The Tangents – Tonight

Hailing from Nottingham, The Tangents is a trio which seemingly has been making a strong impression on their local music scene. With new single, Tonight, as a form of evidence, it is not too hard to understand why. The track is a lively slice of indie pop rock with a catchiness and vibrancy which belies its emotive theme of lost love and leaves a strong intrigue to hear a bit more of the British outfit.

Consisting of vocalist/guitarist Tom, bassist Jack, and drummer Angus, The Tangents is a band letting their music do all the talking so there is not a lot of background we can share. Tonight is a very vocal declaration of their potential rich sound and already strong songwriting. It is also a flavoursome slice of infectious rock ‘n’ roll and indie pop with a tasty strain of late seventies/early eighties power pop in its contagious stroll.

With its theme of a relationship break up seeded in a split experienced by Tom, the song opens with tenacious drums springing from a sonic mist, the plaintive tones of Tom and the emotive strokes of his guitar quickly adding their presence. Soon into its catchy canter, the already potent beats of Angus punch and jab, enjoyably resonating on ears as Jack’s bass adds more melancholic hues to the swinging gait of the track.

There is a slight mod like essence to the encounter too, especially across its boisterous chorus, which adds to its enterprising and increasingly rousing character. Together, it all makes for a proposition which may be just one song but if matched and built upon ahead is the first sign of a band with the ability to provoke much broader spread attention.

Tonight is released May 27th.

Upcoming live dates:

01/06/2017 – The Venue, Derby (tour)

03/06/2017 – The Leadmill, Sheffield (tour)

08/06/2017 – The Church, Leeds (tour)

17/06/2017 – The Parish, Huddersfield (tour)

22/06/2017 – The Engine Shed, Lincoln (tour)

29/06/2017 – The Shed, Leicester (tour)

30/06/2017 – The Maze, Nottingham (tour)

https://www.thetangents.co.uk/     https://www.facebook.com/thetangentsuk    https://twitter.com/thetangentsuk

Pete RingMaster 25/05/2017
Copyright RingMaster: MyFreeCopyright

Seraya Young – Peace, Love and Understanding

Seraya Young has one of those voices which is may be best described as haunting the imagination. Its harmonic caresses are simply an instinctive seducing of ears and appetite and though fresh to our ears, our proof of that claim comes with her new single Peace, Love and Understanding, a track which kisses the senses like a warm exotic pool of water shimmering with a surface of suggestion.

Born in South Africa before moving to Australia at a relatively early age, Seraya was already lost to the beauty of music at the age of 5. Her mother made that realisation when finding her playing Love is a Beautiful Song, her father’s favourite track, on the organ, her daughter having to stand up to play because she could not reach the pedals otherwise. Those seeds have truly blossomed over the years; singing in church choirs and beginning to write her own songs as a teen leading in time to her recording her own solo work as well as collaborating with numerous artists and performing in the likes of Australia, the UK and US, India and Asia.

Taken from her well-received EP, I Left My Heart in Africa, released this past January, Peace, Love and Understanding is a song looking at “the cycles in life, generations, society, culture, the universe.” Keys rise with radiating elegance first, harmonic sunspots breaking around them as beats enticingly throb. The keys continue to spread, casting a weave of melodic reflection around the beguiling tones of Seraya, her voice bold whilst cradling ears in a hugging evocation of word and emotion matched by broader harmonies floating around like tempting pollen.

It is a naturally infectious affair, a proposition which as suggested persistently preys on the imagination pretty much from the first listen. Peace, Love and Understanding is not the style of music we would normally take under our wing but from its opening caress, pleasure was truly stoked.

Peace, Love and Understanding is released June 3rd.

https://serayaonline.com/    https://www.facebook.com/serayayoung    https://twitter.com/SerayaOnline

https://serayayoung.bandcamp.com/track/peace-love-and-understanding

Pete RingMaster 25/05/2017

Copyright RingMaster: MyFreeCopyright

Dronningen – Sugarbox

As they gear up to release their new EP this June, London-based electro rockers Dronningen first unveil its lead single and title track in the rousing shape of Sugarbox. It is a song which, whilst still nurturing the electronic escapades which marked their previous releases, shows a new snarl and raw texture in the band’s sound. It has a punk essence which seems to fit very easily with the Dronningen instincts to rock ‘n’ roll, giving their still very danceable exploits an organic and feral quality very easy to get greedy over.

