3 Broken Limbs

This month sees the release of a trio of split assaults from New York based label Broken Limbs Recordings. Each is a raw and imposing echo of the darkest, dirtiest, and destructive traits of humanity and the world it has created emotionally and physically, and all propositions which leave a lingering imprint on the psyche as invasive as the sounds which sonically harangue and ravage the senses.

cover-art-2_RingMasterReviewNew Haven’s SEA OF BONES and New Hampshire’s RAMLORD come together for one of the incursions upon ears, each offering one epic trespass of their uncompromising sound and intent. Sea of Bones strike first with HOPELESSNESS AND DECAY, the trio of bassist/vocalist Gary Amedy, guitarist/vocalist Tom Mucherino, and drummer/vocalist Kevin Wigginton unleashing a cavernous soundscape soaked in predacious intensity from the off. For over ten minutes the trio breed a wall of confrontation as expansive and decayed as it is at times melancholically seductive. The track ambles, at times lumbers, across the senses, spreading its filth clad body and air with sludge fuelled hostility and moments of corrosive ambience leaving ears and emotions numb.

It is engrossing stuff matched in success by Ramlord’s proposal. INCARCERATION OF CLAIRVOYANCE is a mere few seconds shorter and just as enjoyably challenging. With a black metal/crust corrosiveness to their sound, the band explore a more urgent examination of the listener infesting them with their joyless yet at times fiercely infectious savaging with some inescapable hooks to be eagerly snared by. With essences recalling the likes of Discharge and Amebix, the track completes a powerful and gripping proposal.

Another of the three releases sees the coming together of Tennessee’s BLACK TAR PROPHET and from Pennsylvania IRON GAVEL. A seven track instrumental invasion again showing no btpig_RingMasterReviewrespect of the listener’s peace and sanity, the first half of the split is consumed by Black Tar Prophet’s sludge/doom powered incursions into the senses and imagination. Starting with the compelling persistence of MALIGNANT, a track living up to its name, the duo of bassist Greg Swinehart and drummer Erik Dever snarl in their distinct way across a further three incitements. As dark as they are heavy, as primal as they are strangely comforting and understanding to the darkest corners of one’s thoughts, Black Tar Prophet probe and transfix with RUINOUS DECAY and the deeply disturbed ABUSE especially momentous.

Iron Gavel have a less thick climate to their music but one which still crawls over the senses like a venomous predator and seeps into the corner of every emotion like erosive smog. Consisting of Dan Martin and Ryan Advent, the band taps into the psyche with their sonic and rhythmic explorations whether it be through vast and wonderfully nagging crawls like their first track here TEETH/THORN or through the shortest swinging assaults as its successor SHROUD, a concussive tempest of an aural dispute. Completed by the band’s pungent and relentlessly acidulous but refreshing GERM, the split is a match for the previous mentioned threat and at times eclipses it.

guiltcover_RingMasterReviewThe last of the Broken Limbs offerings is GUILT AND HIS REFLECTION, thirteen tracks bringing Texans CARA NEIR and WILDSPEAKER together in a split which sees its concept realised through both bands revolving around cannibalism in a post-apocalyptic scenario. The first seven songs escape the creative potency of Arlington, Texas crust duo vocalist Chris Francis and multi-instrumentalist Garry Brents. Starting with the sonically and vocally raw but melodically seductive HALO OF GREY, Cara Neir proceed to explore not only the psychological depths and impact bred in an apocalyptic environment but those of the listener too as tracks like CLINGING TO MY LAST BIT OF SANITY and THE VIEW THROUGH THIS FOG seem to flirt with ears and imagination as fully as they wonderfully antagonise them with their blend of black metal and post rock infested punk. Each of the band’s songs leave a potent impact with the outstanding almost poppy EGO EATS MAN stealing the pair’s half of the show.

