Dirt, spices, and rock ‘n’ roll: getting a taste of The Sourheads

If you ever have thoughts that real rock ‘n roll is on the wane a quick listen to the new album from British rockers The Sourheads will soon make you think again. Care Plan For The Soul is a nine-track debut full-length, a skilfully and passionately woven roar of classic and fresh rock diversity which snarls as it seduces, thrills as it trespasses ears and imagination. Through our friend Garry at SaN, we had the chance to dig deeper into The Sourheads with guitarist MIK CRONE, exploring the band’s origins, digging into the heart of Care Plan For The Soul, The Sourheads live and more….

Hi Mik and big thanks for taking time to chat with us.

Can you, for those yet to be invaded by your rock ‘n’ roll, first introduce the band?

We are The Sourheads and we come from Wakefield West Yorkshire. We are a rock band who take influence from the greats and add our own twist. We like to think of ourselves of somewhat multi-genre and we don’t want to be seen as just one specific style of music. A career band like The Stones or The Who dip into different things but still stay true to who they are…So yea we are a rock band who give it our all live.

The band is said to have emerged in 2016 but does its seeds go further back?

The version of The Sourheads now is the result of many years building. Like Oasis the original version was Jake [Coxon]our singer and his brother Sid who played guitar. They had a string of musicians throughout a short period of time. I first came into the picture as a producer for the band. I had been working with various bands and the early version of the band struck me as a very different but awesome set of musicians. I felt with direction the band could be massive.  Around this time I was asked to join as a second guitarist and a month later Sid left. So at this point we upped our game and decided to focus on a solid tight band and work on the debut album. The Sourheads you see now emerged in 2016.

Is The Sourheads your first ventures in a band or do you all bring various previous experiences and explored styles of music to the mix?

Everyone in The Sourheads has been in other bands before. I had a small amount of success with a metal band I was in. Lamb [Chris Lambert] our drummer was in a relatively successful Indi band. Ben [Taylor] has played bass forever and grew up jamming with his brother Simon (Inme) and Jake has always been a creative person singing and painting. The combination of these different influences creates the originality of our band. We are what we are.

You have just released your debut album, Care Plan For The Soul. From its first breath it shares a multi-flavoured, refreshingly dirty and just a little salacious roar of sound and intent; a mix which suggests a varied range of inspirations to the band and individual members. Who particularly stands out as having an impact on your approach to making music?

We take our inspiration from different places. Jake is a massive Doors fan, Lamb is into his classic British Indi music; Ben is also a fan of different styles of music. I look up to any band that has strong songs. Stone Temple Pilots are a massive influence for me. Deftones, Queens of the Stone Age, The Cult, Shed Seven, Oasis, Clutch. We use many colours to create our art.

How would you describe your sound to newcomers?

Iggy and the Stooges mixed with the Sex Pistols thrown into a blender with The Stereophonics and Nirvana.

Classic Rock with an edge.

It feels like it just follows its nose always prepared to embrace fresh and unpredictable flavours. Is this something you deliberately set out to purposefully develop or a sound and direction which just grew and evolved organically?

We are what we are. People either get it or don’t. One review says we are original and have rewritten the rule book of what a rock band should be. The other will say they don’t get us. Why do we look like we do and why does the artwork not match the music. Well the answer is we are totally focussed and we are 100% us. Everything is totally focused and this is what we do, our sound and direction develop naturally. Luckily our label saw this and our friends like Red Spektor saw this. So it’s better to have a loyal friendship and business partnership and have loyal listeners than to be fake and try to jump on a scene.

How long was Care Plan For The Soul in the making?

We had a lot of time rehearsing and making sure we could play the songs. We could play without vocals, with vocals, without bass or without guitar and obviously all of us together…Probably 3 months of pre-production and a week to record.

It has an instinctive snarl to its air and open rawness to its energy; at times feeling like it may have been recorded live. How did you approach its creation in the studio?

We decided early on that the band has a live energy that needed to be captured so we decided to record live and then delete the guide vocal and do a main vocal later. I also overdubbed a second guitar rhythm track to fatten the overall mix. We also added congas and cello in the overdub stage.

Can you give us an insight into the trials and pleasing surprises you found when recording the album?

We worked with a wonderful producer called Matt Knee and we used an old 70’s BBC mixing desk, this gave us a warmth that we were pleasantly surprised by. We wanted initially to record full analogue but as we wanted to play live we decided it’s may be better to do it digitally but through old analogue gear. This was due to the fact that digital is instant and we knew we had to keep in budget for our business plan to be effective. We needed to make sure everyone was comfortable and the atmosphere was good. We had incense burning and lava lamps. Pretty laid back.