The make-up of the band is certainly cosmopolitan with lead vocalist/guitarist Beatrice Bonnano and lead guitarist Vito Cerasia Italy bred, drummer Amélie Gerbet hailing from France, and bassist Wai Ting So arriving in England from Hong Kong; all united in the urge and passion to create rock ‘n’ roll. The band released its well-received debut EP Royal Riot last year and though there was the  Carry On Dancing demo two years previous, it was the spark to a growing attention upon the band, one which, if the single is anything to go by which will escalate with the Sugarbox EP.

Its initial slither of electro bait ignites an earthy surge of riffs and rhythms guided by the attitude laced vocals of Bonnano. That punk air is as much in appearance in voice as sound, Sugarbox stomping through ears like a mix of Veruca Salt, Cauldronated, and Honey Bane. Guitars and keys merge rawer hues with melodic flirtation, the bass bridging both with its shadowy tone as beats crispy land. Body and spirit are soon wrapped up in the vivacity of the song; feet and hips swinging with its own natural instincts to dance as attitude rises with the vocal and rhythmic belligerence at play.

With virulent infectiousness soaking every aspect, Sugarbox makes a devilish invitation to the full box of creative revelry bound to be lying in wait within the upcoming Dronningen EP. It is diablerie leaving ears greedy, bodies exhausted, and the band one exciting prospect.

The Sugarbox single is out May 16th with the Sugarbox EP coming June 2017.

https://www.dronningen.co.uk/    https://www.facebook.com/dronningenmusik    https://twitter.com/Dronningen_   https://dronningen.bandcamp.com/

Pete RingMaster 10/05/2017

Copyright RingMaster: MyFreeCopyright

The Ellipsis – Elsewhere

Continuing to earn potent praise and attention at every turn, British outfit The Ellipsis recently released their new video/single Elsewhere. Following on from their rousing previous single Cold Cactus, the new track sees the band’s creativity becoming even bigger and bolder, an attribute which seems to escalate with every release without losing the instinctive catchiness of The Ellipsis sound.

Emerging in 2013, the Coventry hailing band has become a keenly followed live proposition across the UK and an eagerly welcomed source of rousing rock ‘n’ roll through a host of singles around their attention grabbing debut EP Mind In The Sky of 2016. That live presence has seen the band The Ellipsis headline Coventry OxJam in front of 30,000 at the Ricoh Arena and play last year’s Godiva Festival in their home town. Now it is Elsewhere pushing things again, the Darren Lawson (White Lies, The Enemy, Bloc Party, Wolfmother, Placebo) mixed song and its energetically tenacious and imaginatively lit video reminding of the potential and creative imagination within the band.

The song leaps into view on a rally of beats from Alex Bonsor, the guitars of John Connearn and lead vocalist Henry Bristow colluding in a feisty tide of riffs before the latter’s distinctive and ever enjoyable tones court ears with a “boy meets girl” story. There is an air of shadowy intrigue to the song sparked by the brooding basslines of Harry Green, just one hue in the kaleidoscope of essences making up the captivation swiftly working on body and thoughts.

Easily the track is the band’s most eclectic and adventurously layered yet, every listen revealing a new twist and lining in a proposition much busier in craft and invention than it maybe seems upon the first couple of listens. In many ways, The Ellipsis sound and songwriting has come of age with Elsewhere though there is the feeling there is more adventure to come for which anticipation is already ripe.

Elsewhere is available now and you can check out its video on our video selector @ https://ringmasterreviewintroduces.wordpress.com/video-selector/

http://theellipsis.co.uk/    https://www.facebook.com/theellipsisuk     https://twitter.com/TheEllipsisUK

Pete RingMaster 10/05/2017

Copyright RingMaster: MyFreeCopyright

Ghosts of Social Networks – Outside The Wheel

From impressing with their debut AA-sided single Love Potion/ Mockingbirds last year, UK band Ghosts of Social Networks has gone from strength to strength in writing, sound, and attention. Earlier this year, No Going Back left its predecessor and the band’s second single Comeback Kid in the shade, a feat replicated now by Outside The Wheel, easily the outfit’s finest moment to date.

Created by and based around the craft and music of Manchester based Nathan Till, Ghosts of Social Networks create musical and emotional drama within their songs and no more striking than the suggestive theatre shaping Outside the Wheel. Again a song produced by Gavin Monaghan (Editors, Robert Plant, The Sherlocks), the new single winds a spicy groove around ears first, it’s tempting persona soon backed by tenaciously prowling rhythms the warm and expressive vocals of Till. At the same time, a haunting air rises and flows across the song, bringing a sense of The Mission to the brooding, politically charged encounter.

Building crescendos which erupt into a fiery chorus soaked in its own espionage of drama and creatively flirtatious escapades, moments with a touch of Bond to them; the song simply ignites ears and imagination not forgetting real pleasure.

