Ben Wood and The Bad Ideas – Cora Cora Cora

You will forgive us, like the band we hope, for bringing this single to your attention a little late but it is a must for all those with a bold adventure in their indie rock hearts and rapacious fever in their indie pop instincts. The track is Cora Cora Cora and it comes from UK outfit Ben Wood and The Bad Ideas, and the first song in a planned project which if all prove as striking will make 2020 a highly busy and successful time for the UK band.

January saw the launching of a 12 month campaign which will see the London based band release a single per month for that period, songs set to feature guest performances from the likes of drummer Nick Maybury (Juliette Lewis & The Licks/ Scott Weiland Band) and prog pioneer Billy Ritchie (Clouds/ The 123) on keys alongside lead vocalist/guitarist Wood, lead guitarist Andy Duke (Flesh Tetris), bassist Ed Sonsino, and drummer Clive Bissell.

Cora Cora Cora as mentioned is their first offering and sees the legendary Dave Barbarossa (Adam & The Ants/ Bow Wow Wow) featuring on drums. Fair to say the track immediately gripped ears with its almost sinister melodic lure which emerged from the initial blast of rhythmic temptation. That fruitful hook continues to wind across the song, increasing its intoxication as Woods potent tones swing on the creative threads of the band led by Duke’s ever magnetic craft.

It is a captivating encounter which is only grips tighter with its post punk seeded shadows and rhythmic nagging and erupts to greater heights with its enlivened chorus and increasingly virulent sound.

The track is superb and a thrilling introduction to the band’s proposed endeavour so go grab now before its greedily anticipated successor is uncaged. Ben Wood & The Bad Ideas are out to grab your ears and attention and already it is easy to feel it could be a done deal.

Cora Cora Cora is available now via Back2Forward Records.

https://www.facebook.com/BenWoodTheBadIdeas/

Pete RingMaster 16/02/2020

Copyright RingMasterReview: MyFreeCopyright

Head On – Robert Christgau/Greil Marcus

Head On

A band we found ourselves hooked on back in 2018 through their debut album Ubik, Greek outfit Head On has so far evaded the major spotlights which we suggested were on their near horizon courtesy of their striking full-length but are back to tease them once again with their new two-track single.

The Athens hailing band again breed their tracks from a post punk heart enveloping both with just as potent post rock atmospherics but swiftly both Robert Christgau and Greil Marcus reveal the band’s sound has embraced a far richer and thicker expanse of flavouring compared to that within their impressive album. Equally there is a bolder maturity to the web of styles and imagination making up its senses entangling prowess, one increasing that suggestion that Head On deserve greater attention.

Both tracks making up the single are inspired by American music journalists and each a tribute with a touch of individualism and rebellion which could be said to equally spice the writers work. A-side is Robert Christgau, a song immediately winding attention enticing guitar wiring around ears. Rhythms gather with increasing intensity too though they never quite find a concussive touch as the track slips into its infectious post punk nurtured stroll. Tofer’s vocals join the canter, his resolute tones firm but with the same underlying off-kilter dynamic as carried by Breathiac’s guitar and Levojohn’s bass. With the equally purposeful beats of Kostas driving and adding commanding manipulation to song and listener alike within the melodic web cast by Breathiac, the track is pure captivation; essences of bands such as early Cure, Unsane, and KEN Mode coming to mind in varying degrees.

Greil Marcus provides the B-side and similarly had us on board from its initial nagging breath as guitar and bass nudges teased and lured before uniting in a more voracious canter with those same virulent hooks at work. There is something akin to a fusion of fellow Greeks SPInnERS and Russian punks Biting Elbows to the song but swiftly Head On stamp down their uniqueness as the cold taunting of the track and its virulent character thick in enterprise got under the skin. Senses scorching eruptions in sound and especially Tofer’s vocals only add to the tension and captivation of the track, its ferocity and disturbed breath adding to the thrilling drama.

Both tracks had us hungry for more and eagerly anticipating the next unpredictable Head On roar which hopefully will have a much larger landscape of ears waiting its unveiling if the band’s new single gets its deserved reward.

