Peter118 – Wasting

It may last not much longer than a politician’s election promise but Wasting, the new single from Peter118 offers a minute and a half of punk rock in its essential form. Bringing together the punk instincts and traits of ’77 with the antics of the genre’s current pop punk side, the track is a senses harrying, spirit rousing charge with the speed of Usain Bolt and the ravenous lungs of a hurricane.

Peter118 started out as the solo project of Peter Field, formerly of Stoke-based punk bands Senseless and Ambassadors of Shalom, and made a swift impact with the Make It Or Break It EP in 2014. Over time the British band has grown with the addition of field’s wife Janine on bass, Sam on drums, and finally more recently rhythm guitarist Alisha Palmer. Since that first attention grabbing release, the band has ignited US appetites through legendary KROQ DJ Rodney Bingenheimer who championed the lead track of 2016 EP Need You More and sealed a return to the Rainbow Rock festival in Stockholm, Sweden as well as set up a highly anticipated UK tour this coming October and November.

Having just uncaged a split EP with US punks No Lost Cause, Peter118 is out to stir up the punk scene with Wasting. Taken from that six track split In Stereo, the single grabs ears with the raw harassment of guitar, rhythms swiftly forcing their touch on ears as vocals further stir the confrontation up. Like a mix of The Adverts, Dead Kennedys, and dragSTER, the track preys upon and surges across the senses, nagging riffs and wiry hooks aligning with the infectious vocal call.

Then before you know it the track is gone but despite its tempestuous briefness there is no sense of dissatisfaction just the urge to know and hear more of a band forging a potent place in the punk scene.

Wasting is out now as too the In Stereo Split available through In Presence Records in the UK and Thumper Punk Records in the US.

http://peter118.weebly.com/    https://www.facebook.com/Peter118UK/    https://twitter.com/peter118uk

Pete RingMaster 12/09/2017

Copyright RingMaster: MyFreeCopyright

The Bronsons – Girl from Outer Space

Coming together again a handful of years ago after first emerging in the early eighties, The Bronsons sow their music in the pub/garage rock sounds which laid the seeds for many of the punk bands crashing 1976/77. It is a style which they continue to embrace and nurture their own individual character of enticement from as evidenced by new single Girl from Outer Space.

The song is a cover of a track by Barrence Whitfield and the Savages which made its first appearance on their 1987 UK EP Call Of The Wild, the release expanded with additional tracks and released in the US as the album Ow! Ow! Ow! the same year. It was a track which vocalist Stefan Ball came across in the early nineties, a song he found impossible to find again since renting the aforementioned EP from a local library but one he never forgot. Hearing it again when Boston’s Four Piece Suit released their own version he brought the song to the band and subsequently they now our ears in the inimitable Bronsons style.

The current line-up of guitarist Ball, Tony ‘Chas’ Talman, drummer Phil ‘Chas’ Dourado, and bassist Jorge Polverinos backed by Zara Cannon and Giselle Nicholson aka The Bronsonettes, has evolved the blues rock toning of the original with a rich dose of their forcibly catchy rock ‘n’ roll, a blend which swiftly grips the appetite as Girl from Outer Space launches itself on ears. Like a mix of The Pirates, Dave Edmunds, and The Vibrators, the track infests the imagination. Guitars make the first raucous lure, the swagger of bass and beats quickly lining up alongside as Ball’s vocals share their own confident stroll. Together it makes for a fuzzy mischievous slice of rock ‘n’ roll, The Revillos like harmonic lure of The Bronsonettes icing on the contagion as eager involvement in its antics is inescapable.

The best rock ‘n’ roll has the face smiling, spirit rolling, and body rocking; Girl from Outer Space ticks all boxes.

