Oh! Gunquit – Lightning Likes Me

This is your one time warning; prepare for your lungs to burst and veins to pop not forgetting hips to feverishly swing, rumble bop freakabillys Oh! Gunquit are back in town to tease and incite with a new album. The London based outfit left bodies sweaty, exhausted, and lustful with their first album Eat Yuppies and Dance back in 2015 but be warned it will all have felt like a warm up compared to the devilish antics Lightning Likes Me will have you getting up to.

Hints of things to come were alive in the band’s recent single Nomads Of The Lost, a track which suggested that the quintet had found wilder and even more salacious essences in their songwriting and sound; something Lightning Likes Me quickly and increasingly confirms song after song. It should be of no surprise really, since emerging in 2010/11 from the creative union of vocalist/trumpeter Tina Swasey and guitarist/vocalist Simon Wild, the band has only raised the ante and revelry of their psych-surf/garage-punk infused rock ‘n’ roll. With its members in bassist VV, drummer Alex De Renzi and newest member Chuchi Malpersona on sax alongside Swasey and Wild hailing from Italy, USA, Colombia, Spain, and the UK, there is a cosmopolitan fever to their music which in turn encourages its trickery to new heights, a plateau now set very high within Lightning Likes Me.

As soon as the fiery guitar strokes of opener So Long Sucker finger ears, the album is up and running, toning and driving the body like a puppeteer. Brass and rhythms are soon blazing and stomping across the infectious proposal, Swasey’s enthusiasm soaked vocals equally as persuasive while clad in defiance and carnal incitement. The track continues to twist and bounce like a rock ‘n’ roll dervish, every second getting under the skin and into the bones.

It is a tremendous start instantly backed up by the rhythmically tenacious antics of Get Wound Up. As De Renzi’s swings land with boisterous dexterity, sax and trumpet blaze away with suggestion and heat with Swasey all the while leaping across every strand of temptation with vocal agility. It is a song which dares you to get physically involved note by note, an invitation impossible to refuse in limb and energy before both are consumed all over again by the outstanding Nomads Of The Lost. With a swagger in its hips and confidence, the song saunters in with flirtatious infectiousness oozing from every note and syllable. Taunting riffs and sax teasing leads the way as vocals again ride the canter with their own irresistible persuasion, group calls another subsequent tempting impossible not to join as the chorus infests. Not for the last time, there are hints of bands like The Revillos and The Creeping Ivies to the devilry; bewitching essences in a captivation all of the Oh! Gunquit making.

Fireballs boogies in ears next with its garage rock psyche pop, its crescendo building surges a deceptive pleasure as they never erupt into a full-on blaze, just into the next cycle of irrepressible teasing for its own heat soaked orgasmic pleasure while Never Sorry plunders the decades for its psyche infesting rock ‘n’ roll, flirting with the inspirations of artists like the 5678’s and April March along the way. Both tracks are sheer addiction in the making though that equally applies to the whole of the album including the thicker boned Suzy Don’t Stop. The rhythmic bullying is raw feet temptation whilst the fire borne strains of guitar and brass are delicious toxins in the virulence of song and vocal exhortation.

The garage punk ‘n’ roll voodoo of Smiling Snake is a fifties bred, freshly re-animated thrill; a Wanda Jackson and Imelda May blended suggestion bound in the stringed imagination of Poison Ivy and quite irresistible though just as attention and lust is quickly stolen by it from its predecessor it is then lost to Walking The Streets which too has more than a rich spicing of The Cramps to its personality. Its creative stroll is manna to the passions and an unforgiving consumption of the hips, leading them to delirium soaked exhaustion. The track simply takes over body and spirit and take it from us just gets more potent and masterful with every groove woven outing.

Next up is Greasy Moves which, without credit on its press release or in any additional digital information sought so far, features guest vocals from someone which sounds inimitably like King Salami. The initial stomp of guitar and brass with rhythms swinging turns into a sweltering stroll of salacious suggestion, a primal dance which again has the ears and body locked into its blue kissed flirtation with no sign of resistance.

Finishing off the album with its own infernal devouring is Captain Of the Creeps; an incessant nagging of senses and limbs woven into a tapestry of iniquitous imagination and enterprise. It pretty much sums up all the attributes found across the whole of the unique rock ‘n’ roll contagion that is Lightning Likes Me, adding a few more of its own as the album leaves in rousing style though not for long as the urge to start the merciless party off again is king.

Last time around Oh! Gunquit gave us one of the best outings of the year this time it just might be the very best; there are few contenders to rival it for sure.

Lightning Likes Me is out now via Decapitator and Dirty Water Records https://ohgunquit.bandcamp.com/album/lightning-likes-me-lp-cd

https://www.facebook.com/ohgunquit/

Pete RingMaster 26/09/2017

Copyright RingMaster: MyFreeCopyright

Kinasis – Pariah

Though formed in 2010, UK metallers Kinasis maybe a proposition, like for us, which has escaped your close attention up till now. That is surely going to change with the release of their new EP, a ferociously striking and aggressive incitement loaded with hungry unpredictability and a technical prowess which simply inflames the fascination and pleasure. The four track insurgency is Pariah, a proposition which embraces an array of metal bred flavours in a cauldron of ravenous imagination and rabid dexterity.