Robert Christgau/Greil Marcus is available now @ https://headongreece.bandcamp.com/releases

https://www.facebook.com/Head0n/

Pete RingMaster 05/02/2020

Copyright RingMasterReview: MyFreeCopyright

The Ghost Wolves – Let’s Go To Mars b/w Last Man

Real uniqueness is a rarity you greedily feast upon when you find it and such it is for us with The Ghost Wolves. There is nothing like the sound that the Texas duo spring upon ears out there, plenty maybe akin to it in some slight aspect but nothing truly like it as proven once more within their new two track single, Let’s Go To Mars.

Formed in 20010 and voraciously playing shows at home subsequently venturing into the world ever since, The Ghost Wolves consists of husband and wife, drummer/vocalist Jonny and vocalist/guitarist Carley Wolf. Their sound is a fusion of punk, rock ‘n’ roll, garage punk, and blues with an equally ripe appetite for electronic imagination.  It has bred a host of ear grabbing releases across the years, another coming now in the shape of the combination of Let’s Go To Mars and Last Man; for us their finest most irresistible moment yet.

Let’s Go To Mars lures the listener aboard its flight from its first cosmic breath and indeed Carley‘s mischievous giggle, the song quickly and eagerly strolling alongside the firm urging beats Jonny swings. The nagging blues of the guitar makes for a just as inviting reason to participate, the pair’s vocals goading the same intent as Jonny’s analog synthesizer casts fumes of melodic intimation. Like a mix of B-52’s, Snake Rattlers, and The Immortal Lee County Killers but unmistakably unique; together sound and song rousingly enveloped the airwaves in cosmic captivation.

Last Man provides the just as thrilling B-side, the track an apocalyptic serenade upon dark electronics with an early Fad Gadget scent. It is a haunting piece of seduction, Carley’s vocals siren-esque over the calm but still lively beats of Jonny, her guitar a flirtation similarly reserved but hungrily potent amongst it all.

The Ghost Wolves again prove and insist of their distinctiveness and creative peculiarity with their new single and once more of the feral majesty they bear.

Let’s Go To Mars b/w Last Man is released via Dirty Water Records worldwide on 7” vinyl and digitally on February 7th; pre-ordering available @ https://theghostwolves.bandcamp.com/album/lets-go-to-mars-b-w-last-man

https://www.theghostwolves.com   https://www.facebook.com/TheGhostWolves/

Pete RingMaster 28/01/2020

Copyright RingMasterReview: MyFreeCopyright

Pictures in the mind, a singles round-up

With our feet now firmly into 2020 we welcome another collection of new singles via Shauna at Shameless PR and a truly eclectic mix of sounds and flavours they offered our imaginations to play with.

The first sees British electronic duo Broads come together with fellow Norfolk based artist and songstress Milly Hirst. Theirs has been an on-going collaboration over the years and sees a new album, Ollust, unveiled in March. Ahead of its release they have just revealed Happisburgh (Single Edit), an atmospheric and provocative ambient crafted instrumental which as it hugged ears swiftly had the imagination composing its own interpretations.

Pronounced ‘haze-bruh’, Happisburghis built around ideas of a town disappearing into the sea – history being rendered in front of us, and future folk tales falling into place.”  It is a piece of music which even in its relatively minimalistic shape is rich in intimation and emotion with field recordings aligning with suggestive melodies and at times the almost drone like touch of pianos.

The tale it suggests is open for the listener to further weave with, every listen opening new avenues and vistas to imagine and explore much as the accompanying B-side Red Pits incites with its own individual sonic theatre. It is a darker and tenser piece but it too has a light within its shadows which inspires thoughts as they paint their exposition.

Happisburgh is a beguiling and haunting departure from the incessant trespass of the day and with eyes closed a moment in time which involves much more than just ears.

In rich contrast Vultures is a track which has all its creative statement in its rich web of sound but equally provided an experience which haunted the senses and imagination. The single is the new offering from Norwegian psych post-punk outfit Mayflower Madame and it too comes from a larger proposition due for release in March, the band’s new album titled Prepared For A Nightmare.

The Oslo band was formed in 2011 and soon established themselves on the national underground scene though it was through debut album, Observed in a Dream in 2016, and more so the Premonition EP two years later that they really stirred attention and acclaim much further afield. The sound of Trond Fagernes (vocals, guitars, bass), Håvard Haga (guitars), and Ola J. Kyrkjeeide (drums) has proved a captivation of psychedelic rock, shoegaze and post punk and it has to be said has been no more potent than within the delicious dark haunt of Vultures.

