Dead Register – Fiber

pic Joe Sands

pic Joe Sands

The inability to pin down the Dead Register sound is almost as enjoyable as the music itself and the expansive web of flavours making it up. The Atlanta trio weave a tapestry which seems simultaneously made up of essences from gothic and death rock, post punk and dark pop, doom and post rock and more. As shown by debut album Fiber, the richness of those textures is a genre crossing emprise of craft and imagination. Yet there is something easily accessible to its busy body of imagination igniting invention and atmospheric drama too, an almost familiar presence which still defies recognition. The result of it all is a release which has a uniqueness few can emulate and a fascination which simply seduces ears and emotions.

Formed in 2013, Dead Register began as the creative union of vocalist/bassist M. Chvasta (ex-Palaces; ex-Light Pupil Dilate) and his wife Avril Che (bass synth, textures, keys, backing vocals). The programmed rhythmic side of the project was replaced the following year by Chad Williams (ex-Magnapop) with a wave of writing and subsequently the live honing of songs live following. Bringing six of their favourite tracks together, Dead Register now release Fiber; an introduction which bewitches and challenges in equally compelling manner.

From its first moments, Fiber is a leviathan of monolithic, doom infused temptation sparking and feeding off the imagination. It manages to be imposing, bordering portentous, but with an infectious virulence and emotively melodic character of sound which does not so much temper its dark side but blossoms in its embrace. It all starts with Alone and a lone and slim melancholic melody. It is the spark for a doom loaded awakening of raw riffs and a deliciously gravelly bass groan. A suggestive ambience lays in its shadows too before the instantly impressing tones of Chvasta’s croon and the rhythmic shuffle of Williams help unveil new depths in the outstanding encounter’s increasing emotion and drama.  Che’s harmonies float like gossamer in that air whilst the track takes on a Southern Death Cult meets Modern English meets Swans presence across almost ten minutes of sonic and vocal bliss.

Dead Register Fiber Cover Art_RingMasterReviewIt’s impressive and gripping presence is matched in might by the album’s title track next. From its initial grouchy growl in metallic riffs and bass lures, the song has ears and thoughts thickly involved with an intimidating creative theatre and emotive exploration. It gently nags and openly immerses the senses in a slightly corrosive but engaging proposal, everything about it a skilful and imaginative merger of contrasts. Rhythms are irritable yet rousing, melodies poetic against almost ravenous sonic atmospherics, and Chvasta’s beguiling voice the descriptive haven within a tempestuous climate and raw wind.

A mouth-watering post punk incitement opens up the rhythmically irresistible Drawing Down next; it continuing to make ripe appearances within the evocative landscape and post rock/ gloom-gaze heart of the third track. At times there are spices sparking thoughts of bands like Echo and The Bunnymen and The Birthday Party, other times a surge of invention hinting at a Godflesh or Palms, but all strands within the band’s captivating ingenuity linked by the ever impressing vocals and the tenaciously seducing rhythms.

Grave offers the darkest, dankest climate of the album so far, its atmosphere almost clinging to the senses as guitars and bass cast emotively picturesque lures serenaded by the rich expressive tones of Chvasta. As all tracks, it has thoughts off on their own creative tangent whilst embracing the narrative offered by voice and melodic intimation; a craft and success unsurprisingly found in the following Entwined too. Even with the riveting throaty grizzle of the bass, a flavour hard to get enough of within Fiber, the song has a warmer tone to its predecessors. It has an almost mystical air, especially through its sonic and melodic design, though again raw and erosive shadows lurk and crowd their magnetic insinuations for great volatility in another lingeringly memorable moment on the album.

Closing up with the heavy seductive oppression of Incendiary, a track rivalling Grave for strength of suffocating emotive intensity, Dead Register transfix and thrill with every twist and turn of Fiber. Though maybe not quite matching those before it for personal tastes, the final track epitomises the qualities and craft of the band whilst exciting the senses and imagination. Again contrasting textures and elements collude through a kaleidoscope of styles and sounds to create something unlike any other proposal heard in a long time and likely to be found again this year outside of the trio. Fiber is dark magic, emotional trespassing, and quite wonderful.

Fiber is released May 6th via AVR Records digitally and on CD and cassette @ https://deadregister.bandcamp.com/

https://www.facebook.com/deadregister

Pete RingMaster 06/05/2016

Copyright RingMaster: MyFreeCopyright

For more exploration of the independent and promotional services check out http://www.zykotika.com

Aiming For Enrike – Segway Nation

Aiming For Enrike_RingMasterReview

There seems to have been a bit of a buzz brewing up around Norwegian duo Aiming For Enrike and now with the release of new album Segway Nation, it is very easy to see why. The twelve strong imagination and body inciting instrumentals are a captivating and fascinating adventure in sound and aural suggestiveness revealing two musicians in total creative sync whilst embracing the infectious essences of everything from funk and jazz, post punk to rock ‘n’ roll with plenty more included.

