Sirens In The Delta – Revolutions To Follow

Sirens in the Delta Promo Shot_Reputation Radio/RingMaster Review

From an intriguingly alluring name to a sound which stirs up air and ears alike, UK rockers Sirens In The Delta offer an attention grabbing and potential loaded introduction with debut EP Revolutions To Follow. Bulging with six tracks which resourcefully excite whilst laying the basis for even greater things ahead, the release declares the Teesside quintet as a band set to be a rich presence within the British rock scene.

Formed in 2013, it is fair to say that Sirens In The Delta has taken little time making a potent impression whilst whipping up an ever increasing and loyal fan base, a success matched in growing acclaim and attention. Live the band has shared stages with the likes of Funeral for a Friend, Skindred, The Blackout, InMe, The Answer, Collibus, and Allusondrugs, whilst songs have caught strong radio play from the likes of Amazing Radio and BBC Introducing. With the winning of the Rock The House Discretionary Rock Award last year under their belts too, the five piece of vocalist Katie, guitarists Gav and Rich, bassist Si, and drummer Glen has made 2015 their most potent yet with already a highly praised appearance at Download, a similarly successful UK tour through June, and now the national release of the captivating Revolutions To Follow.

The EP opens with new single Dirty Words, a punchy slice of alternative rock pop with a dark intimidating bass hum courting spicy grooves and fiery hooks. It is a virulently contagious encounter blooming further through the swiftly impressing tones of Katie and the open imagination veining both songwriting and delivery. The backing vocals of Rich make a great contrast and earthy grounding to the dramatic roar of Katie’s voice, her rousing presence wrapped in a just as magnetic melodic and rhythmic enterprise. Though a lighter affair than what is to come, the track grips and incites from start to finish, one impressive single soon making way for another and the bands current temptation Paris.

Sirens In Delta Cover Artwork_Reputation Radio/RingMaster Review   The second song unleashes a heavier snarl and temperament from its first breath, and is arguably the more dominate side of the Sirens In The Delta sound going by the rest of the release. Grouchy riffs and a just as irritable bass growl gets things off to a gripping start, their thick enticement matched and perfectly tempered by the harmony strong and inventive delivery of Katie. On a rolling canter of thickly landing and again inescapably infectious beats from Glen, the song is a prowling slab of compelling revelry able to up its energy and creative ante at will. There is a dirty air and aggressive edge to it too which only adds to the rich and inventive mix, the track hungry rock ‘n’ roll which alone will and has awoken greedy appetites for the band’s sonic proposal.

Casus Belli takes over next, quickly unveiling a leaping and agitated lure of rhythms aligned to tangy guitar grooving and equally unpredictable enterprise. To this as effects kiss the rich expression of the vocals, guitars cast a matching weave of provocative textures and ideation. The song ebbs and flows in energy whilst providing nothing less than absorbing drama and increasingly exotic temptation from start to finish, everything leading to an irresistible furnace of a finale. Already inflamed ears and imagination continue to be gripped by the song, developing a fresh dose of hunger for more which comes in the shapely presence of Halo straight after. Though the song does not quite match the previous trio in adventure and success, it is still a rich enticement of heavy melodic rock with attitude and power. Reminding a touch of Forever Still, the encounter brews an emotively driven and creatively spicy persuasion with the guitars especially spirited in invention.

The melodically charmed and darkly shadowed presence of The Attack sparks further greedy satisfaction, its elegant balladry and seductively cast vocal reflection just bewitching. There is a darker underbelly to the song though, a snarl of a tormented bassline and caustically touching riffs offering a busy and imaginative texture to perfectly off-set the beauty around it. Katie again enthrals with her impressive voice and style, repeating the lure in the closing might of Weapon. It is a heavy rocker of a tempting; bluesy tones wrapping the voice of the guitars and their grooves in an anthemic roar cast by a tempestuous heart.

The track is a glorious end to an increasingly impressing release. Each song reveals a little more to the depth and expanse of the songwriting and sound as well as the band’s craft and imagination. If anything it does not push its boldest elements far enough at times but nevertheless Revolutions To Follow is an exciting and addictive first encounter with Sirens In The Delta breeding anticipation of many more as the band grows and evolves into a potent presence upon the UK rock landscape.