A track centred around “feelings of excess, lust and greed, always wanting and needing more,” Vultures is almost ravenous in its contagious breath and insistence. Nagging post punk rhythms and steely grooves provide the riveting  core to which spiralling psych guitars and harmonic vocals cast their spellbinding enterprise yet there is much more to its atmospherically evocative character which brings the single further alive.

It is a stunning track and quickly inflamed an impatient anticipation in us for that impending album.

This March also sees the release of Kingdom of Sleep, the new album from American singer-songwriter, guitarist, multi-instrumentalist and producer Jonny Polonsky. New single The Weeping Souls is the first teaser for the release, a song which it has to be said swept us up in its infectious embrace and proceeded to share a certain light on the day.

A solo artist for over 23 years, Polonsky has worked with the likes of Johnny Cash, Neil Diamond, Tom Morello, Pete Yorn, Dixie Chicks, Maynard James Keenan, Minnie Driver, and Donovan along the way as well as collaborated and played with a host of artists. Kingdom of Sleep is his sixth album and if The Weeping Souls is a clue to what it holds, the full-length is going to have ears eagerly waiting.

Guitar and voice immediately hug ears, rhythms holding back but still a pungent texture before steering the contagious stroll the song breaks into. It is a gait which twists from swing to canter and back across the track but as the music, one which is as unpredictable as it is mesmeric. Listening to the song thoughts of XTC and Love and Rockets came to mind, a delicious spicing which only elevated the temptation of the encounter even further again resulting in a certain intrigue for the bigger proposal it comes from.

Lastly we hope to spark your curiosity the way of Strangest Thing from Swedish-Australian indie pop outfit Tiny Fighter and no surprise it too is a taster for something larger to come, and a rather flavoursome appetiser it is too.

Based in Stockholm, apparently Tiny Fighter came about from a chance meeting between Therese Karlsson (a truck driver from Kalmar, Sweden) and Tim Spelman (a doctor from Melbourne, Australia) in 2017 in that great Swedish city. Since then the band has released a host of successful praise gathering singles alongside an EP and live album. Strangest Thing is our introduction to the band and we eagerly wait to hear much more starting with their forthcoming debut studio album, Going Home.

Strangest Thing is an eagerly infectious affair, its gentle but eager start soon breeding a strong catchiness, one definitely encouraged by the rousing character of the bass and Karlsson’s magnetic vocals. Keys and guitar weave further melodic enticement across this already captivating stroll, everything carrying a virulent breath which only escalates once aligning together.

With a touch of The Primitives and The Cranberries to the song, Strangest Thing lured keen attention with greater lust by the listen, so again roll on the album.

Happisburgh and the album Ollust from Broads and Milly Hirst are out now via Humm Recordings; available @ https://broadsofnorfolk.bandcamp.com/album/happisburgh-1

Upcoming Broads and Milly Hirst Shows

02 April 2020 – Octagon Chapel, Norwich

03 April 2020 – Thetford Guildhall

04 April 2020 – Oulton Chapel

05 April 2020 – Strangers’ Hall, Norwich

10 April 2020 – Happisburgh St. Mary’s Church Rooms

11 April 2020 – Dereham Memorial Hall

https://www.facebook.com/Broadsofnorfolk   https://www.facebook.com/millyhirstmusic

Mayflower Madame’s Vultures is out now with Prepared For A Nightmare released March 27, both through Only Lovers Records and to be available @ https://mayflowermadame.bandcamp.com/album/prepared-for-a-nightmare.

