It has been a busy year for New Zealanders The Cavemen from just releases alone. April saw the unleashing of their exceptional self-titled debut album followed in June by the just as rousing and wonderfully arrogant two track single Juvenile Delinquent. Now the quartet of vocalist Paul, guitarist Jack, bassist Nick, and drummer Jake Caveman have freed new offering Too High To Die/I’d Kill ahead of yet another album; the single two slices of the band’s distinctive garage bred punk ‘n’ roll which is impossible not to get lustfully off on.
Now UK based, The Cavemen have arguably unearthed their most primal and trashiest sound for their new single; breeding both tracks with the kind of punk rock which has ignited and corrupted rock ‘n’ roll since the days of Gene Vincent and Jerry lee Lewis, through the likes of Hasil Adkins and The Stooges, and on to the likes of The Cramps, Gun Club, and The Ramones and more. Raw and cast in lo-fi manna, the single sizzles on the senses as it infests the body and purges the psyche like a predacious attack of sonic leprosy.
Too High To Die rumbles and grumbles from its first sonic lancing of ears, rhythms cantankerously bouncing as deranged vocal urgency colludes with the winy enterprise of the guitar. The whole song is like one giant chorus such its rousing catchiness with the fiery guitar solo additional toxicity to greedily devour.
Companion I’d Kill is just the same, a virulent stomp from first note to last but even more soaked in seventies punk with a touch of bands like The Saints and The Lurkers to it. A belligerent snarl with more contagion to its persuasion than any plague, the track alone but definitely in union with Too High To Die sparks even more impatient anticipation for The Cavemen’s impending second full-length.
Too High To Die / I’d Kill is out now via Dirty Water Records @ http://www.dirtywaterrecords.co.uk/shop/#!/The-Cavemen-Too-High-To-Die-b-w-Id-Kill-download/p/70351208/category=18119001
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Pete RingMaster 23/09/2016
Copyright RingMaster: MyFreeCopyright
With their self-titled debut album still ringing in and exciting ears since its release towards the end of last year, Cleveland hailing Archie and the Bunkers offer up The Roaring 20’s for the single. Taking their name from the classic US television sitcom All in the Family and drawing on inspirations from the likes of Dead Boys, The Animals, The Stooges, The Screamers, The Damned, Jimmy Smith, and Richard ‘Groove’ Holmes, siblings Emmett (drums/vocals) and Cullen (organ/vocals) instantly involve ears in a barrage of meaty and eager rhythms as the Hammond-esque tones of Cullen’s organ dances alongside. An emerging and lively blend of sixties garage rock/pop and blues infested psych devilry; the song starts as a fuzzy yet relatively controlled proposal but the passing minutes see a loco element brewing and subsequently bringing even more riveting discord and unpredictability to a rousing song and climax. As well as a tasty part of the single, The Roaring 20’s also provides a myriad of reasons to explore Archie and the Bunkers more and to check out their first album.
now. Coming out of Arhus, brothers and string distorting guitarists/musicians Kim Kix and the Atomic Child are one of kind. Musically they seem bred from the same genes and inspired by the likes of Hasil Adkins, Charlie Feathers, and the Cramps, but as proven by their handful of albums, the duo defy one style, a single sound, and any tries to pin them down. Powersolo get the body shaking and swerving while the senses and psyche are being violated, all with delicious effect, and Fuzz Face, their contribution to the split, is no exception.