A Blue Flame – The Girl Inside of You

A Blue Flame_RingMasterReview

Adding to a host of recent singles which hint of potent times for their creators and the releases they are taken from is The Girl Inside of You, the new track from A Blue Flame. Plucked from their latest album What We’ve Become Is All That Now Remains, the single is a thumping slice of rousing songwriting and a melody thick sound with a Brit Pop meets folk rock flavouring and an encounter very easy to get seriously involved in.

A Blue Flame art_RingMasterReviewA Blue Flame is the project of Leicester based songwriter, Richard Stone and What We’ve Become Is All That Now Remains the successor to debut album Someone Else’s Dreams Will Fill Our Home which was released in 2013 under the name of Woodman Stone. With its lead song Does Madonna Dream of Ordinary People gaining strong airplay across the likes of BBC 6Music and BBC Leicester, Tom Robinson was one declaring their support, calling Stone’s music: “wonderful unashamed pop music that comes with an inbuilt English Pop sensibility running through to its very core“. The Girl Inside of You is destined to find the same success and more, with What We’ve Become Is All That Now Remains, which features some of Leicester’s best musicians including co-producer Adam Ellis on guitar and Tony Robinson from The Beautiful South on keys and brass, following suit.

The Girl Inside of You strolls in with bold hooks and rhythms aligned to an instant melodic lure. It’s commanding breath relaxes slightly as Stone’s lyrical and vocal prowess works on the imagination but the song’s potency never lessens as creative enterprise and punchy emotion fuelled imagination is added to its web of temptation.

As subsequent smart twists and turns ensure there is nothing predictable about the song, there is something of The Jam in their Setting Sons period spicing to the encounter which as you can imagine does it no harm either. The Girl Inside of You is one of those songs hard to get enough of; one all the while suggesting that a definite look at the album it graces (look out for our review soon) is in order.

The Girl Inside of You is out now with What We’ve Become Is All That Now Remains available 19th August @ https://itunes.apple.com/gb/artist/a-blue-flame/id1078425623 and http://www.cdbaby.com/Artist/ABlueFlame

https://www.facebook.com/ablueflame/

Pete RingMaster 19/08/2016

Copyright RingMaster: MyFreeCopyright

Raging Speedhorn – Lost Ritual

Lost Ritual Artwork_RingMasterReview

Eagerly awaited, the fifth album from British metallers Raging Speedhorn, and the first since their return around two years ago, rips into ears and senses looking to make up for lost time. Lost Ritual has all the venom, spite, and intensity that the Corby in Northamptonshire hailing sextet is renowned for, and the quality, but all honed into their most potent and savagely stylish proposition yet. As expected Raging Speedhorn is a beast on the album, their sound an uncompromising trespass, and Lost Ritual simply the most invigorating tempest.

The past couple of years have seen the band prove themselves a live encounter no metaller should miss, continuing where they left off eight years earlier whether destroying smaller intimate venue audiences or mass crowds at festivals such as Sonisphere, Bloodstock, and Damnation. The successor to 2007 album Before The Sea Was Built, the crowd funded Lost Ritual is the first album to feature guitarist Jim Palmer and also sees vocalist Frank Regan returning nine years after his last appearance on 2005 album How the Great Have Fallen.

An anticipation feeding teaser to the Russ Russell recorded album was offered earlier this year as part of a DesertFest split with Monster Magnet via H42 Records. Fair to say, Halfway To Hell grabbed the throat and ravaged the senses to get the juices flowing for Lost Ritual and the album swiftly shows it is not a lone highlight with opener Bring Out Your Dead. Instantly a plaintive groove winds around ears, its lure quickly joined by the meaty grizzle of Dave Thompson’s bass and the mighty swipe of Gordon Morison’s sticks on skin. Right there too are nagging riffs, their tempting courting the ever gripping grooves; guitarists Jamie Thompson and Palmer casting an inescapable web. Completed by the contrasting spite loaded growls of John Loughlin and Regan, song and band devours the senses and spirit, sparking each to new heights of pleasure simultaneously. The track is a debilitating anthem, a rousing roar as contagious as it is violent and Raging Speedhorn at their very best.

Halfway To Hell takes over and now a familiar companion to ears because of its previous release again only ignites body and appetite with ease. Again riffs and rhythms unite and collide as grooves wind and vocals blaze. The band has never been low key in creating the most essential hooks in their encounters and the second song is one has some of their ripest yet, addictive twists and turns inescapable even in the passage of slow predatory enterprise stalked by bestial throat grazing snarls which emerges.