Girl from Outer Space is available now @ https://bronsons.bandcamp.com/track/girl-from-outer-space

http://www.bronsons.uk/    https://www.facebook.com/BronsonsLive    https://twitter.com/BronsonsLive

Pete RingMaster 12/09/2017

Copyright RingMaster: MyFreeCopyright

NimfoniA – Vicky White

The echo of the experience involving lost love, Vicky White is the new single from Hungarian outfit NimfoniA. It is a song as sultry as it is melancholic; a serenade of beauty and immersive shadows bred of an emotional tempest we have all experienced.

Consisting of guitarist/vocalist Zozo Debreczy, bassist Gábor Vermes, keyboardist Krisztián Kun, and drummer Zsolt Jánky, NimfoniA draw on the broad inspirations of artists such as The Beatles, Nirvana, Led Zeppelin, Deep Purple, Judas Priest, Creedence Clearwater Revival, and The Doors in their multi-flavoured sound. The latter pair most comes to mind as Vicky White seductively crawls through ears with the surf spicing of the guitar also resembling a reflective mix of The Shadows and Thee Oh Sees. It makes for a magnetic affair around a lyrical heart borne from the “sweet nightmare” Debreczy experienced in love with a girl named Vicky.

The track opens with the inviting strum of guitar, its gentle invitation lying within the similarly subdued but enticing mist of keys. Within their lure Debreczy’s dark Nick Cave meets Tom Waits tones unfurl emotional self-reflection, the sturdier gait of rhythms rising alongside to further capture the imagination.

Easily infectious and atmospherically compelling, Vicky White blossoms into a captivating siren of a song fuelled by love and tragedy; a memorable moment with a band you get the feeling we will be hearing a lot more about ahead.

Vicky White is available from September 15th.

http://nimfonia.com/    https://www.facebook.com/NimfoniA    https://twitter.com/nimfonia

Pete RingMaster 12/09/2017

Copyright RingMaster: MyFreeCopyright

Moi Saint – New Moon EP

Potently introducing itself as well as the artist behind one of its first releases, UK label Syndicol Music has just unveiled the New Moon EP from singer songwriter Moi Saint. The four track encounter is a haunting and bewitching embrace of dark electronic music, an intriguing fusion of various electronically bred atmospheres and textures as intimate as it is surreal and perpetually fascinating.

Hailing from Manchester and now Liverpool based, Moi Saint emerged in 2015 intent to bring a sound to her deep thoughts and emotions. Embracing the inspirations of artists such as Depeche Mode, Gary Numan, Coil, and Enigma, Saint explored her emotional escape in ambient and electronica adventure with the first explorations making up New Moon on the Charlie Dawe, of British alternative rockers Ventenner, founded Syndicol.

The release opens with Lost in Time (Kind) and an initial melody with an inviting Visage like feel to it. Saint’s voice swiftly wraps around the potent lead, her tones charming and seductive as more industrial nurtured essences crawl into the mix. Shadowy and alluring in equal measure, the song immerses ears in electronic noir pop, its air as suggestively visceral as its heart is melodically poetic and sheer mesmerism from start to finish.

The catchiness of the first is replicated in the even thicker shadowed Reptile though it too is a beguiling fusion of light and dark as gothic overtones lie romantically across the imagination enveloping soundscape. Once more intimacy aligns with a broader ambience as the track boldly simmers in ears, each second a dramatic and smoulderingly erotic suggestion and every note and syllable an ethereal incitement to devour.

Void comes next with the EP’s most transcendent exploration, synths and vocal chords embroiled in a gaseous trespass grabbing ears and imagination like celestial smog. There is that ever present intimacy to the tide of suggestiveness too, melodic venture lighting its melancholic yet rhapsodic heart. Saint in voice is gossamer on the senses while her sounds caress the senses with a matching addictive gentleness which simply haunts thought and emotions.

The release closes with Faded, an arguably more defined proposition in individual textures as an ever present eighties synth pop influence across the EP keenly teases from within melodies and hooks. The track is equally enticingly spiritual in tone and breath with Saint again pure magnetism in voice alone.