The Revolutions To Follow EP is available from June 22nd through all digital platforms and digitally as well as on CD @

RingMaster 22/06/2015

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New roars and creative chapters: talking Armored Saint with Joey Vera

 armored-saint_photo04_Reputation Radio/RingMaster Review

  There is no doubting that the new album from Armored Saint was one of the most highly anticipated albums of 2015, and in turn no surprise certainly to fans, that it showed the band like all the best malts, just keener and more flavoursome over the years, simply better with age. Win Hands Down is a proposition distinctly Armored Saint but ripe with stirring invention and adventurous attitude aligned to maybe their most explosive craft yet. It is beast of a release which meant we did not have to be asked twice when given the opportunity to talk with the band about their new triumph. So with thanks to bassist Joey Vera, we looked in on the making of Win Hands Down, the new freedom seemingly flowing through songwriting and invention, the band in the modern metal scene and…

Hi Joey and many thanks for taking time out to talk with us.

Let’s get straight to the chase and talk about new album Win Hands Down which is deservedly earning strong acclaim since its recent release. Do you find you have the same emotions and excitement with each record you unleash or does it vary with each release and situation?

Yeah the feelings are generally the same. We’re very proud each time we finish a record. But must say this time the fallout is somewhat more electric I have to admit.

In regard to creating the album, Jon (Bush) was quoted on the albums press release as saying, “When we started work on this record, I said, ‘Let’s pretend we are a really big band and can do armored-saint_photo03_Reputation Radio/RingMaster Reviewwhatever we want’.” Now I find it hard to believe Armoured Saint as a band and as individual musicians would allow restrictions to deflect ideas and intentions or have thoughts of being anything less than a ‘big band’ creatively. So could you elaborate on what he meant and how you used it as a spark in the creation of Win Hands Down?

We’ve pretty much done our own thing this whole time. But we always have this reminder over our shoulder that there’s some kind of expectation from us. But I think we started to feel freer from that starting with La Raza. We feel more than ever that we can do whatever we really want. But let’s be frank, there are SOME confines that we live in, but it’s a matter of how much you are willing to elaborate from those confines. It takes balls to go outside a comfort zone and we felt like we had to go past that this time.

Did you approach the writing and recording of Win Hands Down with any major differences to how for example you made last album La Raza?

Not really. The bottom line with us in the past 10 years is, just write great songs. When we were younger we were more likely to be concerned with making some kind of impression. But that’s all out the window now. We have nothing to prove to anyone.

There is a freedom in the songwriting of the new album, a more adventurous bucking of expected structures in metal and heavy rock songs. This in turn gave it a bolder energy and unpredictability which was maybe less pronounced in its predecessor; something you would agree with?

Absolutely, again, we’re at a point where we need to push ourselves and see what we’re capable of. We get very tired and restless if we feel like we are not moving in a forward direction, for better or worse.

What primarily sparked this different intent and exploration in the writing of songs?

Maybe our age? We truly enjoy making music. But we have to create something that is interesting and fun for us first. Seems obvious when I say it, but it’s fun and exciting to take chances, and horribly boring playing it safe.

Cover_Reputation Radio/RingMaster ReviewThis freedom in exploration will be continuing in future releases we can assume such the potency it gave Win Hands Down?

Well I sure hope we continue to explore what we are capable of. Otherwise, time to hang it up.

How so does the songwriting process generally emerge within the band?

They last two records have pretty much been done by John and myself. There’s just some kind of snow ball effect that happens when the two of us start writing. It’s genuine and honest and the results are great, at least to us. We take contributions from the other guys of course but the shapes have to fit inside the puzzle. It can be difficult sometimes but the guys all know what’s right.

Were there any specific inspirations fuelling the lyrical side of the album and its tracks?

Well as John writes, some of it comes from a personal place and some it reads like fiction. But in either case John has written this one wearing his heart further down his sleeve than in the past. A lot of it hits home.

Going back to that freedom point, and I guess you have already answered this but I get the feeling that the band and again you all as individuals are now in a place where you primarily do, write, and create things for you rather than when expectations of others whether it be fans, labels etc.?

Ha, you’d think I’d read ahead on these questions but I didn’t. Yes, we have to please ourselves first. We are very fortunate that we have a loyal fan base and loyal support from our label that allows us to do this.

This also allows other projects and opportunities to fit in with the band’s ‘exploits’ without difficulties I assume?armored-saint_photo02_Reputation Radio/RingMaster Review

Managing our lives is tricky these days, no matter what.

Armored Saint has been a greedily devoured and potent proposition within metal since the early eighties and over three different ‘chapters’. I wonder though that even with all the thrilling and impressive releases you have given us, hi-energy quality shows you have played, that the band is the most relaxed with itself right now and subsequently blossoming even more creatively taking Win Hands Down as evidence?

Perhaps, we are in our golden years. We’re very tired of stressing the small stuff.

Where would you say the band has most dramatically changed since its early days?

Well I guess the fact that we are more at ease now, more than ever.

And where do you see Armored Saint in the landscape of metal today?