Aiming For Enrike consists of drummer Tobias Ørnes and guitarist Simen Følstad Nilsen, a pair creating refreshing and virulent sounds through intricate polyrhythms within compelling grooves and melodies from a drum kit, three guitar amps, and a rich selection of loop and effect pedals. Inspirations seem to come from the likes of Hella, Lightning Bolt, and Monolithic but across time and debut album Mao Miro, now backed by Segway Nation, Aiming For Enrike has undoubtedly developed something distinct to their own adventure and imagination.

The album opens with the band’s latest single Newspeak, a track which has feet tapping within seconds and hips swinging after a few more inviting moments of its sonically informative body. The track is a keen shuffle of flirtatious rhythms and intrigue lit melodies amidst darker grumbling hues. They all build into a resourceful and magnetic coaxing into the waiting full landscape of Segway Nation and the expanse of the Aiming for Enrike sound. With additional fuzz and a busy nature to its rock ‘n’ roll, the track has attention and appetite firmly hooked before handing both over to its successor.

AimingForEnrike-SegwayNation_RingMasterReview2400Riget similarly has ears snared from its first throws of imagination; post punk/noise rock psychosis leaping at the senses with matching rhythms. It nags and niggles away like a glorious itch that scratching can only deflect momentarily, each strain of temptation more compelling and irresistible than the last while the following Mad Driver is an over active ride which is almost like being locked in a car crazed computer game; like a jazzy version of Mario Kart.

Already there is an open freedom to each piece of music. It is almost as if the band is physically busking in ears with the suggestion that each play of a track by them will always differ from another, something replicated in a way by new aspects being revealed with every listen to the album. New twists and turns certainly make up each highly enjoyable venture into Billion Year Contract, a spatial almost sci-fi spiced flight though shimmering melodies and fiery textures escorted by restrained yet tenacious percussion.

Through the brief distorted scenery and discord of Minitrue and the riveting drama of Ushikawa, the album continues to enthral and add to its already potent persuasion. The second of the two is especially contagious and rousing as it inspires thoughts of mystery and intrigue involved in dark escapades though throughout it reassures the senses with a celebratory air to its hooks and melodies. The track is superb and swiftly matched by the sonic dissonance of Now Watch This Drive. Again its drama holds numerous twists and suggestive turns to try and interpret or simply cast one’s own adventure from, the increasing volatile beats of Ørnes perfectly framing the building creative theatre of Følstad Nilsen’s guitar.

There is little time for the imagination to relax across Segway Nation either. Both the exotically unpredictable Necrocratic Republic and the sinister yet haunting Phone Phobia lay stronger temptation after bewitching temptation on body and mind to engross and almost mentally exhaust when added to the busy adventure already offered while the album’s title track expands the shadowy context of its predecessor with its own rhythmic and sonic slice of emotional espionage and inventive intimation.

Brought to a close by firstly the low key, melancholic ambience of Almost All of Them and finally the dynamic tango of Nakata Johnny Walker, a track which again has the body bouncing from first to last second with its catchy swing and often off-kilter devilry. The closing flames of brass and cosmopolitan hues ensures it and album leave the listener absorbed and ready to go again, something so easy to do.

Segway Nation is one of those album’s you would probably not go explore without a hint or two, so consider this a big nudge and go treat yourselves.

Segway Nation is released May 6th via Name Music across most online stores.

https://www.facebook.com/aimingforenrike   http://www.namemusic.no/aimingforenrike/

Pete Ringmaster 06/05/2016

Copyright RingMaster: MyFreeCopyright

For more exploration of the independent and promotional services check out http://www.zykotika.com

Beaumont – Nothing

Beaumont_RingMasterReview

Creating alternative rock with a nice line in pop punk to it, Beaumont is a newly emerging proposal for the British rock scene to contemplate. The beginning of May saw the Birmingham-based quintet release their debut EP, Nothing; a five-track romp of infectious energy and melodic tenacity which quite simply commands attention. That is not to say that Beaumont have come across major uniqueness in their sound yet but with strong potential fuelling its presence, it certainly is something easy to take a real shine to.

Taking their name from a character in Shakespeare’s Henry V, Beaumont is a creative union of friends mixing the melancholic heart of their lyrical exploration with the vibrant catchiness of a melody rich sound. 2015 was a busy year for the band with shows alongside the likes of Light You Up and WSTR a particular highlight to add to individual experiences seeing members touring and playing with bands such as Four Year Strong, ROAM, State Champs, and A Loss For Words over the last few years. Produced by John Mitchell (Lower Than Atlantis, You Me At Six), Nothing is the band’s introduction to a broader national spotlight, and such its vivacity alone, easy to see an invitation rewarded with new fans and keen praise.

