Seething Akira – Airstrike

Cruisin'_RingMaster Review

Like a raid on the senses and a mass riot for the body, the new single from UK rockers Seething Akira sets the world on fire in just three volatile minutes. Setting out the kind of tempest fans to the band’s fusion of alternative and heavy rock with electro and hardcore dub step are accustomed to, Airstrike equally thrusts its hellacious mitts into a richer and deeper vat of anthemic intensity and psyche twisting tenacity for one ferocious devilry.

Hailing from Portsmouth, and with inspirations from the likes of Prodigy, Senser, and Enter Shikari joining their own rebellious ideation, Seething Akira was soon inciting a potent and loyal local support when emerging in 2011. First EP, You Missed The Show that year showed the band was loaded in potential but it was from the Transmission EP a year later that they hit their stride in sound and broader persuasion. Live the band has only earned an acclaiming stature, the quintet taking in shows with bands such as Hacktivist, The Algorithm, Senser, Don Broco, Black Futures, Sonic Boom Six, Max Raptor, PWEI, and Heart Of A Coward over the years. Last year the Aggro Vito EP reinforced and pushed on the band’s sound and presence but for us Airstrike is the band’s most exciting and ridiculously involving offering yet.

Airstrike_RingMaster Review     Airstrike allows no escape for feet and emotions, let alone voice, stirring them up in its first seconds and then dragging them into its maelstrom of energy and attitude. It spews increasing slavery through voracious rhythms, psychotic enterprise, and a vocal assault which makes the term incitement seem lightweight. The thumping beats of Stu Mealcliffe alongside the pulsating synth stabs of Charlie Bowes cast the first lure, their union unrelenting until the subsequent vocal roars of Kit Conrad and Bowes add their united antagonistic charm. The metal spawn riffs of Harvey Sneezeface Ware aligned to the predatory prowl of Terry Brown’s bass instantly turns the already virulent temptation into a beast of a proposal, their entrance sparking greater intensity and aggression elsewhere too. The landscape of the song continues to evolve and unpredictably shift, sinister melodic endeavour from the guitars sparking a similar air to keys before the dynamics at the heart of the song explode once again in a torrential and commanding cascade of techno trespasses, heavy duty rhythmic and riff induced incitements, and vocal belligerence.

Airstrike is a brawl impossible to resist and it is easy to imagine Pendulum being offered as a hint to the song’s might. But more so it has the hues of bands like G.R.I.M, Axis Mundi, and a dirtier Pop Will Eat Itself to it. Those flavours do bring a certain familiarity to it at times but that is countered and overwhelmed by the sheer energy and unique enterprise of Seething Akira. This is a band which just gets bigger and better whilst persistently knocking on the fullest spotlights.

Airstrike is available from July 27th

Upcoming Seething Akira tour dates:

July 31st O2, Islington, UK *

Aug 1st Downstairs, Aberdeen *

Aug 2nd Audio, Glasgow, Scotland *

Aug 3rd Bannermans, Edinburgh, Scotland *

Aug 4th Warehouse 23, Wakefield *

Aug 5th The Asylum, Birmingham *

Aug 6th Academy 3 Manchester, UK *

Aug 7th Waterfront, Norwich, UK *

Aug 11, Knust, Hamburg, Germany *

Aug 12 West Park Eventhalle, Inglostadt, Germany *

Aug 13 Little Devil, Tillburg, Netherlands *

Aug 14 Hypothalamus, Rheine, Germany *

October 3rd, MAMMOTHFEST, Brighton

* Main support to Mordred on EU tour

http://www.seethingakira.com/     https://www.facebook.com/seethingakira

RingMaster 27/07/2015

Copyright RingMaster: MyFreeCopyright

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Coquin Migale – Socotra

 

Evolution 2015 (2)_RingMaster Review

Following the success of their acclaim luring, attention grabbing single Gold, UK rockers Coquin Migale now release the second single from their similarly well-received Feel EP, in the mesmeric shape of Socotra. The song emulates the same irresistibly sultry and radiant allure which fuelled its predecessor whilst simultaneously exploring fresh tenacious shadows and brighter smouldering hues. It too embraces a fiery mix of alternative and indie rock with psych pop, but honed into its own individual and distinctive design, which just as the last single, simply enthrals.

Since forming in 2013, Coquin Migale has seemingly only stoked increasing attention and appetites for their ear seducing and imagination lighting sound. The Yellow Room EP which came out swiftly after the band emerged caught the radar of fans and media alike, as just as potently did their live presence. The Feel EP and Gold a few short weeks back certainly took sound and support up another level or three, and it is easy to expect Socotra to do its big bit in helping Coquin Migale become a nationally devoured proposition.

