excitement like after any slice of major fun.

Following Foxes has made a very impressive first step with a release which could straight away set them on a potent journey towards sparking the country’s attention. If not now it is impossible not to think or expect it will happen eventually but seems silly to wait, so go check out this highly pleasing release.

The Following Foxes EP is available now @ https://itunes.apple.com/gb/album/following-foxes-ep1-ep/id964894157

https://www.facebook.com/FollowingFoxes     http://followingfoxes.com/

RingMaster 02/03/2015

Copyright RingMaster: MyFreeCopyright

Listen to the best independent music and artists on The RingMaster Review Radio Show and The Bone Orchard on Reputation Radio @ http://reputationradio.yooco.org/

 

 

 

 

Lost in Wonderland: Against the Sun

   Against the Sun Artwork

    Guildford band Lost in Wonderland first came to our notice here in 2011 with their impressive performance at local venue The Boileroom. Out of the three or four bands playing they were the ones who grabbed a lingering attention on the night and stayed as a thought in the mind since. The recent release of their debut album Against the Sun offered up the chance to find out how they had evolved from that more than decent performance and appealing sound of eighteen months or so ago.

The first thing notable as Against the Sun unveiled its passionate and superbly crafted songs, was the band still had the breath and flavoursome presence from our first introduction.  Lost in Wonderland and their music has certainly grown in maturity and strength but still retains the expressive heart and emotive fire which marked them all those months ago. Formed and led by songwriter, vocalist, guitarist Alexis Demetriou, a graduate of the Academy of Contemporary Music (ACM) in Guildford, the band is one which has gigged extensively with acclaim and a strong continually growing fan base in its wake. In many ways it is a surprise they have not earned a wider awareness and recognition before now but as the album treats the ear the sense that things might change soon fill the air.

Completed by fellow ACM graduates Max McPherson (lead guitar and backing vocals), Kim Griffin (bass) and Stephan Seiler (drums), Lost in Wonderland takes seeds and influences from bands such as Creed, Pearl Jam, Tool, Nickelback, Shinedown, Staind, and Alter Bridge, their inspirations open and clear as they fuse them with Middle Eastern vibes which hold a lure all of their own and melodic grooves that leave lips licked and emotions entangled. The band also is also no stranger to punctuating their rich sound with metallic muscle and forceful heavy rock intent; the finely shaped combination music which captures the imagination with ease. Whether it is a sound and album which has discovered its distinct voice and presence yet can be argued but both stand with heads held high in the company of bands mentioned.

Emerging squalling guitars register the first impact on the ear, a response soon elevated by the firm rhythms and probing basslines which follow as well as purely mesmeric fiery guitar play as the opener Rise Again steps forward. The vocals of Demetriou are as expressive as the music and share the passion driving the song. The melodic enterprise at times wrings spicery of Alter Bridge and Nickelback into its impacting flames and though it holds a familiar taste it is come with a unique flavouring.

The following title track rises like the breaking day sun, its warmth and melodic caresses wrapping around the ear as sturdy rhythmic sinews and crisp emotive intensity veins the encounter. Like the first, the track blends shadows and light musically and lyrically with impressive craft and grace, the songwriting and its realisation earning nothing less than acclaim and enthused focus. As the thread and representation of social and personal life emerges through the loosely attached theme inspired by Lewis Carroll’s timeless creation of Alice and her descent through a dark and seedy underworld, the album and tracks like the heartfelt No One Else to Blame and the exotic Enough bring stronger inventive pleasure. The second of this pair of songs is a riveting merger of muscle and melodic eloquence bringing thoughts of Audioslave and Stone Sour to the fore. It is an excellent track with those Middle Eastern teases loud contagious whispers and the perfect gate way to this equally impressive album.

The album continues to impress as each song unveils its heart and craft. Further highlights in one overall thrilling level come in the vibrant shapes of previous single Lost In Wonderland with its Poets Of The Fall like beauty, the Finnish band often coming to mind across the album, the potent and emotionally scenic Where Will You Be, and the pulsating Unwanted. The last is the closing track and leaves one with no alternative but to enter the world of the release right away, the song an infectious and sensational sunset on the album whilst at the same time turning the key to a new dawn with the release.

Against the Sun is an excellent album which melodic rock fans, especially those with a grunge and hard rock heart, will devour with eagerness. Lost In Wonderland has left those thoughts and impressions earned many months ago confirmed yet a big underestimation. This is a band all should become acquainted with.

https://www.facebook.com/liwmusicuk

RingMaster 25/01/2013

Copyright RingMaster: MyFreeCopyright