Just recently I began to think that we’ve always been on our own island and in the past, that bothered us a little. But now we love it and embrace it.

As mentioned you have been and are involved in numerous other projects and bands, would you say this has also played a big part in the evolution of the band’s sound and in your albums consistently having a fresh and modern feel whilst retaining that distinct Armored Saint sound?

Sure. I’ve become a better player and musician all around, largely due to all of the amazing musicians I’ve have the pleasure of being with. I learn so much from each guy I jam with, I listen and learn.

What is next for Armored Saints?

We will be playing some great shows the rest of this year and into 2016. We will be shooting a new video in late summer and more tour dates. A live DVD is also in discussion.

Big thanks again for chatting with us, any last words for the readers?

We must give thanks to our fans that have followed us since day one, and since they’ve come on board. We cannot do any of this without them. Thank you for coming with us.

Read our review of Win Hands Down @

Thanks to Andy at Metal Blade for arranging the interview.

Pete RingMaster

The RingMaster Review 19/06/2015

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Rousing spirits: the Patriot Rebel Interview

Patriot Rebel Online Promo

Having impressed and staked their place as one of the best emerging rock bands on the British music scene with debut EP Two Worlds last year, Nottingham quintet Patriot Rebel release brand new single Propaganda August 3rd. Between releases the band has reinforced and increased their stature with numerous tours and festival appearances, playing with the likes of Tesseract, Jettblack, Skarlett Riot, Cornerstone, Earthtone9, Spirytus, and Violet along the way. Having been one of many bowled over by their debut, the news of a new single meant we had to know more, so we cornered the band to talk beginnings, Propaganda, Matt Ellis and much more…

Hi guys and welcome to The RingMaster Review. Many thanks for taking time out to talk with us.

There may be still some yet to discover Patriot Rebel so can you give an introduction to yourselves?

Yeah we are a five piece hard rock band from Nottingham. Our sound is heavy and riff based with melodic vocals which is rare these days as most frontmen just get up there and make a noise as if they are clearing their throats in some cheaply made Lockets advert

Your sound is drenched in flavour and variety at its core, what are the predominant inspirations for band, its sound, and you as a musician?

I think our sound benefits from the fact that we all like very different things musically. We can regularly be overheard telling each other how shit each other’s music is as we pull up to our practise studio. But it’s all in good fun and actually when it comes together really helps the song writing process. If everyone came up with the same stuff week in week out I can imagine it would get boring pretty quickly.

I believe the band started around 2007 but is it fair to say that things truly clicked and began sparking attention when the current line-up came together a few years later?

Yeah it was 2007 that the idea came about after a couple of us had been doing a few open mic nights around Nottingham performing cover songs. As we started writing our own songs we wanted to expand and round up a drummer and bassist to get the sound we wanted and Patriot Rebel was born. We fluttered around many different band members for a good few years and it wasn’t until just before the Two Worlds EP that we finally settled with five members that really clicked together.

How did you all meet, was it solely because of the band or is there history before and away from it?

Two of us were good friends from school and that was why we started doing the open mic nights. We were out in Nottingham most nights getting drunk and stumbling onto various karaoke bars before we decided to find a guitar and do it properly. We advertised on various websites and even scattered some posters around the local rock bars for band members. We were actually surprised at how quickly we managed to throw a band together but it rarely stuck until the final members were found. It can be very difficult to find five lads that can all get along and have the same sense of humour but we did and it’s been great ever since.

With those early days of the band; what was the spark predominantly bringing Patriot Rebel to life?

Mainly alcohol…..and of course it was all new to us. Playing at just a local pub felt as if you were playing something much bigger and just a group of 15 people felt like a crowd. It was very exciting to play your own music to people that wanted to listen and that’s why we do it still now today.

Patriot Rebel_Reputation Radio/RingMaster ReviewWe discovered you through your excellent debut EP Two Worlds in 2013, a show stopper it is fair to say without blowing smoke up your egos ha-ha. August 3rd sees the release of new single Propaganda, how have you filled the time between releases?

We have been gigging the Two Worlds EP all over the UK. Edinburgh was a particular favourite of ours not just because of the show but the experience. We’ve modified an old transit van into a makeshift tour bus and it has made touring much more enjoyable than packing into numerous cars. Although sleeping in it wasn’t the best experience. It was very snug and it’s difficult to look each other in the eye after you’ve been ‘spooning’ the night before.

The new song is a beast of an anthem for ears and emotions, and a potent evolution to that first release. Where are the biggest differences between both encounters?

Well actually we have cheated a bit because Propaganda was recorded as part of Two Worlds. We are basically releasing it as a thank you to everyone who has supported Two Worlds and made a video to go with it.

