Flesh Tetris – High Score

We left checking out last year’s debut album from UK outfit Flesh Tetris by declaring it “a tonic for the musically curious, a rousing reward for the bold.” It was an adventure with the band’s unique sound and creative devilry which offered a big boisterous treat for all dipping into their enthralling world. High Score is the band’s new EP, a trio of tracks which exploits the ripe mischief and temptation at play within that full-length, Wrong Kind of Adults, and soaks it with a fresh dose of enterprise and flavouring demanding attention.

Once more the ingredients to the Flash Tetris sound are as potent and captivating individually as they are united. The double vocal dynamics of Eva Menon (Cauldronated) and Andy Heintz (The Men That Will Not Be Blamed For Nothing) are a fusion of tease and attitude, a mix echoing their lyrical revelry while the tapestries of hook loaded melodic and electro enterprise woven by bassist/guitarist Andy Duke (Top Buzzer/The Duel/Cauldronated) and keyboardist/vocalist Karen Bell provide the springboard for lost inhibitions. It is an incitement for body and imagination driven by the manipulative rhythms of drummer Jez Miller (The Men That Will Not Be Blamed For Nothing), the quartet a creative devil which as we have found before quickly had us dancing to its tune within High Score.

Though their inimitable fusion of electro rock, punk, and alt pop stands well aside of anything else there is a certain Rezillos-esque character to Flesh Tetris especially suggested by their new EP. Their sounds are wide apart but the hook swinging contagion they conjure and the massive grin carrying mischief they spring in enterprise and fun has a close connection to Scotland’s legends.

High Score opens up with A.I. and immediately has vocal chords indulged through the song’s own call before leaping into its infection loaded stroll. Heintz and Menon entangle their individual antics with that ever present devilment to the fore, their united rousing of ears joined by Bell’s equally bewitching tones. Unsurprisingly to Flash Tetris fans, things only twist and warp as the track evolves, Bell’s theremin prowess as magnetic as the unpredictable throes of the song on its way to erupting in a virulent contagion of a chorus.

Already a new richness in sound and writing is evident, the song a fully rounded encounter with all the creative fiction and daring rascality we have come to expect from their music. The following Schadenfreude is a potent echo of the fact, its body a swinging pop rock holler built on wiry grooves, melodic trickery and across the band vocal fertility. As Miller’s beats wield their air puncturing dexterity Bell’s keys weave a radiance which envelops the passions as much as the sonic agility of Duke.

Three In A Cubicle concludes the romp, the track sauntering with an imperious groove as the band observe or recall “seedy goings on in a nightclub lavatory.” Even in its relatively controlled gait there is a feral quality to the song with aligns perfectly with its melodic dexterity and inescapable catchiness. There is also a great seventies power pop scent to its buoyant breath which got under the skin as easily as the song’s many other infectious aspects.

Infection is indeed the most apt way to describe Flesh Tetris’ music, one we hope to never shake off though with releases like the delicious High Score that is not going to happen any time soon.

The High Score EP has its launch on February 15th at The Dublin Castle, Camden.

https://www.facebook.com/fleshtetris/   http://www.fleshtetris.com   https://fleshtetris.bandcamp.com/   https://twitter.com/FleshTetris

Pete RingMaster 05/02/2020

Copyright RingMasterReview: MyFreeCopyright

She Made Me Do It – Scorched

She Made Me Do It is a band which weaves compelling adventures not only in sound and the web of flavours making up its character but also from the rich shadows within the depths of both and the duo’s imagination. Across a host of releases and tracks it has provided a kaleidoscopic landscape of intimation and contagion which has maybe been no more compelling than within new EP, Scorched. Its five tracks share intense enterprise and rich drama, the release a bold venture into the outfit’s creative psyche and one eagerly tapping into the cinematic conjuring of the listener.

The successor to their acclaimed Drenched EP, Scorched finds the twosome of Shaheena Dax (Rachel Stamp) and Will Crewdson (Rachel Stamp, Adam Ant, Scant Regard, The Selecter, Bow Wow Wow, Flesh For Lulu) infesting their alternative electronic rock with the richest tapestry of genre varied threads to escape the London based pair yet. Theirs has been a proposition always embracing the ripest essences of punk, new wave, post punk but the new encounter borders on the ravenous in its seizing of fresh diversity.

Scorched opens with the band’s new single, Love’s Demise bounding in on a tide of voracious rock riffs and swinging rhythms before the swiftly joining tones of Dax show just as much hunger in their melodic enticement. Crewdson’s guitar continues to snarl as its infectious nature aligns with that of Dax, hard and punk rock spices taunting as electronic fingers tease in the riotous but controlled stomp.

The rousing start is only accentuated by Fun and Games, a track which lit up the airwaves with its uncaging as one of last year’s best singles. A calm but keenly coaxing electronic pulse dances in ears first; it’s subdued but apparent skittishness soon surrounded by a contagion of air splattering beats and attention burrowing hooks, it all courted by the delicious dark bassoon-esque grumble of the bass. The infection loaded stroll is soon equipped with greater temptation as Dax brings her perpetual craft and captivation, alt pop and punk insisting on uniting with the track’s rock instincts to dig deeply and relentlessly under the skin.

Throughout both, shadows lurk if in a subdued state but now flood the sounds within the EP’s stunning third track and our senses. It is a cover of The Cure’s Three Imaginary Boys, a slice of already undeniable greatness given a whole new breath of drama and potency. Crewdson and Dax draw out the anxiety and tension of the original, increasing both as they escalate the post punk heart of the original. It is pure drama, emotions caught in a dense spiral of apprehension and inescapable contagion as the band equip the song with a cinematically claustrophobic air soaked in an emotional cold war amidst a crepuscular soundscape.

The equally exceptional Poison Aura follows, it too a dark senses consuming address of ears and thoughts even with the golden glow of Dax’s voice an absorbing light across the track’s caliginous tone and post punk nurtured landscape. The encounter ignited the imagination as much as ears as again a theatre of intimation provided a palette of suggestion so easy for the imagination to paint with.

For all the thick ravenous shadows the band breeds, each track is a surge of greedy catchiness too, the band’s pop instincts fuelling the heaviest dark and equally the most boisterous light, final track Fatal Confidante epitomising all in its esurient virulence and pop punk featured tenacity. As much as the EP’s tracks infest ears and imagination with the creator’s craft and fascination, all invade feet and body with a matching zeal, the last song on offer unscrupulous in getting the listener bouncing.

With a cover any band on a similar endeavour will have to truly go some to match and a striking quartet of inimitable and unique She Made Me Do It goodness, the sensational Scorched confirms the duo as one of the UK’s most exciting and imaginative encounters; one we have already been enslaved by and do not apologise for urging all to check out with even greater lust.

The Scorched EP is out now, available @ https://shemademedoit.bandcamp.com/album/scorched-e-p

https://www.shemmdi.com/   https://www.facebook.com/shemademedoitpage   https://twitter.com/SheMMDI

Pete RingMaster 05/02/2020

Copyright RingMasterReview: MyFreeCopyright