There is no let-up in force, temptation, and virulence as Motorhead erupts in ears next, the track living up to its namesake in tone and sonic dirt while as ever reaping the unique Raging Speedhorn character to big success. A brutal treat, the track makes way for the rapacious prowl of Evil Or Mental. Again the listener is quickly entangled in intrusive grooves and bruising rhythms as vocals crawl over the senses with open ill-will. They are just part of its skilfully woven net of sonic malignancy and enterprise, the encounter rocking like an antagonistic bear before its closing sonic lancing leads into the imposing and thrilling seduction of Ten Of Swords. This is no sweet talking temptress though, the song a lumbering concentrated invasion of tenebrific sound and provocative craft fuelled by a rancorous heart and appetite feeding ingenuity.

It glorious scorn gives may to the raw punk ‘n’ roll of Dogshit Blues, the track an exhausting and exhilarating stirring of body and spirit, and in turn the thick aural incitement of The Hangman. In tone alone, the song is a dark and murderous affair, voice and emotion only adding to its cancerous impact and though musically, it maybe lacks the cache of hooks and twists found in many of its companions, the track cannot help offering another lofty peak within Lost Ritual.

The next up Shit Outta Luck is pure belligerent and inflammatory rock ‘n’ roll, a chest beating incitement for body and soul that will leave all out of breath in energy and bliss. With swinging grooves, lethal beats, and fiery intent, the track is magnificent and swiftly equalled in success by the compelling toxicity and invasive invention of Comin’ Home.

Completed by the enthralling Unleash The Serpent, the darkest and most imaginative track on the album, Lost Ritual shows Raging Speedhorn bigger, bolder, and more creatively belligerent than ever. It is also one of the year’s mightiest rewards from a band world metal needs more than ever.

Lost Ritual is out now digitally and on CD and vinyl @ https://ragingspeedhorn.bandcamp.com/album/lost-ritual and other stores.

https://www.facebook.com/ragingspeedhorn

Pete RingMaster 12/08/2016

Copyright RingMaster: MyFreeCopyright

Chambers – Disappear

Chambers Online Promo Shot_RingMasterReview

Labelling themselves as “Sister Doom”, British duo Chambers is one of those propositions it is simply hard to ignore. With a distinctive character and emotive prowess to their sound, certainly that should be the case with new single/video Disappear. Consisting of guitarist/vocalist Aeris Houlihan and drummer Ellie Churchill, Chambers create moodily brooding, grunge toned rock ‘n’ roll which demands attention while igniting the imagination musically and lyrically.

Formed in 2014, Leeds hailing Chambers proceeded to hone their own individual sound with the guitar enterprise of Houlihan and the songwriting imagination of both uniting to create something openly different to most similarly potent duos. With recent shows with the likes of Shopping, Black Honey, Gap Dream, Sister Mantos, The Mirror Trap, and The Black Delta Movement under their belts, Disappear is the fresh evidence of the girls’ success in creating that individual proposition.

Chambers_Cover_Artwork_RingMasterReviewA lone lure of scuzzy guitar tempts ears first, its broadening body and tone soon joined by the infectious rhythmic swings of Churchill. Just as swiftly the expressive tones of Houlihan add to the affair, it all a flirtation of ears as gnarly and raw as it is contagiously seductive. There is a feel of now demised Karn8 to the song, its catchy hooks and dark temptations a similar enticing as too the heavier rock ‘n’ roll which is ventured into at times by the song. Placebo meets Soundgarden like essences also frequent the track but like spices only add to the distinct character of the Chambers invention

Accompanying Disappear is Love Song, a web of stoner/heavy rock grooves and wiry grunge inspired riffs all soaked in punk rock attitude. As instinctively virulent as its companion, the track shows another aspect to the Chambers songwriting and imagination; taking the listener into the darker, dirtier side of their creative adventure.

Both songs leave a lingering impact and powerfully why Chambers is finding a swell of potent recognition building up round them.

Disappear is out now via Warren Records.

https://www.facebook.com/ukchambers/  https://twitter.com/ukchamberss

Pete RingMaster 12/08/2016

Copyright RingMaster: MyFreeCopyright

The Hostiles – Last Call

The Hostiles Promo Shot_RingMasterReview

Giving the most glorious workout to swinging hips and inexhaustible feet, as well as instinctive pleasure, Scottish Ska-punks The Hostiles recently released new album Last Call. It offers thirteen tracks of melody thick, brass clad, and feverishly delivered punk ‘n’ roll as raw and snarling as they are inescapably irresistible.

Formed in 2001, The Hostiles began with brothers Josh (guitar/vocals), and Chris Barron (bass/vocals). Growing up in the US, the pair was seduced by the sounds of west coast ska and the likes of Reel Big Fish, NOFX, and No Doubt. In their teens, the pair moved to Scotland, soon discovering the rawer energy and sounds of bands such as Capdown, Lightyear, and King Prawn. Linking up with Callum Douglas (drums) and Steve Bruce (trombone), The Hostiles was soon rousing the local live scene with in time Joe Stainke (trombone) completing the current line-up. Quickly renowned for their energetic live performances, the band’s reputation swiftly grew and spread, helped in turn by the release of debut album Always Looking Forward in 2009. Proceeding to share stages with bands such as Reel Big Fish, Less Than Jake, Zebrahead, The Mad Caddies, Strike Anywhere, and many more, The Hostiles followed up their attention luring first album with the Late Nights… And Early Hours EP in 2012 and the single/video For A Good Time Call 07946058526 two years later.