Since emerging seven years ago and drawing strongly favourable responses with a debut demo the same year, Kinasis has grown into the British metal scene with increasing individuality and potency. Recent years their reputation earning live presence has seen the Bridgwater quintet shares stages with the likes of Sepultura, Malefice, Flayed Disciple, Sworn Amongst, Abadden, and Tacoma Narrows Bridge Disaster among many as well as venture into Italy alongside S.H.I.N.E. The release of Pariah feels like and should be the moment when Kinasis step from the shadows and stamps their creative authority and individual sound upon the extreme metal landscape.

Produced by Justin Hill (ex-Sikth) and wrapped in the artwork of Andy Pilkington of Very Metal Art, Pariah instantly goes for the jugular with opener Red Earth. Riffs surge through ears with a rapacious nagging whilst rhythms purge their animosity straight onto the senses. With every passing second the intensity rises but with a virulence and infectiousness which has the body bouncing to the ferociousness. A Korn-esque essence emerges as clean vocals invite nu-metal nuances, an industrial dexterity reminding of Static-X joining in as the track fluidly twists and turns through its inventive drama further embracing melodic and atmospheric suggestiveness. It is sheer magnetism, the track a mighty persuasion and alone the declaration of the coming of age of a new force to take notice of.

The following Black Dog creeps up and prowls the listener with predacious riffs and stabbing beats, then once sizing things up vocally and musically plundering the imagination with vocal tenacity embracing both raw and clean throated enterprise as death and technical metal tendencies dance which each other in barbarous intent.  As nu and groove metal elements get involved, things only become more precise rather than muddled, Kinasis showing their adeptness at weaving diverse and seriously enticing trespasses. For personal tastes the track never quite lives up to its three companions but certainly leaves no element of dissatisfaction in its wake.

Kindred similarly stalks ears if with a less obvious enmity as melodic strands entwine its initial proposal. Even stronger Korn like essences emerge to pleasing effect across the song and around a death/grindcore merging which has hints of Cryptopsy in its own infectious savagery. Clean vocals interchange with barbarous expulsions to further enhance the adventure, the band musically as bold and expert in switching through a kaleidoscope of styles and flavours without disturbing the song’s carnal nature and heart.

The release concludes with Incipient, an instant maelstrom of voice and sound colliding nu-and industrial metal psychosis with the harsher antagonism of variety woven extreme metal  before luring in just as appetising melodic and groove metal imagination. It is seriously arousing stuff, the type of sonic manna addiction is spawned from right here. As throughout Pariah, every twist brings a fresh incitement to chew over but mere seconds to consume before the next steals attention and increasing ardour.

It is the final throe of a quite simply stunning encounter from a band which will surely now get the attention their craft and imagination deserves. There have been a few bands coming to the fore as the British metal scene heads into new horizons and Kinasis have just made it known their intent to be there on the frontline.

Pariah is released September 29th and will be digitally available at most online stores with physical copies sold through http://kinasis.bigcartel.com/ and at shows.

https://www.facebook.com/Kinasis

Pete RingMaster 26/09/2017

Copyright RingMaster: MyFreeCopyright

American Anymen – Flag Burner

With the outside looking open mouthed at his continuing and increasingly antagonistic and crazed tendencies and a growing portion of the US seemingly following suit, Flag Burner is the American Anymen reaction to Trump and his administration. The NYC-based anti-folk punk outfit are as renowned for their explorations of political and ethical issues as their multi-flavoured sound; a mix which has seen keen acclaim attached to many of their numerous releases including previous album Start My Centre and their last release, the Oui EP. Flag Burner is destined for the same, its wit and insight pretty much summing up a vast wealth of thoughts and its sound hitting the punk nurtured spot in us all.

The creation of singer/songwriter and guitarist Brett Sullivan, American Anymen is completed by guitarist/vocalist Jen Turner, drummer/vocalist Joey Patches, and bassist/keyboardist Scott Fragala and it is fair to say that the quartet immediately incited lust in us with the EP opener and title track. Flag Burner is sheer addiction; its eager strum and discord kissed clang is riveting and the vocal dance of Sullivan, with Turner just as expressively athletic alongside, magnetic. The persistent nagging of the track is delicious too whilst its melodic stroll is as compelling as the vocal and lyrical accusation echoing what feels like global accusation and disbelief to evolving things. With it all combined it is pretty much impossible not to get fully involved with the song and straight from its first play with lustier energy involved each and every subsequent meeting.

The following President II sees Chris Urban from New Jersey punk band Crazy and the Brains guesting. It casts its own eager stroll with a more punkish clamour surrounding the suggestion and tones of Sullivan. The persistent throb of the bass alone hits the spot as beats crisply dance on the senses, their combined rhythmic shuffle an inviting web around the lyrical invitation for the President to go surfing and find his harmonious side; though you feel if he did he would only stand before the waves King Cnut style.

The EP closes up with Late To The Party, a more restrained canter looking at wider political issues perpetually accosting the world. It is a folk ‘n’ roll infestation of body and thought with a great Celtic lilt to its melodic strains which again simply ignites ears and passions.

The track Flag Burner instantly had us draped in ardour, its companions soon following suit and together, the trio quite simply create one of the essential releases of 2017.

Flag Burner is out now @ https://americananymen.bandcamp.com/album/flag-burner as a free download.

https://www.facebook.com/americananymen/

 Pete RingMaster 27/09/2017

Copyright RingMaster: MyFreeCopyright