Fort Worth based Wildspeaker brings their blackened crust tempests to the release with just as much creative venting and eagerness. Also featuring their partners in adventure’s Brents, the quintet go for the jugular from the off with the hellacious storm of hell DESECRATION PLAGUE. Led by the savage riffs of Nelson Favela and Zak Pitts as vocalist Natalie Kahan spills her rage, the track is as dirty and visceral as its name suggests with toxicity just as potent and appealing in its successor SINS OF DESPERATION which takes best track honours on the second half of the split. Driven mercilessly by Ricky Rivera’s drums, the track devours the senses but exciting them at the same time. With FIRST TASTE OF FLESH, another big shout for the biggest pinnacle of the release, and HIS REFLECTION especially notable among nothing less than six energy sapping uncompromisingly enjoyable whippings, Wildspeaker complete the third of a trio of splits which abrasively spark and forcibly ignite the senses.

The Sea of Bones/Ramlord Split is available @ http://brokenlimbsrecordings.bandcamp.com/album/sea-of-bones-ramlord-split  Limited to 300 12″ copies: 200 black, and 100 orange vinyl, each with a download card.

https://www.facebook.com/Sea-of-Bones-35253450819/   https://www.facebook.com/pages/Ramlord/116149375131744

The Black Tar Prophet/Iron Gravel Split is available @ http://brokenlimbsrecordings.bandcamp.com/album/black-tar-prophet-iron-gavel-split Limited to 300 12″ copies: 200 black, and 100 red vinyl, each with a download card and poster.

https://www.facebook.com/blacktarprophet   https://www.facebook.com/irongavelpa/

The Cara Neir/Wildspeaker Split is available @ http://brokenlimbsrecordings.bandcamp.com/album/guilt-and-his-reflection Limited to 100 white shell cassettes

https://www.facebook.com/caraneir     https://www.facebook.com/wildspeaker

https://brokenlimbsrecordings.net/pages/releases

Pete RingMaster 22/09/2016

Copyright RingMaster: MyFreeCopyright

 

 

Tardive Dyskinesia – Harmonic Confusion

td_2_RingMasterReview

With the suggestion that it and its sound sits “somewhere between Meshuggah and The Ocean”, Harmonic Confusion the new album from Greek tech/prog metallers Tardive Dyskinesia instantly has a reputation to live up to. It is a tall order which band and release certainly live up to. The successor to critically acclaimed predecessor Static Apathy in Fast Forward, the fiercely fascinating and creatively imposing Harmonic Confusion has to be considered as Tardive Dyskinesia’s finest moment to date.

Since forming in 2003, the Athens hailing quintet has honed and evolved their sound across three previous albums with Static Apathy in Fast Forward a pinnacle in their rise when released in 2012. The years have also seen the band open for the likes of Mastodon and Meshuggah and play prog-metal festival Euroblast, it all leading to now and the release of Harmonic Confusion. Mastered by Jens Bogren (Opeth, The Ocean, Leprous) and produced by Tardive Dyskinesia themselves, the album is the band’s sound at its most rounded, accomplished, and adventurous; often a raw roar to numb and disorientate the senses but equally a melodic and technical maze of craft and imagination to enthral and excite.

The album opens with the instrumental Insertion, a piece as welcoming as it is technically eventful. It shows a potent restraint though, the band holding its boldest exploits for subsequent tracks while setting the scene and tempestuous atmosphere for the album to come beginning with Fire Red Glass Heart which leaps from its predecessor’s sonic lure. Immediately the winding tendrils of sonic enterprise springs from guitarists Petros Nikiforakis, Steve Lado, and Manthos Stergiou, the latter soon unveiling his clean and alluring vocals too backed by the harmonic tones of Lado. As the song slightly intensifies, a rawer gruffness appears in Stergiou’s delivery, the contrast of his vocals merging perfectly as the song twists and turns through its theatre of enterprise and melody fuelled expression.

The track captivates from its first note to last, a tempest like climate brewing without quite erupting saving itself for the outstanding turbulence of The Electric Sun. Wiry strands of guitar soon collude with ravenous riffs and the heftily swung beats of drummer Nick Argiropoulos; again contrasting textures and extremes of energy aligning in a fluid and clarity graced challenge to captivate ears and imagination alike. That rawness is there again to enhance sound and vocals as well as the song’s eventful atmosphere, offering a dirtier trespass to the technical prowess which intensifies alongside the nagging riffery and scything rhythmic persistence on offer.

coverresize_RingMasterReviewThrough the turbulent and at times almost spatial landscape of Self Destructive Haze and the mazy multi-textured Thread Of Life attention is tightly gripped, the second of the two a real seduction of ears with its invasive storm cored by melodic beauty, and latterly, dark stringed seducing while the exceptional Concentric Waves, with the ever compelling bass exploits of Kornelius Kiriakidis especially magnetic, mesmerises as it aggressively and technically swings to and fro.

