The Cavemen – Too High To Die/I’d Kill

burgos-11_RingMasterReview

It has been a busy year for New Zealanders The Cavemen from just releases alone. April saw the unleashing of their exceptional self-titled debut album followed in June by the just as rousing and wonderfully arrogant two track single Juvenile Delinquent. Now the quartet of vocalist Paul, guitarist Jack, bassist Nick, and drummer Jake Caveman have freed new offering Too High To Die/I’d Kill ahead of yet another album; the single two slices of the band’s distinctive garage bred punk ‘n’ roll which is impossible not to get lustfully off on.

Now UK based, The Cavemen have arguably unearthed their most primal and trashiest sound for their new single; breeding both tracks with the kind of punk rock which has ignited and corrupted rock ‘n’ roll since the days of Gene Vincent and Jerry lee Lewis, through the likes of Hasil Adkins and The Stooges, and on to the likes of The Cramps, Gun Club, and The Ramones and more. Raw and cast in lo-fi manna, the single sizzles on the senses as it infests the body and purges the psyche like a predacious attack of sonic leprosy.

too-high-frontcover-copy_RingMasterReviewToo High To Die rumbles and grumbles from its first sonic lancing of ears, rhythms cantankerously bouncing as deranged vocal urgency colludes with the winy enterprise of the guitar. The whole song is like one giant chorus such its rousing catchiness with the fiery guitar solo additional toxicity to greedily devour.

Companion I’d Kill is just the same, a virulent stomp from first note to last but even more soaked in seventies punk with a touch of bands like The Saints and The Lurkers to it. A belligerent snarl with more contagion to its persuasion than any plague, the track alone but definitely in union with Too High To Die sparks even more impatient anticipation for The Cavemen’s impending second full-length.

Too High To Die / I’d Kill is out now via Dirty Water Records @ http://www.dirtywaterrecords.co.uk/shop/#!/The-Cavemen-Too-High-To-Die-b-w-Id-Kill-download/p/70351208/category=18119001

https://www.facebook.com/thecavemennz

Pete RingMaster 23/09/2016

Copyright RingMaster: MyFreeCopyright

The Survival Code – Broken Strings

the-survival-code-artwork-broken-strings_RingMasterReview

As a teaser for a larger proposal, tracks do not come much more persuasive than Broken Strings, the new single from UK alternative rockers The Survival Code. The lead and title track from the London based trio’s new EP, the song is a web of tangy grooves and spiky hooks delivered with energy and urgency which alone rouses the spirit.

Founded in 2011, The Survival Code was forged in the driving force and song writing of lead vocalist/guitarist Gary McGuinness. Dublin born, he previously drummed in successful alt-rock bands for over a decade before moving to London in 2010 where he subsequently linked up with drummer/vocalist Tom Cook and The Survival Code’s original bassist Pete Agnelli. With a sound inspired by influences ranging from Johnny Cash to the Deftones, the band released the Everything but today EP in 2013 which was followed two years later by their well-received debut album MMXV. As their first full-length, with Chema now handling bass duties, The Survival Code’s new single and EP is released through IRL and is set to be backed by a host of shows across the UK and Ireland.

Broken Strings instantly nags ears with sturdy boisterous beats and teasing riffs; a Deftones meets Reuben feel coating the appetite sparking coaxing which perpetually shapes a song ebbing and flowing in melodic prowess as it blossoms in ears and imagination. The band’s sound has been compared to Foo Fighters before and the single offers sound reasons why, an exuberance and infectious aggression like the Americans fuelling the anthemic roar and dynamic virulence of the song.

Impossible not to get physically and emotionally involved in, Broken Strings is an incendiary spark to a want to grab the new EP from The Survival Code and more…

The Broken Strings single is released September 25th through IRL.

