Of Kings and Captains – Jack My Boy

of-kings-and-captains-pic_RingMasterReview

Ahead of their new EP Give ’em Hell Son, British pop rockers Of Kings and Captains have released new single Jack My Boy, a mercilessly infectious slice of robust rock ‘n’ roll lying somewhere between The Pirates, Eddie and the Hot Rods, and The Wildhearts. It is hard to imagine that the Black Country hailing band could have found a more rousing teaser for their new EP, the new single taken from it one of those proposals which instinctively grips ears, voice, and bodies easily enlisting their eager involvement in short time.

Stourbridge bred, Of Kings and Captains released their debut album in 2015 to eager reactions; its success backed up by a potent live reputation which has seen the band share stages with the likes of McFly and Kids in Glass Houses among many and recently undertake a five date stadium tour with Bon Jovi. The foursome of vocalist/rhythm guitarist Luke Wassell, lead guitarist Joshua Lomas, bassist Dean Greatbatch, and drummer Kieran Lock linked up with producer Gavin Monaghan (The Twang, Editors, Niplozi) and Joseph Murray for Give ’em Hell Son and if Jack My Boy is anything to go by, with thrilling success.

A song according to Wassell which is “…about self-confidence and defying people who doubt you! it’s all about sticking to your guns and being yourself regardless of how people might put you down. It’s about being individual and kicking back against the norm“, Jack My Boy has all attention leaning its way from the initial lure of drum enticement. Lock’s magnetic rhythms are quickly joined by an anthemic bassline and eager twang loaded riffs, they in turn turning to an array of fifties seeded hooks as Wassell’s tones whips up even more infectious bait to the already catchy encounter. From there the track continues to lead the listener, drawing them towards seriously virulent choruses, they irresistible peaks in one, from start to finish, spirit arousing stomp.

It takes just one listen to be firmly involved in the song with every encounter after drawing keen and full participation. If Jack My Body is a sign of things to come with Give ’em Hell Son, the EP is a must.

Jack My Boy is out now with the Give ’em Hell Son EP available for download from all good digital retailers September 9th.

Upcoming Gig Dates:

Sept 9th – Katie Fitzgerald’s – Stourbridge (Acoustic Show)

Sept 29th – RiverRooms – Stourbridge

Sept 30th – The Shed – Leicester

Oct 15th Wulfrun Hall ­‐ Wolverhampton

https://www.facebook.com/ofkingsandcaptains   http://ofkingsandcaptains.com/   https://twitter.com/ofkingsandcaps

Pete RingMaster 08/09/2016

Copyright RingMaster: MyFreeCopyright

Able Archer – Scars

AA_RingMasterReview

Offering a flavoursome taster of their debut album, due for release in October, Irish band Able Archer has just released new single Scars. Previously the Dublin quintet band has revealed a strong ability to create tracks which arouse the spirit, emotionally ignite the imagination, and stir the listener with anthemic strength. Now they show a fresh and broader adventure to their sound which, though going by just the one song, suggests it will be a key character of the impending Chris Sheldon (Foo Fighters, Biffy Clyro) mixed and produced full-length.

Formed in 2011, Able Archer soon earned a potent local following which branched out as the likes of 2013 debut EP, Bullets, and its successor The Trouble with Strangers two years later, caught ears and imagination alike. Singles like Ghostmaker and The Warden have especially been potent in drawing fan and online radio support and with a live presence to match their adventurous sound Able Archer has established themselves as one of the most exciting propositions to emerge in recent years. It is too early to tell if their album is going to be the trigger to breaching greater attention and spotlights but Scars suggests it is certainly a possibility.

Scars is more of a slow burner compared to the likes of Ghostmaker yet it only needs one listen to leave an imprint, its depths and layers becoming more vocal over subsequent ventures. Rhythms and keys take a hold first, their introduction soon entangled in the melodic suggestiveness of guitar before vocalist Emmet McCaughey shares his distinctive tones. With the infectious stroll of Diarmuid Breathnach’s bass aligning with the equally contagious invention of guitarist Rob McDonnell and the mesmeric lure of Neil Buckley’s keys, the song is soon a magnetic roar with a rising intensity to match the emotional charge of the vocals.

