Abstract Rapture – Hollow Motion

Formed in 2001, Luxembourg hailing metallers Abstract Rapture especially drew praise with the release of their album Earthcrush. Now seven years after its successful release and “significant” line-up changes the band have its successor primed to re-stir attention and such the craft and enterprise within Hollow Motion it is easy to see the quintet courting the biggest spotlights and plaudits.

Woven in a tapestry of metal bred flavours courting everything from groove and nu to death and thrash metal, the band’s sound and new album is a cauldron of adventure and imagination embracing the familiar and unique. Hollow Motion is a dark melancholic proposition yet a beast with a discontent fuelled fire in its belly and attitude nurtured tension in its breath.

The album opens with A Promise from the Ghouls and immediately lured ears with its rhythmic invitation, the teasing collusion of infectious beats with a dark earthy bass grumble devious. Swiftly the predacious edge of the guitar joins the threat, it all soon sparking into a rapacious stroll further accentuated by the potent tones of Dritt. The swinging grooves and continually intimidating edge of the track made for a compelling and infectious proposal unafraid to twist and turn with further imagination and creative trespassing sparked by the melodic and sonic prowess of guitarists Alex and Nol. It is an ear and appetite grabbing start to the album which continues through next up The Cancer in Your Soul.

The second track is instantly a more predatory proposal, almost stalking the senses even as melodic and grungier hues spring forward from within its ill-intent. Individual craft joins united endeavour as the song blossoms with each adventurous move, it maybe not as strikingly manipulative as its predecessor but just as imaginatively captivating before Endless Chapter grips ears with its own wily exploits. Again the swings of Spit incite as they bite, nagging grooves entangling his tenacious strikes as vocals incite. Across the album there is an essence of Mudvayne meets Disturbed meets Machine Head and no more so than within this gripping offering.

Blood-Red Revolt brought even stronger enticement and incitement to body and pleasure, the track a definite favourite, writhing as it fingers the imagination with its boisterously manipulative and widely flavoursome antics before, following the brief chillingly haunting and increasingly threatening lead of …and Winter Comes, the predacious Inner Plague prowls and teasing the senses with its own venomous but darkly seductive threat. As ever the tenebrific yet tempting growl of Maks’ bass fuels the alluring menacing; constantly keeping the listener on their toes alongside the drums even as melodic flames and enterprise blazes away.

From one outstanding moment to another as Venom Skies descends on the senses with intrusively skittish beats to the fore before its sonic spiral springs another web of riveting and toxic conspiracy built on craft and imagination. The swing of the track is inescapable, its resourceful weave innovative even as familiar hues add to its appealing canvas.

Through the simply invigorating deeds of The Fear Industry and the calmer but similarly enticing Hollow Soul, ears were only firmly held; both tracks and especially the first of the pair offering snares of sound and touch which left us simply greedy for more before Ego Non Te Absolvo (A Drunken Conclusion) brought the album to a destructively intimate and provocative close.

It is a fascinating, tormented end to an album which is almost intense in its dark tone whilst bordering the kaleidoscopic in a sound which still embraces a particular hue that is individual to Abstract Rapture. Hollow Motion will be an introduction to a great many even being the band’s third full-length, one announcing  Abstract Rapture to all as being one striking and thrilling proposition.

Hollow Motion is out now, distributed by Black N ‘Purple Records, across most stores.

https://www.facebook.com/pg/abstractrapture/

Pete RingMaster 18/12/2018

Copyright RingMaster: MyFreeCopyright

Hauméa – Unborn

Emerging earlier this year, Hauméa is a quartet from Alençon in France making a rather potent impression with their debut EP, Unborn. Offering four tracks bristling with a host of rock and metal nurtured flavours, the release makes for a captivating introduction to a band easy to see enticing strong attention with their temptation loaded sound.

Formed by bassist Léa Zima and guitarist Andy, the Hauméa was soon completed by the addition of vocalist Niko Lorelei drummer and Sébastien Chauvin. Their individual musical backgrounds and experiences has bred a sound which embraces an array of styles and flavours; a proposition as melodically seductive as it is imposingly aggressive and as imaginatively delivered as it is emotionally raw.

