Watch Rome Burn – Vox Heretic

Seattle has been one of the most refreshing conveyor belts of musical pleasures over the decades and shows no signs of slowing down as from its dirtiest grunge punk depths it brings us the inimitable sound of Watch Rome Burn. The two brother outfit has just uncaged their new album and it has swiftly become something we for one cannot get enough of.

Last year the pair of guitarist/vocalist Drew and drummer Jestyn Cummings lured eager plaudits with Now on VHS, an attention grabbing encounter laying the seeds for the rapacious roar of its successor Vox Heretic. The new release escalates the dirty crust-esque punk aspect of its predecessor but equally embroils itself in the grunge and alternative rock side of that first proposition but drawing on the rawest breath and predacious intent of both to leave the former laying in its dust.

Vox Heretic immediately had ears and imagination hooked as a sonic drawl brought opener Consumed into view. Its broiled shimmer in turn triggered a rhythmic prowl aligned to an equally skulking vocal prowess, all the time that sonic dissonance pulsating. Never particularly deviating from its initial intent but rich in intimation, the track is superb; pure creative devilry setting up the promise and adventure of things to come.

The following Thief is soon into its carnal swing, its unapologetically raw air and flesh instantly magnetic and bawling away with proto punk causticity. As with the first, there is an inherent catchiness which had the body bouncing even when tempered by the song’s feral garage rock belligerence. Abrasive and bracing, the track just hit the spot as too unerringly did next up Motley. Like a mix of a proto punk Queens Of the Stone Age meets the hungry rock ‘n’ roll of The Sea, the song is another predatory trespass which simply aroused body and spirit.

On The March flares up with an industrial hue next but is soon into a rock ‘n’ roll stride with Jestyn’s rhythms manipulating song and listener as Drew further incites both with his electric intrusion and vocal dexterity. Imagine a punk ‘n’ roll Therapy? and you get a whiff of the outstanding stomp.

The duo showed they can glow with undiluted melodic enterprise too, though Crystallized straight after equally has a fried haze to its coruscating glow while with Be What You Want they caused inescapable addiction. Its caped crusader tinted swing instantly got under the skin, vocal enticement adding to the potency as similarly the wired almost uptight grooves which escape the strings of Drew’s guitar.

The release is brought to a delicious close by firstly War Blues, a track surely bred from illicit blues stills hidden in the shadows of the band’s home city. Its melodic liquor is intoxicating punk blues soaked in the contagion which flavours every track within Vox Heretic; a blend which had the body worked like a puppet before things are finally concluded by the melodic seduction of Up Here. Uncluttered but as rich in flavour as you would wish, the song is a captivating sundown on the album, a final surf kissed glow and sigh which only lures ears right back into the release.

Vox Heretic is Watch Rome Burn knocking on major attention, a door which surely cannot stay closed much longer against the indisputable roar and often corrosive but ever alluring raw charm of their sound.

Vox Heretic is out now and available @ https://watchromeburn.bandcamp.com/releases

https://www.facebook.com/jointheburnlegion/

 Pete RingMaster 22/09/2018

Copyright RingMaster: MyFreeCopyright

TV Coma – Body Negativity

If you can imagine the results of Weezer and Swound! musically cavorting with Jan and Dean alongside Blur with a punk nurtured revelry you can get a whiff of the sound of TV Coma though not necessarily the individual mischief and enterprise rampaging through their debut EP, Body Negativity. It offers six tracks of unbridled fun and boisterous deeds amongst cleverly manipulative creative antics and is simply one of the most enjoyable exploits we have greedily indulged in this year.

Emerging from the songwriting revelry of brothers Leo and Max Troy, St Albans hailing TV Coma is a foursome by bassist Jamie Rider and drummer Robert Clark. They also seemingly embrace the punk DIY ethics of yesterday with their first release recorded in Max’s bedroom who then mixed the tracks himself before passing them over to Alan Douches (Ben Folds Five, Converge, Sufjan Stephens, Mastodon) to add his professional gleam to things. The result is an encounter which has an organic roar and an instinctive devilry and one which eagerly gets under the skin with unbridled fun in close quarter.

Have A Party kicks things off and rises up from an encroaching sonic lure with big scythes of guitar and matching rhythms. Everything is an intriguing tease leading to the first vocal rally cry before things settle again into a calm stroll and reflection. It in turn invites ears and listeners to its subsequent chant loaded bellow and a finale which the body, if not already bouncing, can no longer escape. Seriously contagious with a great rock muscularity and edge to it, the track is a glorious invitation into the waiting fiendish clutches of EP and band.

There is no escaping thrusting a Weezer likeness to the following Digital Girl, the LA band one of the major inspirations for the brothers. Even so, the track is ablaze with raw pop punk zeal as it is pop rock catchiness and swiftly inciting physical and vocal participation with its rousing holler before Trudy latches on to its infectious antics for its own particular weave of viral contagion. Something akin to Weezer meets We Are the Physics with Asylums in close attendance, the track just saunters along spilling grooves and hooks like confetti as rhythms cast their own manipulative incitement. Surf pop harmonies escalate the fun and listener’s involvement with a track which never leaves a moment void of creative rascality.