It is a kiss on the senses bringing the fine release to a memorable close, each song living up to that description in their various explorations. New Moon is an increasingly striking introduction to artist and label and the first step in the rise of both we suspect and eagerly anticipate.

The New Moon EP is available now across most stores.

 

https://www.facebook.com/moisaint/    https://www.syndicolmusic.com/

Pete RingMaster 05/09/2017

Copyright RingMaster: MyFreeCopyright

Flaw – United We Stand

With their acclaimed last album, Divided We Fall, still raising high praise and attention, US rockers Flaw release a companion piece in the shape of new EP United We Stand. Offering four new tracks and a pair of live cuts of songs first appearing on the highly successful 2001 debut album Through The Eyes, the EP is a prime slice of Flaw’s melodically rich and enticingly muscular rock ‘n’ roll.

Released through Pavement Entertainment, United We Stand is a fiery often irritable fusion of nu and melodic metal with hard rock driven by similarly fired emotion and intensity. As soon as opener I’ll Carry You envelops ears it is easy to see why the release is described as a companion and continuation of Divided We Fall though it soon shows it has plenty of its own character and imagination to be a fresh and potent step on. The first track coaxes ears with a suggestive melody, Jason Daunt’s guitar a swiftly captivating lure soon joined by the potent and distinctive tones of vocalist Chris Volz as bold rhythms stir. As in turn sonic flames escape that melodic enticement a similar urge hits the throat of Volz, his initial smoulder becoming an emotive roar before the crescendo of sound settles once again. The magnetic cycle repeats with increasing appeal, the track a crackling fire of sound and heart further stoked by the enterprising swings of drummer Dan Johnson and Tommy Gibbons’ brooding bass.

It is a striking song quickly backed up by the darker air of Fall Into This. Bass stirs the senses with melancholic prowess initially before the wiry heat of the guitar cradles the melodic expression of Volz. It is a captivating mix of dark and light, emotional and aural shadows colluding with again fire bred textures as the song croons with infectious dexterity. At times imposingly heavy and frequently seductively inviting, it is a fascinating incitement before My Style uncages its volatile adventure, submerging ears in a Staind meets One Minute Silence like drama. It too has tempestuousness to its heart which infests the sounds shaping its proposal and it too leaves ears and appetite thickly satisfied.

The live tracks are Only The Strong and Payback; two rousing encounters showing why Flaw is such a powerful and skilful draw on stage which leaves Such Is Life to bring United We Stand to its conclusion. There is a raw edge and air to the whole of the EP but is especially vocal in the final track, feeling like it was recorded live in one take to pull the listener right onto a face to face union. With each passing second it becomes more ferocious and turbulent but without losing its melodic craft as the EP come to a fine close.

In some ways there are no new surprises within United We Stand, the release Flaw as you know and fans embrace them, but rarely do you feel like old waters are being stirred only fresh pleasure.

United We Stand is out now digitally and physically via Pavement Entertainment.

https://flawband.com    https://www.facebook.com/FLAWBAND/    https://twitter.com/officialflaw

Pete RingMaster 05/09/2017

Copyright RingMaster: MyFreeCopyright

Andreas S Jensen – Disturbed

To this point in time, Danish born, London based Andreas S Jensen has made a notable name for himself for being a guitarist in Dub Pistols, as a writer/producer whose co-writes with the likes of Kevin Lyttle, Armand Van Helden, and Nate James have sold close to a million copies, and in collaborations as remixer, producer, session player, and engineer with artists such as Dido, Rizzle Kicks, Vybz Kartel, Sam And The Womp, Beenie Man, Nerina Pallot and more. This month though sees the singer songwriter/musician make his own individual impact, expectantly what will be his biggest one yet, with the release of a debut solo album. Disturbed is an ear pleasing, imagination stroking collection of songs combining lyrical intimacy with an alluringly broad brushstroke of sound. It is a release which makes the most seductive company note to ear and then haunts the memory once departed; that in anyone’s book the sign of something special.

