Bailer – Shaped By The Landscape

BAILER_RingMasterReview

There is a new bruiser in town, a creative bully as at ease turning the senses and ears to mush as it is breeding a dervish like reactions in the body. That uncompromising assailant is Irish quartet Bailer and its choice of irresistible weapon, debut EP, Shaped By The Landscape. The band’s striking introduction is a fiercely irritable groove fest of demands and rewards; a caustic fusion of groove metal and hardcore which leaves body and soul wasted and spirit and emotions ignited.

Formed in the January of 2015, Bailer has been a welcome scourge through its local and Irish underground scene, sharing stages with the likes of Red Enemy, Novelists, The Colour Line, Shields and more as well as playing main support to Murdock on tour. Aidan Cunningham from that fellow Irish band recorded, mixed, and mastered the Shaped By The Landscape, and fair to say if describing the distinct Bailer sound, Murdock would be used as a kind of reference as well as maybe Gacys Threads and The Dillinger Escape Plan. There is no escaping the sonic and vocal, let alone emotional, animosity fuelling and shaping the band’s first poke at the broadest attention, or that it is one of the most punishingly thrilling debuts in the hardcore scene for quite a while.

Artwork_RingMasterReviewThe EP opens with Failsafe and immediately has ears enticed with its spicy guitar coaxing and then under siege by a wall of hungry riffs and barbarous rhythms. It is all conducted by the ferocious tones of vocalist Alex O’Leary, his searing squalls almost visibly scarring his throat as they enjoyably abrase ears. There is equally a swing to his delivery, a devilish catchiness which is even stronger in the web of fiery grooves that entangle ears and appetite amidst the rampant aggression of Paul Cashman’s rhythmic swings. The carnivorous growl of David Cleere’s bass is simply delicious in the mix as too the wonderfully nagging tapestry of metal and punk grooves and riffs cast by guitarist Chris Harte. The track is a glorious start to the release, and maybe the most virulently infectious slab of abuse heard in a long time.

It is not a one off though, being swiftly matched by The Binding. It starts off in the same vein as its predecessor but soon reveals its own nefarious twists and turns as O’Leary again shares rancor with the air. Everything about the song is also ridiculously catchy; the body and imagination is soon caught up in its hostile groove almost unaware of being battered and bruised, sonically and emotionally tossed around. Its sensational onslaught is followed by Anti-Venom and its own animus of spite and infectiousness. Grooves squirm with the tempest of noise and irritability, the snarling lure of the bass as seductive as ever whilst vocals rage and almost gloat over the victim, in the shape of the senses, crippled by the rhythmic battering alone. Not that the listener realises when being manipulated by an infestation of grooves and stirring hooks shared with similar zeal and power.

The Benefit Of Doubt is an even darker and more predatory proposal; venom toning every rhythmic strike and scything flash of guitar while all the time the bass adds a grouchy nag linking it all up. Maybe the least openly catchy song on the EP, though not by much, the track is as bold and majestic in craft and invention as it is in highly persuasive animosity. It is a formidable and stirring end to what is simply a killer and monumental debut from Bailer.

The CD version of Shaped By The Landscape actually comes with bonus tracks Call Of The Unknown and Animosity, and the cause of the only issue with the release; the fact that we were not sent those songs to cover too, though it is easy to assume they will live up to the other quartet. Already we are greedy for the Bailer incitement and it is hard to imagine we will be on our own once it is out there playing havoc with ears and the passions.

The self-released Shaped By The Landscape EP is released 29th April digitally and on CD @ https://bailerofficial.bandcamp.com/

https://www.facebook.com/bailerofficial/

Pete RingMaster 27/04/2016

Copyright RingMaster: MyFreeCopyright

For more exploration of the independent and promotional services check out http://www.zykotika.com

Cilver – Not The End Of The World

Cliver_RingMasterReview

Some bands and their sound just seem to naturally spark attention and so it is with US based hard rockers Cilver. Over the past three years, the quartet has drawn a wave of increasing interest and support with their sound, success backed by an equally ascending live presence. Now the band is looking at waking up a broader expanse or ears and spotlights with debut album Not The End Of The World. As their sound in general, it is a rousing roar of familiar and distinctly fresh essences and textures creating a commandingly contagious spirit sparking proposition very easy to find a greedy appetite for.