Upcoming Live dates:
21 October – Alleycat – Denmark St, London
27 October – Fibber Magees – Dublin, Ireland
29 October – Bruxelles – Dublin, Ireland
17 November – New Cross Inn – London
18 November – Bar 42 – Worthing
19 November – Cave at the Holly tree – London
14 December – Tooting Tram and Social

http://www.thesurvivalcode.co.uk/   https://www.facebook.com/thesurvivalcode   https://twitter.com/thesurvivalcode

Pete RingMaster 23/09/2016

Copyright RingMaster: MyFreeCopyright

Eujenics – Far Stranger

eujenics_RingMasterReview

The first release from the band since a slight line-up change, British alternative rock quartet Eujenics show things are just as potent as ever in songwriting and sound. To be truthful, Far Stranger suggests that the Sunderland hailing band has hit a new plateau in both as it provides a powerful and magnetic slice of fiery rock ‘n’ roll.

No strangers to increasing acclaim through previous releases, especially the Humanism EP and following single Alec Guinness earlier this year, and live exploits over the past year which have seen successful shows with the likes of Dead!, Despite My Deepest Fear, Edenthorn, Massa Confusa, and Deadfire, the 2015 formed Eujenics are ready to take things to the next level in creativity and attention sparked.

Far Stranger soon reveals a new depth and intensity to the band’s creativity and imagination and also answers in quick time how new member, vocalist/guitarist Sam Avery will fit the band’s distinctive sound. With sublime ease is the rapid realisation, his melodic tones and harmonious expression the perfect and natural replacement to previous singer Nic Wood. Equally though, as the song finishes coaxing ears with its sinewy entrance led by the heavy swings of drummer Adam Hay, Avery establishes his own vocal character and dynamism backed by the band and matched by the flirtatious bassline cast by David Scott and Chris Hanna’s just as virulent grooves.

Hooks and rhythms continue to collude as the song reveals itself the band’s most virulent and feistily catchy proposal yet; teasing with essences surely Queens Of The Stone Age/Kyuss seeded throughout yet quickly breeding its own identity and individual adventure.

Big and bold, ballsy and boisterous, Far Stranger is Eujenics scaling new heights to unavoidably ignite the spirit of fans and newcomers alike.

Far Stranger is to be released 30th September.

Upcoming Shows

September 17th 2016 – Lounge 41, Workington

September 22nd 2016 – The Three Tuns, Gateshead

September 23rd 2016 – Crescent Vaults, Manchester

https://www.facebook.com/Eujenics/     http://www.eujenics.com     https://twitter.com/Eujenics

http://eujenics.bandcamp.com/

Pete RingMaster 14/09/2016

Copyright RingMaster: MyFreeCopyright

The Ellipsis – Cold Cactus

the-ellipsis-pic-5_RingMasterReview

Earning plenty of praise and support for their debut EP Mind In The Sky earlier this year, and especially its dynamic single Wasted Potential Me, British rockers The Ellipsis look like repeating that success with new single Cold Cactus. A lively and meaty slice of pop rock, the song grabs ears and attention with ease; teasing with familiar spices before casting its own character of sound and imagination for just over three minutes of highly enjoyable distraction.

Since forming in 2013, The Ellipsis has played the length of the UK and graced numerous festivals including recently opening The Godiva Festival in their home-town of Coventry. Their first single White Feather caught ears and radio attention with the band sparking just as potent interest through an energetic live show which soon led the band to headlining Coventry OxJam in front of 30,000 rugby fans at the Ricoh Arena. The Mind In The Sky EP and its lead track subsequently whipped up a new swell of fans which it is very easy to see Cold Cactus matching.

About someone feeling out of place, physically and emotionally, Cold Cactus instantly grips ears with a guitar lure reminding very much of Billy Talent, that pleasing bait reinforced by the throbbing tone of Harry Green’s bass and the melody draped riffs from lead guitarist John Connearn and rhythm guitarist Henry Bristow. Framed and punctuated by the swinging beats of Alex Bonsor, the song quickly slips into its own individual guise led by the expressive and potent vocals of Bristow. Further melodic colour soon spreads from Connearn’s strings and enterprise, providing a bubbling tempting within the muscular and richly infectious proposition filling and thrilling ears.

As with Wasted Potential Me, its successor has ears and imagination roused but Cold Cactus simply has richer substance and uniqueness to its roar; a sure sign that the band’s songwriting and sound is evolving rather nicely.

Cold Cactus is out now.