Have you changed any specific elements in songwriting since the first release or is it just an organic progression fuelling your new endeavours?

Our song writing is always done on a feeling. If we feel like we are struggling to come up with something we tend to leave it be. Our best stuff tends to flow immediately and just clicks straight away. Sometimes we revisit old stuff and that works too.

Can you give some background to the lyrical side of the single?

It was written about an old work colleague of mine who would always try to belittle the younger lads and shit stir just to cause trouble. So Propaganda was my way of looking at it. People generally presume its war related but it’s not in the slightest…Although it’s good that some people take out of songs what works for them.

And musically any particular sparks brewing up elements?

Not so much musically. We tend to come up with various parts and then write the lyrics over the top. It’s not often the lyrics/song come first. But the music certainly matches the mood lyrically.

You recorded Two Worlds with Matt Ellis (Black Spiders, Terrorvision, Skarlett Riot), and the same again with Propaganda?

Yes definitely. Matt is brilliant at what he does. He doesn’t just record what we play; he actually makes suggestions and has ideas of how certain things could be done differently. I think that it is important to have this whilst recording. Sometimes a non-biased ear can help the way things sound without actually changing much at all.

He seems to have the touch in luring out every essence of your sound and its nuances?

He literally does it exactly how we imagine it should sound. We’ve used a couple of other producers over the years and none have come close to the sound quality that Matt gives us.PatriotRebel live_Reputation Radio/RingMaster Review

People might imagine one song would be a quick in and out of the studio to record and perfect. Give us the real insight to the single’s creation and journey.

To be fair Propaganda was quite quick in relation to some of the other songs. It has quite a raw sound and sometimes too much production can kill a song. It went really well but yeah recording can sometimes be quite tedious especially for the vocalists who have to wait until the end.

Is Propaganda the teaser for bigger things ahead too; another EP or album maybe?

That’s exactly what it is. We are booked in with Matt again at Axis studios for late July where we will be recording our next EP. We have a couple of potential titles for it but I’m afraid that’s classified information at this time. We will be working on more videos, merchandise and tour dates to coincide with its release which we hope will be early 2016

You said the song was recorded around the EP but does it still offer a real hint of your new songs or are there plenty of new surprises to anticipate?

A bit of both really. We will always have the unmistakeable Patriot Rebel sound but we have worked on new things which we think are sounding great. We are really excited about some of the new stuff and we think you should be too.

You mentioned it earlier so tell us about the video accompanying Propaganda.

It’s basically a mixture of band performance and storyline. We worked with our friend Chris Clough on this one and we are glad we did because his work is excellent…Really professional record quality. We also got the help of model Katie Wainwright to accompany the storyline sections of the video where she takes newspaper clippings and sticks them on the wall to create a twist at the end. We used Katy because what’s the point of making a video without a girl in a corset and short skirt right?

patriot rebelHow was that experience in the making compared to the recording of songs?

It was really enjoyable for us; we had a great time making the video. We have done videos before but not to this quality. The last one we did was just taken from various live performances so it was an experience for us to do it properly. We shot the video on two separate occasions and the second part was done in the basement of a pub which is always good. The first part which was the band performance was actually shot at my workplace. Which is weird for me but it came out really well.

You touched on the next release but anything else ahead for Patriot Rebel and its fans you can share with us?

We’ve got plenty in the pipeline, some of which we can’t reveal yet. But we will be back gigging very soon. In fact we have a show in Nottingham as main support to Jett Black on the 29th August. It’s part of Degeneration fest and will also include The Treatment so it’s a great line up.

Once again big thanks for chatting with us. Any words or thoughts you would like to leave us with?

Always a pleasure…We would just like to thank your readers and anyone else that has supported us over the years. Cheers

Thanks to Garry at SaN for arranging the interview.

Pete RingMaster

The RingMaster Review 19/06/2015

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Acrania – Fearless

Acrania Color Publicity #1_Reputation Radio/RingMaster Review

You would imagine it hard to be thrown off kilter and truly surprised within the broad landscape of metal nowadays, even in the avant-garde and experimental realms which blossom and scintillate from the unique creative minds of bands like Trepalium, 6:33, Pryapisme, and Hardcore Anal Hydrogen to name a few. One band which has and continues to through new album Fearless is Mexican death metallers Acrania. The release is a psychotic fusion of extreme metal and lyrical confrontation with virulent Latin rhythms, celebratory melodic revelry, and schizophrenic imagination. You could call it death jazz or funk core to make up tags, we call it one of the most exhilarating encounters you will hear this year.