The Unborn EP opens up with its title track, the song quickly laying down its persuasive rhythmic and sonic bait. In full bloom, the track is a mix of the controlled and fevered, especially potent when its shackles are off. It is a strong start revealing the enterprise within the band’s sound and songwriting as well as individual craft. Equally the varied blend of metal and rock the band merges shows itself a magnetic proposal though really captivated the imagination across its following companions starting with Not Usual.

The second track instantly had attention gripped with its opening rally of beats, a tempting soon fully ablaze as guitars and bass unleashed their lustful exploits. Similarly there is a hungry edge to the vocals which just adds to the captivation. As its grows, the track fuses instinctive ferocity with a Nine Inch Nails-esque tempting, easily twisting from a rousing trespass to a melodic seduction and back as it easily eclipses its predecessor.

Dad is Fool makes its entrance on a deceptively calm beckoning but soon is unleashing a tide of creative trespass which in turn springs a contagious stroll of rhythmic and sonic enticement. Still a volatile edge remains though; a psychosis which ignites with predatory intent across the track’s bold and unpredictable landscape. As the previous track, it is an impressively stirring encounter marking out Hauméa as a highly potent and compelling proposition.

Instantly a sonic spiral around invasively swing rhythms marks the final track of Unborn, the mercurial Here I Am a cauldron of sound and intimation carrying threat and temptation. Both essences proceed to fuel each twist and turn within a track fluidly slipping from predation to seduction time and time again.

At its most striking in its middle but bookended by songs which also easily stirred the appetite, Unborn is a strongly convincing and exciting first meeting with Hauméa suggesting the potential of rather striking times ahead. Our anticipation is already rising.

The Unborn EP is available @ https://haumeaband136108.bandcamp.com/releases

https://www.facebook.com/Haumea136108/

Pete RingMaster 18/12/2018

Copyright RingMaster: MyFreeCopyright

Billybio – Feed The Fire

An integral part of numerous inspiring moments with Biohazard and Powerflo, Billy Graziadei continues to be one of punk’s driving forces as he uncages his debut solo album under the moniker Billybio. Feed The Fire is a powder keg of hardcore dexterity and discontent, fire and brimstone punk rock as contagious as it is a snarling intolerant of the ills coursing through the world. Bred from a rich fusion of flavours the album is a fury of anthemic rock ‘n’ roll with a roar which makes you want to take part whilst paying keen attention.

As Graziadei declares, Feed The Fire is “100% me. No influence from anyone else. This is who I am and what I’ve become. I’m a product of everyone I’ve met, talked with, shared my stories with…and a bit of their stories as well.” It growls and bites as it inflames and badgers thought and spirit whilst unleashing some essential slices of punk rock.

With friends such as guitarist Dan Palmer (Death by Stereo/Zebrahead), bassist Ra Diaz (Suicidal Tendencies), and drummer Simo Perini alongside Graziadei, the Tue Madsen produced release instantly got under the skin with opener Freedom’s Never Free. Marching into view, the track explodes on the senses, raw grooves and Graziadei’s vocal grievance fuelling the attack. It is an ear grabbing invitation which simply hits another level as the track twists into one virulent chant of defiance, an inescapable trespass to which submission and involvement is instant.

Latest single and the album’s title track follows, unleashing its own contagion from its first breath. With teeth bared through its first riff and vocal uproar, Feed The Fire quickly launches itself with creative tenacity; guitar and rhythms as explosive as the vocal incitement which again fuels insatiable catchiness.

No Apologies, No Regrets rises up with a more deliberately predacious intent, slowly rising to its full height before hurling its goodness and dissonance at ears while in turn Generation Z uncages infectious multi-flavoured rock ‘n’ roll with zeal. The first is a web of temptation and altercation, as inventive as it is furious with its outstanding successor a contagion of hard and punk rock which needed mere seconds to have body and vocal chords adding their mutual zealous discord.

