Oh! Gunquit – Nomads Of The Lost

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If you did not receive it as a gift for Christmas, it’s time to go treat yourself with the latest offering from British ‘trash-bop-freak-a-billies’ Oh! Gunquit. Following closely behind their dynamic cassette only Hot Cross Fun EP, Nomads Of The Lost is a two track lime green vinyl 7″ single which has the body throwing itself around like a puppet hooked to the creative strings of the London quintet.

Formed by vocalist/trumpeter Tina Swasey and guitarist/vocalist Simon Wild in 2011, Oh! Gunquit weave a contagious web of sound from strands taken from everything from of primitive surf, garage-punk, raw rhythm ’n’ blues, exotica, and various strains of rock ‘n’ roll. Previous singles and compilation placed tracks have backed a stage show and presence which has made Oh! Gunquit an essential live proposition, with their Dirty Water Records released debut album Eat Yuppies & Dance in 2015 sparking a broad flood of new attention and greedy appetites for the band’s fiercely eclectic and unique sound.

recordsleeveartwork_RingMasterReviewHot Cross Fun only confirmed and pushed their rising stature which Nomads Of The Lost, recorded with producer Jim Diamond, undoubtedly gives another potent nudge to. Opener Nomads Of The Lost strolls in with brass aflame amidst swaggering rhythms, teasing and flirting with ears before Tina’s infectious vocal stroll grabs its fair share of attention. Continuing to swerve around the senses in sound and energy as grooves entice and rhythms urge bodily participation, the song sizzles and insatiably dances like a warped The Revillos on heat.

Second track Walking The Streets ventures down a more garage punk vein compared to the broader rock ‘n’ roll of its companion with a Cramps like groove lighting Orson Family like shadows as Tina conducts a devilish harmonic chorus like a sinister Imelda May. The track is as irresistible as Nomads Of The Lost; at times even more so as wonderfully toxic guitars entangle ears as danger flirts from every suggestive groove.

Oh! Gunquit has a sound which once it hooks on just never relinquishes its grip; a slavery which Nomads Of The Lost proves is most welcome.

Nomads Of The Lost is out now on Dirty Water Records and @ https://ohgunquit.bandcamp.com/track/nomads-of-the-lost

https://www.facebook.com/ohgunquit/

Pete RingMaster 11/01/2017

Copyright RingMaster: MyFreeCopyright

Calling All Astronauts – Life As We Know It

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With their second album still drawing wide acclaim, British electro punks Calling All Astronauts ensured 2016 left in fine style with Life As We Know It. Their ninth single and taken from Anti-Social Network, the song is more enticing evidence to the variety in the band’s sound and their ability to get the body grooving as eagerly as the spirit devours their rousing sounds.

Backed by three remixes of the single, the proposition is more an EP than single and a fine end to another increasingly successful year for the London based trio of vocalist/keyboardist/programmer David B, guitarist JJ Browning, and bassist Paul McCrudden. Earlier single Empire reached the No.2 spot on the Official European Indie Chart while the band twice hit top spot in the Hype Machine Twitter Chart, success capped by CAA headlining the Bandstand Stage on the final night of Beautiful Days Festival.

Released on Supersonic Media, Life As We Know It is an encounter hard for hips and the imagination to resist. It is a warmer, mellower affair compared to the band’s usually eclectic but attitude loaded sound; irresistibly catchy with a nostalgic air bringing thoughts of bands like The The and B-Movie whilst being distinctly CAA. Few bands create a sound truly unique to themselves but the threesome persistently achieves that while still pushing their creative boundaries. With suggestive melodies colluding with punchy beats and David B’s uniquely captivating tones, the song is an offensive of melodic charm and funk spiced basslines wrapped in tempting guitar and caressing keys, all fuelled by a contagion which as suggested has feet and bodies at its mercy; manna for any dance-floor.

The remixes bring bold new shades to the song with the Daak Sun Remix especially striking. Darker bordering on sinister as it rumbles in sound and atmosphere, the track is a far more physical proposal which if anything has the body and imagination even more frenetically involved.

Surrounding it the Naked Highway Remix is a fuzzy stroll under a spatial sky, its bassline earthily scuzzy as keys radiate a cosmic revelry while the Malandrino Remix is a seductive sunset, intimately exotic as keys dance evocatively through ears to the bouncy beat of the rhythms like a tropical Thompson Twins.

Together they all add up to another richly enjoyable outing with Calling All Astronauts with the original slice of Life As We Know It further evidence of a band deserving the keenest attention.

Life As We Know It is out now through Supersonic Media across most online stores.

http://www.callingallastronauts.com    https://www.facebook.com/CallingAllAstronauts/     https://twitter.com/CAA_Official    https://callingallastronauts1.bandcamp.com/

Pete RingMaster 11/01/2017

Copyright RingMaster: MyFreeCopyright

The Survival Code – One

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Sure to cement the attention and praise generated by recent EP Broken Strings and a title track acting as its first single, UK alternative rockers The Survival Code release new track One mid-January. Also from the three-track EP, the song is another imagination sparking, ear pleasing proposal sharing just a little more of the variety making up the band’s infectious rock ‘n’ roll.

