Bridport Dagger – Wolves/Trembling Sky

Sometimes you just do not know the goodness which is on your doorstep. Recently we had the pleasure of being introduced by one of their numbers to Bridport Dagger, a band which it turned out rehearsed and recorded in their singer’s home studio merely ten minutes away from The RR. Even more enjoyably, the meeting left us with the UK outfit’s new single in our eager hands and the urge to tell you about its rather tasty contents as well as the important message to constantly check out and support your local scene as you never know what treats you may find.

There is not a great deal of info we can tell you about the band except that it consists of vocalist/guitarist Jason Idnani-Powdrill, guitarist Lawrence Rice, bassist/guitarist Chaz Foster, and drummer/keyboardist Arran Goodchild. The quartet draws on the inspirations of artists and flavours such as Suicide, Nadine Shah, Roy Orbison, Guadalupe Plata, Clinic, The Gun Club, Flamenco, Get Your Gun, Fado, Ennio Morricone, and film noir especially the work of Wim Wenders and recently performed in an echo chamber under the river Thames and supplied sound design for a seven day immersive play in Berlin. But their sound you ask…well the most important thing here is a dark and seductive collusion of numerous flavours and textures but is maybe best described as Nick Cave and The Walker Brothers meeting Echo and The Bunnymen on a Tarantino set as Japanese Fighting Fish share their creative devilment. What emerges is something individual and magnetic to Bridport Dagger as epitomised by the double A sided lead of new single Wolves/Trembling Sky.

The single is actually a real meaty chunk as it also includes the band’s previous EP Knife through Water including a re-mastered version of its lead track and a couple of songs from that earlier mentioned soundtrack . The single opens with Wolves and an immediate clash of sound as rhythms and guitars collide. From within the inviting clamour a rumble brews; its tone rockabilly like as the guitars between them wrap a jungle of riffs in a sultry melody as Idnani-Powdrill’s vocals begin the shadowed croon of the song. Already the magnetism is addiction level, the subsequent scythes of guitar compelling across the captivation of bass and beats as the band’s rock ‘n’ roll shares dark flirtation. Every passing second brings a new twist of drama and sound, unpredictability as thick as the imagination flowing through the outstanding encounter.

Its partner, Trembling Sky is instantly a less intense proposition, a psych rock melody dancing over the darker hues of bass and again grumbling riffs. There is a Doors-esque air to the song, a shadowed lining to its lively spirit and bounce, and a sixties instrumental tone to the guitars which only adds to its instinctive attraction. As its predecessor, the song just hits personal wants and tastes full on though at two and a half minutes or so it frustrates when it ends just as lust rises.

The rest of the release starts with tracks found on that previously mentioned EP released last year with a re-worked mix of acclaimed track Harry Dean Stanton first up. As this piece is being composed news has just come through that the actor has died; a sad timing which instantly brings a poignant edge to song and its embrace of ears and focus. The song is a dusty shimmer on the senses, a poetic sigh spiked by shards of glassy guitar and soaked with the serenade of keys; a proposition which is masterfully enthralling from start to finish.

Next up is Cowboy Drone, a track which nags and teases like a menacing mix of The Birthday Party and The Doors that sizes up the listener with every note and breath before taking them through a tombstone littered climate soaked in post punk/psych rock discord and theatre. The track is glorious, a noir drenched drama of sound and voice which thrusts the imagination into the heat of dark trespasses.

Taken from the soundtrack of the Twin Peaks inspired theatre performance Bridport Dagger created the music for, The Dangling Man is one of two original songs it was bookended by, the following Lyra the other. The first is a sombre, almost caliginous play for ears and imagination with vocals and music a shadowy lure and the melodramatic caresses of sax courtesy of George Cleghorn sublimely suggestive while the second is a fifties hued dark ballad with more than a touch of Roy Orbison to its emotional humidity. Both tracks transport the listen to a dark and intoxicating place impossible to resist lingering within.

The livelier rock ‘n’ roll of The Butcher of Rome has hips swaying and appetite dancing, bass and beats alone a rousing shuffle to be enslaved by, a trap tightened by the teasing jangle of guitars, the seductive strokes of keys, and the storytelling prowess of the vocals.