As suggested, the song warrants time to unveil all its strengths but from the first moment with the swinging beats of Seán O’Connor key, Scars captivates while hinting of something to eagerly anticipate in the shape of the band’s upcoming album.

Scars is out digitally now.

http://www.ablearcher.eu/   https://www.facebook.com/ablearcherireland   https://twitter.com/aablearcher

Pete RingMaster 01/09/2016

Copyright RingMaster: MyFreeCopyright

Archie and the Bunkers + PowerSolo Split Single

sleeve_RingMasterReview

Dirt Water Records are never slow in giving us a treat or two and they have set the bar with the recent release of the split single featuring US duo Archie and the Bunkers and one of our sonic favs, Danish trash rockers PowerSolo. Offering up a juicy slice of their distinctive sounds each, the two pairs of brothers stir the instincts and arouse the spirit in a release all punk, garage rockers, and rock ‘n’ rollers in general should grab a bite of.

Archie_RingMasterReviewWith their self-titled debut album still ringing in and exciting ears since its release towards the end of last year, Cleveland hailing Archie and the Bunkers offer up The Roaring 20’s for the single. Taking their name from the classic US television sitcom All in the Family and drawing on inspirations from the likes of Dead Boys, The Animals, The Stooges, The Screamers, The Damned, Jimmy Smith, and Richard ‘Groove’ Holmes, siblings Emmett (drums/vocals) and Cullen (organ/vocals) instantly involve ears in a barrage of meaty and eager rhythms as the Hammond-esque tones of Cullen’s organ dances alongside. An emerging and lively blend of sixties garage rock/pop and blues infested psych devilry; the song starts as a fuzzy yet relatively controlled proposal but the passing minutes see a loco element brewing and subsequently bringing even more riveting discord and unpredictability to a rousing song and climax. As well as a tasty part of the single, The Roaring 20’s also provides a myriad of reasons to explore Archie and the Bunkers more and to check out their first album.

The same applies to PowerSolo and their offering. The truth is that if you have not been bitten by their sonic bug yet you have been missing out for a fair while PwerSolo_RingMasterReviewnow. Coming out of Arhus, brothers and string distorting guitarists/musicians Kim Kix and the Atomic Child are one of kind. Musically they seem bred from the same genes and inspired by the likes of Hasil Adkins, Charlie Feathers, and the Cramps, but as proven by their handful of albums, the duo defy one style, a single sound, and any tries to pin them down. Powersolo get the body shaking and swerving while the senses and psyche are being violated, all with delicious effect, and Fuzz Face, their contribution to the split, is no exception.

A single hook teases first, an accusation of one’s face quickly following before riffs and rhythms join the devilish affair. That initial hook continues to tempt, its lure simple but virulent as vocals and beats dance around with flirty shenanigans. With a perpetual swing which alone grips body and heart, the song and duo cast a soundtrack suitable for everything rebellious, frivolous, and downright naughty.

Two wicked bands and two irresistible romps, what more could anyone want.

The Archie and the Bunkers + PowerSolo Split Single is out now via Dirty Water Records @ http://www.dirtywaterrecords.co.uk/shop/#!/Split-single-PowerSolo-vs-Archie-and-the-Bunkers-7-+-download/p/67128820/category=13761039

https://www.facebook.com/archieandthebunkersofficial   http://www.archieandthebunkers.com/

https://www.facebook.com/POWERSOLODK   http://www.powersolo.dk/  http://www.dirtywaterrecords.co.uk/powersolo

Pete RingMaster 24/08/2016

Copyright RingMaster: MyFreeCopyright

Righteous Reprobates – Scarlet Sky

Righteous Reprobates_RingMasterReview

Scarlet Sky is the new single from UK indie rockers Righteous Reprobates, a song which infectiously shimmers and lingeringly jangles from its first touch.

