Playboy Manbaby – You Can Be A Fascist Too b/w I’d Like To Meet Your Parents

playboymanbaby_RingMasterReview

How to describe Playboy Manbaby? Hailing from Phoenix, Arizona, they are a six piece punk band where imagining the Banana Splits meets Swell Maps in cahoots with The Tuesday Club and Zebrahead feels the closest in portraying the band’s deliciously creative rioting. They are mayhem in the speakers, irreverence in the imagination and quite simply and as shown by their new single, irresistible.

Described as “the contradictory soundtrack to the contemporary life experience”, Playboy Manbaby is made up by the combined creative mania of Robbie Pfeffer (vocals), Chris Hudson (bass), TJ Friga (guitar), David Cosme (trumpet), Chad Dennis (drums), and Austin Rickert (sax). The past five years has seen the band steal the hearts and support of their local music scene and tear up stages alongside the likes of Mike Watt & The Missing Men, King Khan & BBQ Show, King Khan & The Shrines, Rocket From The Crypt, Thee Oh Sees, Cosmonauts, The Spits, Black Flag, The Descendents, The Replacements, The Slackers, Teenage Bottlerocket and many more. Grabbing major attention on broader landscapes has yet to find Playboy Manbaby, we ourselves only being introduced to them through latest proposal You Can Be A Fascist Too b/w I’d Like To Meet Your Parents, but thanks to the ever impressive discovery of talent by Dirty Water Records, things could be about to explode for the band.

art_RingMasterReviewWith new album Don’t Let It Be in the works, Playboy Manbaby tease the appetite with You Can Be A Fascist Too, the first single from the impending release. Originally scheduled for a February unveiling, it was brought forward to coincide with the US presidential inauguration. From the off it assaults and lures with a belligerent guitar jangle quickly followed by the raw incitement of Pfeffer’s vocals. Second by second new invasive hooks and salacious grooves fling themselves into the punk mayhem, band shouts and off kilter harmonies wagging a beckoning finger as effectively as the caustic riffs and tenacious rhythms.

The track is a treat and mischievous brawl easy to devour as too is its companion I’d Like To Meet Your Parents. In fact it just about steals the show with its less intrusive but just as virulent dexterity in sound and flirtation. Leading up to a chorus which needs mere seconds to recruit and chain listener participation, the song strolls with minimalistic yet alluring melodies and enticing hooks as vocals make a plaintive proposal with a similarly swinging canter. It is glorious stuff with a foot in seventies punk as the band’s unique modern day mania bellows.

Dirty Water Records have a growing reputation for the eclectic range of their releases, the Playboy Manbaby adding yet another thrilling facet and while becoming one of the label’s best singles yet.

You Can Be A Fascist Too b/w I’d Like To Meet Your Parents is out now on Dirty Water Records and through http://playboymanbaby.com/shop/ and https://playboymanbaby.bandcamp.com/

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Pete RingMaster 01/02/2017

Copyright RingMaster: MyFreeCopyright

Estetica Noir – Purity

EN_RingMasterReview

There is no need of any written text to realise the inspirations to the sound of Italian band Estetica Noir, strong flavours which openly line each song within their debut album Purity. They weave haunting and atmospheric, frequently addictively infectious, proposals which court the imagination as easily as ears; all eighties new/dark wave influenced encounters as familiar as they are refreshingly fuelled by twenty first century imagination. The result is a sound which demands attention and a thoroughly enjoyable first album.

Hailing from Torino, Estetica Noir was formed by vocalist/guitarist/songwriter Silvio Oreste and bassist Rik Guido in 2013. Their self-titled first EP came out in 2014 with a re-mastered re-release coming two years later, its body showing more of the electronic spicing which now adds to the tapestry of sound shaping Purity. With their track I Will Kill You making a potent addition to the For The Bats compilation and another in Beautiful Absence part of the third instalment of the series, the songs nesting between offerings from the likes of The March Violets, The Eden House, and The Danse Society, Estetica Noir have only lured increasing interest and support to match a praise drawing live presence seeing the quartet share stages with bands such as Christian Death and The Chameleons. Last year, Estetica Noir linked up with Italian label Red Cat for the release of Purity, both sure to come under greater spotlights due to the album’s captivating presence and character.

With its line-up completed by guitarist/backing vocalist Guido Pancani and drummer Paolo Accossato, Purity swiftly grabs ears with opener Hallow’s Trick. An initial electric shimmer of guitar is the spark for a great crystalline melodic hook within a fuzzy keys bred seducing around a swinging rhythmic coaxing. It is an instantly successful persuasion increased by the expressive tones of Oreste. Like Thomas Dolby meets the synth pop version of Ministry, the track strolls magnetically into the imagination, its virulent chorus inescapable bait for participation as it makes a powerful introduction to the release.

art_RingMasterReviewNext up Plastic Noosphere is no less a tempting; its own instinctive catchiness immediately grabbing body and appetite as guitars and keys conjure individually descriptive enterprise for a B-Movie meets She Wants Revenge like offering with a nagging rhythmic persistence from Guido and Accossato recalling the likes of Leitmotiv. As its predecessor, the song has ears in the palm of its creative hand before In Heaven provides a fiery romancing of ears with its steely guitar bred melodies, melancholic yet inviting bassline, and fuzzy keys. A thicker intensity and drama does little to lessen an inbred infectiousness in the Estetica Noir sound, rather showing the variety and imagination nurturing it, echoed again in the likes of Suicide Walk and I Hate.

