Animal House – Sorry

animalhouse-promo1_RingMasterReview

The Australian quartet may have been “forced on a short hiatus by UK Visa police” but they are making up for lost time with zeal and unbridled creative boisterousness with debut EP Sorry. Brisbane bred and already kicking up attention before embarking on a two year adventure that took them through Europe before settling in the UK’s own great band breeding town of Brighton, Animal House have masterfully build on the success of recent single English Girls with Sorry; an EP sure to swell the acclaim already sparked.

The band has drawn comparisons to the likes of The Strokes, The Raconteurs, Cage The Elephant, Dune Rats, Surfer Blood, and Twin Peaks, though we would suggest if not exactly in sound but the mischievous way they spring songs upon ears and imagination, Asylums is just as apt a reference. The Animal House sound has its seeds in the indie sounds of the late nineties/early noughties but twisted in to something fiercely fresh and unique to the Aussie foursome. Devilish humour lines every note and word shared, sparkling invention and invasive imagination fuelling a temptation which without doubt colours one of the most enjoyable and thrilling releases this year.

Sorry opens up with the band’s new single Domino; a virulently addictive song which if it was anything other than music would come with a warning. From its initial guitar jangle the song is in command, only firming its grip as the vocals, lead and band collude with melodic spicery and infectious tenacity. Feet have no resistance, hips and appetite too especially as beats drive song and body as a ridiculously catchy chorus infests vocal chords. There is a touch of Buzzcocks to the track, especially in its meandering hook, though first time around all concentration is on gaining enough breath to last the kinetic majesty of the song’s length.

animalhouse_sorry_RingMasterReviewEnglish Girls is next and swiftly shows why it caused a fuss as a single. It too is a trespass infesting body and spirit. Rhythms once more thump and arouse whilst riffs and jangling hooks coax as vocals tempt. Animal House again confirm that flirtatiously captivating choruses are the domain of all their songs, the second an epidemic of persuasion rifling through a waiting and soon fully participation lust.

It is hard to say that the following Heavy makes less demands on energies but it does have a mellower climate to its urgency, taking a summery stroll as psych rock swipes of melodic enterprise cross a swinging gait of smiling hooks and buoyant rhythms. It is inescapable captivation but soon eclipsed by the tangy inventive fruits of Lemon & Lime. We are never ones to advocate too many singles taken from one release but the song has all the properties to be one juicy incitement as such a proposal. Again band and song swing with creative relish, bouncing with trampoline rhythms as harmonies tease and melodies seduce with a catchiness that could bring success to any trap.

The release is completed by the rampant sonic liquor of Tequila, intoxicating garage rock ensuring all inhibitions are left at the EP’s cover. It is a glorious end to a quite irresistible encounter, for which, the description aural alchemy increasingly seems apt. Its title says Sorry but there is nothing penitent about this slice of sonic knavery.

The Sorry EP is out on 18th November 2016.

Catch Animal House live at the following dates:

9th November – The New – Santander

11th November – Bukowski – San Sebastian

12th November – Bar Arrasate – Arrasate

14th November – Pop In – Paris

15th November – De Hip – Deventer

16th November – De Kroeg – Arnhem

17th November – Vera – Groningen

18th November – Boothill Saloon – Amersfoort

29th November – Birthdays – London

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Pete RingMaster 07/11/2016

Copyright RingMaster: MyFreeCopyright

Vienna Ditto – Busted Flush

viennadittopromonew_RingMasterReview

The undeniable soft spot we have for the fertile adventures of British duo Vienna Ditto has only been confirmed or pushed towards more lustful tendencies with each release they give birth to in their enviable imaginations. New EP, Busted Flush, is guilty of sparking the latter with three tracks of aural intrigue and creative drama which almost prey on the senses. Cinematic yet intimately invasive, the EP is one of those real treats which come along so rarely yet frequently from the shadowed minds of Vienna Ditto.

The innovative union of Hatty Taylor (vocal and synth) and Nigel Firth (guitar) has come a long way since the pair first met when Firth began teaching eleven old Taylor the guitar. Meeting again and creatively uniting a decade later, the pair has continued to blossom and excite with a magnetic sound which fires up ears and imagination like a sonic kaleidoscope. It has nurtured numerously well-received and acclaimed singles and EPs with debut album Circles of 2015 and the Ticks EP earlier this year breaching even greater acclaim and plateaus of intoxicating invention. Busted Flush is the next step forward in both rewards for band and listener, a sublime seducing which only romances with greater strength listen by listen.

art_RingMasterReviewThe EP’s title track opens up the fascination, Busted Flush a web of seductive melodies and shadowy rhythms in an atmospheric caress equally as dual natured. As the throated threat of bass colludes with crisp beats, Taylor’s exotic tones finger the imagination, backed by keys which hold suggestiveness in every melodic note. The song plays like the backdrop to a cold war romancing, a canvas for a Doctor Zhivago/ The Spy Who Came in from the Cold like involvement with Taylor the seductress narrating events. Across its blossoming landscape, Firth matches the vocal allurement with his poetic melodies and keys cast theatre further tapping into more sci-fi shared echoes of suggestion. It is a glorious transfixing as exotically dark and broodingly portentous as it is bizarrely magical.

The fantastic start is swiftly matched by the lighter livelier charms of Barracuda, a swinging stroll of electro pop also no lightweight in imaginative manipulation and melodic conspiracy as it lures the listener into its infectious body. An underlying tempestuousness blossoms over time but only adding to the warm if schizophrenic enterprise fuelling a dramatic and perpetually twisting slavery of ears and emotions.

The EP is concluded by Boy Meets Wolf, a sultry seducing with swiftly endearing essences of Young Marble Giants to its character and beauty. Apparently inspired Cormac McCarthy’s book The Crossing, the song is like a mystical mist, seeping over the senses with fleeting but potent cinematic caresses aligned to darker intimacy stirring the imagination and one’s own creative spirit.

The Busted Flush EP is an escape from reality, an echo of the adventures and dangers we all wish we were part of while watching the greatest dark lit movies. Vienna Ditto create this response musically while providing British music with some of its most unique and irresistible proposals, Busted Flush no exception.

The Busted Flush EP is out 11th November 2016 via Ubiquity Project Recordings @ https://viennaditto.bandcamp.com/

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Pete RingMaster 08/11/2016
Copyright RingMaster: MyFreeCopyright