Mexico City based Acrania began in 2006, taking their time to unite and hone their blend of Latin Jazz and Metal before releasing their first encounter, the In Peaceful Chaos EP the following year. Three years later debut album Unbreakable Fury was unleashed, its well-received presence supported by the band playing a mini tour in Germany with the support of The Wacken Foundation. Its 2012 successor stirred up even more attention and acclaim, An Uncertain Collision named Best Album Of The Year in the Kalani Metal Awards. From there Acrania has extensively toured around Mexico and Europe sharing stages with bands such as Diablo Swing Orchestra, Death To All, Exodus, The Agonist, The Faceless, Legion Of The Damned, and Havok along the way. Now Fearless has all the qualities to thrust the quartet into the broadest keenest spotlight, and the presence to inspire listeners to salsa and bomba whilst head banging like a dervish.

Fearless explodes from its first breath through People of the Blaze, the opener a tidal wave of rigorous rhythms aligned to a hypnotic groove. Its air is instantly and furiously busy as a sonic aggression surrounds it all whilst percussion get rowdy and the vocals of rhythms guitarist Luis F. Oropeza growl and squall over the concussive web of sound. Predictability is as absent in the band’s sound and song as dullness, a quick step into a temptation of throaty bass and spicy jazz seducing from Alberto Morales G. and César A. Gallegos respectively, a trigger for hips and feet to heavily flirt with the floor. At the same time a trespass of bruising rhythms and metal bred antagonism becomes the spark to testing neck muscles. It is a fascinating and bewitching incitement which never settles in one form or moment for more than a clutch of body moves before twisting in on itself all over again for a breath-taking maelstrom of addictive flavours and incendiary intent.

Cover_Reputation Radio/RingMaster Review     The excellent start continues through Poverty Is in the Soul, the beats of drummer J.C. Chavez S. a swift protagonist rifling through ears and stirring up an eager appetite. Its lively start slips into a reflective few seconds before challenging and inviting the listener through a slim but intimidating lead into the relentless fierce shuffle of its body. The sturdiest rhythms throw themselves around like a mosh pit whilst the more traditional percussive tempting just lights ears with exotic persuasion. The scythes of melodic and sonic enterprise from lead guitarist Gallegos equally spark the imagination, especially when they evolve into acidic strands of incitement alongside the same musician’s sax exploits.

Undoubtedly Fearless is a proposition needing numerous plays to explore all of its involved and finely entwined textures and corners, but equally it is an immediately impacting adventure sparking ears and energies as proven again by I Was Never Dead. The track is a bracing and hostile fury, though as much as it is fearsome it is irresistibly tempting as rhythms and sax stir up a hornets nest of lustful responses reinforced by another lively bass line and the spiralling invention of the guitars. The great rabid tones of Oropeza are the least adventurous aspect, his delivery pretty much the same raw assault on every track and for personal tastes and to be fussy lack the desired diversity to match the sounds, though to be honest it has no negative impact on songs at all. The malicious jazz of the song makes way for the funkier caustic escapade of Blinded by Power, it as expected a constant evolution slipping through ravenously aggressive, sublimely beauteous, and melodically charming climes in creating its progressive tango. It is a glorious adventure, a roller coaster of turbulence and melodic radiance before the punkish festivity of Overflow rouses ears and appetite into another seriously wanton greed, after which a respite for the body comes through the brief and evocative instrumental En el Puerto. Its quaint and nostalgic air slips into Hypocritical Conflict, an instant thick embrace of discord and raw intensity which brews and grows into a hellacious swamp of sound and agitation, though in turn that spins into a transfixing blaze of jagged jangly riffs and bass bait. Everything gets fiery and intense again before…well the changes and turns are numerous and a treat for all to find out in another major pinnacle of the album.

Man’s Search for Meaning starts with a hypnotic cacophony of percussive beats and a roaming dark bass line aligned to the potent narrative and tones of Oropeza. From there the song’s every second heads towards another seamlessly aligned and mixed collective of sounds, styles, and ingenuous ideation. As the album, the track is ripe with Latin tradition and flavours bound in a death metal breeding and malevolence, though it has to be said at no time within Fearless is there ever a moment when the suffering and oppression lyrically portrayed is matched by a similarly destructive musical assault.

Fearless is completed by Point of Collision, a final riveting tapestry of deranged imagination and experimentation which just grips ears and pleasure like a mix of System Of A Down meets Cynic meets Pryapisme. It is a final treat to an outstanding release, a triumph for those prepared to be challenged, at times bewildered, and ultimately thrilled. Acrania should definitely be a recognised world-wide presence after this.

