Scant Regard – You Know The Drill

Pic Dave Cox

If its predecessor, Skipping Over Damaged Area, was an exploration and echo of the “apocalyptic destruction and devolution of the planet we live on”, then You Know The Drill is the bold new adventure in its escape; a sci-fi toned tapestry of intrigue and contagion wrapped in sounds which just infiltrate and enliven the body and imagination.

You Know The Drill is the new creative exploit from Scant Regard, the solo project of Will Crewdson; guitarist/musician/songwriter previously acclaim notorious for his work with Rachel Stamp, Adam Ant, The Selecter, Johnette Napolitano, Bow Wow Wow, and Flesh for Lulu as well as currently one half of the equally irresistible She Made Me Do It. It is an encounter which still sows its seeds in the decay and destruction of the modern world but within its body ventures into the hope and relief brought through space lit, sci-fi cultured escapades. Crewdson’s previous offering, the deviously magnetic Skipping Over Damaged Area, felt like the corruption of hope and light by a creeping darkness. You Know The Drill is the reverse in many ways, bringing light and respite to the sunless breath of the world; both encounters casting trips of sonic poetry and rich intimation drenched in uncompromising infectiousness.

 You Know The Drill opens up with Ulterior Motives, electronic pulsing instantly nagging on ears and attention before rhythms collude to pitch immediate contagion upon the senses. In swift time Crewdson’s vocals join the hungry enterprise, the knowing deception of the song’s sarcasm springing greater catchiness by the second before saving its thickest dose of virulence for the delicious throaty bass led groove which breaks out.

The album’s title track follows, blues liquor fuelling its opening flames before a surf kissed breeze courts the controlled but pungent rhythms at its core. As the opener sprung a lure of descriptive intimation in its sound alone so its instrumental successor weaves an even more stirring sonic tale of drama and suggestion to play with before No More follows suit with its shadow wrapped stroll into ears and thoughts. Again every hook carries creative revelation for the imagination to conjure with; the track nurtured in the same suggestive espionage and danger which marked the best themes tunes of sixties and seventies TV shows such as UFO, Space: 1999, The Avengers or The Prisoner.

Its dark temptation is followed by the thickly enticing lures of Projectile Comet, bait which erupts in another of those riveting hooks and grooves which Crewdson has proven so irresistible and diabolical with across the years. The intergalactic hue of the track brings threat and adventure, the concussive rhythms at its heart chased by voracious riffs and intoxicating grooves in a mix which hungrily got under the skin, an infiltration being quickly replicated by the post punk incident that is the outstanding Calamity’s Creation. Bass and guitar unite to project an instant infiltration of theatre and seduction, vocals riding the groove wired hook lined incitement with matching lust bugging enterprise. There is something of The Monochrome Set to the track at times, the scent of Lester Square creative prowess aligning to the inimitable craft and imagination of Crewdson as another momentous moment within the album is cast.

The swarthy southern hues of Nevertheless bring another hug of instrumental suggestion straight after, ears and thoughts united in their swift embrace while both A Process of Illumination and Charmed I’m Sure share thick fascination with their respective electronic web of insinuation and industrial rock incitement, the latter a piece as aggressively imposing as it is mentally manipulating.

Rogue Prototype similarly draws on industrial instincts, its cyber hull the host for pop tempting and dark post punk menace. The track proved pure fascination in its breath and imputation, suspicion and drama soaking every note boiling and erupting in its tempestuous body before leaving Heart Torn Blood Ratio to bring the gripping release to a close. Melancholic beauty and solemn radiance coat every second of the brooding serenade as darker heavier throes of enterprise rumble in its depths; the track an enthralling end to an album which danced with the imagination and provoked eager attention from start to finish with rich pleasure the outcome.

Look up the definition of fascination and you find the likes of captivation, attraction, intrigue, magnetism and obsession as similar meanings and all thickly apply to the also gloriously art wrapped You Know The Drill, Scant Regard’s greatest moment yet.

You Know The Drill is out now digitally and on blue vinyl effect CD @ https://scantregard.com/store and https://scantregard.bandcamp.com/album/you-know-the-drill

http://www.scantregard.com   https://www.facebook.com/scantregardpage   https://twitter.com/scantregard   https://www.youtube.com/user/willcrewdson

Pete RingMaster 29/02/2020

Copyright RingMasterReview: MyFreeCopyright

The Outlines – House Of Thieves EP

Hearing rousing punk rock crafted with energy and imagination as it gets under the skin is no surprise for fans of UK outfit The Outlines but we suggest never to the rich intensity and creative drama which comes with their new House Of Thieves EP. Offering three tracks which manipulate the senses and spirit whilst sparking the imagination with almost devious dynamics and twists, the trio’s new invasion of incitement has to be considered their finest yet,

Formed in 2015 by former Ferocious Dog member, vocalist/guitarist Kyle Peters, The Outlines truly erupted upon the following year with debut album The Streets Of England, bassist Martyn Brown and drummer Dean Hill completing the ear grabbing line-up. Quickly following up their debut with Bones Bones Bones, both albums well-received with increasing eagerness, the Nottinghamshire band has proceeded to share stages with the likes of Buzzcocks, The Boomtown Rats, Space, Fizzy Blood and Detroit Social Club at shows and numerous prestigious festival appearances. Last year saw their first EP, Day Dreaming, uncaged; its strengths and thick enterprise now built upon and eclipsed by House Of Thieves.

Man Down opens the new encounter up, the grumble of Brown’s bass instant bait on attention and swiftly joined by the flying swings of Hill and the immediate hook laying invitation of Peters’ guitar. In no time vocals and sound provide a dextrous array of lures and hooks within the track’s feisty stroll, every moment abound with ear gripping adventure and ferocious contagion. There is a Max Raptor meets Baddies lilt to the track at times which only adds to its boldly individual character and voice let alone voracious infectiousness.

The outstanding opener is soon as lustily backed up by Mind Trip, it too springing an array of manipulative rhythms and devilish sonic enticement to set up ears and rebellious instincts for the agile and razor-sharp tones of Peters. Hill’s incisive beats drive the track with a, zeal loaded, masterful touch, directing attention alone but more than matched by the adept bait of Brown’s bass and Peter’s two-pronged incitement as the slab of audacious rock ’n’ roll twists and turns with imagination sculpted mischief.

The EP’s title track completes the pleasure, House of Thieves almost stalking ears from its initial breath and laying creative hands on thereon in, standing as anthemically ferocious as it is enterprisingly dynamic and daring. In some ways here and across the release, The Outlines reminded of Reuben, if not in sound but with their unpredictable use of openly infectious enterprise within a more physically ravenous intent.

The House Of Thieves EP commanded attention with every breath, demanded it across every gripping second and rewarded with a proposition surely destined to be listed amongst the year’s finest moments.

House Of Thieves EP is out now.

http://www.theoutlines.co.uk/   https://www.facebook.com/theoutlinesuk   https://twitter.com/theoutlinesuk

Pete RingMaster 29/02/2020

Copyright RingMasterReview: MyFreeCopyright