UPCOMING LIVE DATES:

16th Sept – Warwick Uni (supporting The Bluetones)

1st Oct – Grosvenor Casino Coventry

14th Oct – Copenhagen (details tba)

29th Oct – Queens Hall Nuneaton

https://www.facebook.com/theellipsisuk/    https://twitter.com/TheEllipsisUK

http://theellipsis.co.uk/

Check out the video for Cold Cactus @ https://ringmasterreviewintroduces.wordpress.com/video-selector/

Pete RingMaster 14/09/2016

Copyright RingMaster: MyFreeCopyright

Of Kings and Captains – Jack My Boy

of-kings-and-captains-pic_RingMasterReview

Ahead of their new EP Give ’em Hell Son, British pop rockers Of Kings and Captains have released new single Jack My Boy, a mercilessly infectious slice of robust rock ‘n’ roll lying somewhere between The Pirates, Eddie and the Hot Rods, and The Wildhearts. It is hard to imagine that the Black Country hailing band could have found a more rousing teaser for their new EP, the new single taken from it one of those proposals which instinctively grips ears, voice, and bodies easily enlisting their eager involvement in short time.

Stourbridge bred, Of Kings and Captains released their debut album in 2015 to eager reactions; its success backed up by a potent live reputation which has seen the band share stages with the likes of McFly and Kids in Glass Houses among many and recently undertake a five date stadium tour with Bon Jovi. The foursome of vocalist/rhythm guitarist Luke Wassell, lead guitarist Joshua Lomas, bassist Dean Greatbatch, and drummer Kieran Lock linked up with producer Gavin Monaghan (The Twang, Editors, Niplozi) and Joseph Murray for Give ’em Hell Son and if Jack My Boy is anything to go by, with thrilling success.

A song according to Wassell which is “…about self-confidence and defying people who doubt you! it’s all about sticking to your guns and being yourself regardless of how people might put you down. It’s about being individual and kicking back against the norm“, Jack My Boy has all attention leaning its way from the initial lure of drum enticement. Lock’s magnetic rhythms are quickly joined by an anthemic bassline and eager twang loaded riffs, they in turn turning to an array of fifties seeded hooks as Wassell’s tones whips up even more infectious bait to the already catchy encounter. From there the track continues to lead the listener, drawing them towards seriously virulent choruses, they irresistible peaks in one, from start to finish, spirit arousing stomp.

It takes just one listen to be firmly involved in the song with every encounter after drawing keen and full participation. If Jack My Body is a sign of things to come with Give ’em Hell Son, the EP is a must.

Jack My Boy is out now with the Give ’em Hell Son EP available for download from all good digital retailers September 9th.

Upcoming Gig Dates:

Sept 9th – Katie Fitzgerald’s – Stourbridge (Acoustic Show)

Sept 29th – RiverRooms – Stourbridge

Sept 30th – The Shed – Leicester

Oct 15th Wulfrun Hall ­‐ Wolverhampton

https://www.facebook.com/ofkingsandcaptains   http://ofkingsandcaptains.com/   https://twitter.com/ofkingsandcaps

Pete RingMaster 08/09/2016

Copyright RingMaster: MyFreeCopyright

Able Archer – Scars

AA_RingMasterReview

Offering a flavoursome taster of their debut album, due for release in October, Irish band Able Archer has just released new single Scars. Previously the Dublin quintet band has revealed a strong ability to create tracks which arouse the spirit, emotionally ignite the imagination, and stir the listener with anthemic strength. Now they show a fresh and broader adventure to their sound which, though going by just the one song, suggests it will be a key character of the impending Chris Sheldon (Foo Fighters, Biffy Clyro) mixed and produced full-length.

Formed in 2011, Able Archer soon earned a potent local following which branched out as the likes of 2013 debut EP, Bullets, and its successor The Trouble with Strangers two years later, caught ears and imagination alike. Singles like Ghostmaker and The Warden have especially been potent in drawing fan and online radio support and with a live presence to match their adventurous sound Able Archer has established themselves as one of the most exciting propositions to emerge in recent years. It is too early to tell if their album is going to be the trigger to breaching greater attention and spotlights but Scars suggests it is certainly a possibility.