There are some songs which leave a lingering mark on thoughts and emotions; Outside The Wheel one of them leaving Till and Ghosts of Social Networks a real task to match its majesty next time around.

Outside The Wheel is available now through Integrity Records.

http://www.ghostsofsocialnetworks.com/    https://www.facebook.com/GhostsOfSocialNetworks    https://twitter.com/GOSNmusic

Pete RingMaster 19/04/2017

Copyright RingMaster: MyFreeCopyright

Scott Swain – Like Nothing Else

From the dark country drama and sultry intrigue of last year’s single Oil!, Scott Swain casts his imagination into even more deceptive corners with its successor Like Nothing Else. The song is a gentle yet brooding encounter; warm and seductive yet with darkness in its lining which as much blossoms into a provocatively mesmeric enticement as the melodic warmth within, .

Making use of the downtime from his bands How to Dress a Monster and Fire at Night to explore his personal writing and songs, Swain unveiled his solo project last year and released the irresistible single Oil!, a song showing hints of inspirations ranging from Elliot Smith and Mark Lanagan to cult cinema. As its predecessor, which was inspired by There Will be Blood, his new track was written about a movie, Event Horizon the spark for Like Nothing Else.

The opening caress of acoustic guitar is an earthy yet celestial lure, Swain’s warm vocals adding to the song’s elevating flight of melody and temptation. With rhythms laying shadows in close quarter to the radiance embracing vocal and lyrical reflection, the song swiftly becomes an easy transfixing of ears and imagination. Simmering with creative and suggestive theatre, the track slowly but openly builds in emotion and intensity from there, its journey into an understated but rousing crescendo a gripping realisation before a final kiss of melodic and harmonic sighing lies poetically on the senses as the song drifts away.

Throughout its evolution, Like Nothing Else is pure captivation and confirmation that Swain’s solo side is heading towards major attention.

Like Nothing Else is released 28th April.

Upcoming Live Dates:

23/04/2017 Craft Beer Company, Brixton, London.

26/04/2017 The Cellar, The Finborough, Earls Court, London.

08/05/2017 Spice of Life, Soho, London.

18/05/2017 The Bricklayers Arms, Hitchin.

28/05/2017 Opium Bar, Edinburgh.

http://scottswainmusic.com/    https://www.facebook.com/scottswainmusic   https://twitter.com/scottswainmusic

Pete RingMaster 19/04/2017

Copyright RingMaster: MyFreeCopyright

Dirty Jane – Boogie Monster

There is a new hypnotic rumble brewing in the belly of the Birmingham underground scene and it goes by the name of Dirty Jane. This salaciously flirtatious garage punk ‘n’ roll filly is not exactly brand new, the British trio emerging in 2014 but they have just made their national introduction with debut single Boogie Monster, a track with a primal swagger which simply infests body and spirit.

Consisting of vocalist/guitarist Jack Brown, bassist John Beadsmore, and drummer Elliot Morris, Dirty Jane has become an eagerly supported and talked about proposition within the Midlands music scene; earning a fine reputation for their energetic live presence amidst shows alongside the likes of The Strypes, The Sherlocks, The Computers, The Dirty Nil and most recently Hvmm. As mentioned, Boogie Monster is the band’s first fingering of national attention and surely lustful reactions such the infectious devilry breeding the single.

Fusing garage punk and punk rock with fifties rock ‘n’ roll, the Dirty Jane sound prowls ears and psyche like a fusion of The Cramps, The Phantom, Dick Venom and The Terrortones, and Eighteen Nightmares At the Lux; a creative breed of temptation which instantly has ears and appetite inflamed as the single sonically and vocally shatters the silence. Within another breath, rhythms are prowling the senses with a lively almost predacious gait casting catchy menace for Brown to vocally embrace. With insatiable hooks equally grabbing ears all along his guitar’s swarthy grooves, a delicious grumble to Beadsmore’s bass alongside, and the whole of the band courting thick involvement with their vocal roars, the song demands lusty participation, Morris’ tenaciously swinging beats extra incentive.

Produced by Gavin Monaghan, Boogie Monster is quite simply irresistible; its psych rock essences icing on the diablerie escaping the band and if a sign of things to come, the beginning of major mischief and adventure for and from Dirty Jane.

Boogie Monster is out now on 7” from the Magic Garden Vinyl @ http://magicgardenvinyl.uk/Store/ and digitally through iTunes.

http://www.dirtyjane.co.uk/    https://www.facebook.com/Dirtyjanemusic/   https://twitter.com/dirtyjaneuk

Pete RingMaster 04/04/2017

Copyright RingMaster: MyFreeCopyright