As impressive as its first touch and listens are, Harmonic Confusion simply grows in strength and stature over time, tracks like Triangulation Through Impasse and Savior Complex laying highly persuasive seeds straight away which seem to blossom over time. The first of the pair twists and turns with increasing relish and grievance across its length whilst still bringing a variety of tones to vocals and intensity to its body. Another favourite and major highlight of the album it is matched and over shadowed by the mellower yet no less dramatic and dynamic exploits of its successor. As across the album, there are elements which maybe are less than unique than others but Tardive Dyskinesia embrace it in their own imaginative and technically riveting designs to fine and here mouth-watering effect with the noir lit call of the sax icing on the dramatic cake of the album’s greatest moment.

The album is completed by the infectious and hungrily resourceful Εchoes 213, its hooks and melodies alone as biting as they are romancing, and lastly the instrumental journey of Chronicity, a captivating epilogue to all before.

Harmonic Confusion is without doubt one of the year’s tech/prog metal treats and yet there is still a feeling that there is more to come from and creatively discover within Tardive Dyskinesia; a thought to add extra spice to one fine release.

Harmonic Confusion is out now on Playfalse Records and @ http://tardivedyskinesia.bandcamp.com

https://www.facebook.com/tardivedyskinesiaband

Pete RingMaster 22/09/2016

Copyright RingMaster: MyFreeCopyright

Welcome Back Delta – Sucker

WBD_RingMasterReview

As commandingly infectious as it is resourcefully muscular, Sucker is one of those propositions which just demands attention. The second album from British rockers Welcome Back Delta, the album is a spicy brew of classic and blues rock with a stoner/grunge scent to its captivating aroma. It embraces familiar flavours and textures but in a creative devilment and character all of the Welcome Back Delta making.

Hailing from Cheltenham, Gloucestershire, Welcome Back Delta emerged in 2011 and quickly made an impact on their local music scene. Since then they have toured the UK several times and supported the likes of Clutch, Nick Oliveri’s Death Acoustic Tour, And So I Watch You From Afar, Lionize, and Karma to Burn. 2014 saw the well-received release of debut album Shocker, a success sure to be eclipsed with style and strength by Sucker.

Band and album get straight down to business with opener Beast Mode where from an initial ear catching ear spun hook and a swiftly joining rally of beats attention is hooked, riveted as Clutch like grooves and great group vocals uncage their catchy and dirty exploits around the lead and enjoyable slightly grouchy tones of vocalist/guitarist Joe Kelly. With the brooding bassline of Phil Davies carrying its only steely nature to align with the potent lures of Rob Duncan’s grooves, the track is soon in command of ears and appetite with a rousing chorus to complete the persuasion.

The bluesy tendrils of the following Snake In The Grass keep the commanding start going, grooves a smouldering lure of classic and familiar blues infection luring the listener into another potent chorus of group vocals. Caged by the firm and magnetic rhythms of drummer Steve Roberts, the song strolls along with a swagger and melodic glint in an intoxicating combination sparking listener participation with ease before the heftier weight and growl of Thrones takes over. Again there is no lack of contagiousness to its boozy grooves and imposing presence as ears and imagination are ignited alike again.

cover_RingMasterReviewGood variety across Sucker is another potent attribute, the country blues drama of Arms Dealer, which features guest Damon T, providing a flavoursome turn in the album’s landscape while Dadgerous featuring Bison Steed wraps itself in a Kyuss meets Red Fang-esque roar. The track is outstanding, a virulent trespass of the senses which ignites the spirit and energies of those it touches.