Now it is Last Call drawing attention and from its first minute arousing body and spirit. From the opening intro, the album leaps upon the listener with opener Ed Knows. An attitude laden bassline stalks the initial vocal draw, both leading into a fiery lure of guitar and rapier like swings from Douglas. Quickly as the trombones share their melodic flames, the track is a contagious blaze of infectious sound with a funk infused swing and punk ingrained fuel to its roar. There is little time before the listener is adding their full contribution in voice and movement, a success matched in the following Inconsiderate. A lighter stomp of a song with Hammond flavoured keys courting its instantly open catchiness, it carries a familiar air which only adds to its thrilling appeal.

The Hostiles Cover Artwork_RingMasterReviewThe band’s inspirations are never far from the surface at times, the second song evidence but spices used to shape songs which undoubtedly have The Hostiles character, as shown again in the prowling You Liar. Swaggering alone with mischief in its creative glands, the song is confrontational but an epidemic  of big hooks and intimidating attitude, and quite superb. It reveals the great mix of pop honed and punk rock driven sounds which have sparked the band’s passions over time, all woven into another distinctive proposition before things calm a touch with I’ll Assume. It is just a touch too as the song soon shows its teeth and melodic prowess in a King Prawn like canter with exotic melodies and moody basslines entangling the ever potent vocals and swathes of mariachi hued trombone.

Both Night Out with its dirty tone and ridiculously infectious enterprise and its successor Wish You All The Best has body and soul leaping. The first is ska punk at its most creatively virulent and indeed addictive while the second is a boisterous romp shaped with smart hooks and persuasive melodies as well cast in imaginative drama coloured by rock guitar and theatrical brass.

The album continues to keep the listener on their toes with a broad grin on their face as the punk brawl of Spend My Life, the gentler sway of So, I Wonder, and the blazing exploits of Late Nights come, go, and leave ears and appetite aroused. The third of the trio especially adds another pinnacle to Last Call, all offering undeniable reasons to embrace The Hostiles adventure, with To Err Is Human providing another major highlight. The band’s latest single, it also has a hint of Mariachi El Bronx to its melodic and trombone nurtured side, a great flavour mixing with heavier punk rock attitude.

Released From Captivity uncages another addictive tempting, guitars and bass alone creating a web of hooks which snare body and heart with ease. Familiar essences come to the surface of the song but flavours simply used to shade its own individual devilment before the closing pair of encounters starting with Nobody Else. The song does not make the same impact as others within Last Call, yet has mutual participation with ease so does little wrong before the album’s title track brings it all to a cantankerous close. It is a ska infested hardcore brawl of a proposal, vocals a throated scraping challenge as brass bring a tonic to the imposingly grouchy touch of guitar and rhythms.

It makes for an unexpected and pleasing end to a release which sees ears and fingers itching to go again within seconds of its close. There are a few rather special ska flavoured punksters around right now and as proven by Last Call, The Hostiles stand by their side.

Last Call is out now on Bubble Tea Records @ http://thehostiles.bandcamp.com/

https://www.facebook.com/thehostiles/   http://www.thehostiles.co.uk/

Pete RingMaster 05/08/2016

Copyright RingMaster: MyFreeCopyright

Furian – What’s Up

Photo by Megan Geddes Photography

Photo by Megan Geddes Photography

Furian is one of the emerging bands being highly spoken of within the UK rock scene and they certainly do their growing reputation no harm with new single/video What’s Up. The track is a powerful slice of the band’s post hardcore flavoured rock ’n’ roll, a fierce and imaginative encounter which suggests this is a band worth checking out further.

Formed in 2014, Furian quickly lit up the Liverpool music scene with their live presence and debut single/video Now I Know. Since then, the quartet of vocalist/guitarist Dan Martin Hall, guitarist Joe Strode, bassist Abhi Tee, and drummer Damien Campbell have released a well-received EP, undertaken a UK tour and shared stages with the likes of They Say Fall and Vanity Draws art_RingMasterReviewBlood. What’s Up is Furian’s next step in their rise, a proposition fuelled by potential hard to ignore.

The song instantly descends on the senses with a wall of hefty rhythms and ear entangling sonic confrontation driven by the raw vocal attack of Hall. It is ferocity though with an underlying infectiousness and melodic intrigue which blossoms as clean vocals and harmonies float with warm melodic enterprise. The band continues to combine both extremes across the song, increasingly venturing into the mellower invention of their imagination with guitars and voice a mesmeric proposal perfectly contrasted by the harsher expulsions of sound and emotion.