The self-released Fearless is out now @

RingMaster 19/06/2015

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Listen to the best independent music and artists on The RingMaster Review Radio Show and The Bone Orchard on Reputation Radio @


Max Pie – Odd Memories

MaxPieBand_Reputation Radio/RingMaster Review

Fair to say their name is still as dislikeable as it was when we covered their excellent album Eight Pieces, One World album two years ago but musically the Belgian metallers still rock the juices out of us as proven by new encounter Odd Memories. Max Pie fills their third album with all the essences which made its predecessor a surprising and compelling proposition but it is with bigger and bolder imagination and creative energy. We are no major heavy/power metal fans here to be honest but once again Max Pie has given us one thumping and rousing time.

The band was formed in 2005 by vocalist Tony Carlino taking inspirations from bands such as Symphony X, Van Halen, Toto, Queensrÿche, and Dream Theater into their emerging ideas. A slightly unstable time in personnel graced their early years before Max Pie released debut album Initial Process in 2012. Fan and critically acclaimed it was surpassed by Eight Pieces – One World a year later in presence, sound, and praise. Its release was followed by the band playing numerous festivals and undertaking tours with the likes of Symphony X, Evergrey, Fates Warning, Avantasia, and Queensrÿche. Now they return with, as the last album, the Simone Mularoni mixed and mastered Odd Memories and simply their finest, most inventive proposal yet.

The album opens with its title track; an instrumental ripe with a foreboding atmosphere and epic textures all cinematically imposing on the imagination. This type of beginning is becoming a common practice across varied metal offerings but when done right, as here, it makes a potent invitation into any release. As the track slips into the following Age of Slavery, a sizzling electronic coaxing colludes with rampant riffs and a melodic embrace of keys. The thick commanding rhythms of drummer Sylvain Godenne shape and invigorate the track further, framing the growling vocals of Carlino perfectly. The frontman’s diverse delivery is as magnetic as ever, some elements more powerful and potent than others but like the music, a constant lure that likes to stretch and push both song and musician. As the guitar and keyboard craft of Damien Di Fresco builds and expands its enterprise, the track blossoms into a sturdy and fiery encounter to really kick things off.

It is also, in many ways, a relatively straight forward and maybe expected proposal from the band, the new exploration showing itself more from Odd Future on. Keys breed the first mesmeric caress on the third track before guitars and the wonderfully dark throated bass of Lucas Boudina bring their hues to the emerging and stirring landscape of the encounter. Once vocals join, the song settles into a melodic roar and sonic flame of melodic and heavy rock ‘n’ roll, their union a heated and tenacious arousing of ears and thoughts veined by sparkling, and at times understated temptation from the keys. It is when things go off kilter with a glorious stretch of discord kissed invention and melodic bedlam that the song really comes alive and if there is any moan it does not play in this great moment long enough.

MaxPieOddMemories_Reputation Radio/RingMaster Review     Promised Land opens on a vivacious escapade of keys quickly encased in storming riffs and rhythms, it all quickly blooming into a virulently contagious slice of rock pop with classic metal and progressive rock hues. It has single running through its potent craft and lusty veins, every second of the track a bold and rousing incitement for body, voice, and emotions. Such its power and lure, it gives next up Love Hurts a hard time trying to follow it, and as mesmeric in melodic beauty within tempestuously emotional and physical terrain that it is, it never quite finds the same full-blooded personal reactions as its predecessor. It is undeniably superbly crafted and woven though and does leave only fully satisfied thoughts before the darker, ravenous excellence of Don’t Call My Name takes over. The guitars alone are predatory with their creative rummaging of the senses whilst the keys float with celestial temptation above them and the uncompromising rhythms spearing it all. Reaping the ripest elements of technical and progressive metal, band and track pulsate as they gnaw on ears, adding melodic and harmonic balm to the increasingly irresistible voracity on offer. With Carlino also on fine form, the track is the pinnacle of the album, reason alone to eagerly approach Odd Memories.

The acoustically brewed Hold On slips in next to transfix and from a slow start to its persuasion grows into a big favourite. Whether by chance or intention, it has a Bowie-esque essence to it, a floating whisper in quieter moments which does it no harm. It is a scent soon out flamed by vocals and the sonic blaze giving the song rich crescendos and a breath-taking finale before Unchain Me takes the listener on another tumultuous ride of rugged metal and tantalising electronic adventure.

No prizes in guessing some of the scenery within Cyber Junkie, its electronic and industrial endeavour a potent spicing to another song offering a compelling fusion of bestial metal and melodic flirtation, the former steering the ship with invigorating success. As Don’t Call My Name before it, the track is a masterful web of varied and diverse styles in one predacious provocateur, thoughts of bands from Anthrax to Armored Saint, Dream Theater to Skyharbor coming to mind across its exciting and again show stealing soundscape.