From the first pull of a pulsating throaty bass string aligned to a surf rock kissed guitar tempting, the song has ears in hand with the immediately joining and enticing vocals of Alex Soper only enhancing the opening seduction. As the beats of Dan Rawlinson bring a new spring to proceedings and in turn Soper produces a slightly thicker ‘growl’ of a texture to his delivery, the track begins to verge towards an invigorating bellow. The guitars of Matthew Wooton (since left the band) and Soper flame and resonate with sonic endeavour and melodic incitement whilst the bass of Stevie Kane throbs with provocative expression. The song continues to entwine its siren-esque coaxing with the new dynamic crescendos, each seemingly to incite the other to find more zeal and passion, which in turn helps create a blaze of a proposition overall.

As much as Gold was devoured here, Socotra edges it, though tomorrow it might be the other way round as both songs simply excite and announce Coquin Migale as one fresh and intoxicating band. If new to the Newcastle quartet, then Socotra is a must, if already hooked then you do not need any further persuasion to go explore.

Socotra is available from July 27th via End Of The Trail Records.

https://www.facebook.com/CoquinMigale    https://twitter.com/CoquinMigale

RingMaster 27/07/2015

Copyright RingMaster: MyFreeCopyright

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Abel Raise the Cain – Black Swans

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With its video already hitting number one in the Beat 100 music chart, Black Swans, the new single from British indie band Abel Raise the Cain, is already making a potent teaser for the band’s upcoming debut EP, For Strangers Only. The song is an atmospheric embrace but one with a bubbling underbelly and raw intensity which potently captivates. The Northeast band has already lured strong praise and support through their previous release and fair to say, Black Swans is going to do their ascent no harm either.

Picture 33[1]_RingMaster Review   Formed towards the end of 2012, Abel Raise the Cain quickly took inspirations from the atmospheric and epic soundscapes of bands like Arcade Fire, Sigur Ros, and Editors into their own immersive weaves. The double A-sided single Too Late/The Promise in 2013 grabbed the attention of fresh fans and radio stations across the UK, subsequently backed by second single Waiting later that same year. Live the Teeside seven-piece has bred a strong reputation playing with the likes of Happy Mondays, Primal Scream, Dexy’s Midnight Runners, Spiritulized, Kodaline, and Skaters alongside their own successful shows. Now with its video as mentioned already setting down a marker, Black Swans, ahead of a highly anticipated EP confirms Abel Raise the Cain as a band destined to welcomingly hit your radar at some point.

The single gently but keenly sweeps in with synths and keys a provocative coaxing around the plain but inviting tones of vocalist and rhythm guitarist Sean Crichton. As the anthemic beats of drummer Adam Hicks stirs things more energetically and the violin seducing of Saerla Murphy adds more emotive and suggestive hues, the song becomes a compelling fusion of different and you would imagine conflicting textures but everything unites and flows seamlessly. The track continues to roar with melancholic emotion and lively passion with each passing minute, the keys of Gaz Murray a warm and emotive incitement to the sonic enterprise cast by guitarists Phil Bailes and Andy Grange whilst the bass of Gary Hughes tempers it all with a dark tone which reflects the heartbreak fuelled the lyrical and emotive hue.

The track is a symphony of sound and emotional turbulence; not a song which initially grabs as potently as it eventually grows to do and one maybe missing a moment or two of wrong-footing the listener to bring further drama and strength to an already climatic presence. To be fair though that is just nit-picking to please personal tastes, for Black Swans only and increasingly satisfies, suggesting the forthcoming For Strangers Only is going to be something well worth checking out.

Black Swans is available from July 27th

http://www.abelraisethecain.com/   https://www.facebook.com/AbelRaiseTheCain

RingMaster 27/07/2015

Copyright RingMaster: MyFreeCopyright

Listen to the best independent music and artists on The RingMaster Review Radio Show and The Bone Orchard on Reputation Radio @ http://www.reputationradio.net

 

 

Stillhound – Think This Way

stillhound_RingMaster Review

Backing up their well-received debut single Seethe Unseen of earlier this year, Scottish quartet Stillhound are poised to release its successor Think This Way, revealing more of the depth to the band’s songwriting and sound at the same time. Whereas the first single wrapped its radiance in just as fascinating shadows, the new offering explores a brighter and lively climate, though again the band blends contrasting darker hues to great effect. It is fair to say that the band’s first release potently sparked attention; now its successor is here to dance with those satisfied ears and lure many more matching appetites.

