Taking a moment to catch up on highly enjoyable propositions a technology crash meant were missed, we suggest checking out Freaks Of Society, the second album from Italian rockers Roxin Palace. Offering up thirteen slices of contagious rock ‘n’ roll armed with wicked hooks, juicy grooves, and anthemic dexterity, the album is very easy to find an eager appetite for. Its rousing incitement fuses sleaze and hard rock with equally tasty metal and heavy rock essences. They are not always flavours which ignite our appetite generally but it is fair to say Freaks Of Society just hits the spot, barely losing its potency across its tenacious body.
Formed as Modern Middle Ages in 2011 by guitarist Crown, formerly of Revoltons, and drummer Hell, once of Elvenking, the subsequently named Roxin Palace completed its line-up the following year with the addition of rhythms guitarist Slaver, bassist Garret, and vocalist Axel. The band were soon working on their self-titled debut album, its 2013 release backed by a growing live presence with the band sharing stages with the likes of Phantom X, Salamandra, and Jettblack over time as well as make a highly successful appearance at Metal Days (Slovenia) where they lined up alongside bands such as Obituary, Satyricon, and Manilla Road.
2014 saw major changes as Axel, Slaver, and Garret departed with Al and Gian coming in on vocals and bass respectively. Attention then turned to the writing of the second Roxin Palace album, its release coming via Sleaszy Rider Records towards the end of 2016, an arrival still drawing keen praise and fresh hungry ears its way.
Freaks Of Society opens up with its title track, a carnival of theatre with increasing portentousness and threat to its air and presence. Its dissipation opens the way for Monsters Love to bound in, initial melodic mists quickly speared by driving riffs and crisp beats. Al’s vocals are just as eagerly enticing, becoming more excitable as energy boils within the eighties flavoured charger. There is also a thrash urgency and aggression which adds to the fun, the song a strong start though soon and regularly overshadowed as the album reveals its adventurous enterprise.
The insatiable drive of Gangs Eraser has ears instantly alert next, the wiry grouchy bassline especially thick bait as the song brews a melody rich and tempestuous proposal. At times it is a seductive croon and in others a snarl of discontent, a union of contrasts which becomes even more tempting as its drama unfolds and infests the psyche before Thai Of Mine lays its salacious rock ‘n roll upon the senses. Like a mix of Mötley Crüe and L.A. Guns, the song climbs over the body like a wanton temptress and though it does not quite meet the heights of those sandwiching, pleasure is full.
Postatomic Hotel similarly has that familiar eighties groove, their melodic rock hues luring ears with ease though it is the chorus which seals the deal; its catchiness and tone pure flirtation. It is a quality which also lines the contrasting croon of L.A. Mist, its melodic tapestry the seed to fiercer sonic flames and dramatic weaves of energy and emotion. Both tracks captivate but still pale a little against the out and out stomp of Monkey Junkie, a growling, air punching slab of pure rock ‘n’ roll which enslaves within its first horny groove.
Similarly Rockers Of The Eagle has the passions lusty; Gian’s carnal bassline alone instinctive kindling backed by wiry grooves and flirty melodies as beats pound. The great group vocal backing to Al is a constant strength within Freaks Of Society, and again strong enticement to get involved here with the Crown’s guitar weaving compelling strands of imagination to entwine it all.
Through the southern rock liquored Neighbourhood Stars and Fading idol with its whiff of Thin Lizzy and punk rock raucousness keep pleasure at a high while Freak? backs up their success, if without quite matching their heights, with its flaming theatre and emotion. It only has ears in its melodic thrall though, Crown’s web especially bewitching as it completes a trio which alone shows the adventurous and varied nature of the release as well as further glimpses at inspirations easy to suggest the band draws upon; Skid Row and Shotgun Messiah coming to mind.
The album is completed by firstly F.A.N., an antagonistic rumble pouring attitude and heavyweight metal belligerence into every rhythmic swipe and steely groove. With the bas s again pure carnal pleasure, the track takes favourite status before Little Lizzy completes the release with its stirring dirty rock ‘n’ roll with Al a blaze of vocal dexterity.
Certainly Freaks Of Society is not the most unique thing you will get your claws on this year but in many ways that is not the aim; Roxin Palace creates fresh rock ‘n’ roll with existing ingredients, infusing them with their own adventure which Freaks Of Society proves its highly enjoyable.
Freaks Of Society is out now via Sleaszy Rider Records through most online stores.
Overunit Machine/Roxin Palace Tour Dates
07-04-PRESA PUB & GRILL-BUCHAREST
Pete RingMaster 27/03/2017
Copyright RingMaster: MyFreeCopyright