The release is completed by the sweltering emotional drenched spectacle of Wilderness, a song which gets bolder and more psychotic and discordant with every passing minute for a mouth-watering finale of provocative noise and melodic toxicity.

Wolves and Trembling Sky as a single is one of the year’s most riveting experiences on the year so far; add the rest of its treats and you have one of the most essential come its release in October.

Wolves/Trembling Sky is released October 13th.

Upcoming live dates:

21st September: Bethnal Green Working Mens Club, London

29th September: Insomnia, Berlin

8th October: Twin Peaks UK Festival, London

10th October: Half Moon Putney, London

13th October: The Lexington (with the Flaming Stars and Get Your Gun), London

4th November: Paper Dress vintage 4th Birthday Party, London

https://www.facebook.com/bridportdagger    https://bridportdagger.bandcamp.com/

Pete RingMaster 16/09/2017

Copyright RingMaster: MyFreeCopyright

Lee Murray – Rust

Ok let us first dispense of the elephant in the room. Lee Murray was once the drummer of nineties pop band Let Loose which had a host of hits including Crazy For You but do not hold that against him as you contemplate checking out his new solo single Rust. You will find a song which is an infectious slice of rock pop with a steely edge to its textures and acts like a magnet from start to finish.

Already renowned for his drumming, Murray is equally skilled as a composer and producer. In his own songwriting and solo sound he has drawn on inspirations ranging from Kaiser Chiefs and The Killers to Depeche Mode and Gary Numan, the latter a definite spicing to the single. Equally it has a feel of The Wonderstuff to it especially around one contagious chorus.

Straight away riffs and rhythms tenaciously invite attention, crowding enticingly around Murray’s potent tones as guitars send melodic flames across their bow. It all unites in time for a rigorously catchy surge leading to that vibrant chorus, repeating the cycle with increasing energy and a fervour which reflects the song’s theme of getting sucked into a toxic relationship which is initially exciting, but one where “you’re attracted to the danger and free spirit only to find it becomes destructive”.

We will admit we were surprised by Rust, quickly enamoured, and now rather intrigued to find out if the song is a potent sign of things to come from his solo adventure.

Rust is available to pre-order now and to download from October 6th 2017.

https://www.facebook.com/officialleemurray/    http://twitter.com/leemurraymint

Pete RingMaster 15/09/2017

Copyright RingMaster: MyFreeCopyright

Sweet Gum Tree – The Gift

To reinforce the already successful release and temptation of latest album Sustain The Illusion, French project Sweet Gum Tree have another magnetic slice of melodic seduction poised in the shape of new single The Gift. We first became captivated by Sweet Gum Tree through debut album The Snakes You Charm & The Wolves You Tame three years ago and the latest offering and other tracks heard since then shows that the qualities and potential of that impressive introduction have grown and blossomed.

Sweet Gum Tree is the creation and solo project of songwriter/multi-instrumentalist Arno Sojo, a musician who has been part of various rock and electro bands over the past fifteen years including another of his creations in Sojo Glider. The first album saw Sojo draw on the talent of guests such as Isobel Campbell, Tindersticks drummer Earl Harvin, and Marty Willson-Piper from The Church. With Sustain The Illusion, he has recorded everything on his own with only Irish producer David Odlum who also worked on The Snakes You Charm & The Wolves You Tame helping out.

Within its melodic beauty that first album was a heart of melancholic elegance, an enticing blend which is just as ripe within The Gift. Its gentle caress of melody instantly has attention alert, guitars weaving a disarming proposal backed by the emotive tones of Sojo. A catchy air is just as swiftly invasive, luring ears within the low key but vibrant stroll of the song where every passing second seems to welcome a fresh ingredient of enterprise; strings and keys two elements rising up to add colour and depth to the heart sharing proposal.

