Raptor King – Dinocalypse

raptor_king_2016-23_RingMasterReview

As a new threat looms to trespass his domain Raptor V and his cohorts have risen again to take on the trespass. Raptor King are back with new EP Dinocalypse, a compelling successor to the well-received Dinocracy EP, to take on the new trespasser of their apocalyptic landscaped world.

Dinocalypse sees Raptor V, a dino king from the cretaceous era which ended up in 2015 via a temporal gate, once again linking up with his acolytes in guitarist Nightsmoke and drummer Don Coco to thwart new protagonist Pelletor. The Boulogne-Billancourt hailing outfit have also enlisted the guest help of bassist Strange Kid Armageddon and guitarist Indian Shredder for their second outing, a release showing a broader web of diversity in sound and bolder uniqueness in its character compared to its predecessor. As impressive and highly enjoyable as the first release form the band was, Dinocalypse easily and swiftly eclipses it in all departments.

The EP opens with its title track, Dinocalypse rising from its ‘sleep’ with a dawning of textures and essences, all entwining each other in a heated embrace until from its midst a thrash fuelled fury escapes. With the three pronged vocals as confrontational and belligerent as the riffs and rhythms surrounding them, things are soon a tempestuous assault challenging the listener as readily as the hunger of those in its tale to take on the invader of civilisation. Infectious grooves and brassy toxic flames add to the volatile and increasingly compelling mix of flavours and styles now colluding with bedlamic potency within the excellent starter.

pochette-raptor-king-dinocalyspe_RingMasterReviewThe dark lures of The Witch comes next, a web of sinister grooves and heavily swung beats gripping ears as a sludgy swamp of sound in a mutually thick climate envelops the senses. It is an alternatively rapacious seduction and invasive proposal veering further into the jaws of the latter as vocal and sonic antipathy boil up with a blackened edge to their intrusive attributes. Equally though, melody woven calm aligned to deception carrying elegance lures with siren-esque intent, a mercurial web of suggestiveness heading towards a devouring concluding tempest of extreme metal and grievous rock ‘n’ roll.

The Long Way To Rock (Pom Pom Pom Pom Pom) reveals its own infectious hand at spinning addiction sparking grooves and raw contagion next. A blend of melodic metal and rock with grungier tendencies in its intent, the song dances flirtatiously in the ears with vocals as varied and contrasting as the sounds alongside them. Whereas the first album was a collusion of truly familiar flavours and elements, the third song and the EP as a whole quickly reveals that exclusive nature and enterprise suggested earlier whilst still making for a proposition which roars like an old friend.

The stand-off between Raptor V and Pelletor is a raucous rumble in Fight’n’Roll, the track a riot of destructive and fiercely catchy rock ‘n’ roll embroiled in combative agitation. Corrosive and anthemic, the song simply hits the spot with hungry endeavour before leaving Lonesome Raptor to bring things to an excellent close. A melodic embrace around the reflective croon of Raptor V, it is a noir lit bluesy smoulder of seduction and another side to the imagination incited escapades with the release showing the striking growth of the Raptor King writing and sound.

Dinocracy majorly pleased last time around but Dinocalypse breaches a whole new landscape of craft and fun and as the closing seconds of its final track suggests is just the beginning of a new rousing conflict of bruising adventure to come and eagerly anticipate.

Dinocalypse is out now @ http://raptorking.bigcartel.com/product/dinocalypse-ep

http://www.raptorkingrocks.com/    https://www.facebook.com/raptorkingrocks    https://twitter.com/raptorkingrocks

Pete RingMaster 28/02/2017

Copyright RingMaster: MyFreeCopyright

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