Icarus Dive – Among The Thorns

Radiating out from their home town of Guildford, there is a buzz around British alternative rock outfit Icarus Dive that simply teases attention. It is suggestiveness though which will become a demand if they continue to offer and grow even more potent from new release, Among The Thorns. Four tracks of creative adventure aligned to mischievous imagination, the EP is a joy to ears and unpredictability providing plenty to be truly excited by.

The release is headed in order and irresistibility by Hydra, a track which is pure creative theatre. Zooming in on a sonic wave as a vocal barker announces its and the band’s arrival, the song swiftly strolls through ears with a gait as much a sinister prowl as a celebratory saunter. Grooves immediately wrap around ears, seducing as the rapier swings of drummer Louis Nanke-Mannell slice through the moody lines cast by Harry Crowe’s bass. The equally captivating lead vocals of guitarist Joe Crook trigger a new swagger of sound flooded with drama as too is its accompanying harmonic backing. There is a definite Muse like spicing to the moment but as throughout the track, Icarus Dive breeds their own individuality to lure ears and appetite like a moth to a seductive beacon. The track is superb, twisting and turning with zeal to perpetually surprise and captivate.

Such its dynamic craft the following trio of tracks are simply eclipsed for personal tastes but starting with Murder and Lies, each offers their own fiercely enjoyable and compelling adventure. The second track coaxes ears with a simple niggle of guitar which is quickly joined by the ever alluring tones of Crook. It is a low key but gripping coaxing that escalates in animation to entice darker hues from the bass alongside the crisp dancing beats of Nanke-Mannell. As within its predecessor, melodic craft and rhythmic verve sparks expectations squashing vitality, the track constantly a fire of adventure and imagination further ablaze with almost vaudeville like drama aligned to boisterous energy and fun.

Mesmerised is next revealing harsher wiring in its initial encroachment before springing into an emotive glide with a whiff of bands like KingBathmat and Zedi Forder to it. Whereas the first pair of songs made an immediate compulsion for ears and lust, their successor took its time to truly blossom but time which only ensured success as the band’s ideation and individual prowess united in another flame of aural temptation.

The EP ends with The New Gods, another relative slow burner in comparison to those before it but quickly a web of magnetic enticement nurtured by the snare of guitar wires alongside inviting but almost predatory rhythms. Crook’s vocals just escalate the trap of fascination and contagion as the song completes a thoroughly striking and richly enjoyable encounter.

 Among The Thorns is the introduction of one thickly promising and already strongly impressing band to national attention though it is easy to think recognition and praise is not going to stop there.

Among The Thorns is out now across most major stores and @ https://icarusdive.bandcamp.com/

 https://www.icarusdive.com/    https://www.facebook.com/icarusdive/   https://twitter.com/IcarusDiveUK

Pete RingMaster 24/09/2018

Copyright RingMaster: MyFreeCopyright

U-Foes – No More No More

Live @ Fru Lundgreen, Trondheim, Norway

It may say No More No More but ears swiftly demanded the opposite once falling under the sonic hail and brimstone of the new single from Norwegian outfit U-Foes. The track is an insatiable slice of noise punk infested hardcore which batters and tempts with increasing rigour; nagging, harassing, and pleasing in equal measure.

Rising from the ashes of hardcore outfit Silence the Foe, Oslo hailing U-Foes is the trio of made up of guitarist Marcus Forsgren (The Lionheart Brothers, Jaga Jazzist, Bror Forsgren), drummer Peter Rudolfsen (The Lionheart Brothers), and long-time friend of The RR, vocalist Anders Voldrønning (Shevils). Embracing aspects of their earlier work together and on-going projects, the threesome have twisted all elements into a whole new trespass of sound with plenty more fresh and creative animosity loaded craft involved.