The album is finished by The Fountain Of Youth, a song which either a raging storm of a canter or a gentle caress enthrals and sparks only the keenest attention and support from ears and emotions. Like a couple of other songs it takes longer to get all of its hooks inescapably entrenched but with its additional symphonic elegance and emotively hued strings, the song has seduced long before realisation notices.

Wrapped in the excellent artwork of Didier Scohier, Odd Memories and indeed Max Pie have caught us again with a tempest of sound and invention driven by craft and passion. This time it is bigger, more adventurous, and confirming the band as one of progressive power metal’s finest.

Odd Memories is available from June 19th via Mausoleum Records @

RingMaster 19/06/2015

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Listen to the best independent music and artists on The RingMaster Review Radio Show and The Bone Orchard on Reputation Radio @

Attack The Day – Shadows

Attack The Day_Reputation Radio/RingMaster Review

If you are hankering to be in on the ground level of something potentially very special then check out Northern Ireland alternative rockers Attack The Day and debut release, the Shadows EP. The six track release is a compelling and striking introduction to the County Fermanagh quintet which, though it is early days, suggests it is the beginning of bigger and bolder things. Ripe with varied flavours and imagination bred twists, its rich persuasion comes stocked with strong ideas which are not always fully realised but persistently spark a hunger for more in ears and appetite.

Formed 2012 in Lisnaskea, Attack The Day completed their line-up two years later with vocalist Dáithí Murphy. Since forming the band has been a constant presence on the local live scene subsequently spreading further afield and adding the sharing of stages with the likes of Cadaver Club, Axecatcher, The DMs, and Making Monsters to their CV as well as a tour with Germans Suddenly Human across Ireland and the UK. The release of Shadows is the next potent step in breaking broader attention, and as it consumes and ignites ears with every listen, success is expected here.

The EP opens with Intro, a minute long piece of guitar shaped coaxing which does not startle but certainly has intrigue and attention to what is following aroused. It slips away to make way for Alive, a track instantly bulging with metal seeded riffs and badgering rhythms within an aggression wash of guitar. The vocals of Murphy step into the mix with a raw and aggressive delivery, his unpolished lure soon enhanced further by additional anthemic contributions elsewhere. Tagged as alternative metal/rock band, band and song soon show they are just as rife with punk confrontation and hardcore tempestuousness as well as an inventive want to infuse other slithers and spices of varied styles.

Shadows Artwork_Reputation Radio/RingMaster Review     Boisterously anthemic, the track is matched and swiftly surpassed by Egyptian. More controlled in its entrance, the song quickly prowls ears vocally and musically as the guitars of Mark Cadden and Donavan McBrien cast nagging unrelenting bait with the brooding bass of Ciaran Fitzpatrick growling around them. As the persistence and intimidation of guitars and Shane McGovern’s heavily jabbing beats continue to brew a thick tempting there is no mistaking an early Therapy? feel to the encounter, especially when Cadden spills some potent sonic enterprise into the brewing tempest. The song simply continues to grip as it leads the listener into the even more impressive Divided.

The third song emerges with a post punk coldness to vocals and tone, the dark resonating bass initially the lone provocateur apart from firm beats before just as chilled tendrils of guitar winds around its addictive bait. Like Babyshambles meets Psychedelic Furs, the song gets under the skin with its infectious charm and inventive tenacity. It never explodes into a tsunami of sound and persuasion but leaves a breathless satisfaction in its wake all the same. The song is superb and if using just one offering to make a choice whether to embrace the band or not, it has everything you need to know about their craft, quality, and potential.

So too has the EPs title track to be fair, its Deftones like breath a lingering seducing within a fiery lure of melodies and sonic endeavour, veined by again a captivating rhythmic whipping up of attention. Though it has a feisty energy, the song crawls over the senses, preying on ears and imagination with increasing drama and explosive almost hostile unpredictability and enterprise, climaxing in an Able Archer like roar.

The release closes with This Is How It Ends, McGovern and Fitzpatrick providing a gripping and menacing canvas to which guitars and the increasingly impressive melancholic tones of Murphy lay their potent craft and expression. This time a feel of the Only Ones emerges, though as across the EP, any references spring from a sound and presence distinct to Attack The Day. The song is a swarm of monotone but endearing textures and a tangy grooving of guitar which also has a foot in eighties post punk and nineties alternative metal, it all adding up to something fresh and contagious.

As suggested earlier, there are elements within Shadows which do not go as bravely far enough as they might but with every listen the EP just grows and impresses more. Attack The Day is a presence to make a note of at the very least but recommended to dive into right now so you catch their ascent from its first wind.