Through the likes of Sick And Tired, an infectious dispute and enterprise bred persuasion, and the feuding Sodality which erupts from the dark smoulder of the momentary breath that is Remedy, the album only tightened its grip on ears and appetite pushing its claws deeper into the passions with the musically and emotionally acrimonious Rise And Slay, the track a delicious predatory harassment of metal, punk, and ravenous rock ‘n’ roll.

Offering up thirteen slabs of confrontation, there is truly no weakness or less than irresistible moment within Feed The Fire as emphasised in turn by the bracing punk call of STFU, the haunting and intimidating melodic siren that is Trepidation, and Untruth with its virulent resentment and imagination; all dramatic treats easily devoured.

The album is concluded by firstly the bruising anthemic blaze that is Enemy, another moment which has heart and vocal chords rigorously on board and lastly Disaffected World. The final track is arguably the most manipulative incitement of them all especially through the vocal and seriously tempting sonic tocsin which interrupts the song’s primal uproar.

Punk rock in its many forms has had a prize year in releases across 2018 with possibly, most likely, its finest moment now provided late by Billybio; an uprising sure to be the inspiration it deserves to be.

Feed The Fire is out now via AFM Records across most stores.

https://billybio.com/   https://www.facebook.com/BillyBIOHAZARD/   https://twitter.com/billybiohazard

 Pete RingMaster 18/12/2018

Copyright RingMaster: MyFreeCopyright

Mount Sinai – Weightless

 

As part of the indie virulence that was Black Black Hills to his solo temptation, the melancholically clothed troubadour-esque Rooster Cole, vocalist/songwriter Mark S. Aaron has been a magnet to our ears and imagination. We can swiftly say nothing has changed as the debut single from his new project, Mount Sinai, has been unveiled; in fact the temptation might just be as rich as it has ever been.

Mount Sinai sees Aaron linking back up with long term musical collaborator Tom Windsor (Black Black Hills/Coin-op),  with Alex Painter (Great Pagans/Speak Galactic), Max Numajiri (Spacenoid), and Jools Owen (Bear’s Den) alongside the pair. Musically Mount Sinai is a natural progression from Aaron’s Rooster Cole exploits; the swarthy psych rock flames and rich desert rock grandeur of first single Weightless bred in the more intimate but no less darkly dramatic sighs of his previous solo project. Even so, Mount Sinai is as individual as Rooster Cole was, a duskily lit almost saturnine proposition carrying its own minstrel like hue.

Weightless instantly lured ears with its initial melodic strum, its next joined by Aaron’s familiar and ever compelling tones. Unsurprisingly knowing his previous works, melancholy lines voice and melody but there is an edge to them which erupts as rhythms and sonic winds erupt. In full swing, the track becomes a heated draught across the senses; inspiring the imagination as much as swaying hips with its virulent temptation. Horns and the animated call of impassioned guitars only add to the track’s growing blaze, drama soaking note and syllable, melody and siren-esque lures all going to make for one striking debut.

Imagine a fusion of The Doors, Echo & The Bunnymen, and Helldorado and you get a shimmer of the Mount Sinai beauty going by the name Weightless; a proposition suggesting Aaron and co have started out on their greatest adventure yet.

Weightless is out now @ https://mountsinaiband.bandcamp.com/releases and other stores.

https://www.facebook.com/mountsinaiband/   https://www.instagram.com/mountsinaiband/

Pete RingMaster 18/12/2018

Copyright RingMaster: MyFreeCopyright

Beth Blade And The Beautiful Disasters Interview

Our friend Elliot Leaver returns with another interview with one of rock’s most exciting bands, Beth Blade And The Beautiful Disasters

For those who may not know who you are, introduce yourselves quickly.

I’m Beth Blade from Beth Blade And The Beautiful Disasters and we are based out of Cardiff. We play Hard rock and roll.

Describe your sound in as few words as possible.

Monster riffs, huge choruses and a dose of old school rock and roll attitude. Just good old Hard Rock.

Who are your three biggest influences as a band?