single cover_RingMaster Review     Formed by school friends Fergus Cook, Laurie Corlett-Donald, and Dave Lloyd, and with a line-up completed by latest addition Cat Myers, Stillhound create soundscapes of dreamy and almost spatial electronic pop draped in atmospheric evocations. As shown by both their singles to date, Stillhound have a sound as inciting to the body and at times the dance-floor as immersive to ears and imagination. They are said to have holed up “various mountain lodges in their homeland taking inspiration from art, geography, and the far flung soundscapes created by Boards of Canada to the pop aesthetic of Tears for Fears,” to write their songs and you can feel that kind of scenery impacting on the singles, especially Think This Way with its eighties synth pop essences within an expansive almost stark radiance.

The new single makes a low key start but within seconds is a pulsating and provocative saunter littered with small but enticing electro hooks, moodier bass tones, and sparkling harmonies around endearing melancholy oozing vocals. It is when the song kicks up a livelier energy and attitude fuelled by a driving beat around its chorus, that the Roland Orzabal and Curt Smith inspiration shines, though it is only one rich hue in a tapestry of sound and magnetic ambiences entwining the reflective and invigorating vocals.

Busy and eventful, Think This Way lights the ears with ease, continuing the strong emergence of Stillhound with craft and virulent coaxing. It is early days and only two songs in but already we, as so many, have a taste for the band’s inviting aural travelogue. It is not a ravenous hunger yet, but in time it may be, especially if the band can build on this potent next step.

Think This Way is released on 3rd August and available as a free download @ https://soundcloud.com/mixmag-1/premiere-stillhound-think-this-way

http://stillhound.co.uk   https://www.facebook.com/stillhound

RingMaster 27/07/2105

Copyright RingMaster: MyFreeCopyright

listen to the best independent music and artists on The RingMaster Review Radio Show and The Bone Orchard on Reputation Radio @ http://www.reputationradio.net

 

This City Limits – Too Scared To Swim

This City Limits Promo Shot_RingMaster Review

It is quite rewarding when a song does not initially make a big impact but leaves something behind, a lingering and persistent nudge saying ‘hold up, you might be missing out on something here’. So it was with Too Scared To Swim, the single from UK melodic punks This City Limits. It was certainly an enjoyable first meeting or two, but something continued to nag from it, elements repeating in the mind when away from its presence to lure attention back. It still does not compete as one of our very favourite songs uncaged this summer, but it ensures, whilst constantly pleasing ears, that the band’s upcoming second EP will be under close scrutiny.

Formed last year, the Leeds hailing quartet of brothers Will (vocals, guitar) and George Turner (guitar), Rob Burns (bass) and Josh Peters (drums) quickly made a potent statement with their debut EP Brittle Brass & Broken Bone. It easily lured the appetite of a growing number of fans with its potency, backed by the single Amputate which in turn stirred up greater media attention across national press and radio. Now it is the turn of James Hill produced Too Scared To Swim, as mentioned ahead of a new EP later this year, to rouse up national awareness with the support of a summer of shows and festival spots.

Vocals and guitars instantly descend on ears as the song opens up, both cast with emotion and open craft. Bass and drums are quickly there too, stirring up air and appetite with their feistier endeavour and attitudes as the melodic acidity and lure of the song blossoms a provocative and potent proposal. There are few big surprises in the song yet its contentment in switching its intensity and attack around is enjoyable and seamless. It has all the hallmarks of accomplished songwriting and skilled interpretation, two traits increasingly open in This City Limits.

Exploring a creative avenue reminding of bands such as Mallory Knox and We Are The Ocean at times, Too Scared To Swim suggests that This City Limits is still on the journey to find a standout sound distinct to them but they have found a presence and creativity which is not that far away. Maybe the new EP will unleash that next step, but if it is as likeable as Too Scared To Swim there will be few complaints anyway.

Too Scared To Swim is available from July 27th with accompanying video.

http://www.thiscitylimits.com/     https://www.facebook.com/thiscitylimits

RingMaster 27/07/2015

Copyright RingMaster: MyFreeCopyright

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New Town Kings – Pack Up Bye Bye

newtownkings-packup_RingMaster Review

New Town Kings has more than earned the reputation as one of the UK’s most exciting new reggae propositions, through their irresistible live presence and just as potently last year’s outstanding Pull Up & Rewind EP, which drew as much rich attention upon its reboot earlier this year. Now the Essex based nine-piece are poised to grip national awareness and energy with new single Pack Up Bye Bye, a contagion of Jamaican reggae/ska pop which if there is such a thing as the sound of summer, has it ingrained in every vibrant pore.