Upcoming Tour Dates:

March 27th – Desert Stars Festival – Joshua Tree

March 28th – Bar Sinister – Los Angeles

March 29th – Whistle Stop – San Diego

March 30th – Lunchbox – Phoenix

April 2nd – Lo-Fi – Seattle

April 3rd – Out From The Shadows Festival – Portland

April 4th – Elbo Room – Oakland

https://www.facebook.com/mayflowermadame

The Jonny Polonsky single, The Weeping Souls, is out now with the album, Kingdom of Sleep due for release digitally, on CD and clear vinyl with gatefold sleeve on March 6th, both via Ghostworks Recordings with pre-ordering of the latter available now @ https://www.jonnypolonsky.com/music and https://jonnypolonsky.bandcamp.com/

February Europe Tour Dates:

2/14 BRUGGE-De Kelk

2/15 MAASEIK-Jazzclub Sjuur

2/16 ANTWERPEN-Tram 3

2/19 GENT-Kinky Star

2/20 SINT NIKLAAS-Casino

2/21 BRUSSEL-to be determined

2/22 LEUVEN-Depot

https://www.jonnypolonsky.com/   https://www.facebook.com/JonnyPolonskyMusicPage   https://twitter.com/jonnypolonsky

Strangest Thing is available from Tiny Fighter via Bay Terrace Records February 7th with Going Home released March 27th @ https://tinyfighterz.bandcamp.com

https://www.tinyfighter.org   https://www.facebook.com/tinyfighterz   https://twitter.com/TinyFighterz

Pete RingMaster 07/02/2020

Copyright RingMasterReview: MyFreeCopyright

Slumlord Radio – Gonna Be A Riot

Ever since we found the dial to Slumlord Radio through their Tokyo Roadhouse Sonic Sex Castle EP back in 2013, the Grand Rapids hailing trio has had us relishing and devouring each slice of their dirt encrusted, attitude fuelled punk bred sound. Each subsequent release has only seen the band’s sound grow more striking and irrepressible and our enjoyment more intense and with the release of their new single, Gonna Be A Riot, the trend continues.

The release consists of two tracks, the voraciously rousing Gonna Be A Riot and a just as irritably animated cover of The Stooges’ I Wanna Be Your Dog. It has been four years since Slumlord Radio hit the spot and drew rich acclaim with the uncompromising, bruising, and incessantly dynamic Too Pretty For Tijuana EP, time which has seen their sound find even more belligerence, instinctive aggression, and rebel rousing enterprise as proven by Gonna Be A Riot.

Though bred on the raw seeds of punk rock, Slumlord Radio’s rock ‘n’ roll embraces essences of stoner rock, sludge, metal, and garage punk in its roar. Gonna Be A Riot epitomises the recipe behind their songs whilst casting a whole fresh incitement in its craft and devilry. The track springs an initial blast of noise before strolling through ears with a mischievous catchiness. The beats of drummer “Rattlesnake” Matt Claucherty echo that devilment in their senses rapping swing, the bass of Michael “The Westside Wolfman” Todd a matching encouragement as the dirty tones of vocalist/guitarist Tommy “Capt. Hollywood” Erickson share their grouchy goading.

With every twist adding bold unpredictability to the equally fluid stomp of the song it is the crazed enticement of the gang vocals seeing Myron (Dirty Americans/Workhorse/The Workhorse Movement), Christian Cooney (MOTO), Joseph Henry (The Holy Warheads) and Alicia Adams among the holler, which add the final infectious layer to the quickly proving irresistible encounter.

As much as the band stay true to the heart of the original, Slumlord Radio adds their particular predacious touch and prowling threat to I Wanna Be Your Dog, the song’s intent as toxic as it is submissive. It is a superb version of the classic and as its companion sees Cooney provide a guitar solo, the track also welcoming a similar contribution from Jeff Piper (Dirty Americans/Workhorse/Workhorse Movement) and a great piano teasing from Jeremiah Pilbeam who also produced the single.

Though we as a great many wish for more regular encounters with Slumlord Radio when they come around they are moments which so far have had us gripped in rock ‘n’ roll rebellion; Gonna Be A Riot one more great trigger.

Gonna Be A Riot is available now via White Elephant Records on vinyl and as a name your price download @ https://slumlordradio.bandcamp.com/

https://www.facebook.com/SlumlordRadioMI/   https://twitter.com/Slumlord_Radio

Pete RingMaster 08/01/2020

Copyright RingMasterReview: MyFreeCopyright

From streets and trees

With again thanks to our friend Shauna of the great band Ummagma and leading light of the mighty Shameless PR, we have discovered another clutch of singles sure to ignite your interest.

The Room in The Wood is centred round the creative union of guitarist Paul Cavanagh and vocalist Dave Jackson, the pair back writing and playing together again since the demise of their post-punk band The Room in 1985; a band whose single, Things Have Learnt to Walk That Ought to Crawl still finds an eager place in our ears. That alone sparked real anticipation as what The Room in The Wood might offer and as Charmed reveals, it is pure captivation.