KISS, Halestorm, Gun n Roses

What’s the meaning behind your band name?

Beth Blade is obviously my name. The Beautiful Disasters part comes from ‘World On Fire’ by Slash. The name itself is a tribute to Joan Jett And The Black Hearts.

Tell us about your latest release; did you try anything differently this time around than with previous efforts?

So on our new album ‘Show Me Your Teeth’ it was no holds barred. On our debut album I was very concerned with what I thought people wanted to hear from us. I learned that I needed to not be scared to be vulnerable with the music so everything went on this album; it is completely transparent and personal, a lot more mature but still really fun and rocking.

What was it like to work with producer Nick Brine?

Nick Brine is honestly one of the best people I know; He knows how to get the best performance out of you and also thinks outside the box in terms of what you can add to a song. He also has the cutest studio assistant, Kenny Dogleash (Yes he’s a dog) who is famous in the record making world. He also spend a lot of time getting the right sounds and that really shows in how sonically good the album sounds.

Do you have any personal favourite songs on the release?

Honestly I love every single song but my personal favourite are ‘On and On’, ‘Lost In You’, ‘You and I’ for the string section and ‘Jack and Coke’.

Explain the meaning behind the album title.

‘Show Me Your Teeth’ is a multifaceted title. It’s fighting talk and baring your teeth at the world and saying ‘Here I am, take it or leave it, I am who I am’ whilst delivering the goods. But it’s also showing your vulnerable side and the bones of you, all the things that are underneath the surface.

Do you have any dates lined up at present?

We’ve just announced SOS festival in Manchester in July and we open the main stage at Hard Rock Hell next November which is exciting, we have tour dates and some festivals in the works but we want to get to every part of the UK and hopefully over to Europe too!

What are your favourite songs to perform live?

At the moment I really love playing ‘Down and Dirty’ but also the new songs from the new album as it’s great to see peoples reaction to them.

What are the best and worst shows you’ve played to date?

Best show would have to be our last gig on the KISS kruise; the room was packed and the atmosphere was absolutely electric! Everyone was into it and having a great time, singing along and really getting involved. I’ve never had so many people want a picture after a show and I could truly feel the love in the room. And no show has ever been the worst. As long as one person has a good time we are happy!

If you could open for anyone, who would it be?

We just played with KISS which has been my goal since I was five so I guess Halestorm would be the next on the bucket list.

Any comical stories from your time as a band you can share with us?

Recently on the KISS kruise we were celebrating with some friends who had free champagne. And me, being drunk and a barmaid, thought I’ll open another bottle. American corks are plastic and automatic, I didn’t know this so as soon as I broke the seal the cork shot off, missed my guitar players face by an inch, nearly hit the singer of The New Roses and hit the ceiling with a crack which made everyone jump and stop and stare at me. There was a moment of silence and then everyone cracked the hell up and the icing on the cake was that the cork hit the ceiling so hard that it left a huge dent! There is photographic evidence to prove it. I will forever be known as Corky.

What’s the plan for the rest of 2018?

We have one last show and then we are focusing on getting our album out which is happening on January 25th!

Any closing comments?

Please check out our pledge music campaign for album number two at www.pledgemusic.com/projects/bethbladealbum2  and thank you for having us!

Questions by Elliot Leaver

18/12/2018

dragSTER – Anti – Everything

UK punksters dragSTER pretty much hinted at themselves as being one of the country’s most irresistible snarls from day one; establishing and reinforcing that reputation and stature by each release and show. Three years after seriously stirring the punk scene with their album, Dead Punks, the Coventry quintet return with their fourth full-length, an encounter which roars that dragSTER is not only one of punk’s best antagonists but one of its essential and maybe crucial.

Anti – Everything is middle finger raised irritable, anthemically aggressive, and unapologetically rousing with the most deviously seductive web of lethal hooks and corruptive grooves within its roar. If perfection can exist, the album courts its embrace from start to finish, unleashing prize heart bred punk ‘n’ roll as invasively imaginative as it is ferociously instinctive. If its predecessor was a ‘punk classic’ in our words, Anti – Everything is rock ‘n’ roll alchemy; simply one inspiring blaze of organic punk devilry.

