CRNKSHFT – Self Titled EP

Photo Credit – Alex Barredo

We surely have a soft spot for things carrying real punch and that is exactly what the new self-titled EP from Canadian outfit CRNKSHFT has in sound and presence. The four track offering is an imposing roar of hungry and varied metal but equally shows a blaze of hard and melodic rock ‘n’ roll, a trait even more compelling in the successor to their previous well-received debut EP helping stir up a very healthy appetite for the band’s fierce and rousing attack.

Hailing from Vancouver, CRNKSHFT (pronounced crankshaft) have begun waking attention far beyond the local scene they have already been devoured by. Support slots for the likes of Lordi, Prong, Grim Reaper, and The Veer Union have capped a powerful live presence and reputation to date, one like their releases beginning to stir broader spotlights. Providing the evidence, their recent single Systematic won an award from the Academia Awards Academy in Los Angeles and there seems little to stop the Daren Grahn (Metallica, Hedley, Mötley Crüe, Bon Jovi) produced EP nudging greater focus their way.

That single opens up the EP, Systematic instantly stroking ears with grouchy riffs before a wave of tenaciously swung beats and wiry grooves join the initial wave of snarling guitar and the mutually striking tones of vocalist Shane Jolie. With equally rapacious melodic strands breaking through the aggressive trespass driven by Josh Lauze’s potent beats, the song develops a Nonpoint meets Five Finger Death Punch like incitement loaded with the band’s own fresh and inventive attributes. The infectious growl and stride of the song is inescapable, guitarists Geoff Way and Sebastian Mark Pulse casting a web of voracious enterprise as intrusive as it is flirtatious; a union the song embraces as a whole.

The following Tears Me Apart bursts into life with its own antagonistic yet welcoming blaze next, riffs and rhythms ravishing the senses but equally content to pause for melody warm breaths. The calmer moments still have a shadowy air as the bass of Trevor Miles courts the peace while Jolie springs his own diversity of magnetic attack throughout. With unpredictable essences emerging, occasionally with a Korn like nature, the song leaves pleasure full before Old Habits has its go at exciting ears. Another of the singles tempting anticipation the way of the EP, the song assertively simmers and boils; its robust imagination lined body a raw fire of Three Days Grace/ Bring Me The Horizon like dexterity and adventure.

Again, it is a song with something individual to CRNKSHFT in its dynamics, a welcome trait even bolder in the dark prowl of Breaking The Silence; a track virtually stalking ears from its start before its emotive and volcanic heart erupts, a cycle then repeated with fluid craft and invention. The most unpredictable moment on the release, it is as cantankerous as it is melodically reflective in tone. Fierce and venomous whilst contagiously engaging in touch, the song ensures the EP ends on the same major high it started with, heights closely nudged in between.

With familiar textures and essences in its design, the CRNKSHFT’s sound and EP do not quite find major originality but the signs are there, as strongly proven by its closer, whilst enjoyment is already a done deal. Things are looking good for band and ears.

The CRNKSHFT EP is out now across most online stores.

https://www.facebook.com/crnkshft/   http://www.crnkshft.com/

Pete RingMaster 27/03/2017

Copyright RingMaster: MyFreeCopyright

One comment on “CRNKSHFT – Self Titled EP

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