With songs which in the words of vocalist Spencer Edmonds, “…cover a range of emotions from hatred and greed to loneliness,” adding “It’s a snapshot of how we were feeling at specific times over the last two years…” , Nothing swiftly entices and pleases with opener Cheapside. An initial melody coaxes ears before thumping beats and spicier melodies join its welcome in league with an already throatily potent bassline. Edmonds’ vocals complete the creative scenery, quickly impressing in quality and expression as he shares the melancholic angst of the song. As mentioned previously, the solemn reflection of word and voice comes bound in lively sounds around a swinging gait driven by the contagious bassline of Reece Aleksander and Mitchell Dornan’s scything beats. It is a web, with guitarists Jake Murray and Chris Inston tenacious in riffs and grooves, which refuses to be ignored as it provides a potent start to the EP soon matched by the excellent Boys & Girls.

BEAUMONT NOTHING EP COVER_RingMasterReviewThe second song makes a bolder entrance, keeping its boisterous character going as it slips into a pop punk infused stroll with nagging riffs and eagerly prowling rhythms. Edmonds again impresses as great harmonies soar around him at times, it all gaining greater energy in the track’s rousing chorus which just tops the thrilling encounter perfectly before it hands ears over to the emotively shadowed and musically vibrant Miserable. Riffs and hooks have a bite to them, backed by the rapier swings of Dornan, which accentuates and gives greater character to the melodic endeavour surrounding them. With its predecessor, the song provides the pinnacle of the EP, though the ‘step down’ is barely noticeable as Art School manages to simultaneously croon with emotive flame while whipping up a feisty physical involvement. It might lack the extra spark of adventure of the previous pair, but in no time it tempts with throbbing riffs from bass and guitar amidst the contagious nature of hooks and group vocals, and a blaze of a chorus.

The Springsteen referencing E Street brings Nothing to a strong close, it too missing that final piece of the jigsaw yet has ears and enjoyment hungry for more whilst showing fresh aspects to the songwriting and sound of Beaumont. As catchy as anything on the EP, it makes a fine end to a thoroughly engaging and satisfying first look at and listen to a band with promise and imagination which alone could see them make great strides ahead.

The Nothing EP is out now via Reclaim Music through most online stores.

https://www.facebook.com/beaumontuk   http://www.twitter.com/beaumontuk   http://reclaimmusicgroup.com/artists/beaumont/

Pete RingMaster 06/05/2016

Copyright RingMaster: MyFreeCopyright

For more exploration of the independent and promotional services check out http://www.zykotika.com

Keep Breathing – Call Of Youth

KeepBreathing_RingMasterReview

Previously known as WTCHRS, before going on hiatus late 2013, Keep Breathing is a Newcastle hailing band which is about to present May 2016 with one of its more memorable moments. That comes in the shape of new single Call Of Youth; a flame of nostalgic and modern alternative rock which fascinates and seduces in equal measure.

Consisting of vocalist/guitarist Liam Milne, guitarist Jack Healy, bassist Thom Lewis, keyboardist Dale Knight, and drummer Alex Cook, Keep Breathing returned from their break to reimagine their sound and write new material with a new sense of purpose and creative fire, certainly if the new single is anything to go by. With shows across the UK alongside the likes of The Wedding Present, Palma Violets, The Vaccines, Drenge, and Public Service Broadcasting in its experiences, Keep Breathing had a potent base to reassess their next move from but there is no escaping a new sense of adventure and spirit accompanying their return.

Call Of Youth_Artwork_RingMasterReviewProduced by Ed Buller (White Lies, Suede, Pulp, Spiritualized, Slowdive, The Primitives), Call Of Youth is one of the early results of that time out and a striking and heavily enjoyable proposition it is too.  It is fair to say that the band’s alternative rock sound comes with plenty of other flavours and textures too, as quickly revealed in the new single. Its first few moments with Milne standing within an expressive weave of guitar and keys crafted melodies has a U2 feel to it, though that soon evolves as the rugged tone of the bass and the flowing stream of melodic and harmonic enterprise and suggestiveness brings a rich Echo and The Bunnymen air to the brewing infectious drama. Equally though, there is a distinctive character to sound and song which is all Keep Breathing; a stirring blend which with ease has ears and imagination enthralled and voice and hips involved.

It is hard to say that Call Of Youth is truly unique yet, apart from those spices mentioned, it stands alone in the crowd. It is easily accessible and boldly inviting yet stirringly individual its own way and that only helps to makes it something special.

Call Of Youth is released via End of the Trail Records on May 6th via iTunes and other stores.

KEEP BREATHING LIVE DATES:

Saturday 20th May ‐The Great Escape Festival, Brighton

Friday 28th May ‐ Sound City Festival, Liverpool

http://keepbreathing.co/   https://www.facebook.com/keepbreathinguk   https://twitter.com/keepbreathinguk

Pete RingMaster 06/05/2016.

Copyright RingMaster: MyFreeCopyright

For more exploration of the independent and promotional services check out http://www.zykotika.com