London based, The Survival Code is fronted by Dubliner Gary McGuinness on vocals and guitar and driven by the rhythmic prowess of bassist Michael Eden and drummer Tom Cook. Formed in 2011 and inspired by the likes of Johnny Cash, Deftones, Foo Fighters, Alkaline Trio, The Cure, The Beatles, and Biffy Clyro, the band released the Everything But Today EP in 2013. Well-received it was easily surpassed in sound and success as well as acclaim by debut album MMXV two years later, a step forward replicated again by Broken Strings.

the-survival-code-one-artwork_RingMasterReviewLast year was a big and eventful year for the band, seeing them play over 40 gigs across the capital and beyond ending with a UK tour around their latest EP. It also saw The Survival Code settling down to write a new album, go through a change of bassists, and endure “a manager that ran off with months of work.” One ensures that 2017 is kicked off in fine style for the band, a year already threatening to exceed its predecessor in success and adventure.

From its first breath One uncages a tide of jabbing beats and imposing riffs but with a creative restraint which allows all aspects within to express and tempt around the potent vocals of McGuinness. Raw in air yet finely woven, the track also casts harmonic roars and melodic sighs within its rousing body, essences of bands like Feeder and Skyscraper hinted at as the song blossoms in imagination and infectious energy.

From start to finish, it is a relentless persuasion which has body and spirit involved. It might not prove to be the most unique encounter found this year but few will be more enjoyable so if you are looking for new meaty rock ‘n’ roll to feed a hungry appetite The Survival Code might just be the One.

One is released January 20th through Independent Records Limited (IRL).

January 14 – Proud Camden – Camden Rocks all day festival

March 16 – Brighton – The Hope and Run

http://www.thesurvivalcode.co.uk/    https://www.facebook.com/thesurvivalcode    https://twitter.com/thesurvivalcode

Pete RingMaster 11/01/2017

Copyright RingMaster: MyFreeCopyright

Morganway – Ain’t It Just

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A lingering caress of melodic and harmonic captivation is probably the best way to describe the alt-country of UK band Morganway, certainly on the evidence of their current EP and the single it is about to bear.

Hailing from “North Norfolk’s rural outback”, the Norwich quintet create a proposition which feels familiar, like an returning friend, yet still stands boldly apart from most other proposals. New single Ain’t It Just is the perfect example, a warm and engaging seduction which almost deceptively is also one rousing incitement for body and spirit.

Formed by twins Callum (acoustic guitar, lead vocals) and Kieran Morgan (lead guitar), Morganway is completed by Yve Mary B (lead vocals), Matt Brocklehurst (keyboard), and Simon Tinmouth (drums). With its raw smouldering Americana air and kaleidoscope of harmonic suggestiveness, debut EP No Tomorrows made an instant attention grabbing impact, drawing comparisons to the likes of Fleetwood Mac, The Strokes, ELO, and The Magic Numbers since its unveiling last year. Its success is poised to be backed and pushed by the release of opening track Ain’t It Just as the band’s new single, a song which stirs ears and heart with inevitable success.

morganway-artwork_RingMasterReviewAin’t It Just opens with an immediately emotive air and strum of guitar; a warm enticing swiftly bolstered by the transfixing tones of Yve Mary B and the poetic nature of the accompanying melody. With gentle rhythms alongside, the song wraps its tender thoughts and enterprise around the ears, still hiding the anthemic prowess in the depths of its already catchy character. Once freed, the rousing infectiousness bewitches hips and imagination alike, the song blossoming into a melodic roar which still embraces its opening elegance and reflective charm.

Its touch is a memorable temptation which for those new to the band is echoed across the No Tomorrows EP with the compelling Hearts Of Fire a matching energetic crescendo of invention. Backed by tracks like it’s title track and the Fleetwood Mac spiced Baby, Let’s Run, both similarly infectious affairs, all help reveal a broader character of the Morganway sound which can only blossom further ahead.

Ain’t It Just is released January 6th with the No Tomorrows EP out now and available @ https://morganway.bandcamp.com/releases

Upcoming Live Shows

Friday 13th January – The Troubadour, London

Saturday 14th January – Open, Norwich

25th February – The Islington, London

http://www.morganway.co.uk/   https://www.facebook.com/morganwayuk/   https://twitter.com/MorganwayUK

Pete RingMaster 04/01/2017
Copyright RingMaster: MyFreeCopyright

Norquay – Animal

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You may have missed it in the Xmas turmoil and festivities but Animal is one single ears and attention should still seek out as the New Year relaxes into place. The latest track from Norquay (pronounced Nork Way); the song is a boisterous and rousing slice of rock ‘n’ roll marking the next step in is creator’s budding music career.

