Pi$$er – Wretched Life

Music will never cease providing unexpected and major treats, moments of if not genius, true ear and appetite inflaming arousals to feed individual desire. Another for us is the debut 7” EP from Pi$$er, a ‘supergroup’ if you wish which devour and chew up the senses whilst inflaming the imagination across four slices of, which for simplicity we will call, hardcore punk.

The Wretched Life EP is a punk bred encounter but woven from a host of essences for rousing diversity. Its creator is the brainchild of vocalist James Domestic (The Domestics / Dis-Tank / Bring The Drones) who has drawn on the matching talent of drummer Charlie Claesson (Anti-Cimex / Wolfhour / The Partisans / Bring The Drones), bassist/organist Rhodes (The Domestics / Hobopope & The Goldfish Cathedral), guitarists Bri Talbot (Doom) and Matt Woods (Dissidents/ex-Revenge Of The Psychotronic Man), and saxophonist Eddie O’Toole (The Shitty Limits / The Filaments / Beat The Red Light / Personnel) to thrust Pi$$er upon a quickly, we suspect, welcoming world.

Wretched Life opens with The Lie is as Good as the Medicine, Rhodes’ keys an immediate dark sinister lure into the waiting arms of contagious punk ferocity. Rhythms show no respect as they infest song and listener alike, guitars equally ravening in their insurgence before the psychotically edged tones of Domestic spring intimidating temptation. As if that ravening mix was not irresistible enough, passions were completely bound with the emerging addition of O’Toole’s idiosyncratic sax enticement, though a thrilling element with a definite X Ray Spex meets Essential Logic psychosis to it. All together it is a devouring incursion which beguiled with its web of enterprise and ravaged with its tidal trespass of animated devilry.

The track Pi$$ER follows with a just as active fervent menace, rhythms thumping on submission immediately as Domestic’s vocals vent with his individual prowess before another scourge of contagious animosity erupts. Hooks and riffs collude in their deviously respective piercing and hostile catchiness, that infernal and glorious raving sax of O’Toole icing on the delicious toxicity escaping a swiftly established favourite release.

I Won’t Repent is next up and needs mere breaths to eagerly intimidate and wholly seduce. Its galloping stroll infests as it manipulates, its swinging groove and predatory instincts proving swiftly irresistible and the perfect incitement for vocals as riffs ravage thoughts and senses. It is two visceral minutes plus of insatiable attitude, virulent harassment, and merciless temptation; i.e. brilliance.

The EP’s title track concludes the pleasure, Wretched Life a harmful and invigorating scourge of punk corrosiveness, dissonance, and crazed contagion. Every element in its rabid character makes for a furious tempting, each moment in that appealing rabid incursion eclectically ravenous and unitedly unquenchable.

The only thing about Wretched Life which worries is that there might be the chance it is a one off affair. We truly hope not because there is already uncontrollable greed in our hunger for Pi$$er and their unique magnificent sound.

Wretched Life is out now through Kibou Records and TNS Records in the UK and Sick World Records in New Zealand; available @ https://www.tnsrecords.co.uk/shop/tns-releases/pre-order/pier-wretched-life-7/ and https://kibourecords.bandcamp.com/album/pi-er-wretched-life-7-e-p with Ltd edition black vinyl version of 300.

Pete RingMaster 02/08/2019

Copyright RingMaster: MyFreeCopyright

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