Combos – Steelo

Norwegian punk has not been slow in coming forward and grabbing our eager attention over recent years and the release of Steelo introduces another band we have made room in our hungry appetite for. It is the debut album of Trondheim-based punk/noise rock quintet Combos, a band which springs a voracious roar as animated and lively as it is defiantly antagonistic.

Emerging at the tail end of 2018, Combos was founded by guitarist/song writer Thomas Antonsen, vocalist Axel Møller Olsen, and drummer Andreas Kjøl Berg. Forging a rapaciously catchy sound from a fusion of punk and noise rock, the trio soon hooked praise and attention at home. Now with bassist Jørgen Wassvik and guitarist Terje Bjørndahl in their ranks, the quintet is setting their sights on bigger borders to arouse; a mission the Loyal Blood Records released Steelo openly shows the creative armoury to achieve.

Combos’ sound has something of a Shelter meets Swound! accosted by Bokassa to it. It is immediately infectious, just as swiftly aggressive and invasive, and an incitement of manipulation we could find few defences to. EP opener Boom Shakalaka tells you all you need to know about the holler and addictive nature of their creative stomping. Instantly rhythms are forcibly jabbing at the senses as riffs nag on punk instincts, their united incitement enough to have limbs punching even before the highly virulent encouragement of vocals and swinging rhythms. As shown across previous tracks, the band cast choruses which feed on one’s inner yell, easy to leap upon and share moments one’s own riotous body and roaring tones with. All the same, if not as bold as elsewhere upon the EP, twists and turns bring imagination and stirring enterprise, every second of the song listener orchestration.

Kjøl Berg’s dexterous beats are a potent essence within Steelo and an immediately compelling introduction to next up Meme Supreme. His rhythms demand attention, continuing to direct proceedings as guitars and vocals jump on his creative animation. Eventually the track bursts into a noisy clamour retaining a catchiness increasingly escalated by the drummer’s gripping rhythmic athletics which only continues within Mad Beef and its niggling irritability amidst physical tenacity. The delicious growl of Wassvik’s bass had us quickly hooked as too the sonic web cast by the guitars before it all descends into a smog like trespass, this only bringing greater focus on factors behind it when clearing.

Nerdz is a spiral of grooves and rhythmic fingering from its first breath, a song sharing a broader flavouring of sound as post punk and hardcore essences collude with its noise bred instincts while Make Money Take Money is a pandemonium of styles and temptation which is chained by melodic restraint until bursting upon ears in another commotion of a chorus. That post punk hue again enjoyably tainted the raucous spirit of the trespass and again both tracks left us greedy for more which All About The Wex heartily fed. A slice of feral rock ‘n’ roll, it teases with its initial distant baiting before leaping upon ears with noise bound audacity and physical dexterity; it all coated in a garage bed rascality.

The EP is completed by Bro In Pain and its title track; the first also laying down its addiction through ravenous beats before reaping its subservient rewards through vocal and melodic shenanigans. There is a touch of Shevils to the song in certain moments but as throughout the release belongs distinctly to Combos as too the second of the pair, the magnificent Steelo again entangling noise and post punk lures to viral contagion and inescapable manipulation.

The word was that Combos is one of the most promising up-and coming Norwegian bands; well they are here face to face with the world with Steelo, both refusing to be ignored and more than living up to that suggestion.

Steelo is out now through Loyal Blood Records.

https://www.facebook.com/combosofficial

Pete RingMaster 19/05/2020

Copyright RingMasterReview

Nived – Self Titled EP

Sharing a quartet of emotionally bred, atmospherically captivating proposals, the self-titled debut EP from US singer/songwriter Nived is described as ‘sensory seductive’ and we have to say we cannot think of a better way to describe the captivating encounter.

Hailing from a city with instinctive assumptions made to music coming from within, Nashville based Nived quickly pushes aside expectations with his blend of emo/alternative rock and dark pop, one further laced with industrial like texturing. Even that does not quite reveal all of the hues making up the character of the songs within his first EP, a release which swiftly lured attention but has only further captivated thereon in.

See is the first track and immediately wraps an enticing melodic strand around ears. Electronic intimation soon joins its suggestion as too Nived’s similarly magnetic tones; it all a seductive and emotionally bred hug on the senses. Shadows float across its darkened pop landscape, those emo hues as keenly emotive in its catchy reflection and calmly lively amble.

The following Shame is just as inventively crafted; darkness and light colluding in a tapestry of emotion and electronic radiance as vocals and words portray the crepuscular hue of its heart. Rock and indie spices only add further depth and colour to its short but potent presence before Cry reveals its heavier rock heart and industrially dusted touch. Our favourite track, it almost taunts with its singular declaration before becoming a flood of seduction within electronic reassurance; a ballad which continues to haunt the imagination.

The release is concluded by Shadow, a song arising within the darkest shadows upon the EP to bare its melancholic elegance and understated but openly tempestuous heart; one welcoming the darkest thoughts and compulsions.

It is a fine end to a release which has only grown from firmly enjoyable to thickly compelling by the listen; its relatable darkness and dreamy light proving keen company in a time of the kind of isolation that can breed its own dark intimacy.

The Nived EP is out now.

https://thisisnived.com/  https://www.facebook.com/thisisnived   https://twitter.com/thisisnived

Pete RingMaster 19/05/2020

Copyright RingMasterReview