Indigo Sixteen – Bring on the Rain

Not having previously come across their previous trio of singles, their new track Bring on the Rain is our long overdue introduction to Indigo Sixteen. It is a compelling jangle of indie/punk devilry from a band looking ready to step into the long line of unique and compelling Scottish propositions of decades past.

Creating a sound which by design or chance embraces the essences of classic bands like Scars and Josef K as well as British outfits like The Libertines and Skellums, Edinburgh hailing Indigo Sixteen emerged in 2013. Leaning on inspirations ranging from Kasabian, The Smiths, and Joy Division to The Jam, Daft Punk, Kraftwerk, and Nirvana, Indigo Sixteen previously released the singles Decide (2014), And What? (2014/15), and Come and Go (2016). Now it is Bring on the Rain ready to stir greater attention the way of the quartet and as it plays in the ears it is hard to imagine it not rousing up a host of new fans.

The vocals of guitarist Stephen Mallin pull the song into view, the equally alluring creative clamour of fellow guitarist Matt McPherson adding its melodic jangle to his and the rhythmic shuffle of drummer Callum Davidson and bassist Andrew Stears. Carrying an energetic and virulent swing to its gait and spirited tenacity to its character and enterprise, the song reveals its punk and indie sides with zeal, merging them into a proposition maybe not yet truly distinct but as gripping and exciting as you could wish for.

Those earlier suggested flavours swiftly come to mind in the song to add to its appeal and a quickly bred anticipation for the next band’s next steps.

Bring on the Rain is out now.

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Pete RingMaster 21/11/2017

Copyright RingMaster: MyFreeCopyright

Caesaria – Come on & Dance

The title track from their latest EP, Come on & Dance is the new single from French outfit Caesaria. As with the band’s previous releases the song sees the band’s fusion of electronic rock, pop, and dance music tease and tempt with ear grabbing enterprise, and like those encounters adds greater stock to the building reputation of the quartet.

Emerging in 2013, the foursome of Théo Chaumard, Ced Machi, Thomas Fariney, and Louis Arcens whipped up broader attention last year with the Bring My Ears Back EP. It was an ear grabbing introduction to a wider audience of the band’s magnetic electronic rock pop first heard in debut EP Sparks of Visions and since further explored in the singles Wavin’ Goodbye and now Come on & Dance. As its source EP, the track pushes the band’s songwriting and sound into a new adventure just as easy to dance to as anything before while offering even richer incitement for the imagination.

The song instantly wraps ears in an atmospheric electronic cloud, its touch gentle yet shadowed. From within the band’s already impressive enticement a harmony of vocals serenade, their varied textures matched by the blossoming sound and its flirtatious stroll. An unexpected passage of invention provided by Irish rapper Sheridan subsequently steps forward, adding further magnetism as potent as the dance of the rhythms dance and the eighties spiced temptation cast by the synths.

The track’s captivation is full from start to finish even if it never erupts into the vigorous celebration its energies suggest; in fact that restraint adds to its depth and character ensuring that expectations are left lonely in its adventurous and virulently haunting escapade.

Caesaria is a band beginning to make a potent mark on the European rock scene, something Come on & Dance will only assist.

Come on & Dance is released November 24th

http://www.caesaria.fr/    https://www.facebook.com/wearecaesaria/     https://twitter.com/WEARECAESARIA    https://www.instagram.com/wearecaesaria/

Pete RingMaster 21/11/2017

Copyright RingMaster: MyFreeCopyright

Serenade The Stars – She’s The One

The brainchild of songwriter/guitarist Damian Carruthers, Serenade The Stars is a new proposition on the British music scene about to make their full and rather flavoursome introduction with debut single She’s The One.

Formed in Amersham/Chesham earlier this year, Carruthers has united with the talents of vocalist Matthew Harman, guitarist/bassist James Wrigley, and drummer James Burton to bring his ideas first formulated around five years back and songwriting to life. A tale of “falling hopelessly for the girl of your dreams and the ensuing battle that goes on in your mind about how to confess your love…”, She’s The One quickly wraps ears in its melodic grace and emotive expression. Harman’s impressive tones are soon in the mix too, uniting with the tender yet powerful sounds with matching endeavour as the track bares its heart and enterprise.

Echoing a premise we all have awareness with, the song is a magnet which seems to draw attention with greater adeptness listen by listen, its more familiar aspects just as potent as its individual traits and prowess.  She’s The One is just the one song but more than hints that we might have a very promising and captivating prospect in store ahead with Serenade The Stars.