Jeremy’s Iron rumbles and grumbles next, its heavy riffs and cracking rhythms colluding with more of the smouldering grooves and instinctive catchiness Welcome Back Delta conjures at will while The Magic Of Flight shows the band is as adept at serenading ears, the track a tantalising mix of darkly grained vocals and simple but suggestive melody courted by the shadowed air of bass. It is hard to say that either is overly unique but both tracks, as the album, simply tempt and persuade with a sublime touch and invention.

More of that country breeding infests the lively Black Tie next with the following Preacher entangling itself in a web of blues endeavour and though neither quite match up to songs before them, each leave satisfaction thick and ears hungry for more which the closing and fiery rock ‘n’ roll of Don’t Hold It Against Me, Unless It Gets Hard provides in fine style. With rampant rhythms and tangy grooves it leaves a lingering taste of the album and the inspiration of a swift return into the rousing triumph of Sucker.

Sucker might not be the most unique slab of rock ‘n roll heard this year but it is one of the most enjoyable so we dare you to take a punt on Welcome Back Delta.

Sucker is out now and available @ http://welcomebackdelta.bandcamp.com/

Upcoming Live Dates

11th November- HARD ROCK HELL Festival

26th November- The Exchange, Bristol (Supporting Planet of Zeus)

http://welcomebackdelta.co.uk/   https://www.facebook.com/Welcomebackdelta

Pete RingMaster 22/09/2016

Copyright RingMaster: MyFreeCopyright

The Cavemen – Too High To Die/I’d Kill

burgos-11_RingMasterReview

It has been a busy year for New Zealanders The Cavemen from just releases alone. April saw the unleashing of their exceptional self-titled debut album followed in June by the just as rousing and wonderfully arrogant two track single Juvenile Delinquent. Now the quartet of vocalist Paul, guitarist Jack, bassist Nick, and drummer Jake Caveman have freed new offering Too High To Die/I’d Kill ahead of yet another album; the single two slices of the band’s distinctive garage bred punk ‘n’ roll which is impossible not to get lustfully off on.

Now UK based, The Cavemen have arguably unearthed their most primal and trashiest sound for their new single; breeding both tracks with the kind of punk rock which has ignited and corrupted rock ‘n’ roll since the days of Gene Vincent and Jerry lee Lewis, through the likes of Hasil Adkins and The Stooges, and on to the likes of The Cramps, Gun Club, and The Ramones and more. Raw and cast in lo-fi manna, the single sizzles on the senses as it infests the body and purges the psyche like a predacious attack of sonic leprosy.

too-high-frontcover-copy_RingMasterReviewToo High To Die rumbles and grumbles from its first sonic lancing of ears, rhythms cantankerously bouncing as deranged vocal urgency colludes with the winy enterprise of the guitar. The whole song is like one giant chorus such its rousing catchiness with the fiery guitar solo additional toxicity to greedily devour.

Companion I’d Kill is just the same, a virulent stomp from first note to last but even more soaked in seventies punk with a touch of bands like The Saints and The Lurkers to it. A belligerent snarl with more contagion to its persuasion than any plague, the track alone but definitely in union with Too High To Die sparks even more impatient anticipation for The Cavemen’s impending second full-length.

Too High To Die / I’d Kill is out now via Dirty Water Records @ http://www.dirtywaterrecords.co.uk/shop/#!/The-Cavemen-Too-High-To-Die-b-w-Id-Kill-download/p/70351208/category=18119001

https://www.facebook.com/thecavemennz

Pete RingMaster 23/09/2016

Copyright RingMaster: MyFreeCopyright

The Survival Code – Broken Strings

the-survival-code-artwork-broken-strings_RingMasterReview

As a teaser for a larger proposal, tracks do not come much more persuasive than Broken Strings, the new single from UK alternative rockers The Survival Code. The lead and title track from the London based trio’s new EP, the song is a web of tangy grooves and spiky hooks delivered with energy and urgency which alone rouses the spirit.