There is an essence of Deftones to the ‘milder’ side of the track and Hall’s calmer vocals and a fierceness ventured into by vocalist and song which hints at the likes of Underoath and Hopesfall, yet combined it emerges with a freshness all of the Furian making.

What’s Up is maybe not a game changer for Furian but it certainly adds to their rising stock and reputation while hinting of greater things to come.

What’s Up is out now via PYAR Records.

https://www.facebook.com/furianmusic       https://twitter.com/furianuk

Pete RingMaster 05/08/2016

Copyright RingMaster: MyFreeCopyright

Everyday Sidekicks – Fracture

Everyday Sidekicks Online Promo Shot_RingMasterReview

Fracture is the new video single from British post hardcore quartet Everyday Sidekicks and a track which venomously growls as it grips ears in a pleasing tempest of sound and emotion.

Towards the end of last year, the Bristol hailing band released The Things I’ve Seen EP, an encounter which certainly pleased with the potential of bigger and stronger things to come the lingering emotion. Fracture realises some of that promise, the track a rousing and imaginative confrontation revealing the swift growth of the band’s sound since emerging in 2012, debut single Hometown Hero two years later, and indeed since that last EP. The years have seen the foursome of vocalist Archie Hatfield, guitarist Tim Brown, bassist Sam Hughes, and drummer Mat Capper earning a potent reputation for their live shows, which have included sharing stages with ands such as Marmozets, Shvpes, and Coldrain, and praise from the likes of Rock Sound, Metal Hammer, and Powerplay Magazine. Fracture suggests a new chapter in their ascent and continuing plaudits will be no surprise.

The single descends on ears in a wall of thumping rhythms and climactic riffs, both wrapped in melodic intrigue before things settle down into a groove infested swing fluidly broken up by the blend of harsh and clean vocals as well as a web of suggestive enterprise from the guitar of Brown. The intensity and power unleashed by Hughes and Capper is formidable; almost merciless at times as they drive the song forward but always respectful of the ‘gentler’ aspects of the track and its varied dynamics.

As yet, the Everyday Sidekicks sound is not the most unique but Fracture shows an individuality to the band which is equally as big a step forward as the imagination involved.  Everyday Sidekicks left satisfaction behind with The Things I’ve Seen EP, Fracture leaves an excited pleasure with the suggestion of plenty more to come.

Fracture is out now.

https://www.facebook.com/everydaysidekicks   https://twitter.com/edskofficial

Pete RingMaster 05/08/2016

Copyright RingMaster: MyFreeCopyright

Elements – Make It Out Alive

Elements Promo Photo_RingMasterReview

As part of the exciting 2015 released Where We Once Begun EP, the track Make It Out Alive was an offering from UK alternative rockers Elements which took longer to spark the senses than many of its companions but alone left expectations of major things from the band. Fair to say it has also proven to be a track which has only grown in thoughts and enjoyment since that first outing, blossoming over persistent listens and now makes for a striking new video single for the Southampton hailing quintet.

Elements Cover Artwork_RingMasterReviewFormed towards the end of 2013, Elements have proceeding to forge a strong live reputation taking in shows with the likes of Bad Rabbits, The Afterparty, DEAD!, Ashes To Angels, The Hype Theory, and Public Service Broadcasting plus tours with They Say Fall, Elessar, As December Falls, and You Know The Drill along the way. The band’s aforementioned second EP, Where We Once Begun sparked eager attention and praise from Powerplay Magazine and Big Cheese among many, with the single Shaman from the Phil Gornell produced encounter leading the way. Continuing to make their name on the live circuit since, Elements now uncages Make It Out Alive on its own to stir up further attention.

The track opens on an alluring guitar jangle and the swiftly impressing voice of Graham Rogers, both quickly joined by a more maudlin bassline amid a sonic shimmer. The band’s rhythmic muscle is soon giving further depth and intensity to the song, the hefty swings of drummer Ash Martin uniting with the darker tones of Max Bakker’s bass as guitarists Ollie Butler and Robin Small cast a web of melodic imagination and dexterity. Captivating with increasing energy, as the backing vocal prowess of Bakker and Butler adds another further impressing texture to the adventurous and cleverly layered encounter, Make It Out Alive grabs ears and imagination alike.

As suggested the song is a grower; quickly pleasing on first listen and growing into a beaut of a proposition over time ensuring anticipation for Elements’ next step takes on certain eagerness.

Make It Out Alive is out now @ http://elementsmusick.bandcamp.com/track/make-it-out-alive

https://www.facebook.com/elementsmusicuk   https://twitter.com/elementsmusicuk

Pete Ringmaster 05/08/2016

Copyright RingMaster: MyFreeCopyright