They may have a name which intrigues and lures a look, but it is their sound which ensures Moth’s Circle Flight really grabs attention, especially upon latest album My Entropy. Merging fiery groove metal with the hellacious predation of various extreme metal flavours, the Italian metallers show themselves a formidable and aggressively magnetic proposal. Their music is a rousing incitement which warrants attention and now with My Entropy to the fore, it demands it.
Hailing from Parma, Moth’s Circle Flight began in 2003 though it is probably fair to say that the band hit its stride and now firmly established potency when the line-up of vocalists Gabriele “Gabbo” Rosi and Simone “Pancio” Panciroli, rhythm guitarist Francesco “Baldo” Baldi, and lead guitarist Luca “Pellach” Alzapiedi linked up with bassist “Giupy” and drummer “Simo” around 2012. Since forming though, the band has certainly been a potent live proposition and have played with the likes of Sepultura, Extrema, Exilia, and Goddass over time while releasing an early EP before their well-received debut album Born to Burn in 2009. Recently with bassist Marco “Satir” Reggiani and drummer Fabio “Bersa” Bersani making up the rhythm section, Moth’s Circle Flight released My Entropy, a ravenous assault which sees the band hit a new plateau which could and should put the band on the global metal map.
It erupts into life with Man On The Peak, a distant sonic wind bringing the track towards ears as antagonistic vocals roar. Upon arrival it uncages a host of ear entwining grooves which alone ignite the appetite such their irresistible bait backed by thumping rhythms and the already impressing and enjoyable dual vocal assault. The song relaxes a little as it slips into its accomplished stride, jabbing and confronting the senses with an array of spiky twists and subsequently barbarous turns. It is a fiercely rousing start to the album, like a seductive fury built on the animosity of Sepultura, the ire of DevilDriver, and the swing of Five Finger Death Punch.
Things only get more compelling and furious with the following Ends Of A Shadow, its initial riffs a thickly alluring bait of invasive resonance. Swiftly southern hues seep from the track’s rabid pores too, a Pantera/Down like flavouring spicing up an already greedy appetite for the encounter. The great mix of vocal delivery from Gabbo and Pancio is a magnetic pull on its own; their tones embracing every shade of clean, guttural, and psychotic even occasionally encroaching on a Burton C. Bell toning. There is a touch of Fear Factory to the music at times too within, with both guitarists weaving a masterful challenge and seduction, a more melodic/nu metal-esque hue.
Raise Your Head rouses ears and emotions next; its body a bruising turbulence of craft and sonic dispute bound in melodic tempting. Again the pair of vocalists capture the imagination, backed as resourcefully in voice by the band and their musical web of unpredictability and multi-flavoured invention. The track is another simply whipping up more greed for the band’s proposal and quickly matched in success by the outstanding Late Promises and its tide of carnivorous riffs and rhythms. Bass groans and sonic whines accentuate the fiery character and intent of the song, though again, it all comes perfectly tempered by melodic and harmonic vocal imagination as well as some great off-kilter twists and turns.
The embrace of melody and clean vocal charm opening up An Old Chant takes mere seconds to seduce and impress before its brutality and creative trespass is unleashed to harry and prey upon the senses. As its predecessor, the track is glorious, a busily resourceful and adventurous invasion built on the keenest grooves and sonic scythes aligned to another great drama of voice and sound. It is a web of persuasion soon emulated in its individual way by Write My Name. The song is almost carnal in its inventive assault and irresistible, though it does lose its potency just a touch when it slips into more melodic passages throughout its otherwise gripping prowl. Managing to weave in some hardcore, blues, and glam metal too, the track still feeds a by now seriously hungry want for more, a need equally satisfied by both With Love, With Flames and Bursting Into Existence. The first of the pair is a relentless fusion of diverse flavours and styles, all honed into a bullish involvement and enslavement of ears and emotions whilst its successor is another instinctive predator. Its thrash and death metal scented infestation of ears is inescapable slavery whilst the net of melodic and sonic mystique which colours the songs’ scenery at times, is the inviting lead to some more richly satisfying vocal and guitar crafted enterprise.
My Entropy closes as powerfully and dynamically as it began; Madball making the first voracious assault to whip up spirit and energies, with plenty of that already established unpredictable imagination involved, before Ray Of Ira brings things to a volcanic fusion of nu, alternative, and death metal with the band’s instinctive groove sculpted emprise of sound.
Though there is plenty about My Entropy which is somewhat familiar, everything is either boldly fresh or twisted into an adventure distinct to Moth’s Circle Flight; a band as suggested earlier, worthy of the closest attention.
My Entropy is out now via Logic(il)Logic Records via most online stores.
Pete RingMaster 04/05/2016
Copyright RingMaster: MyFreeCopyright
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