Formed by Romanian born vocalist Uliana Preotu and guitarist Leon Lyazidi, a pair who had already been part of MeTalkPretty, Cilver began in New York in 2013. Within months they linked up with Ron “Bumblefoot” Thal (Guns N’ Roses, Art Of Anarchy) and released debut single In My Head. It and a subsequent EP of the same name the following year, quickly caught the attention of fans and media alike; inspiring eOne to sign them and now release the band’s first album. 2014 also saw Cilver land a spot on Revolver magazine’s Hottest Chicks in Hard Rock Tour alongside bands like Sick Puppies, Lacuna Coil, and Eyes Set to Kill. With a line-up completed by bassist Josh Pillbox and guitarist Ramsey Modiri, Cilver is now poised to spark their busiest and most successful year yet with Not The End Of The World, and a collection of songs seemingly as much inspired by the founding duo’s experiences of being first-generation immigrants and life in the last days of communist rule in Romania as well as the hard journey to the point they are at now.

The album opens with Break Free and quickly has ears and intrigue involved as an opening vine of guitar is swiftly joined by crispy beats and the effect laced vocals of Preotu. A few more eager seconds sees the song in clear view and enticing limbs and imagination with its wall of imposing riffs and thumping rhythms. That initial hook still beckons within the now tempestuous climate and roar of the song with Preotu only impressing more and more with every syllable shared. Major surprises maybe less noticeable within the song but it has the body and spirit bouncing with infectious ease whilst blowing hard with a fresh breath of energy and sound.

Cilver_NTEOTW_Cover_RingMasterReviewThe great start continues with I’m America, the first single from and teaser for the album released at the tail of last year. From the off, the song has a gentle but devilish swagger accentuated by Preotu’s voice, a swing which really catches alight within a handful of seconds as grooves entwine the catchy rhythmic enticement badgering ears. Again there is something thickly recognisable about the track yet an element which seems to only add to the bluesy groove fest of anthemic dexterity and creative tenacity. The song simply beguiles ears and appetite, using the listener’s body like a puppeteer though it is soon outshine by the excellent Headstone, a song with toxic grooves which just seduce the imagination. There is a touch of Sick Puppies to the song but of the three so far, it is the most unique and in turn striking proposal so far with Preotu’s vocals glorious and again almost stealing all the limelight from the superb sonic and rhythmic craft on offer.

Razorblade romps in with creative and physical energy to the fore, a zeal just as open in the darker prowling moments that frequent this ear gripping proposition. With its predacious rock ‘n’ roll lit by a host of fiery hooks and a wonderfully unpredictable invention, the track marks another pinnacle in the lofty creative landscape of the album;  a success emulated by the less invasive and irritable but just as dramatic and compelling Afterlife. Arguably the most lyrically evocative proposal yet on the release with Lyazidi’s keys bringing a haunting and vivacious beauty to the emerging sonic blaze, the song captivates as it reveals more of the diversity in the band’s songwriting and hard rock bred sound.

Rich melancholic strings and poetic keys open up the following power ballad Frozen, Preotu’s presence almost siren-esque in her range of vocal expression and emotive theatre, whilst its successor, It’s My Life, is a growling incitement of defiance and attitude carrying punk irritability to its chest thumping rock ‘n’ roll. Both tracks increasingly incite with every listen, as does the album, though each time they get eclipsed by the soaring roar of Bleed For You. Vocally and atmospherically, the track is a fire of temptation, emotionally crackling as rhythms snap and sonic enterprise flame around the heart bred outpouring of Preotu.