Based in London and Kent, Righteous Reprobates draw on inspirations from the likes of Oasis, Arctic Monkeys, Nirvana, The Beatles, and Led Zeppelin. Openly a nineties Brit Pop flavour escapes their sound, the quartet using it, on the evidence of Scarlet Sky, to spice up an instinctive ability to create an infectious proposal. Certainly the song wears its influences openly; a familiar character to its sound hard to escape but similarly the new single shows all the attributes and invention which has seen the band draw strong attention and radio play since emerging.

From the first breath Scarlet Sky grips ears in its glowing lure of sound, its steely texture and smouldering melodies encasing warm vocals and harmonies as rhythms frame it all with a web of catchiness. The vocals of guitarists Rob White and Jack Griffiths emerge to unite perfectly across the inviting landscape of the track, their fingers equally casting a weave of angular and melodically spicy enterprise with just a touch of the 80’s more mod inspired bands such as Purple Hearts and The Chords to it.

With bassist Jack Collier offering a pulsating stroll through his strings as drummer Charlie Kenny drives proceedings with captivating beats, it all adds up to a highly enjoyable and tasty insight into the anthemic sound and growing imagination of Righteous Reprobates.

http://www.righteousreprobates.com   https://www.facebook.com/righteousreprobates

Pete RingMaster 25/08/2016

Copyright RingMaster: MyFreeCopyright

The Sad Song Co. – Legacy Of Love

TSSC_RingMasterReview

An encounter which strokes ears and emotions simultaneously, Legacy Of Love provides a highly flavoursome and enthralling lure into the new album from British band The Sad Song Co. Their new single is the lead track from upcoming full-length in amber, a potent coaxing which alone you can only imagine stirring up plenty of attention.

The Sad Song Co. is the solo project of multi-instrumentalist Nigel Powell, the founder/ex-member, producer and writer of Unbelievable Truth and currently drummer for Frank Turner And The Sleeping Souls and Dive Dive. The band also involves Jason Moulster, also previously of Unbelievable Truth, and began around 2000 when Powell gathered up the songs he had written The Sad Song Co - art_RingMasterReviewfor the by then demised band for The Sad Song Co. 2003 saw the release of debut album miseryguts with its successor Poignant Device unveiled four years later. With his subsequent busy time with Dive Dive and in turn Frank Turner among other things, Powell’s solo work was eventually put on hold until 2015 when he began working on a collection of songs loosely based around stories of people in and around an old people’s home, now released as in amber.

Legacy Of Love is the initial teaser, a song which ambles into ears on a suggestive guitar spun melody. Swiftly joined by tempered rhythms and inspiring harmonies, the track quickly grips the imagination. An inescapable catchiness is just as eagerly pouring temptation upon the senses, ebbing and flowing across the different energies of the song but never losing its potency as poetic melodies and open enterprise seduce.

As powerfully enticing as it is straight off, the song only seems to find a richer flame to impress with through every listen; growing orchestral imagination and rousing vocals alone adding to the suggestive drama on offer. Legacy Of Love is pure captivation and if a sign of things to be discovered within in amber, The Sad Song Co. have a wave of acclaim coming their way.

Legacy Of Love is out now with in amber released 26th August and available for pre-order digitally now @ http://itunes.apple.com/album/id1115493244?ls=1&app=itunes and on CD/vinyl @ http://www.banquetrecords.com/TSSC1602

https://www.facebook.com/thesadsongco   https://twitter.com/sadsongco   https://www.instagram.com/sadsongco/

Pete RingMaster 19/08/2016

Copyright RingMaster: MyFreeCopyright

A Blue Flame – The Girl Inside of You

A Blue Flame_RingMasterReview

Adding to a host of recent singles which hint of potent times for their creators and the releases they are taken from is The Girl Inside of You, the new track from A Blue Flame. Plucked from their latest album What We’ve Become Is All That Now Remains, the single is a thumping slice of rousing songwriting and a melody thick sound with a Brit Pop meets folk rock flavouring and an encounter very easy to get seriously involved in.

