The Hellfreaks – God On The Run

The story goes that “Hell was full so they came back!” A return sparking the beginnings of Hungarian punks The Hellfreaks so all hail the greed of the horned one to gather as many souls as he can to cram his domain. Seriously though whatever the spark which brought the Budapest band to life it has bred some of the best times for our ears here at The RR and none as glorious as now with the band’s new album, God On The Run.

Formed in 2009 by vocalist Zsuzsa Radnóti better known as Shakey Sue, The Hellfreaks soon had the local scene jumping before infesting ears and borders further afield with their psychobilly/rockabilly/punk nurtured sound. As the following year broke, the band unleashed debut album Hell Sweet Hell to swift success and acclaim around the world. Its successor, Circus Of Shame, met equal reaction and plaudits as the band found themselves touring across Europe and making a mark in the US.

As 2014 began to close up, the band split though it was a brief departure as Sue pulled the band from its temporary grave with a new line-up and a fresh evolution of their sound which saw punk and rock ‘n’ roll instincts fuelling a whole new incitement and individuality. The potency of this change was in evidence within third album Astoria, released 2016 and now in full roar and glory within God On The Run, an unbridled stomp which unapologetically puts all before in the shade.

From the moment opener Men In Grey launches its roar from the sonic lure it initially dangles, the album proved addiction is not always a bad thing. The voracious beats of Béla Budai drive the surge of temptation, nagging and biting simultaneously with a primal hunger as the guitar of Jozzy adds its rapacious riffs and claws alongside the dark grumble of Gabi Domján’s bass. As it hits its equally eager stride, Sue’s rousing tones ignite an already blazing fire, the song thick in attitude and virulence which only escalates as the chorus unleashes its roar. The track is superb, punk rock predator with garage punk and hard rock rebelliousness soaked in punk metal aggression.

From thereon in every track proceeds to infest ears with their own unique character as swiftly proven by Red Sky. Again, as rhythms pounce and plunder accompanying riffs and hooks spring their web of temptation around the compelling tones of Sue, her snarl and fire an echo of those esurient sounds and her lyrical bite. With essences which remind of bands such as In Evil Hour and The Distillers in varying degrees, the track is a rousing storm in the ears while Hello Sea! straight after matches its attitude in a calmer but no less volatile stroll. With open tempestuousness which shapes its voice and holler around a melodic enticement which alone is a magnet for ears, the song hit the spot already well attended by the album.

Doldrum Dynasty intensifies the album’s impact and the greed for it, the heavy tenacious nagging of bass and guitar grooves alone manna for the imagination though next up Witches Heal still manages to eclipse the album’s best moment yet. With Budai’s swinging beats prowled by the riveting tones of Sue, the track stalks the senses whilst gripping the body with an infectiousness which borders on the viral, again hooks a devious weapon within the slavery.

As Royal Blue and new single Adrenalized offer their own inimitable endeavours, God On The Run only took a firmer grip. Such the majesty of the previous pair, neither track quite rivalled their stature yet with their respective punk audacity and infection loaded clamour, both proved pure contagion before As Above stormed ears with its punk metal defiance and rapacity for a matching persuasion. Again within the creative hostility melodic enterprise and harmonic temptation provided, without defusing the song’s truculent heart, an evolving adventure the imagination keenly feasted on.

The album closes up with firstly the outstanding Clear Water, a track winding its wiry tempting around ears from its first breath whilst gnawing at the senses before offering rich melodic seduction and lastly the electro coated Tabby, a track declaring there is plenty more in The Hellfreaks imagination and sound for they and us to tap in to as it hauntingly consumed the passions.

God On the Run is certainly not the first time The Hellfreaks have had us lauding and recommending their devilry but there is a new vigour and urgency in our suggestion that you go check their voracious new album.

God On The Run is out February 7th; available @ https://thehellfreaks.com/shop

https://www.thehellfreaks.com/    https://www.facebook.com/thehellfreaks/

Pete RingMaster 26/01/2020

Copyright RingMasterReview: MyFreeCopyright



Categories: Album, Music

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