The Gift is a serenade for the imagination, a shadowed but open kiss for the ear much as many of the tracks within that first album alone but with a new richness in enterprise and songwriting which can only see Sweet Gum Tree become the centre of bigger spotlights. It is not a lone offering within Sustain The Illusion though as songs like Guilt Trip and Twinkle show. The first of the two is a compelling mix of eighties synth pop and post punk nurtured rock playing like a fusion of The The and The Pineapple Thief while the second, again merging electronic minimalism with melodic rock tenacity, simply rouses the senses like a fusion of Slug Comparison, XTC, and Sigur Rós; both outstanding tracks though emerging unique to Sweet Gum Tree.

All songs are must check out proposals with The Gift, for ears, more than living up to its title.

The Gift is available to download from September 15th with Sustain The Illusion out now across most online stores.

http://sweetgumtree.tv   http://facebook.com/sweetgumtree   http://twitter.com/SweetGumTree

Pete RingMaster 12/09/2017

Copyright RingMaster: MyFreeCopyright

Twister – 64 White Lies

Not quite a year ago, UK rock outfit Twister grabbed our ears and attention, like with so many others, through the Designed State of Mind EP. It was an infectious yet meaty collection of melodically woven, rousingly catchy rock pop openly rich in a potential which has since been realised and pushed again by a debut album and now new single 64 White Lies.

The Durham hailing outfit formed in 2004 and has grown to be one of the more enticing rock propositions on the British scene as well as a powerful and acclaimed live encounter. Over the years they have played with the likes of Status Quo, Simple Minds, Texas, Scouting for Girls, Ron Thal (Bumblefoot),  Jools Holland, and The Joy Formidable and finished in overall second place out of 12,000 acts in the Surface Festival. The Designed State of Mind EP was a definite nudge on bigger recognition of their powerful sound with its release last year and more than built upon by first album Combined State of Mind released this past May.

Taken from that full-length, 64 White Lies epitomises the band’s strongly written and potently crafted sound. It might not be bursting with surprises as a song but everything about it is adventurous and an adventure for the listener. From its opening melodic tease of guitar and the swiftly following wave of muscular rhythms and pressing riffs, the song has ears in the palms of its creative hands. The engaging tones of vocalist/guitarist Stevie Stoker only reinforce the temptation; his voice melodic warmth within the more volatile roar of sound and intensity.

With the strolling bassline of Matt Whitaker and the wickedly swung beats of drummer Joe Major striking bait alongside the creative inducement of guitarist Jake Grime and Stoker, the song is an instinctive surge of heart and craft as effective in its composed moments as in its fiery roar. It is a mix of the enticingly familiar and appetisingly fresh which makes a delving into Combined State of Mind and the incoming horizons of Twister an inevitable next move.

64 White Lies is released September 22nd.

http://www.officialtwister.co.uk/    https://www.facebook.com/TwisterUK    https://twitter.com/wearetwister

Pete RingMaster 12/09/2017

Copyright RingMaster: MyFreeCopyright

Folie – Sorrow

Some songs make a swift persuasion, others creep up on you for similar success, and there are those which seize attention with a virulence which almost takes the breath away. Sorrow, the new single from Folie, inescapably belongs to the latter. It is a slice of imposingly danceable pop embracing an array of styles and flavours yet belonging to none tagging wise which has the body bouncing and spirit bounding within the  touch of its first bubbly beat and melodic shimmer.

Florida hailing, Folie is a collective of dedicated producers, performers, songwriters, and musicians uniting their own “unique approach to their artistry”. Earlier this year, the band released a well-received debut EP in the shape of Gorgeous, a release just as Sorrow which is taken from it, weaving a tapestry of pop, indie, electronic, hip hop, dance and a host of other ear grabbing flavours.

The single instantly whets the appetite with its fleet footed bass pulsing and crispy percussion, keys and guitar soon adding their colourful strokes to the blossoming encounter. Vocals bring a Libertines meets punk spicing to the growing mix whilst the funky animation of the song offers a dance/alternative rock enterprise with a touch of the Tom Tom Club to its swing.

It is a captivating web of sound and styles which only seems to increase its hold as frantic energies increase and infest the imagination. The fade out is annoying but that is the only thing, just down to personal tastes, to offer up as a ‘temper’ to a lustful recommendation of a track ensuring a lively summer is far from over.