A teaser of the band’s debut album due for release in November, No More No More is a carnal assault of sound; a track as primal and feral as it is skilfully manipulated and manipulative. It scowls with contempt from the first caustic surge of guitar, its sound a scuzzy yet precise blur inciting just as irritable intent from senses harrying rhythms. Voldrønning’s familiar roar intensifies the antipathy of sound and emotion, sharing greater toxicity to the wounds already incurred from the band’s raucous enterprise. Even so there is an infectious side to it all which quickly had hips swinging and limbs punching with zeal.

However you drape the track, it is rock ‘n’ roll rock at its primal best; punk rock to arouse the senses and spirit and the sign of big exciting thing to come from that impending album and we suspect for the band itself in its wake.

Check out the video for No More No More on our Video Selector page, the single available now on Marw Melodee Music.

https://www.facebook.com/ufoesofficial/   http://u-foes.com/

Pete RingMaster 24/09/2018

Copyright RingMaster: MyFreeCopyright

Teksti-TV 666 – Aidattu Tulevaisuus

Hailing from Finland, Teksti-TV 666 creates a sound which is quite simply a web of entrapment, every strand bred from an individual flavour but all colluding in a compelling and inescapably contagious proposition called Aidattu Tulevaisuus. Simultaneously, the album is as punk and garage rock as it is shoegaze, metal, and psych rock bred with plenty more ingredients involved. Yet tagging it is easy, pure temptation.

The Facebook page for Teksti-TV 666 lists band members at eight, the press release for the their new encounter says six; a line-up which consists of four sometimes five electric guitars. Whoever is involved, how many strings are manipulated, what is easy to establish is that the band knows how to get under the skin with songs which dance with the imagination whilst toying with the senses. As evidenced by Aidattu Tulevaisuus, each track springs a multi-layered incitement whether a sonic roar or a calm bred intimation and all evolving in the ear with deception, craft, and imagination.

Aidattu Tulevaisuus opens with Turbo-Mondeo, the song emerging like sonic steam from a hidden pipe; coming closer until in engulfs the senses and that swiftly enterprising bond of guitars begin weaving their captivating tapestry. It is an assault though which is a blend of mellow and forcefulness, brewing a more volatile state as vocals and harmonies entice with a raw siren-esque hue. Already the variation in flavour and texture is uncaged, the track unveiling its tempestuousness in between unpredictable serenity for a perpetually infectious trespass.

The album’s track follows and immediately winds something akin to My Bloody Valentine, The Jesus and Mary Chain, and a punk nurtured Asylums round ears. That inherent catchiness surging through the first track is as hungry in the second, as too another entanglement of styles within a mercurial climate of intensity and creative rabidity before Rauhankone in turn spreads post punk toxins. Chilled and chilling with its industrial lining, the track saunters along like a garage punk honed Leitmotiv merged with a noise pop engaged Sex Gang Children; again a rich and intricately built palette of hues embroiled in its inimitable and unique contagion.

Serverny swings in next on a Nintendo core deceit, a devious lure soon unleashing a sonic turbulence which in turn breeds its own drone cast contagion. Its incessant nagging is tempered by ever warm vocals tones and the surf sighs of a guitar but always there boasting its own cyclonic lure. It’s repetitious but never predictable invention, qualities matched within closing track Katko. From its first breath, the song is a thrilling trespass with its eager groove and crisply landing beats, the brooding throb of bass just as enjoyably niggly and irresistible within the rousingly hypnotic post punk/ noise/psych rock integrated majesty.

It is all superb stuff, every track an inescapable joy which will, given the chance, surely devour vastly more than passions beyond ours. Sung in the language of their homeland we cannot not give a clue to the lyrical themes involved but it matters little as Aidattu Tulevaisuus is a true highlight of the year and Teksti-TV 666 a band which deserves all the attention possible.

Aidattu Tulevaisuus is out now via Svart Records.

https://www.facebook.com/tekstitv666/

Pete RingMaster 21/09/2018

Copyright RingMaster: MyFreeCopyright