A Blue Flame art_RingMasterReviewA Blue Flame is the project of Leicester based songwriter, Richard Stone and What We’ve Become Is All That Now Remains the successor to debut album Someone Else’s Dreams Will Fill Our Home which was released in 2013 under the name of Woodman Stone. With its lead song Does Madonna Dream of Ordinary People gaining strong airplay across the likes of BBC 6Music and BBC Leicester, Tom Robinson was one declaring their support, calling Stone’s music: “wonderful unashamed pop music that comes with an inbuilt English Pop sensibility running through to its very core“. The Girl Inside of You is destined to find the same success and more, with What We’ve Become Is All That Now Remains, which features some of Leicester’s best musicians including co-producer Adam Ellis on guitar and Tony Robinson from The Beautiful South on keys and brass, following suit.

The Girl Inside of You strolls in with bold hooks and rhythms aligned to an instant melodic lure. It’s commanding breath relaxes slightly as Stone’s lyrical and vocal prowess works on the imagination but the song’s potency never lessens as creative enterprise and punchy emotion fuelled imagination is added to its web of temptation.

As subsequent smart twists and turns ensure there is nothing predictable about the song, there is something of The Jam in their Setting Sons period spicing to the encounter which as you can imagine does it no harm either. The Girl Inside of You is one of those songs hard to get enough of; one all the while suggesting that a definite look at the album it graces (look out for our review soon) is in order.

The Girl Inside of You is out now with What We’ve Become Is All That Now Remains available 19th August @ https://itunes.apple.com/gb/artist/a-blue-flame/id1078425623 and http://www.cdbaby.com/Artist/ABlueFlame

https://www.facebook.com/ablueflame/

Pete RingMaster 19/08/2016

Copyright RingMaster: MyFreeCopyright

Chambers – Disappear

Chambers Online Promo Shot_RingMasterReview

Labelling themselves as “Sister Doom”, British duo Chambers is one of those propositions it is simply hard to ignore. With a distinctive character and emotive prowess to their sound, certainly that should be the case with new single/video Disappear. Consisting of guitarist/vocalist Aeris Houlihan and drummer Ellie Churchill, Chambers create moodily brooding, grunge toned rock ‘n’ roll which demands attention while igniting the imagination musically and lyrically.

Formed in 2014, Leeds hailing Chambers proceeded to hone their own individual sound with the guitar enterprise of Houlihan and the songwriting imagination of both uniting to create something openly different to most similarly potent duos. With recent shows with the likes of Shopping, Black Honey, Gap Dream, Sister Mantos, The Mirror Trap, and The Black Delta Movement under their belts, Disappear is the fresh evidence of the girls’ success in creating that individual proposition.

Chambers_Cover_Artwork_RingMasterReviewA lone lure of scuzzy guitar tempts ears first, its broadening body and tone soon joined by the infectious rhythmic swings of Churchill. Just as swiftly the expressive tones of Houlihan add to the affair, it all a flirtation of ears as gnarly and raw as it is contagiously seductive. There is a feel of now demised Karn8 to the song, its catchy hooks and dark temptations a similar enticing as too the heavier rock ‘n’ roll which is ventured into at times by the song. Placebo meets Soundgarden like essences also frequent the track but like spices only add to the distinct character of the Chambers invention

Accompanying Disappear is Love Song, a web of stoner/heavy rock grooves and wiry grunge inspired riffs all soaked in punk rock attitude. As instinctively virulent as its companion, the track shows another aspect to the Chambers songwriting and imagination; taking the listener into the darker, dirtier side of their creative adventure.

Both songs leave a lingering impact and powerfully why Chambers is finding a swell of potent recognition building up round them.

Disappear is out now via Warren Records.

https://www.facebook.com/ukchambers/  https://twitter.com/ukchamberss

Pete RingMaster 12/08/2016

Copyright RingMaster: MyFreeCopyright