Jensen has already enticed praise carrying attention with his first EP Disconnected which was released at the beginning of 2014. Embracing inspirations ranging from David Bowie, Tom Petty, and Elliot Smith to Soundgarden and The Zombies, the encounter was the first step towards the lofty heights now awaiting the senses within Disturbed. For the album Jensen drew on the talent of a group of London session players he has met through his producer and session work including drummer Adam Falkner (Babyshambles/Dido), guitarist Garo Nahoulakian (Nadine Shah), cellist Ben Trigg (Arctic Monkeys, Unkle, Jamie Collum), and Antonia Pagulatos (Gorillaz, Blur) on violin and viola as well as Jesper Lind (Jack Savoretti), Nikolai Bjerre (Lamb), Jack Cowens (Dub Pistols/Bondax) and many others. The result of this union of craft and invention is a record as rampantly catchy as it is emotionally open; each song like a big brother knowingly understanding those moments in life, love, and longing we have all hugged or endured.

Disturbed opens with its new single released a week before the album and fair to say Only Die Once instantly has attention gripped. Jensen’s voice is the first enticement, his warm slightly sandy tones soon joined by a theatre of rhythms and keys as a guitar weaves its own suggestive bait. There is drama in piano and bass too whilst instinctive infectiousness fuels vocals and the melodic coaxing hooking the senses whether in a controlled smoulder or a fiery blaze. As a sign of things to come across the album, the track simply blossoms and grows with every passing second; a crowd of instruments and sounds uniting in a fanfare of imagination and enterprise.

The outstanding start is matched by next up Trust Is My Anchor, a single released earlier this year which had us on board with real anticipation right then for what Disturbed would subsequently bring. Like the first, the song makes a gentle start, acoustic guitar aligning with Jensen’s ever appealing voice and like its predecessor a proposal which just opens up its sound and invention with every breath. Soon it roars with a robust rock pop temptation which sublimely ebbs and flows in intensity whilst increasing its hold on ears and appetite second by second. There is something of Billy Momo to the subdued moments of the track and a hint of R.E.M. in its bolder expulsions; both deliveries as compelling as the other as another pinnacle within the album is exposed.

Take My Heart and Go needs barely a breath to seize ears as a glorious gnarly tendril of sound winds around the senses, a flirtatious bassline and the caress of acoustic magnetism swiftly stepping up alongside. Mixing country flavoured rock and eagerly strolling indie pop, the track has the body bouncing and hips swaying in no time with the imagination employed by word and another rich tapestry of textures and invention. For personal tastes it is probably fair to say that the track just misses the heights of the pair before it but the pleasure loaded grin our faces during its presence each and every time reveals all and alone why with every listen Disturbed  becomes more essential.

Through the electric shimmer of Another Way Of Leaving, a proposition merging sixties psych and eighties pop in its tantalising soulful croon, and the Baroque kissed Unchanged captivation is intense and greedy. The second of the two especially bewitches with its shadowy reflection and perpetually rising crescendo of sound and endeavour, the strings which magnetically colour most tracks voraciously manipulative and rousing before And She’s There calms things a touch with its vibrant canter. It too is a tenaciously catchy enticement all the same though which imagining The Everlys and Walker Brothers born as one and breaking out today gives a sense of this superb slice of contagious pop.

Thought gets the focus over body with the balladry of next up Looking Back For Something New, though it is hard not to sway to its melancholy lined tone and melodically intimate presence, while Run with at first a similar gait brews a contagion which has body and spirit rocking as again eighties funk/pop collude with electronic and creative drama. Both of the songs have a firm hand on ears and lustful attention though each is eclipsed by the bold exploits of Dangerzone, a theatre of rock pop which surely has to be the next single. Some tracks make you greedy for more, this is one for Jensen though one among quite a few to be honest but the show stealer of Disturbed for these ears.