In My Head has the air boiling next, the track as powerful and irresistible as the first time it tempted ears three years back. It’s infectiousness is virulent and confrontation bracing, whilst the imagination fuelling it is rarely surpassed within Not The End Of The World, or indeed other similarly styled releases in recent times.

The album is concluded by the galvanic adventures of firstly Behind These Eyes and finally Not Afraid. The first of the two is a more expectations satisfying encounter but heftily pleasing whilst the closer is as much punk as it is hard rock and a fierce and memorable stomp to close things up on.

Not The End Of The World is an album which leaves you alive with energy and spirit; it might not be the most unique but for a rousing, breathless, and thrilling experience, it and Cilver stand as an unreserved recommendation.

Not The End Of The World is released April 29th via eOne; physically @ http://www.amazon.com/s/ref=dp_byline_sr_music_1?ie=UTF8&field-artist=Cilver&search-alias=music and digitally @ https://cilver.lnk.to/NotTheEndOfTheWorld

http://www.cilverband.com   https://www.facebook.com/Cilver   http://www.twitter.com/cilverband

Pete RingMaster 27/04/2016

Copyright RingMaster: MyFreeCopyright

For more exploration of the independent and promotional services check out http://www.zykotika.com

Ooberfuse – Secret Tattoo

Ooberfuse_RingMasterReview

Having recently returned from a prestigious Nashville songwriting camp sponsored by the UK government (UK Trade and Industry), the band part of a small number handpicked UK artists working with Nashville’s songwriting royalty, electronic pop duo Ooberfuse unveil their new single in the shape of the magnetically alluring Secret Tattoo. It is a vibrant smile on the senses; a song which bubbles and simmers like a pot of warmed honey as sweet as it is compelling.

Ooberfuse artwork_RingMasterReviewThe Woolwich based Ooberfuse is the creative union of Hal St John and Cherrie Anderson, and a project which has seduced much of the world across hundreds of gigs including performing to an audience of 2 million in Madrid and playing for hundreds in one of Rio de Janeiro’s notorious favelas. They have toured across the UK, Italy, Spain, Portugal, Brazil, Canada, the Philippines, and Iraq whilst stirring up support from the likes of Paul Oakenfold, Sister Bliss (Faithless), Ministry of Sound, BBC Introducing’s Tom Robinson, and Amazing Radio’s Jim Gellatly. Following the successful trip mentioned at the start, Ooberfuse has UK spotlights in their sight again with Secret Tattoo, the successor to their praised 2015 single Fall and a song inspired by the thought, “Although love hides its face away from the gaze of a loveless world it nevertheless sprays, like urban graffiti, colourful designs on the flesh of the human ear.”

Secret tattoo opens with a Yazoo like electro invitation quickly joined by the highly persuasive tones of Anderson. Backed by similarly alluring hues from St John, her voice dances on the senses; offering a warm siren-esque kiss on the ear as elegant and tempting as the weave of melodic synth cast suggestiveness around her. There is also a touch of Depeche Mode to the song as its meanders with purpose and resourceful enterprise across the imagination. Its body is slim, textures uncomplicated on the ear but together they create a pop song which lures the listener into a sultry embrace of emotive and electronic flirtation.

No demands are made by Secret Tattoo, just an invitation from Ooberfuse to immerse in its infectious charm; one easy to accept request.

Secret Tattoo is released April 29th

Upcoming Tour Dates:

9 May – London, Soho, Spice of Life

25 June – London, Hayes, Hayes Community Centre

6 July – Stonyhurst, Clitheroe, Stonyhurst College

http://www.ooberfuse.com/   https://www.facebook.com/ooberfuse   https://twitter.com/ooberfuse/

Pete RingMaster 27/04/2016

Copyright RingMaster: MyFreeCopyright

For more exploration of the independent and promotional services check out http://www.zykotika.com