It was subsequently mastered by Pete Maher (The Rolling Stones, Depeche Mode, U2) and released through German Label Kozmik Artifactz. How did those link ups come about?

Pete Maher has worked with everyone and we liked the fact that he worked within multiple genres. Katy Perry, Pink Floyd, Linkin Park are a few of his varied clientele and he had just finished mastering the LA LA Land soundtrack. We knew that attracting a big name would gain us attention and Pete does great deals for up and coming bands. It seemed like a great idea and he did an amazing job. Around this time we became close friends with Red Spektor and their manager Simon. They were saying good things about us in interviews and we were starting to get noticed. I sent a private link of the album to a number of labels and pretty much instantly Kai at Kozmik Artifactz messaged back saying ‘We don’t usually release this style but we think you would fit our sister label Oak Island perfectly so we did the deal and we are honoured to be part of the Kozmik Artifactz Oak Island family. The label is having great success with bands like Church of the Cozmic Skull and of course our brothers Red Spektor.

Can you give us the inspiration for the album title and some of the themes within its body?

We felt that the title had to reflect the song content. Our drummer Lamb came up with it. The songs are pretty intense in parts and cover lots of topics such as Demonic Possession, Marriage Breakdowns, War veterans, soul stealing creatures. When you take this into consideration and then see the album cover is a lone figure stood in the middle of the beach with his dog it’s kind of like that is the care plan for his soul. He is escaping the turmoil.

Is there a particular songwriting process within the band?

Pretty much straight forward…Ben or me write a riff or two. Lamb plays a beat. We arrange the song, record it on a phone then Jake writes the lyrics.

Apart from obvious pride and satisfaction in Care Plan For The Soul is there a particular moment within it which gives you a specific personal flush of inner pleasure?

The whole thing is a major flush of inner pleasure. We set out with a goal and we achieved it on budget and we didn’t move away from our art and vision one bit. This is amazing to us. To have a vinyl copy of the album in my hands and look at the finished product gives me goosebumps. The fact that the digital streaming numbers are good too also feels good. We want to get out to as many people as possible. From the actual recording there are a few moments I like. I think some of the vocal delivery is the best Jake has ever been.  The rush created when he shouts I am the Lotus! That’s a fan favourite moment.

Give us an insight into the live side of the band?

We are told we are extremely good live. Jake is a bare chested beast of a frontman, live truly something that has to be seen and heard. We are very tight and play as close to the album as we can get. I like the idea that we are four individual characters and that as a member of the audience you can get what you are looking for from us. We put a lot into it. I’m swinging my arm in the air and running around; Jake is in the crowd or rolling around on the floor. Ben is grooving away and lam is bashing the living daylights out of the kit.  We are an old fashioned rock band. We put on a show.

Obviously the album is in its early days inviting attention but what is next on the horizon of The Sourheads?

We are hoping to tour throughout 2018 and play some festivals. Do a couple of music videos and keep writing. We have 3 songs written for the next album already. We have also experimented with slightly different sounds. Some old school style Stones vibe.

Again many thanks for sharing your time; any last words you would like to add?

Thank you for showing interest in the band. We truly appreciate every website, magazine radio station that helps us spread our message and music. We are fans of music and do this because we love playing and creating our art. People like you keep the musical torch burning bright. There is a buzz and new found enthusiasm for rock music and we want to embrace this whole heartedly.

Check out The Sourheads further @ https://www.thesourheads.com/    https://www.facebook.com/thesourheads    https://thesourheads2.bandcamp.com/

Pete RingMaster 13/12/2017

The RingMaster Review

Copyright RingMaster: MyFreeCopyright

The Written Years – Lost In You Now

It has been a month or two short of four years since we checked out the self-titled debut album from Canadian band The Written Years.  It was a masterful persuasion of open and smouldering temptation cast from an original blend of post and alternative rock with folk and melodic inspirations, what the band called “Winter Music”. At the time we were very confidence that the world would be hearing a great deal of the band over coming years. Since then they have been conspicuous by their silence, literally in the case of one of their members. Now they are back with new single Lost In You Now, a song which shows the years have been well spent on further honing the band’s sound and its compelling melodic temptation.

