Evil Sex Party – E.S.P.

Listening to E.S.P., the new album from US ambient noise weavers Evil Sex Party is like driving in the thickest uncompromising fog where mere inches of visibility toys with the imagination. Every second is fraught with the unknown; danger and unpredictability hiding along a highway once familiar but now an imposing relentless test on the senses. The exacting scrutiny offered by E.S.P. is the sonic equivalent, an instrumental exploration and examination of ears and imagination which never allows a moment for either to relax or find sanctuary in the safer realms of the psyche.

Submerging the listener in a smog of raw noise, ravenous drone, and dark ambience, Evil Sex Party is the latest project of Otto Kinzel, one half of Skin Drone as well as behind many other projects. If there are others involved in his latest adventure we have not discovered yet, but Kinzel has a pedigree of being involved in attention grabbing adventures and in discovering them as the former head of Bluntface Records and Evil Sex Party is no exception.

Like an aural interpretation of The Ring movie, the Japanese original, in that the sounds and imagination immersing qualities of E.S.P. keep coming at you with a dark and relentless intensity, the album devours the senses from the first touch of opener Commencement. Instantly a thick glaze of shadow bound sound engulfs ears, its mono tone creating a rapaciously textured wall with subtle changes creating ripples in its emotionally suggestive mirror. Swiftly thoughts and emotions are sucked into its devilry, a breeding ground for all imaginations to conjure and weave, as across all tracks, interpretations which are sure to be individual to each listener. Equally though, there is an infectiousness in its droning crawl, an almost meditative hue which rewards the closing of eyes and the removing of distractions from the world around with fresh explorations in each and every listen.

The far briefer and sonically harsher incitement of Tangle Of Flesh follows, its visceral touch and caustic air as seductive as they are corrosive leading to a climax of a handful of seconds which are pure antipathy before Liturgy lays its cosmic charms and darkwave nurtured noises upon thoughts. Spatial yet with a threatening intimacy which is almost occultist, certainly Crowley-esque in its other-worldly air, the track captivates as it infests a by now willing imagination for the release.

The Body And The Blood rises up next with a carnality in tone which scars and grates as magnetically as it entrances. The track’s drone nags the senses but again each subtle wave is an evolution on the last, pressing and flirting with its victim with a ravenous yet threateningly controlled appetite. Like a predator, its patience is unrelenting, its trespass undeterred before making way for the aberrant beauty of Transmogrification. Its melodies are a fusion of elegance and the grotesque, the former to the fore but carrying a sense of dark deceit which again has the imagination running with creativity.

The album concludes with firstly the sonic sacrament of Communion; pain and pleasure, violation and love clad deception at one within the track’s sinful secrecy and enticing hum, and lastly the melancholic temptation and low key but infectious swing of Retreat To Light. As the album overall, both tracks are a spark for thoughts and emotions and a testing enigma for increasingly welcoming ears.

Certainly Evil Sex Party and E.S.P. will be a challenge too far for many but a gateway into rich adventure for just as many with greater understanding of band, album, and one’s own inner shadow stalked psyche blossoming with each subsequent listen.

E.S.P. is out now @ https://evilsexparty.bandcamp.com/releases

https://ottokinzel.com/evil-sex-party

Pete RingMaster 04/07/2017

Copyright RingMaster: MyFreeCopyright

KingBathmat – Dark Days

Ears and the imagination have been spoilt these past three or so years by the solo adventures of songwriter/multi-instrumentalist John Bassett. From the melancholic beauty and emotional exploration of a self-titled album to the ever evolving post/progressive metal instrumental kaleidoscope of ARCADE MESSIAH and most recently the electronic/synthwave exploits of SΔCRED ΔPE, Sligo based Bassett has enthralled with an ever broadening landscape of sound and invention. It is fair to say though that, as for so many others, there has been a yearning for something new from the band which first brought him to our attention, KingBathmat. Now that hunger has been fed with the progressive rock/metal outfit’s new mini album Dark Days; satisfied and forcibly ignited further by the band’s first outing in four years.

Now consisting of just drummer Bernie Smirnoff and Bassett, KingBathmat follow up their acclaimed and seriously compelling Overcoming The Monster with the band’s heaviest and darkest proposition yet but one still bred in the band’s instinctively melodic prowess and suggestiveness. The songs within Dark Days were conceived last year for a 2 man side project but soon found a familiar identity, Bassett admitting when talking about the release that, “It wasn’t initially in my plans to make another KingBathmat record, but these songs just had that KingBathmat feel to them.”  Having enjoyed the impressively individual characters of his other projects it is easy to agree that the songs within Dark Days are instinctual to the band from the rhythmic dexterity of Smirnoff to the unique voice and style of the songs and their writing.

The title track of Dark Days starts things off, its sonic air soon sharing a keys coloured melody and the familiar tones of Bassett. Reflection fuels his words, harmonic suggestion his voice as additional textures slowly slip into the blossoming encounter where a moodier bass aligns with dancing beats as melodic hooks continue to magnetise attention; the track simultaneously growing warmly inviting and atmospherically shadowy.

The compelling beginning is continued through the more crepuscular Tis Pity She’s A Whore, its air heavier and darker yet equally sharing the calming invitation of its predecessor. Embracing an array of rock textures in its progressive web, grunge and stoner-esque essences among them, the track rumbles and flirts with increasing imagination; at times coming over like a blend of 12 Stone Toddler and An Entire Legion within its ultimately unique proposal.

Magnet To Pain has a mellower climate yet with a boisterous energy epitomised by the funkiness of the bass and Smirnoff’s vivacious rhythms. At the same time, a more volatile element is at play in the background, prowling the shadows with moments of fiery release as Bassett’s vocals and guitar honed melodies serenade. As with every song, each second carries an adventure, a bold invention which has the imagination as eager and lively as ears and a swiftly spirited body soon hooked on the track’s swing and catchiness.

The dusky charm of Feathers follows, its emotive voice and tender melodies instantly captivating especially as both elements alone bloom in expression and depth as the song grows. Bassett’s guitar weaves a tapestry of sound and temptation, Smirnoff’s rhythms offering a controlled but earthier union to the progressively nurtured layers emerging within the compelling encounter.

Dark Days concludes with Nihilist, the darkest track emotionally on the release; its feeling of emptiness countered by hope rich melodies and a spirited catchiness which grows from initial seeds into the driving force of the increasingly animated and frisky track. Bassett gives rein to his attributes across an array of instruments, his dexterity and craft as compelling as the song and supported superbly by the lithe rhythms of Smirnoff.

It is fair to say that Overcoming The Monster is one of our intimately favourite albums and though the outstanding Dark Days did not hit that level straight away, with every rewarding listen it moves a fresh step nearer to those heights. Without doubt a hankering for a new KingBathmat encounter has been satisfied with a richness which outshines any hopes lying in wait for such an event, the greed for a lot more though has now been set ablaze; over to you Misters Bassett and Smirnoff.

Dark Days is out now and available at https://kingbathmat.bandcamp.com

https://www.facebook.com/kingbathmat/    https://www.facebook.com/johnbassettmusic

Pete RingMaster 04/07/2017

Copyright RingMaster: MyFreeCopyright