One Bad Cop opens things up, its initial raw breath swiftly infested with the album’s first delicious lure, a teasing hook which is emboldened as the track erupts around Fi Dragster’s ever tempting vocals. With threat to its air and stride, the track is under the skin in seconds; its tetchiness echoed in the enterprise of guitarists Diesel and Ben Kelly and equally rhythms which just incite physical confrontation.

It is an exhilarating start which still manages to be eclipsed by the outstanding Damned. Instantly its marching groove gripped already eager ears, its scuzzy bristling pure contagion loaded manna for the punk appetite. The flirtatious beats of Ryan Murphy gleefully add to the persuasion as too the dirty tempting of Tom AK’s bass which soon inspires the filthy glaze which blossoms as the song erupts without losing or defusing its crucial lures. Keys temper yet equally enhance the crotchety nature of the track; a character trait exploited by individual enterprise with it all boiling over in a mighty corruption of a chorus.

The following Burn It Clean uncages its own dispute of rousing rock ‘n’ roll to similarly irresistible effect, Fi a magnetic protagonist challenging and roaring within the track’s fractious stomp while the album’s title track in turn unleashes its own caustic holler to fire up body and attitude. Both tracks are pure manipulation, primal and designed, matching the glory of their predecessors and United Decay which erupts from its industrial bed with Kelly’s juicy groove and Diesel’s hungry riffs. With more restraint to its testy character but devious in its creative corruptions, the track is one imposingly tempting anthem though to be honest one such taunt among thirteen such compelling snares.

Through the short bruising hard rock meets garage punk holler of Spit It Out and the even briefer punk assault of Drone Pilots ears are lustfully infested, harassed and pleasured, subsequently inflamed yet again by Vultures Circle. It too reveals a fusion of varied rock ‘n’ roll flavours within its inflamed challenge, the song predacious but more a stalking of the senses than an incursion as it reveals yet another shade in the band’s broadest palette of sound yet.

It is a fresh tapestry added to as the likes of the ridiculously infectious Tokyo Joe, a slice of old school punk refreshed and re-invigorated, and Charmed To The Teeth with its similar if dirtier choleric incitement seduces body and vocal chords into vociferous participation. The latter of the pair also highlights the new adventure in the band’s songwriting and sound, twisting with unpredictable and teasing imagination.

The final trio of tracks ensure the album continues and ends on the same high nurtured so far, Dark Roulette cantankerous punk ‘n’ roll with its own line in viral hooks and melodic touchiness while Enemies just bullies and seduces eager participation with its prickly, short fuse rock ‘n roll with again a highly agreeable ’77 scent.

Broken By Design concludes the herd of viral riots, its irascible collusion of punk edginess and melodic seducing a final riveting and seriously arousing invitation to rise up; a track rich in bait and heart built with desire and instinct to stir things up. It is a striking, animated close to an album reeking craft and passion soaked in anthemic adventure.

There have been a few punk offerings which have truly inspired bands and fans alike over the past decades, Anti – Everything has just put forward its proposal to join their ranks.

Anti – Everything is out now through Louder Than War Records; available digitally, on CD and vinyl @ https://dragsteruk.bandcamp.com/album/anti-everything

http://www.dragsteronline.com/   https://www.facebook.com/dragSTERUK/    

Pete RingMaster 11/12/2018

Copyright RingMaster: MyFreeCopyright

Living in the flames of Vaya

“Her spirit is screaming and blowing on the stage. She is the drums and her soul rises up through the sacred fire of music.”

This is a line from the Vaya biography on social media which sums up the creative and instinctive roar of the Canadian singer and band, and reason enough to find out more which we recently did with great thanks to the trio…

Hello and thanks for taking time out to talk with us.

Can you first introduce the band and give us some background to how it all started?

