Sofy Major – Total Dump

Sofy Major is a leviathan of sound and trespass which persistently erupts from a noise fuelled creative lair with releases which for us have pretty much left contemporaries in their tempest and turbulence. Three previous albums have as good as decimated the prowess and adventure of other ear rewarding encounters around at the time and with Total Dump, the French trio has done it again Their new full-length is in many ways their most accessible and flirtatious offering yet but equally their most voracious and imposing not forgetting irresistible slab of noise and hardcore infested, metal lined rock ‘n’ roll.

The successor to the outstanding Waste of 2015, which itself eclipsed the thrilling Idolize unleashed two years earlier, the Dave Curran (UNSANE, Big Business) produced Total Dump is a contagion of abusive yet flirtatious noise and bruising but virulently captivating force and imagination. It is predatory irritable rock ‘n’ roll from start to finish with an eager taste in contagious and invasive enterprise. Opening up with its title track, the album immediately reveals its bestial side, the track prowling the senses with the carnivorous claws of Mathieu Moulin’s bass locked onto the senses as his more welcoming vocals align with the raw flames and tendrils of Thomas Dantil’s guitar. It is a preying of ears and imagination which never diminishes in threat and temptation however it evolves, a trespass driven by the menacing swings of drummer Mathieu Desternes that equally escalate in infernal virulence and captivation as individual and united enterprise breeds fresh twists and sonic commination.

The compelling start is only accentuated, indeed built upon by next up Giant Car Crash; a collision with the senses which had us bouncing as much as cowering before its flirtatious and barbarous intent. Voraciously feral and inhumanly infectious, the track devoured body and passions with unquenchable hunger leading to lustful responses before Cream It uncages its rapacious crawl to trespass the senses and melodic irreverence to seduce an already greedy appetite. The kind of proposition which offers a warm welcome whilst ruining the foundations to your sanity, the glorious track is a manipulative mix of viral noise with an appetite for clamorous untamed pop.

As the ravenously viral rock punk ‘n roll throes of Strike and the post punk embracing devilry of The Jerk infested and seduced ears with unruly dexterity, Total Dump just stretched its landscape of esurient intent and fevered invention. Both tracks are as mercilessly catchy as they are unapologetically invasive, that greater accessibility to the band’s sound in full bloom just as much its acclaimed creative villainy is merciless, and traits just as thrilling within next up Shinny Happy Asshole, a venomously swinging, deviously contagious but inescapably corruptive slice of unscrupulous enterprise.

Through the slow hunt of the senses that is Franck Butthole; a cancer of sound which just ignites the imagination, and the unbroken antics of Tumor O Rama it is impossible to say attention and pleasure wavered, the total opposite in truth up against their combined sonic punk infection fuelled scourges while Kerosine Mike n turn just trapped and enslaved with ursine-esque power and intimidation whilst brewing up its own melodically toxic strain of bewitching rock ‘n’ roll.

Completed by the senses ravishing, violently bouncing exploits of Panamarama, it one the album’s most magnificent moments, and the sonically consumptive, caustically alluring tempest of The Longest Yard, there was and is no diminishing of the ardour we bred and hold for Total Dump. Without any doubt despite the glories of the past, it provides the greatest, most thrilling time with Sofy Major yet but also is set to send a shiver through the world of noise in any form as those within wonder how they can compete with its voracious triumph.

Total Dump is out now via Deadlight Records on CD and Antena/Corpse Flower on Vinyl.

http://www.sofymajor.com   https://www.facebook.com/sofymajor

Pete RingMaster 30/01/2019

Copyright RingMaster: MyFreeCopyright

Glorybots – Nomad

What can we reveal to you about Glorybots? Well background wise, very little except that it is a solo project, seemingly, of a musician hailing from Seattle creating a post punk/gothic pop sound which had very little trouble captivating our ears.

Our introduction to the “ Dark Alien Pop” of Glorybots comes through new single Nomad, a brand new track very quickly released after the unveiling of a debut album last November called Dark Alien Pop. A hindsight listen to the latter reveals that Nomad is a rich echo of the goodness to be found within the full-length but also it brings its own new adventure and prowess in sound and imagination.

Keys immediately entice and intrigue as the track’s realm and climate is soon an open intimation. The other-worldly landscape in turn swiftly welcomes equally alluring vocals and it is their arrival which soon sparks of the song into full bloom. Enjoyably proving hard to pin down, the song is something akin to a blend of Muse, early Human League, and Dalek I Love You with just a tint of Bowie at times.  That in itself is just a tease to the individuality of song and sound while hinting at why it’s swift captivation.

Nomad is a treat of a song and gateway into the music of Glorybots, a tantalising adventure band and listener can only prosper together from with its deserved attention.

Nomads is available now @ https://glorybots.bandcamp.com/track/nomad-radio-edit

https://glorybots.com/   https://www.facebook.com/DarkAlienPop/   https://twitter.com/gloryBots

Pete RingMaster 30/01/2019

Copyright RingMaster: MyFreeCopyright

David Alpha – Rockin’ Roulette EP

As he prepares and works on his new album, US singer songwriter David Alpha recently unveiled the Rockin’ Roulette EP, a retrospective compilation bringing together two of the most potent cuts of previous full-length Sacrilege 2.0. They are songs that highlight the punk and rock richness in his music whilst providing a strong tempting for what comes next from the Florida hailing artist.

Former lead singer and songwriter of The Fons, Alpha resumed his solo career in 2014 after time off studying and a short-lived part in a new band he formed. With tracks rattling around in his imagination, he soon released Sacrilege 2.0 which drew strong attention and praise.

As the EP opener, Scarilege casts its roar it is not hard to understand why. Seeing Alpha linking up with Dead Kennedys guitarist East Bay Ray, the song instantly bounces along on a lively riff. It is a lure which soon catches flame as Alpha’s vocals alongside scheming rhythms rise from a relative calm to fevered irritability. Instinctively catchy as it bites and hollers, the song is a slice of prime punk rock which maybe does not boldly surprise but is openly fresh and infectious around a taunting bassline which just as eagerly captivates.

The following Jeans grabbed ears here even more swiftly with punk ‘n’ roll carrying a broader flavouring than within its companion though if not providing the same snarling bite. That is replaced by richer imagination catching twists and turns as Alpha vocally and musically teases and taunts ears and the world. It is that adventurous trait though which elevates it from a strong to great song, its unpredictable moments ensuring it really stands out from the throng..

Together both songs make for a highly enjoyable outing and for newcomers introduction to David Alpha, each sharing potential which will surely flourish in his forthcoming releases.

The Rockin’ Roulette EP is available now @ https://davidalpha.bandcamp.com/album/rockin-roulette

https://www.davidalpha.net

Pete RingMaster 30/01/2019

Copyright RingMaster: MyFreeCopyright