The album concludes with I Carry My Cross, a beguiling dark folk/ country spectacle weaving in strands of gypsy, carnival and Latin rock which with its hypnotic funereal march is reason alone to take a chance on exploring one rousing release.

To be honest as much as we loved the single Trust Is My Anchor a few months back we were maybe expecting Disturbed to just back up its striking presence rather than take things to a whole new level. Boy, were we off the mark, the album a BIG must for all rock, pop, indie fans well everyone who loves boisterously catchy and emotionally honest music.

Disturbed is released September 15th with the single Only Die Once out September 8th.

http://www.andreassjensen.com/    https://www.facebook.com/AndreasJensenMusic    https://twitter.com/andreassjensen

Pete RingMaster 04/09/2017

Copyright RingMaster: MyFreeCopyright

High Down – Moving On

Suggesting they might be the ones to give the British pop punk scene an invigorating new breath, Portsmouth hailing High Down have just released their first EP. Moving On offers five slices of ear pleasing infection carrying punk rock, each bearing a sound with a spikiness which alone commands attention and further investigation.

Emerging last year, High Down made a potent mark with debut single Family & Fiends, the track recorded with producer Matt O’Grady (You Me At Six/Deaf Havana). Its impact was followed by the band playing slots at the likes of Seasick Fest, Butserfest, and Teddy Rocks Festival as well as share stages with bands such as WSTR, Roam, and Like Pacific. It is fair to say that things are beginning to stir for the quartet, a motion sure to gain momentum through Moving On.

The EP opens up with new single Life Lessons, guitars instantly luring ears with their catchy invitation. It is an infectiousness which is as instinctive in the vocal prowess of Luke Smithson and the rhythmic stroll of bassist Tim Hoolahan and drummer James Grinter who it appears has since left the band. The energy of the song is bold but with an enterprising restraint, it constantly pulling on the reins throughout but blossoming from that same reflective control. Feet and ears are soon lost to its temptation, appetite to its mix of harmonic warmth and again reserved but open irritability.

Making History backs up the fine start with its own line in melodic suggestion and rhythmic persuasion, it too keeping a hold on its boisterousness but giving enough of a rein to stir the spirit especially within another rousing chorus. The guitars of Darrell Ellis and Joe Soar weave a captivating web of sonic adventure with the former’s vocals potently backing the lead tones and expression of Luke Smithson. There are no big surprises yet each moment of accomplished endeavour increases the song’s draw, a quality just as inescapable in next up All On You. High Down has been given comparisons to artists such as Blink 182 and New Found Glory, the third track with its high kicking beats and nagging riffs a contagious example of why. There is a greater fire in its belly than in its predecessors and similarly an even more imposing catchiness that commands attention and response as smart hooks and harmonic dexterity relentlessly tempt.

The acoustic seduction of Rescue Me follows with vocals and guitar crooning knowingly with thought and emotion. The song features the guest tones of Nottinghamshire singer Christina Rotondo, her vocal beauty a striking essence in the union with the similarly impressing presence of Smithson. With a rawer edge to its gritty finale, the track grows in intensity and emotion to truly hit the spot before making way for the pinnacle of the release. The best track on offer for these ears, Against The Tide instantly winds wiry tendrils of guitar around ears, their steely touch alone a keen lure but only tightening their invitation with their niggling prowess, one matched in dexterity and persuasive trespass by the muscular swings of Grinter and the growling bass of Hoolahan. It is a dynamic and imposing yet again seriously infectious proposal to bring the highly enjoyable encounter to a fierce close.

In many ways there is nothing overly remarkable about Moving On yet every moment it shares is rich in enterprise and energy whilst being backed by a potential which suggests High Down can have a big presence on the UK if not European pop punk theatre.

Moving On is out now and available @ http://highdownuk.bigcartel.com/

https://www.facebook.com/highdownuk    https://twitter.com/highdownuk

Pete RingMaster 05/09/2017

Copyright RingMaster: MyFreeCopyright