She’s The One is out December 1st.

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Pete RingMaster 21/11/2017

Copyright RingMaster: MyFreeCopyright

Ragweed – Silver Spoon

Having caught the attention and passions with debut album Parerga three years ago, British rockers Ragweed has in their words, “gone through a rebirth”. They have come out of that moment of reassessment or evolution with a sound which is darker, dirtier, and flush with more salacious grooves and rousing antics than offered by an exuberant pole dancer. The evidence is all there in latest single Silver Spoon, a three- track extravaganza of devilish rock ‘n’ roll.

Just coming off of another self booked UK tour, the latest on a long line of successful ventures, this one in support of their latest release, the Brighton hailing trio forcibly build on and reinforce the fresh sense of contagious adventure and imagination their sound first introduced within last year’s AA-sided single Rust Box. As its predecessor, Silver Spoon is released through Milky Bomb Records and has been mastered by Alan Douches (Motorhead, Cancer Bats, Every Time I Die, Screaming Females) of West Side Music, New York, he getting involved having been taken with the band’s previous outings.

The single across its three parts is a tenacious and flirtatious blend of rock, punk, noise, and raw pop; tracks still embracing the heavy almost imposing essences of the band’s earlier releases but with a virulence and catchiness which really and lustily gets under the skin and into the limbs. Lead song, Silver Spoon instantly thrusts its muscular fingers upon the senses, predacious scythes of guitar drenched in sonic filth and so inviting especially once springing a groove woven swagger with rapaciously coaxing rhythms. The song’s swing is matched in the vocals, their boisterous energy as anthemic as the sound around them and just as mischievous.  Holding essences something akin to Foo Fighters meets The St Pierre Snake Invasion within its unique character the track is immense, only escalating its instinctive catchiness and creative devilment twist by turn, note by note.

The track is just as impressively backed up by its companions, Grey Matter being first up and swiftly sending a punk infested noise pop ‘n’ roll tide of riffs and rhythms through ears. Teasing keys add to its early temptation, their melodic mania lingering and erupting across the highly infectious proposal. Though dirtier and more psychotic than its predecessor, the track also has a more controlled hand on its caustic yet melodic stroll and heavy intent. It is a mix just as bold and manipulative though in another outstanding slice of Ragweed rock ‘n’ roll.

The single is completed by West Coast Pop, a Ramones meets Melvins escapade with a grunge lining to its irritable weight and nature. Fusing noise and alternative rock to its punk ‘n’ roll ferocity and dexterity, the song epitomises Ragweed’s new thrust of enterprise in their sound and writing; mixing old and new textures for one invasively alluring and irresistible trespass.

As last year’s single suggested Ragweed has grown into a striking proposition, an unpredictable and aggressively inventive one which going by Silver Spoon is heading to becoming one of the most essential adventures within the UK rock scene.

Silver Spoon is out now via Milky Bomb Records and available @ https://ragweed-milkybomb.bandcamp.com/album/silver-spoon

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Pete RingMaster 13/11/2017

Copyright RingMaster: MyFreeCopyright

Pyramid Park – The Unexplained

With their debut album luring rich attention and plaudits since its recent release, Pyramid Park now unveil its first single in the fiercely infectious and emotionally open The Unexplained; a track which captivates in sound and character whilst providing a potent invitation into band and that first album, Vulnerability.

Pyramid Park is the creation of Cambridge based songwriter/musician Peter McAllen; primarily a one man alternative/ indie pop project though McAllen readily embraces the talent and imagination of others. Emerging from a time of “personal struggle” when he says “as a consequence I couldn’t seem to write songs that meant anything to me, and I was bored of my guitar playing”, Vulnerability, the album’s title track and subsequently its body, became his cathartic release.

The Unexplained was the last song to emerge for the album, taking a year to finish, before the whole thing saw McAllen uniting with producer Iain Hutchison in the studio. The single epitomises the emotive and melodic elegance to be found across Vulnerability, McAllen bearing his heart and thoughts with open intimacy. The single closes in from a distant melodic mist, keys shaping its invitation and impending drama. Once within touching distance, McAllen’s heart bred expression and tones caress ears and thoughts, keys and rhythms soon joining its reflection with a vibrant energy and an eager catchiness.