A sonic clamour announces next up Unemployable; a short but attention stalking roar of angst and noise around more of the hooks and enterprising taunts the band seem to instinctively breed. The track instantly and effortlessly leads into inhibition losing shenanigans, reactions even more escalated with Football Song, a Blur meets Television Personalities howl which could easily be adopted by the sport’s fans or haters.

Grow Up completes the line-up of plaintive ejaculations. From its initial vocal wail to the punk rock soaked blaze of sound, the track is a zealously waving finger at immaturity and irresponsible fun whilst creatively providing both.

With each track sparked by traits within modern life, Body Negativity is one spirit rousing adventure. It might not be the best thing you come across in 2018, though it very well could be too, but there will be few as memorable and even fewer as relentlessly enjoyable.

Body Negativity is out now and available @ https://tvcomamusic.bandcamp.com/releases

https://www.facebook.com/tvcomamusic/   https://twitter.com/tvcomamusic

Pete RingMaster 22/09/2018

Copyright RingMaster: MyFreeCopyright

Downpour – Self Titled

It has been waiting for its chance to explode on the metal scene for three years and now uncaged, the debut album from US outfit Downpour, is not going to let a little matter of a lengthy delay stop it making a very potent impact. Groove rich, rhythmically merciless, and built on individual craft which commands attention, the self-titled release is a declaration of creative power and intent.

Boston based, Downpour began as a project with no particular expectations and possibly aims except the simple desire to create music; indeed they were “instrumental jam nights among the members [which] offered a respite from real life – things like 9 to 5s, crumbling relationships, bills, and beyond. Their sessions were akin to therapy sessions and the music became increasingly heavy.” As things progressed drummer Derek Kerswill (Unearth) contacted Brian Fair former band mate in and vocalist for Shadows Fall. With its line-up completed by guitarist Matt LeBreton and bassist Pete Gelles, and itself a proposition which could not be denied, Downpour recorded this debut full-length in 2015. The quartet though decided to sit on it until the time was right and everything was in place for the album to be unveiled which thankfully is now.

Musically the album embraces a tapestry of metal bred flavours. Senses brutal groove metal could possibly be said to be at its heart yet in any given moment it can spring forth with progressive imagination or extreme metal predation. It swiftly proves an unpredictable and fluidly evolving encounter indeed which quite simply is metal at its most instinctive and style embracing best emerging with a voice openly individual to its creators.

The Serpent’s Tongue opens up the album, predatory riffs and Kerswill’s rapier swing to the fore but equally strands of citric endeavour entangle the trespass which in turn is accentuated by the familiar and ever magnetic tones of Fair and an increasingly antagonism in that rhythmic antipathy. Savage yet firmly galvanic, the track is superb; hues of bands like Pantera adding to an almost spiteful character but a grudge which invites deeper and greedier investigation as individual flair and prowess inspires a united enterprise.

It is an imagination though which is only broadened across the following Truth In Suffering, a song which immediately weaves a melodically crafted but volatility lined landscape of shadow cloaked intimation and portentousness. Physical and suggestive extremes collide and collude within its captivating body, vocals too aligning raw and melodic dexterity in an encounter which lyrically and emotionally reveals an intimacy to its roar.

Though you could apply certain names as reference to the pleasures with the album by these two tracks and successor Astral Projection there is no denying the distinct personality and endeavours of the Downpour sound and release. The third track has a relatively calmer and warmer presence than its predecessors but again there is an inherent volatility and tempestuousness which keeps expectations guessing and ears fascinated; that and the ever compelling imagination of songwriting and craft that breeds them.

Through the likes of darkly lit and siren-esque Still Waiting and the irritable enmity that is Without The Fear, the album simply continues beguiling and ravaging the senses. The first is pure seduction with Eastern hues to its adventure soaked landscape built upon rolling rhythms and intrigue casting guitar manipulation. It is superb, easily our favourite track within the album where virtually every note brings fresh mystery and adventure with that essence of danger and invasive reprisals, though neither are realised but always lurking. The second rises from its own inviting lure into a wiry entanglement of grooves, riffs, and voracity fuelled rhythms but a mercurial proposition tempered by the melodic toxins and harmonic caresses which rise up. Though eclipsed by the track before, it feels like the former’s dark side in many ways and was just as greedily devoured before Beautiful Nothing had the appetite licking its lips once more through its rancorous virulence and imagination embroiling exploits.

Mountain completes the release, another track which just stole ears and passions with ease. From the vocal prowess of Fair, the album surely one of his finest moments ever, through the rhythmic manipulation and suggestion of Gelles and Kerswill to the sonic weaving of LeBreton, the song, echoing the whole encounter, enthralled and aroused.

Anticipation for Downfall’s debut has been long and keen across media and fans alike and it is easy to expect all to feel the wait has been more than worthwhile, the album basically another of the year’s major highlights.

The Downpour album is out now via Noize in the Attic Records through all major digital platforms and @ https://downpourmetal.bandcamp.com/album/downpour

https://www.facebook.com/downpourmetal   https://twitter.com/downpourmetal

Pete RingMaster 22/09/2018

Copyright RingMaster: MyFreeCopyright