Emerging in 2014, British indie pop/rock band Seprona is proving to be one of the new breed of bands lighting up the Liverpool music scene. Certainly they are one of the eagerly talked about and recommended propositions thanks to songs like new single Trap Door. A lively melodic romancing of ears with a catchiness to take care of the physical side of persuasion, the track is a broader invitation focusing on national ears to back up the fine live reputation already earned.
Initially locking themselves away in an abandoned pub on the outskirts of Liverpool city centre where they practised and honed their sound in conjunction with a prolific writing of songs, Seprona soon made their first step and subsequently mark on the local live scene. Since then they have ignited numerous venues like Sound City last May where they played with the likes of The Flaming Lips, The Vaccines, and Belle & Sebastian and at festivals such as FestEVOL alongside Serpent Power and Dave McCabe & the Ramifications. Musically inspirations from the likes of Arctic Monkeys, The Black Keys, Interpol, and Radiohead into a sound, go into their sound, spices which, going by the new single alone, nurtures an individualism which is also instantly ear friendly.
Now in a development deal with Rooftop Records, a label owned by Parr Street Recording Studio’s Chris Taylor, which gives Seprona access to recording time as well as valuable mentoring, the band is ready to whip up more attention with Trap Door. A crystalline melody erupts around a pulse of beats first to entice ears, a coaxing soon enhanced as a brief cinematic sample emerges alongside the throbbing groan of Tom Larkin’s bass. Within another breath, the potent tones of Daniel Badger lay invitingly upon the melodic veining spreading across the song, his and fellow guitarist Sammy Issa’s poetic enterprise a gentle but potent suggestiveness for the imagination and emotions to embrace.
As boisterously mellow as it is, the song also has an infectiousness which is impossible to ignore. It is perpetual bait which is only highlighted further by the great framing rhythms of drummer Joe Grove, and with everything combined, plays its part in a weave of sound which, even as brief as the song is at under three minutes, leaves a lingering imprint.
Enthralled by the tantalising touch of Trap Door it is fair to say that we, as many more, are very much looking forward to hearing more from Seprona, something you cannot say about every embrace of sound you meet.
Trap Door is out now via Rooftop Records from iTunes and other online stores.
Pete RingMaster 26/02/2016
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