References to artists such as Phoria and Two Door Cinema Club have been laid at the feet of the Pyramid Park sound but for us the eighties scented character and swing of the song reminds of Paul Haig and to a lesser degree Heaven 17.

Hooking ears and imagination within a few breaths and increasing its captivation with its lively enterprise and emotional depth, The Unexplained is a stirring temptation for Vulnerability and the magnetic sound of Pyramid Park.

The Unexplained is released November 10th with Vulnerability available @ https://1pyramidpark.bandcamp.com/

https://www.pyramidpark.net/    https://www.facebook.com/1pyramidpark    https://twitter.com/1pyramidpark    https://1pyramidpark.bandcamp.com/

Pete RingMaster 07/11/2017

Copyright RingMaster: MyFreeCopyright

Speak, Brother – Lions Roar

If previous single, Magnificent, was not enough to tease sure anticipation for their upcoming debut album, British indie outfit Speak, Brother seals the deal with its striking successor. As the last single lived up to its name in sound and presence so Lions Roar backs its moniker with a temptation which vociferates with power and gusto as a melodic mane swings.

Emerging from Rugby in 2011, Speak, Brother has proceeded to stir real attention their way with a couple of EPs and tracks which immersed ears and imagination in ethereal yet forceful persuasion. Such the rising support of the band, their forthcoming album, Young & Brave set for release early 2018, has been a crowd-funding success with thick anticipation awaiting its arrival. Songs like Lions Roar are the reason why, tracks which ripple with creative drama and an emotional tension yet seduce and beguile with indie rock energy and adventure.

The quintet of James Herring, Matthew Cotterill, Nathan Morris, Dan Smith, and Sam Oakes bring the track into view on a swift melodic breeze, its breath bearing boisterously rousing rhythms courted by the melodic grace of the piano. They swiftly align with the ever impressing tones of Herring, his voice as the music rich in commanding expression and weighty enterprise.

Strings join keys in further captivating an imagination already caught in the instinctive lure of the song, its moments of reflective calm as compelling as the lustful crescendos which surge with relish through ears with anthemic tenacity.

The track is immense, even in the final few seconds of its finale, a rousing and almost spiritual incitement which with its predecessor ensures that Young & Brave just cannot come soon enough. Indeed if both singles are the evidence of things to come, we just might be looking at a game changing treat for the UK indie scene.

Lions Roar is out now with Young & Brave set to be released in Spring 2018.

http://speakbrother.co.uk     https://www.facebook.com/speakbrotheruk/     https://twitter.com/SpeakBrotheruk/

Pete RingMaster 04/11/2017

Copyright RingMaster: MyFreeCopyright

Bad Llama – Apocrypha

UK band Bad Llama emerged early last year and swiftly poked eager attention with the release of first EP Shedding Skin and its lead single The Wolf You Feed from fans and media alike. Now ahead of their upcoming follow-up EP, Crooked Empire, the Burton upon Trent quintet ups the ante with the release’s first track, Apocrypha.

It is a powerful and rousing encounter which demands attention whilst revealing a new maturity and intensity in the band’s multi-flavoured sound. A list of Bad Llama’s inspirations reveals an eclectic mix ranging from Red Hot Chili Peppers, Incubus, and Tool to Korn, Faith No More, Rage Against The Machine and Bring Me the Horizon; a mix equalled in the metal and heavy rock bred enterprise of a sound also bearing the spices of progressive and industrial nurturing. As previous releases suggested, what emerges is a sound distinct and becoming more unique to the band; Apocrypha another definite potent step towards that originality.

Recorded with producer Gavin Monaghan, Apocrypha moves in on ears with an almost predacious atmosphere and similarly swinging beats, its threat dissipating slightly as Kyle Jordan’s expressive tones step into the web of suggestion cast by the guitars of Dan Houlbrooke and Sam Wyatt. The gnarly snarling bass of Lewis Hutchings though keeps the intimidation flowing; a delicious texture prowling the sonic temptation continuing to entangle the imagination of song and listener as Gaz Waddell’s beats bite.

It is a captivating mix in a song which grows and blossoms in thought and enterprise with every passing second. Apocrypha is a masterful proposition, skilfully crafted and emotionally intense which it is hard to see not stoking up attention for Bad llama and anticipation for that forthcoming EP.

Apocrypha is self-released November 10th.

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Pete RingMaster 04/11/2017

Copyright RingMaster: MyFreeCopyright