Founded in 2011, The Survival Code was forged in the driving force and song writing of lead vocalist/guitarist Gary McGuinness. Dublin born, he previously drummed in successful alt-rock bands for over a decade before moving to London in 2010 where he subsequently linked up with drummer/vocalist Tom Cook and The Survival Code’s original bassist Pete Agnelli. With a sound inspired by influences ranging from Johnny Cash to the Deftones, the band released the Everything but today EP in 2013 which was followed two years later by their well-received debut album MMXV. As their first full-length, with Chema now handling bass duties, The Survival Code’s new single and EP is released through IRL and is set to be backed by a host of shows across the UK and Ireland.

Broken Strings instantly nags ears with sturdy boisterous beats and teasing riffs; a Deftones meets Reuben feel coating the appetite sparking coaxing which perpetually shapes a song ebbing and flowing in melodic prowess as it blossoms in ears and imagination. The band’s sound has been compared to Foo Fighters before and the single offers sound reasons why, an exuberance and infectious aggression like the Americans fuelling the anthemic roar and dynamic virulence of the song.

Impossible not to get physically and emotionally involved in, Broken Strings is an incendiary spark to a want to grab the new EP from The Survival Code and more…

The Broken Strings single is released September 25th through IRL.

Upcoming Live dates:
21 October – Alleycat – Denmark St, London
27 October – Fibber Magees – Dublin, Ireland
29 October – Bruxelles – Dublin, Ireland
17 November – New Cross Inn – London
18 November – Bar 42 – Worthing
19 November – Cave at the Holly tree – London
14 December – Tooting Tram and Social

http://www.thesurvivalcode.co.uk/   https://www.facebook.com/thesurvivalcode   https://twitter.com/thesurvivalcode

Pete RingMaster 23/09/2016

Copyright RingMaster: MyFreeCopyright

Scarlet Fantastic – Beyond Pluto EP

scarlet-fantastic-beyond-pluto-art_RingMasterReview

Following the release this past June of the well-received album Reverie, British artist Scarlet Fantastic is poised to light the skies with the Beyond Pluto EP. With its title track taken from that recent album, the EP brings new encounters and remixes to the celestial hug of its lead track, eighties pop spice fuelling all in what is a warm and charming proposal.

Scarlet Fantastic is Maggie K de Monde, an artist whose musical work spans over 4 decades and has enjoyed chart success in the ’80s with her bands Swans Way (Soul Train) and in turn Scarlet Fantastic (No Memory). Over the years she has worked and collaborated among a great many with the likes of Mike Thorne, Crabbi from Pop Will Eat Itself, ‘Hifi’ Sean Dickson of the Soup Dragons), and Martin Watkins from Marc Almond’s band and appeared on shows such as Top of the Pops, The Tube, The Old Grey Whistle Test, The Roxy, No Limit, and MTV.

There is much more to the creative history of Maggie which has been highlighted again by the release of Reveries and now the Beyond Pluto EP. The title track of the latter opens up her new proposition and quickly lures attention with its initial cosmic doodle and acoustic prowess. A gentle strum of guitar is swiftly joined by Maggie’s endearing tones, both essences increasing in poetic persuasion as the song calmly blossoms in depth and temptation. Beyond Pluto is a song which makes no demands yet firmly holds ears as southern bred sighs and floating harmonies also join the lively serenade.

Du Quesne steps forward next, the song more fiery than its predecessor to match the focus of its tale. Guitar and voice again steal attention as the temptress within the track is portrayed, keys providing the suggestive flare of her lure. Stealing the show within the EP, the track is a tantalising encounter quickly followed by the plaintive melodic caresses of Lucky 7, a song which first featured on the 24 hrs album of 2007 and still flirts with ears and imagination as freshly as back then in the EP’s version.

Completed by two remixes of Beyond Pluto by Hifi Sean and Carsten Dusener respectively, the Scarlet Fantastic EP is a magnetic escape from the raw roar of the day; a gentle escape to relax into with ease.

The Beyond Pluto EP is released September 23rd on Dirtbag Baby Records via Right Track/Universal and available from most online stores.

https://www.facebook.com/scarletfantasticofficial/   https://twitter.com/ScarletFantast  http://www.scarlet-fantastic.co.uk/

Pete RingMaster 23/09/2016

Copyright RingMaster: MyFreeCopyright