Norquay is the solo project of Aberdeenshire hailing songwriter/musician Andrew Norquay, an artist who returns from a three year hiatus from music due to his commitments as a commercial diver with a bang in the shape of his new single and the equally striking Vices EP from which it comes. Drawing on inspirations from the likes of Jimi Hendrix, Led Zeppelin, Muse, Radiohead, and Oasis, Norquay creates a sound which wears familiar essences on its sleeve yet weaves them into slices of fresh anthemically honed imagination. The five-track Vices EP confirms that suggestion; Animal reinforcing the claim with its snarling riff driven, melody spiced virulence.

Casting a character somewhere between Queens Of The Stone Age and Johnny Wears Black, Animal roars from its first break of guitar casting a hook which just grips the imagination. Rhythms and keys are soon additionally engaged in the raw and tenacious enterprise crowding around the potent tones of Norquay, all uniting in a thickly infectious and magnetic persuasion.

With a stoner-esque scent to its alternative rock endeavour, the song swiftly and imposingly involves the listener physically and emotionally; a quality the best rock ‘n’ roll always carries.

Animal and the Vices EP are out now through iTunes and Amazon.

https://www.facebook.com/Norquayuk   https://twitter.com/norquaymusic

Pete RingMaster 04/01/2017

Copyright RingMaster: MyFreeCopyright

Andy J Gallagher – Because We Are/Sheena’s Big Night Out

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It has some major anticipation to live up to thanks to one spectacular appetiser but if Ego the forthcoming album from Andy J Gallagher can match the promise of his new single, a major treat is on the way.  Double A-sided Because We Are/ Sheena’s Big Night Out is simply one irresistible teaser; two tracks which inspires body and spirit alike with their punk infused rock ‘n’ roll and leaves an eager hunger for their upcoming source.

andy-j-gallagher-art_RingMasterReviewIt has been seven years since Gallagher released debut album Helicopter, Dolphin, Submarine, a proposition produced by ex-The Damned member Roman Jugg who upon hearing Gallagher’s new demos at the time insisted on working with him on the album. As lyrically sharp and irresistible as ever and with Jugg again producing Ego, Gallagher enlisted a host of musicians to help bring the 2017 album to life and before it two songs which leap upon the listener with the raw defiance of punk, the anthemic prowess of old school rock ‘n’ roll, and the instinctive insight of folk.

Because We Are accosts ears with rampant rhythms and melodic tenacity from the start, Gallagher’s raw harmonic cries pure bait to match the persuasive virulence of the sounds brewing and erupting around him. Hitting its insatiable stride within a few more seconds, the track romps and stomps like a mix of Glenn Hodge Banned, Ste McCabe, and The Sums, drawing the listener into and enslaving them with its relentless creative revelry.

There is no let up with Sheena’s Big Night Out either, the song less imposing in its energy but as ridiculously catchy and involving physically and vocally. There is a touch of Captain Sensible to it which does no harm while as its companion, lyrically and vocally Gallagher sublimely hooks the imagination and an ever keen appetite for descriptive humour.

Punk, pop, folk punk, rock ‘n’ roll; all are involved in a pair of tracks which ensure that Ego just cannot come soon enough.

Because We Are/ Sheena’s Big Night Out is out now on iTunes and other stores.

http://www.andyjgallagher.com/   https://twitter.com/andyjgallagher

Pete RingMaster 06/12/2016

Copyright RingMaster: MyFreeCopyright

Of Kings and Captains – Ain’t Got The Heart

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Swiftly proving they are no one hit wonders, British pop rockers Of Kings and Captains follow up the rousing exploits and success of recent single Jack My Boy with another spirit stoking, body exciting exploit going by the name of Ain’t Got The Heart. As its predecessor, the new single is taken from the equally impressing Give ‘Em Hell Son EP, itself evidence that the Stourbridge outfit’s sound is loaded with infectious hooks and instinctive imagination.

Sprung and driven by the enterprise of lead vocalist/guitarist Luke Wassell, guitarist JD Lomas, and bassist Dean Greatbatch, Ain’t Got The Heart quickly entangles ears in its opening melody, it the seed to an energetic and accomplished stroll ripe with power pop energy and indie pop hookery. Recorded with producers Gavin Monaghan (The Twang, Editors, Nizlopi) and Joseph Murray, the song swiftly has feet shuffling, hips swinging, and ears hungry as its Fall Out Boy meets The Fratellis revelry consumes all before.

The song continues to infest and thrill body and spirit, cementing the promise and growing uniqueness of a sound which has quickly come over as a freshly discovered old friend with each and every song, especially in the two singles from Of Kings and Captains providing 2016 with two of its brightest moments.

With new sounds in the works and an appearance at Glastonbudget   2017 confirmed, it is easy to suggest that Of Kings and Captains are about to really explode upon the Uk rock scene.

Ain’t Got The Heart is out now.

https://www.facebook.com/ofkingsandcaptains    http://ofkingsandcaptains.com/    https://twitter.com/ofkingsandcaps

Pete RingMaster 06/12/2016

Copyright RingMaster: MyFreeCopyright