Victoria VAYA: Actual VAYA’s members Raphael, Philippe and me have met through this project step by step. First I met “by hazard” Raphaël through a “next door” music shop, when I had just moved into this area. The people talked about him, he is a good drummer so I contacted him. And Philippe joined us when the album was recorded and when we need to build a team for the live shows. I think he just answered to the music call. It was written. Then we are managing the stage from one year sharing the same powerful feeling for the rock music and eclectic colours if it.

RAPHAEL: Hi RingMaster, Victoria VAYA learned that I played the drums from a music store in Gland (CH). One day, she called me to record the first drums of VAYA. I never left since!

Have you been or are involved in other bands? If so has that had any impact on what you are doing now, in maybe inspiring a change of style or direction?

Victoria VAYA: Yes I was. It was totally different. It was interesting but I was always feeling that is not my all expression in it. It was good experiences for the studio record part than the stage but I felt not complete. Now with VAYA, I really have so much pleasure to express all that animal and mystical energy through sounds and rhythms: it’s magic!

Philippe: Yes, actually I’m involved in 4 different bands: 1 funk, jazz, fusion band, 1 country blues folk band, of course Vaya and I’m starting a new jazz, salsa, samba band with another guitar player and we’re looking for other musicians too. 4 years ago, I played in a Celtic rock band and a blues rock band too. It’s very different than what I played in my former bands and in my actual bands but it’s interesting to combine those different styles and I always try to adapt myself in every situations.

RAPHAEL: I have been involved in many bands before. Now, I mainly focus on VAYA. Meeting other musicians with influences from all over the world has always been a positive and constructive impact on my drums’ play.

What inspired the band name?

Victoria VAYA:  AHAHAH I like this question. GOD? Or the Blow of it. As artists we just receive the flow of ideas around and translating it. So VAYA is the Legend of The White Wolf blowing on Earth. Ameridian people know more than us about the spirit of it but for sure it’s guiding and inspiring VAYA step by step. Something spiritual and for sure human.

Was there any specific idea behind the forming of the band and also in what you wanted it and your sound to offer?

Victoria VAYA: Specific Idea? I don’t know. We are guided between intuition, talent combined and lot of passion and work time. So our sound is colourful and the most important, authentic.

Do the same things still drive the band when it was fresh-faced and how would you say your sound has evolved over time?

Victoria VAYA: We are “Evolution” by defining human being. We are simply always bounded by sharing our musician souls everywhere in the world.

Philippe: Yes we evolved a lot, first we were more like a metal band, than we changed the style, we use more percussions and now we start by using keyboard and it brings a new sound of the band!

Victoria VAYA: OH VAYA has an interesting evolution and it’s probably why I’m stoked with it. 😀 The first step of the album was done with a French composer, then he has to quit and I have to continue. So arrived a Hungarian composer with a real good classical background and a good rocky spirit and he gave a lot of keys for the arrangements of VAYA tracks album. Then for the next step VAYA needed to find a powerful evolution to go on stage and it’s when VAYA met the volcanic Chilean blood of Sebastian, also with a real good academic background. So I mean VAYA is rich of differences and musicians souls

Philippe: When I was young, I was more inspired by hard-rock, heavy-metal, then I changed, I started listening, studying and playing jazz, after played more blues and now, I play so many kinds of music and I’m back to rock.

RAPHAEL: My drums are now stronger into the groove. I am happy about this, it is really for VAYA!

I have a nice memory of the recording of the first studio album. There was someone who directed the arrangements and told what I had to play. Sometimes, I had no idea what would be the final results! When I listened to this album, I was well surprised!

The live album is more representative of my own sound.

And that movement in sound and anything else has been more organic or deliberate?

Victoria VAYA: We still experienced things. No limits for music, it’s a big playground!

Philippe: Yeah, we always try to experiment new things, new sounds, new songs, new ideas, it depends in what mood we are!

Presumably across the band there is a wide range of inspirations; are there any in particular which have impacted not only on the band’s music but your personal approach and ideas to creating and playing music?

Victoria VAYA: Poetry of Jim Morrison, visionary as David Bowie, psyche as Jimmy Hendrix, sensitive as Bjork.