The first of the two creeps around ears like atmospheric fog, almost prowling with its instrumental suggestiveness as a melodic radiance glows at its heart while the second straight away flirts with the senses through bold but controlled and imagination serenading melodies. It is just the opening shadow to another rampantly catchy escapade with lively beats and a just as tenacious brooding bassline calling from inside a web of feisty electronic and guitar spun temptation.

The outstanding Polarized brings its electro pop spiced exploit next, complete with another irresistible hook and smouldering keys in something akin to Nine Inch Nails meets Blancmange while Deluxe Lies Edition reveals the strength of inspiration the band find in The Cure, its dark climate and emotive shadows as inspired by Robert Smith and co as Oreste’s vocals. Both tracks captivate and inspire ears and imagination respectively, the adventure in the Estetica Noir creativity here and across Purity compelling.

Hypnagogia is a second instrumental which like its earlier companion is a provocative piece, its piano cored emotional shadow intriguing before the band gives its own touch to the Pet Shop Boys written, Eight Wonder track I’m Not Scared. It is another easy to embrace offering but lacks something the band’s own penned songs have, as emphasized by A Dangerous Perfection which follows. Laying somewhere between Modern English and again The Cure and early Ministry, the track throbs with rhythmic and melodic theatre as an epidemic of creative infection swarms through ears.

Completed by the melancholy haunted You Make Life Better, an imaginatively twisting and turning track as fascinating and persuasive as anything on the album, Purity leaves nothing but lingering pleasure in its wake. As mentioned, its influences are a strong texture in its body and songs but it is a ‘lack of uniqueness’ which matters little in the unbridled enjoyment found. If any of those influences mentioned hit the spot, checking out Estetica Noir is a must.

Purity is out now via Red Cat Records through most online stores.

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Pete RingMaster 31/01/2017

Copyright RingMaster: MyFreeCopyright

Monkey Ranch – Alone

MR_RingMasterReview

Nestling in what certainly appears to be a potent time in the Italian rock/metal scene right now is Pistoia hailing outfit Monkey Ranch. Fuelled by a multi-flavoured alternative rock styled sound, the band’s debut album Alone is an ear pleasing introduction to a band ready to nudge attention beyond their homeland’s borders.

Monkey Ranch was formed in 2012 by vocalist/guitarist Iacopo Ferrari, bassist Jacopo Geri, and drummer Alessio Petrucci with its current line-up of guitarist Francesco Ceccarelli and drummer Iacopo Sichi alongside Ferrari and Geri in place during the following year. Their sound is a grunge/hard rock based proposal rich in blues nurtured textures and lyrical incitement. It is a captivating mix not always overly unique within Alone but persistently providing plenty to find strong enjoyment in.

The album opens up with The Butcher, grooves instantly winding themselves around ears grabbing attention as they lay the ground for the potent tones of Ferrari. From there the song swiftly reveals the spice in the band’s sound, blues nurtured grooves and plaintive melodies colluding with bold, aggression laced rhythms and a raw grunge bred character. It is a fiery mix with few surprises but much to grab and satisfy ears with.

art_RingMasterReviewWithout Chains follows with a less forceful nature as warm melodies coax attention while vocals again make a strong lure, the track’s emotive heart blossoming with every second. Its magnetism is equal to the first song though, a Pearl Jam like essence only adding to its appeal before Danny Boy and Freedom swing and stroll through ears respectively. The first has grouchiness in its blood which compliments the infectiousness in its gait and fire in its grooves while its successor is a captivating blend of warm harmonies and melodic enterprise also driven by an instinctive catchiness which has hips and imagination swiftly and eagerly involved.

Recent single Renegade steps forward next, a country rock scented twang slipping into melodic endeavour to nicely mix with a feistier grunge growl as its natural swagger easily tempts. It is an instinctively welcomed persuasion matched in its own individual way by Unhappy Stories. The song is a smouldering roar which makes it very easy to find a keen appetite for. With familiarity on its side to add to its stylish presence, the song nurtures a tenacious snarl in bass and riffs; a grouchy edge erupting throughout the encounter but never defusing its emotive angst and melodic seduction.

Picture of You steals best track honours straight after, its punk lined rock ‘n’ roll a thumping arousal of ears and appetite with an irritably delicious bassline which alones demands a lusty reaction. As great as other songs are, it stands for us head and shoulders above all though the country spiced stroll of Dance of the Witch is no light weight in sealing eager attention next, or indeed Remember Me after that with its hard and blues rock flames around punchy rhythms.

The album comes to a potent close with This One, an initially atmospheric lure all the time breeding a tapestry of blues rock which slowly but surely catches flame winy melody by moody rhythm and vocal expression. At over ten minutes, the song does outlast personal preference but there is no escaping the craft and imagination in its depths ensuring Alone ends strongly.

Monkey Ranch will be making their presence known for the first time with a great many through Alone and such its highly enjoyable offering, it is a union destined to be repeated again and again as the band grows from this potent start.

Alone is released February 3rd on Red Cat Records.

https://www.facebook.com/monkeyranch4

Pete RingMaster 31/01/2017

Copyright RingMaster: MyFreeCopyright