The Gorgeous EP is available now @ https://folie1.bandcamp.com/album/gorgeous

https://www.facebook.com/Officialfoliee

Pete RingMaster 12/09/2017

Copyright RingMaster: MyFreeCopyright

Peter118 – Wasting

It may last not much longer than a politician’s election promise but Wasting, the new single from Peter118 offers a minute and a half of punk rock in its essential form. Bringing together the punk instincts and traits of ’77 with the antics of the genre’s current pop punk side, the track is a senses harrying, spirit rousing charge with the speed of Usain Bolt and the ravenous lungs of a hurricane.

Peter118 started out as the solo project of Peter Field, formerly of Stoke-based punk bands Senseless and Ambassadors of Shalom, and made a swift impact with the Make It Or Break It EP in 2014. Over time the British band has grown with the addition of field’s wife Janine on bass, Sam on drums, and finally more recently rhythm guitarist Alisha Palmer. Since that first attention grabbing release, the band has ignited US appetites through legendary KROQ DJ Rodney Bingenheimer who championed the lead track of 2016 EP Need You More and sealed a return to the Rainbow Rock festival in Stockholm, Sweden as well as set up a highly anticipated UK tour this coming October and November.

Having just uncaged a split EP with US punks No Lost Cause, Peter118 is out to stir up the punk scene with Wasting. Taken from that six track split In Stereo, the single grabs ears with the raw harassment of guitar, rhythms swiftly forcing their touch on ears as vocals further stir the confrontation up. Like a mix of The Adverts, Dead Kennedys, and dragSTER, the track preys upon and surges across the senses, nagging riffs and wiry hooks aligning with the infectious vocal call.

Then before you know it the track is gone but despite its tempestuous briefness there is no sense of dissatisfaction just the urge to know and hear more of a band forging a potent place in the punk scene.

Wasting is out now as too the In Stereo Split available through In Presence Records in the UK and Thumper Punk Records in the US.

http://peter118.weebly.com/    https://www.facebook.com/Peter118UK/    https://twitter.com/peter118uk

Pete RingMaster 12/09/2017

Copyright RingMaster: MyFreeCopyright

The Bronsons – Girl from Outer Space

Coming together again a handful of years ago after first emerging in the early eighties, The Bronsons sow their music in the pub/garage rock sounds which laid the seeds for many of the punk bands crashing 1976/77. It is a style which they continue to embrace and nurture their own individual character of enticement from as evidenced by new single Girl from Outer Space.

The song is a cover of a track by Barrence Whitfield and the Savages which made its first appearance on their 1987 UK EP Call Of The Wild, the release expanded with additional tracks and released in the US as the album Ow! Ow! Ow! the same year. It was a track which vocalist Stefan Ball came across in the early nineties, a song he found impossible to find again since renting the aforementioned EP from a local library but one he never forgot. Hearing it again when Boston’s Four Piece Suit released their own version he brought the song to the band and subsequently they now our ears in the inimitable Bronsons style.

The current line-up of guitarist Ball, Tony ‘Chas’ Talman, drummer Phil ‘Chas’ Dourado, and bassist Jorge Polverinos backed by Zara Cannon and Giselle Nicholson aka The Bronsonettes, has evolved the blues rock toning of the original with a rich dose of their forcibly catchy rock ‘n’ roll, a blend which swiftly grips the appetite as Girl from Outer Space launches itself on ears. Like a mix of The Pirates, Dave Edmunds, and The Vibrators, the track infests the imagination. Guitars make the first raucous lure, the swagger of bass and beats quickly lining up alongside as Ball’s vocals share their own confident stroll. Together it makes for a fuzzy mischievous slice of rock ‘n’ roll, The Revillos like harmonic lure of The Bronsonettes icing on the contagion as eager involvement in its antics is inescapable.

The best rock ‘n’ roll has the face smiling, spirit rolling, and body rocking; Girl from Outer Space ticks all boxes.

Girl from Outer Space is available now @ https://bronsons.bandcamp.com/track/girl-from-outer-space

http://www.bronsons.uk/    https://www.facebook.com/BronsonsLive    https://twitter.com/BronsonsLive

Pete RingMaster 12/09/2017

Copyright RingMaster: MyFreeCopyright