The likes of The Doors, Burt Bacharach, Beck, Fleet Foxes, and Nick Cave have been offered up as suggestions to the band’s sound but as soon as Charmed began its suggestive balladry, it was The Monochrome Set which came to mind and escalated the natural magnetism of the song, To be fair, the track is unique to The Room in The Wood in every way but that additional scent does it no harm as neither the flighty lures of Simon James’ folkish flute and the autumn stroll of drummer Colin George Lamont’s rhythms.

Released via A Turntable Friend Records, Charmed is a slice of melodic beauty with snapping jaws at social disparity and a real joy.

Also released through A Turntable Friend Records is the latest single from the black watch, a LA-based outfit consisting of John Andrew Fredrick, Andy Creighton, Scott Campbell, and Rob Campanella. Crying All The Time is taken from Brilliant Failures, the quartet’s new album planned for release mid-2020 and no finer a teaser for the full-length are you likely to hear.

A slice of psychedelic indie pop, the song has a definite eighties scent to its enterprise; indeed in certain moments and in varying degrees bands such as Echo and the Bunnymen, The Sound, and The House Of Love came to mind though it would be wrong to say that Crying All The Time shared anything less than the black watch richness.

From the citric jangle of guitar to the rampant incitement of rhythms and Fredrick’s participation encouraging vocals, the single rides pop rock instincts with creative boisterousness. Everything about it is virulent infectiousness yet embraces an organic DIY feel which again harkens back to late seventies/early eighties invention and boldness; another of numerous reasons to swiftly check it out,

photo by DC Cane

With their new self-titled mini album set for release January 31st, Beat Hotel share the second single from it on the 3rd. Bury It Deep is a song with an indie rock jangle and melodic pop catchiness and an ear pleasing invitation to that upcoming release.

Featuring current and former members of The June Brides, The Loft, The Weather Prophets, Distractions, Mudlow, Mojo Fins, and Lolita Storm and based between Brighton and Plymouth, Beat Hotel is the long-time project of guitarist/vocalist Paul Pascoe and bassist Arash Torabi. With drummer Dave Morgan having played on records alongside the likes of Jazz Butcher, Primal Scream, Vic Goddard, and Subway Sect, there was plenty to intrigue from the band’s musical experiences alone and Bury It Deep quickly rewarded with its accomplished enterprise.

There is a touch of Lloyd Cole and the Commotions to the song’s guitars at times, a hue which escalates its natural infectiousness and the melodic prowess of Pascoe and fellow guitarist Stephen Brett. With a psych rock breath adding to the track’s shimmer against the darker lit stroll of rhythms, Bury It Deep soon had ears hooked and with increasing strength by the listen. Released through Occultation Recordings, it is a song which suggests that upcoming release will be well worth a good listen.

Also with a new album in the wings, German gothic rockers MONO INC. release a pair of singles to entice ears towards that bigger proposition.

The Book of Fire and Louder Than Hell are the opening two songs upon The Book of Fire LP which will be released January 24th via SPV / NoCut in Europe and ADA / Entertainment One in North America. The eleventh full-length from the Hamburg quartet, it is a concept album of a “time when knowledge gained over centuries was systematically erased…A time of the inquisition”, an adventure the two singles suggest will make for a fascinating exploration.

The band’s sound is a weave of gothic rock and folk scented metal evenly embracing familiarity and uniqueness. The Book of Fire is a canter of melodic dexterity and lyrical intimation and straight away coaxes attention with its melodic lures before bursting into a bolder and heavier surge. Martin Engler’s tones soon unveil the track’s shadow bound tale as the rhythms of bassist Manuel Antoni and drummer Katha Mia echo that darkness.

Louder Than Hell similarly takes the imagination into a saga of drama and darkness and with matching enterprise from its electronic enticing to robust rock exploits. With Mia’s tones a rousing company to Engler’s lead and the guitar of Carl Fornia weaving suggestion as potent as the lyrics, the track makes for a stirring encounter, eclipsing its companion on the way with both tracks joining those previously mentioned in luring intrigue and attention the way of the bigger proposals they come from.