Pack Up...cover_RingMaster Review   Formed in 2007, New Town Kings has lit up the UK and European live scene with their inventive and tenacious sound. They have been declared Britain’s greatest traditional Ska band, a claim backed up by shows with the likes of Reel Big Fish, The Slackers, The Skints, Congo Natty, and just recently Neville Staple. Acclaimed festival appearances have also only reinforced and increased the Colchester band’s stature over the years whilst the Pull Up & Rewind EP, as suggested earlier, set out a new statement of creative intent and success for the band. It was a declaration and ascent in sound which is now poised to whip up a new surge of fresh and broader appetites through Pack Up Bye Bye.

From its first rhythmic click the song flirts with ears and imagination, quickly taking them on a warm dance of catchy hooks, warm bubbly keys, and a vocal enticing from Dabs Bonner which just lures closer attention. Swinging with a reggae groove lined with choppy ska clips of guitar, the track just commands involvement from the listener, especially when unveiling its anthem of a chorus. The song is pure addiction from start to finish but that crescendo of virulence is simply irresistible, a sultry temptress offering the richest seduction within the lively simmer fuelling the rocksteady sculpted alchemy.

With a summer ahead of exciting festival and show endeavours, Pack Up Bye Bye with its open look at the angst of relationships, is the strongest, most vocal reason why New Town Kings should be on the agenda for all event goers and your new daily soundtrack.

Pack Up Bye Bye is available now as a free download @ https://soundcloud.com/newtownkings/pack-up-bye-bye-1

Upcoming New Town Kings live dates…

August 1st – Brightlingsea Music Fest (UK)

August 6-9th – Rebellion, Blackpool (UK)

August 13-16th – Boomtown, Winchester (UK)

September 11th – Colchester Arts Centre (UK)

September 12th – Norwich Arts Centre (UK)

September 17th – Cluney2, Newcastle (UK)

September 19th – Borderline, London (UK)

September 22th – Lille (F) – Venue tbc

September 23rd – Berlin (GER) – SO36 (w/ THE SLACKERS)

September 24th Hamburg (GER) – Hafenklang (w/ THE SLACKERS)

September 25th Cologne (GER) – Underground (w/ THE SLACKERS)

October 30th – Skalloween, New Cross Inn, London (UK)

October 31st – Aalst, (Belgium)

https://www.facebook.com/newtownkings      http://www.newtownkings.com/

RingMaster 24/07/2015

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Listen to the best independent music and artists on The RingMaster Review Radio Show and The Bone Orchard on Reputation Radio @ http://www.reputationradio.net

 

The Landed – Friends

The Landed_RingMaster Review

Following up the catchy adventure of previous single She, UK band The Landed release a mellower but no less persuasive proposal with its successor Friends. The song reveals more of the depth and variety in the Colchester quartet’s sound and though, compared to its predecessor, it is a calmer stroll it comes with its own lively and magnetic energy.

Hailing from Colchester, the quartet of Dan Currie, Paul Jannece, and brothers Paul and David Hale have been regularly stirring up keen and supportive attention, especially once releasing their well-received self-titled EP in 2014. Its set of six alternative and indie rock bred songs soon lured interest of fans and media, as well as strong radio play through the likes of Tom Robinson at 6 Music and Huw Stephens at Radio 1. Earlier this year, She showed a new and more mature body to the band’s sound, a suggestion more than confirmed by Friends.

artwork_RingMaster ReviewThe title track from the band’s new EP, the new single swiftly has ears enticed with its opening caress of guitar and a quickly following and fuller lure of chords, melodies, and a darkly enticing bassline. There is an instant swing to the song too, one emulated in the strong vocals and the overall rhythmic dance of the growing song. As mentioned, the track shows a more restrained gait and energy to the last single yet every hook, twist in invention, and melodic smile is designed to and successfully seduce feet and voice into eager involvement.

Many bands have been given as references to The Landed sound, Fleetwood Mac, ELO, Noah And The Whale, and The Police amongst them, and certainly the last pair are whispers you can hear in the warm canter of the song. Their vivacious last single She still edges the two for personal tastes, but Friends potently shows that The Landed is no one-trick pony in potent songwriting and enjoyable sound, and that their new EP should be closely paid attention to.

Friends is available now.

http://www.thelanded.com/    https://www.facebook.com/thelanded

RingMaster 24/07/2015

Copyright RingMaster: MyFreeCopyright

Listen to the best independent music and artists on The RingMaster Review Radio Show and The Bone Orchard on Reputation Radio @ http://www.reputationradio.net