Released last month but a release which should escape the attention of no one is the imagination soaked five track punk furores that is 64 Women. The new EP from Tarah Who?, the compelling encounter is an incendiary rock ‘n’ roll device which explodes on ears and senses with ravening appetite.
Consisting of Paris born guitarist/vocalist Tarah Carpenter and drummer/backing vocalist Coralie Hervé, LA based Tarah Who? has regularly tantalised and incited the senses through their releases but there is something about 64 Women which hungrily eclipses all before it. Each song is an individual adventure and trespass of imagination and enterprise united in a punk breeding and grunge/alt/noise rock nurturing. They have a bite and snarl which forces a step back and virulent contagiousness which had us jumping headlong into their devouring no bounds feared exploits.
Fair to say given our enjoyment with previous encounters including acclaimed last EP, Half Middle Child Syndrome, anticipation was certainly alive with maybe unfair expectations of something certain to spark our appetites but it took little time for opener Linger to set the first breach of a whole new ardour for the band’s voracious assault and bold adventure. Within a breath, the guitar is winding its acidic lure around ears whilst invading them with clamorous thrusts, Hervé’s lurking beats just as invasive before the song explodes in a body jerking, attitude fuelled roar of noise and temptation. Vocals are equally as confrontational and magnetic, swinging from the threads of the continuing infectious clamour with matching voracity. Unpredictable twists and ear gripping enterprise simply add to the ingenuity and rabid flirtation of the track as a whole new level of Tarah Who? incitement unfurls.
Copycat follows, hitting its creative stride instantly with rhythms a swiftly catchy lead to the skirmish of guitar and emotion. Like a rapacious mix of Spinnerette and in some ways 4 Non Blondes, the song reveals rock ‘n’ roll instincts and punk rock belligerence. Again the duo slips into calmer but no less striking moments within the sonic urgency before Hurt shares its own mellow breath as it rises up in a radiant melodic dew with Carpenter’s tones again providing an equally enticing persuasion soaked in emotion and reflective observation. It is a gorgeous moment in the release, a haunting seduction of craft, sound, and heart with inherent dissonance in all.
In contrast but with matching captivation Umbilicus strides from its first breath with punk antagonism and devilment, but another song unafraid to tease with unexpected momentary detours within ravenous goading which only add to its might and irreverence while Numb Killer brings the EP to a close with its own wonderfully nagging virulence and enterprise. Riffs tease and arouse as hooks ignite song and pleasure alike, all the while rhythms prowling and invading with equal contagion. Add the vocal tenacity and catchy intrusiveness of its creators and you have another song within 64 Women which leaves only a desperate hunger for more.
And as a whole the EP has us greedy for the next moment with Tarah Who?, something which has a real task on its hands to outdo the band’s latest riot but easy to suspect will relish and provide a thrilling adventure in trying.
64 Women is out now via Kurukulla Records.
Pete RingMaster 19/11/2019
Copyright RingMasterReview: MyFreeCopyright