The final single we urge you to go explore is The Delicate Balance of All Things from Beauty in Chaos featuring Wayne Hussey. The song is the first appetiser for the LA-based collective’s new album, The Storm Before The Calm, a release due February 21st via 33.3 Music Collective which as its predecessor sees the project formed/led/curated by guitarist Michael Ciravolo (Human Drama/ Michael Aston’s Gene Loves Jezebel) uniting with the craft and talent of numerous musicians.

Also a potent part of that debut, Finding Beauty in Chaos, The Mission’s Hussey joins Ciravolo in The Delicate Balance of All Things, his distinctive tones a calm and suggestive presence within the psych bred web of guitar and the melodic shimmer from their evocative strands. Craftily infectious in groove and gait and hauntingly dramatic in tone and imagination, the track simply bewitched ears and appetite while laying the seeds of eager anticipation for The Storm Before The Calm.

https://www.facebook.com/theroominthewood/  https://twitter.com/davejacksonroom    https://theroominthewood.bandcamp.com/   https://theroominthewood.bandcamp.com/track/charmed

http://johnandrewfredrick.com/   https://www.facebook.com/theblackwatchmusic   https://twitter.com/blackwatchmusic   https://theblackwatch.bandcamp.com/track/crying-all-the-time

https://www.facebook.com/Beat-Hotel-107226936009024/   https://twitter.com/paulbeat70   https://beathotel2.bandcamp.com/album/beat-hotel

http://mono-inc.com/   https://www.facebook.com/monoinc   https://twitter.com/mono_inc

https://www.beautyinchaosmusic.com/   https://www.facebook.com/beautyinchaosmusic/   https://twitter.com/MichaelCiravolo

MONO INC.’s THE BOOK OF FIRE TOUR Dates

06.03.20 – Münster, Skaters Palace

07.03.20 – Köln, Carlswerk Victoria

12.03.20 – München, Backstage Werk

13.03.20 – Nürnberg, Z-Bau

14.03.20 – Wiesbaden, Schlachthof

15.03.20 – Pratteln, Z7

20.03.20 – Berlin, Columbia Halle

21.03.20 – Leipzig, Haus Auensee

27.03.20 – Oberhausen, Turbinenhalle

28.03.20 – Stuttgart, Im Wizemann

29.03.20 – Saarbrücken, Garage

03.04.20 – Hannover, Pavillon

04.04.20 – Hamburg, Sporthalle

Pete RingMaster 04/01/2020

Copyright RingMasterReview: MyFreeCopyright

Enamel Animal – Anymore

The last couple of years have seen UK hailing alternative rock band, Enamel Animal, on a kind of hiatus as members took a break for family and other commitments but now the quartet has returned with a magnet of a song in the shape of Anymore.

Emerging in 2012, the Liverpool based outfit has gone on to earn a potent reputation for their live presence, taking in shows with the likes of Bad Sign, Crazy Town, FOES, Exit_International, The Hyena Kill, and Rival Bones along the way, and earn rich increasing praise for their releases. 2017 debut album Unfaith especially drew eager attention and plaudits with subsequent singles, Damocles and Reviler, matching its success.

Anymore is the first of a new collection of tracks written by the band and its new line-up which sees Jon Lawton who produced Unfaith a full-time member alongside band founders, Philip Collier, Glen Ashworth, and Ryan Mallows. Quickly the new single reveals a new maturity in songwriting and sound, its calm yet volatile breath and touch seduction with a feral lining. As rhythms slowly but keenly stroll through ears guitar wires wind and sonic flames spark, each a flirtation across the song’s rising drama with the band’s emotively scented rock enterprise rich in intrigue and intimation.

Previously it was not easy to pin down the Enamel Animal sound and Anymore if anything ensures it is even more difficult as the band embraces hints of noise and punk rock to their predacious instincts and melodic prowess.

Anymore is a fascinating and richly enjoyable return by the band and easily incites real anticipation for want comes next.

Anymore is out now via Psycho Boy Recordings.

https://www.facebook.com/EnamelAnimal/    https://twitter.com/anenamelanimal

https://enamelanimal.bandcamp.com/album/unfaith

Pete RingMaster 22/10/2019

Copyright RingMaster: MyFreeCopyright