The Shadows EP is out now @

RingMaster 19/06/2015

Copyright RingMaster: MyFreeCopyright

Listen to the best independent music and artists on The RingMaster Review Radio Show and The Bone Orchard on Reputation Radio @


Southern Badass – Raised In Blood

Raised In Blood cover_Reputation Radio/RingMaster Review

Over two years ago, French rock band Southern Badass impressed with debut album Born In Mud, a warts and all release revealing a rich sound and potential which lit ears and a keen anticipation for the band’s evolution. Now it returns with second full-length Raised In Blood, a dirtier, grittier proposal infusing an even broader array of styles and flavours to its core southern rock/stoner bred sound with the same pleasing success.

Southern Badass is the solo project of Perpignan hailing multi-instrumentalist Arno Bechet, who seemingly draws on the likes of Black Label Society, Down, Black Sabbath, and Corrosion Of Conformity amongst many for his blend of heavy metal, stoner, sludge, and southern rock. Debut album Born In Mud certainly awoke potent attention with is release in 2013, a focus sure to replicated and surpassed by the tighter, more mature and fiery Raised In Blood. Again it is a proposition unafraid to be raw whilst embracing any small issues it may carry, but is openly a sparkling step forward from its accomplished predecessor.

The album opens with its title track, Raised in Blood quickly spilling a mist of sonic incitement led by bulging rhythms and abrasive riffs. Grooves are never retired in the music of Bechet, and straight away a juicy one is encircling and enticing ears before the song settles into a thick and steady stride. The vocals are as raw and at times as strained as on the first album, sometimes pushing their limits too much and in other moments providing the perfect roar to the brewing intensity and persuasion of sound. Fair to say, Bechet may not be the best and most natural vocalist but his musicianship is a gripping affair, more grooves and wiry riffs in the song potent proof alone.

The enjoyable swaggering start to the album continues with Burn into Eternity as resonating rhythms and electronic beats provide the spark to flames of guitar and vocal expression, Bechet finding a stronger more consistent delivery on the quickly persuasive encounter. The track has an earthy dark groove as its temptress, its thick lure embracing the more volatile and imaginative elements of the song and only stepping back for a low key and captivating melodic passage just after midway. Ending on a pungent blaze of a finale, the track is followed by the sharp southern rock tang of When I’m Dead. A mix of heavy and hard rock, it begins the strong variety of sound also emerging across the album, though it still has that inbred stoner core to its strong stroll.

Both Under the Red Sun and Last One Standing keep things interesting and satisfying, the first of the two slowly growing from a shadow rich reflective croon of Guns N’ Roses coloured, blues kissed rock into a full and impassioned rock ‘n’ roll bellow. It still holds a reserved gait for the main though, the guitar craft and enterprise of Bechet again the attention grabber before its successor gets down and dirty with aggressive riffs and grouchy vocals. It too holds court on ears; grooves and rhythms especially dominate in the pleasing engagement, though both songs are outshone by the sultry tempting of La Marche des Morts. French sung, the song has the atmospheric heat of a Morricone composed landscape and the muscular threat of a Mastodon bred proposal, and is thoroughly riveting.

As good as the first half of the album is, from this excellent track on Raised In Blood seems to hit another level. House of the Swolen Goat is next and with Black Tusk like grooves and a new direction in vocals within a smouldering sonic glow, instantly stands above earlier songs, even its impressive predecessor. A rich and heated tapestry of rock tenacity, the track makes way for the dark country enticing of Down by the River. There is a haunting air to its dark shimmer and an incendiary impact to its subsequent volcanic expulsions of guitar and vocals, the song shadowed wrapped balladry to get greedy over.

   The Lesson is just as thrilling; its opening rhythmic bait and cantankerous bass moan anthemic might escalated by the driving charge of riffs which quickly bring feisty energy and magnetism to the excellent encounter. The track eventually spreads into a more controlled and expansively laid southern tinged rock ‘n’ roll, its potency and lure evolving rather than diminishing as Bechet lets his guitar craft also run a creative riot over ears and appetite.

Completed by Sphere of Io, a song which makes a messy start but turns into another sinew driven rampancy of heavy riffery and grooved slavery, Raised In Blood is another very enjoyable and accomplished slab of ravenous rock ‘n’ roll from Southern Badass. It has issues and as mentioned has a second half which leaves the first in the shade but if looking for some honest and organic heavy rock/metal this is definitely well worth a good hard listen.

Raised In Blood is out now digitally and as a double disc vinyl @

RingMaster 19/06/2015

Copyright RingMaster: MyFreeCopyright

Listen to the best independent music and artists on The RingMaster Review Radio Show and The Bone Orchard on Reputation Radio @