Scars is more of a slow burner compared to the likes of Ghostmaker yet it only needs one listen to leave an imprint, its depths and layers becoming more vocal over subsequent ventures. Rhythms and keys take a hold first, their introduction soon entangled in the melodic suggestiveness of guitar before vocalist Emmet McCaughey shares his distinctive tones. With the infectious stroll of Diarmuid Breathnach’s bass aligning with the equally contagious invention of guitarist Rob McDonnell and the mesmeric lure of Neil Buckley’s keys, the song is soon a magnetic roar with a rising intensity to match the emotional charge of the vocals.

As suggested, the song warrants time to unveil all its strengths but from the first moment with the swinging beats of Seán O’Connor key, Scars captivates while hinting of something to eagerly anticipate in the shape of the band’s upcoming album.

Scars is out digitally now.

http://www.ablearcher.eu/   https://www.facebook.com/ablearcherireland   https://twitter.com/aablearcher

Pete RingMaster 01/09/2016

Copyright RingMaster: MyFreeCopyright

Archie and the Bunkers + PowerSolo Split Single

sleeve_RingMasterReview

Dirt Water Records are never slow in giving us a treat or two and they have set the bar with the recent release of the split single featuring US duo Archie and the Bunkers and one of our sonic favs, Danish trash rockers PowerSolo. Offering up a juicy slice of their distinctive sounds each, the two pairs of brothers stir the instincts and arouse the spirit in a release all punk, garage rockers, and rock ‘n’ rollers in general should grab a bite of.

Archie_RingMasterReviewWith their self-titled debut album still ringing in and exciting ears since its release towards the end of last year, Cleveland hailing Archie and the Bunkers offer up The Roaring 20’s for the single. Taking their name from the classic US television sitcom All in the Family and drawing on inspirations from the likes of Dead Boys, The Animals, The Stooges, The Screamers, The Damned, Jimmy Smith, and Richard ‘Groove’ Holmes, siblings Emmett (drums/vocals) and Cullen (organ/vocals) instantly involve ears in a barrage of meaty and eager rhythms as the Hammond-esque tones of Cullen’s organ dances alongside. An emerging and lively blend of sixties garage rock/pop and blues infested psych devilry; the song starts as a fuzzy yet relatively controlled proposal but the passing minutes see a loco element brewing and subsequently bringing even more riveting discord and unpredictability to a rousing song and climax. As well as a tasty part of the single, The Roaring 20’s also provides a myriad of reasons to explore Archie and the Bunkers more and to check out their first album.

The same applies to PowerSolo and their offering. The truth is that if you have not been bitten by their sonic bug yet you have been missing out for a fair while PwerSolo_RingMasterReviewnow. Coming out of Arhus, brothers and string distorting guitarists/musicians Kim Kix and the Atomic Child are one of kind. Musically they seem bred from the same genes and inspired by the likes of Hasil Adkins, Charlie Feathers, and the Cramps, but as proven by their handful of albums, the duo defy one style, a single sound, and any tries to pin them down. Powersolo get the body shaking and swerving while the senses and psyche are being violated, all with delicious effect, and Fuzz Face, their contribution to the split, is no exception.

A single hook teases first, an accusation of one’s face quickly following before riffs and rhythms join the devilish affair. That initial hook continues to tempt, its lure simple but virulent as vocals and beats dance around with flirty shenanigans. With a perpetual swing which alone grips body and heart, the song and duo cast a soundtrack suitable for everything rebellious, frivolous, and downright naughty.

Two wicked bands and two irresistible romps, what more could anyone want.

The Archie and the Bunkers + PowerSolo Split Single is out now via Dirty Water Records @ http://www.dirtywaterrecords.co.uk/shop/#!/Split-single-PowerSolo-vs-Archie-and-the-Bunkers-7-+-download/p/67128820/category=13761039

https://www.facebook.com/archieandthebunkersofficial   http://www.archieandthebunkers.com/

https://www.facebook.com/POWERSOLODK   http://www.powersolo.dk/  http://www.dirtywaterrecords.co.uk/powersolo

Pete RingMaster 24/08/2016

Copyright RingMaster: MyFreeCopyright