After the acclaim luring release of their album, the Vancouver based quartet were soon working on new songs for its successor. It was a creative fire and eagerness though soon halted when vocalist/ guitarist and primary songwriter Wade Ouellet experienced a sudden and unexplained speech loss. It caused him “to refrain from speaking in near-isolation for months “ and the band to go on hold; a hiatus compounded by guitarist Alex Richardson and drummer Kane Enders both independently experiencing sudden and dramatic losses of immediate family members. As people and band recovered, a re-assessment of those already written tracks saw songs originally centred on “coming-of-age stories” became darker more intimate explorations of “suburbia, infatuation, and forbidden love.” The Written Years now have their second album poised for a Spring release in 2018 and you can anticipate that it will be richly hued with the trauma of the past years; indeed its opening two lines echo that time…”I wish I could find life inside the fire / I wish I could sing, though my voice has died.

New single Lost In You Now is a potent teaser for the album, the song as the full-length produced by Ryan Worsley (Dear Rouge, Said The Whale) with the band. It opens with the tender caress of a synth, its melancholic grace soon nurturing a melodic stroll with darker rhythms. Ouellet’s voice similarly has a low-spirited breath, his tones as impressive and potent as ever with harmonies just as elegant around his open heart. The song continues to saunter with an infectious energy and character, its air carrying a great eighties new wave/pop breeze which colludes sublimely with the track’s fresh indie enterprise cast by the imagination of the foursome.

It may have been a time which you can imagined seriously threatened the future of the band but The Written Years has come back, going by Lost In You Now, even stronger and with a new aspect to their creativity which makes it very easy to eagerly anticipate their forthcoming album.

Also keep your eyes peeled for a great video accompanying Lost In You Now featuring Kevin, a guy the band met at East Vancouver’s Waldorf Hotel after being captivated by the individual passion and energy in his dancing.

Lost In You Now is out now through all online retailers and streaming services and @ http://spoti.fi/2AZA7e9

https://www.facebook.com/writtenyears    https://twitter.com/writtenyears    https://writtenyears.bandcamp.com/

Pete RingMaster 13/12/2017

Copyright RingMaster: MyFreeCopyright

Noydem – A Time Will Come

A Time Will Come is the new EP from French outfit Noydem, a release coming three years after the band’s debut album. Formed in 2011, the Paris quartet create alternative rock which embraces an array of flavours for, as evidenced by their new release, a quite appetising adventure.

A year after emerging, Noydem unveiled their first EP in the shape of The Landing, its keenly welcomed release followed the next year by an even more eagerly received self-titled album. It is fair to say that the foursome of vocalist/guitarist Julien Prouveze, lead guitarist Gia Vcgr, bassist Jules Brosset, and drummer Joffrey Hebert has yet to awaken major attention outside of the French rock scene but an awakening A Time Will Come has a great chance of stirring.

Themed by “the feeling of people struck with ostracism in today’s society”, A Time Will Come offers five tracks of infectious rock starting with Welcome Home. A deep groan of bass and crisp percussion draws the equally alluring scythes of guitar and Prouveze’s strongly enticing vocals, it all uniting in a subsequent earthy stroll with flirtatious hooks entwined in infectious grooves. Immediately captivating and increasingly virulent by the second, song and sound tempt and seduce with lively enterprise, electronic additives adding to its inescapable contagion.

The excellent start is quickly matched by next up Bring Me Down. From its flirtatious start with seriously tempting rhythmic bait, the track catches alight with stoner lit grooves and industrial rock essences teasing a bold rock ‘n’ roll stroll. The electronic attributes of its predecessor come with greater voice, bringing a pop rock celebration sparking even greater infectiousness in the song’s character and antics.

The EP never quite reaches the heights of its first pair of songs again but only pleases and impresses as the likes of Stay with its calmer, reflective electronic/alternative rock grab attention. At times a suggestive simmer and in turn a dynamic blaze, the song is little short of an aural magnet with moments of major temptation.

The shimmering balladry of Your Other Self is more of a slow burner but never less than persistent captivation while closing track A Place to Live has the listener and EP bouncing with its own mix of emotive deliberation and physical dexterity. It too needs a touch more time to get under the skin compared to the first trio of tracks but worm into appetite and psyche it does.

Inspirations to Noydem include the likes of Red Hot Chili Peppers, Queens Of The Stone Age, Foo Fighters, Incubus, and Audioslave, spicing often easy to hear within A Time Will Come but theirs is a sound which is developing its own character very nicely with the prospects of major attention increasing release by release.

A Time Will Come is out now on iTunes and other stores.

https://www.facebook.com/Noydem/

Pete RingMaster 12/12/2017

Copyright RingMaster: MyFreeCopyright