Philippe: I always try to adapt myself, to play and compose songs depending of the different styles I play in every band.

Is there a process which generally guides the writing of songs?

Victoria VAYA: So I am actually on the composing roots. Could be change never know, I always send ideas and people catch it for developing it, that’s the sharing part. No process. Sometimes it’s a drum that will be the first step, sometimes lyrics or a guitar riff or a keyboard song. I am receiving it and managing it to put all together.

Philippe: I think when someone has an idea for a new song, he or she brings it to the band, then we listen to it, we talk about it and then we try to play it together the best we can and everybody’s free to give his own opinion to change something, or to improve it.

Where do you, more often than not, draw the inspirations to the lyrical side of your songs?

Victoria VAYA: Everywhere.

Philippe: Sometimes when I’m home and I try to find something good, or when I’m outside, in the street, in the train or wherever, it can happen anytime in any places

Give us some background to your latest release.

Victoria VAYA: WOW, it will take too much time, just listen and discover our double album it will connect you to your deepest part.

How about some insight to the themes and premise behind it and its songs.

Victoria VAYA: Oh my Dear. So the biggest thing who’s giving to you power what is it? The law of Nature :)))))) Then second is: Human experiences/observations. And you do a bridge between them.

Are you a band which goes into the studio with songs pretty much in their final state or prefer to develop them as you record?

Victoria VAYA: Both of it. For sample Biscuit and Friends are born on studio record. The arrangement of My little curl too…So a mix of it.

Philippe: Actually, we went once to a studio to record altogether and now, we’re working on new songs for the next album, so right now if we have ideas for new songs, we record it on our own on the computer.

RAPHAEL: I’d rather prefer to go into the studio prepared to win some time (and some money). Sometimes it could be interesting to develop a song in the studio. The song BLOW is a nice example.

Tell us about the live side to the band, presumably a favourite aspect of the band?

Victoria VAYA: Absolutely: it’s being true and powerful for giving a real good travel to you guys! 😉

Philippe: The favourite aspect is when we’re on stage, with a good sound and with an enthusiastic audience, when we all have so much fun!

RAPHAEL: a live show that you will remember. The voice is so powerful, and without any light shows. I am always surprised that the audience is thankful and go back home with a smile.

It is not easy for any new band to make an impact regionally let alone nationally and further afield. How have you found?

Victoria VAYA: I am always surprised people liked our live show. First in Switzerland where we met each other; the public there is really difficult to “ seduce” with a new way of expressing music; but they liked the spirit of the sacred fire. And such a lovely warm welcome into our last East of Europe tour. It’s growing step by step but because public is really welcome and is clearly a part of our music, VAYA is continuing with them. I would like to take that opportunity to say again thank you for all your encouragements everywhere we have played.

Philippe: It’s really hard for every new band to get known! You have to keep playing as often as possible in many different places. And Yes everything can happen, if you work very hard, if you focus and believe in yourself and the band, great things can happen!

RAPHAEL: I have worked for years in order to meet the good people in the music business to get the trust in my projects. This is paying now.

How has the internet and social media impacted on the band to date? Do you see it ultimately as a negative or positive?

Victoria VAYA: So Raphael is probably the right person to answer to that question

Philippe: Sometimes things go right and sometimes wrong, it’s not easy!

RAPHAEL: One day, I put the band on Instagram and someone discovered us from Canada. Zolla Productions is now in charge of our booking in Canada. It takes a lot of time to manage the social media, but I think this is essential nowadays to show people the development of VAYA.

Once again our big thanks for sharing time with us; anything you would like to add or reveal for the readers?

Victoria VAYA: Come and share the sacred fire with us. VAYA VAYA.

Thank you Ringmaster!

Vaya are:

Victoria VAYA: songs writer, singer, drums and keyboard

Philippe: guitar and bass

Raphaël: Drums &Percussions

https://www.facebook.com/VAYA.Official/   https://www.vaya-official.com https://twitter.com/VAYA_official

Pete RingMaster 07/12/2018

Copyright RingMaster: MyFreeCopyright